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Who among the following African novelists was a student of philosophy and literature in India?
Directions- Something there is that doesnít love a wall, That sends the frozen-ground-swell under it, And spills the upper boulders in the sun; And makes gaps even two can pass abreast. The work of hunters is another thing: I have come after them and made repair Where they have left not one stone on a stone, But they would have the rabbit out of hiding, To please the yelping dogs. The gaps I mean, No one has seen them made or heard them made, But at spring mending-time we find them there. I let my neighbor know beyond the hill; And on a day we meet to walk the line And set the wall between us once again. We keep the wall between us as we go. To each the boulders that have fallen to each. And some are loaves and some so nearly balls We have to use a spell to make them balance: 'Stay where you are until our backs are turned!' We wear our fingers rough with handling them. Oh, just another kind of outdoor game, One on a side. It comes to little more: There where it is we do not need the wall: He is all pine and I am apple orchard. My apple trees will never get across And eat the cones under his pines, I tell him. He only says, 'Good fences make good neighbors.' Spring is the mischief in me, and I wonder If I could put a notion in his head: 'Why do they make good neighbors? Isn't it Where there are cows? But here there are no cows. Before I built a wall Iíd ask to know What I was walling in or walling out, And to whom I was like to give offense. Something there is that doesnít love a wall, That wants it down.' I could say 'Elves' to him, But itís not elves exactly, and Iíd rather He said it for himself. I see him there Bringing a stone grasped firmly by the top. In each hand, like an old-stone savage armed. He moves in darkness as it seems to me, Not of woods only and the shade of trees. He will not go behind his fatherís saying, And he likes having thought of it so well. He says again, 'Good fences make good neighbors.'
What does the poet mean when he says, "he moves in darkness" ?
Arrange the sections of The Waste Land in the order in which they appear in the poem :
(1) The Fire Sermon
(2) Death by Water
(3) A Game of Chess
(4) What the Thunder Said
(5) The Burial of the Dead
Which of the following theoretical movements claimed that “the device is the only hero of literature”?
“Fair is my love, and cruel as she’s fair; Her brow-shades frown, although her eyes are sunny”. The above lines are characterized by:
Read the following poem and answer the questions:
Stray Cats
They are not exactly homeless.
They are dissidents who have lost their faith in furnished interiors, morning walks, the cake and the cutlery.
When you have nine lives to live you learn to take things in your stride.
You learn to stretch your body at full length and yawn at domestic
fictions.
And for this reason you figure in horror films in the mandatory moment between the flash of lightning and the appearance of the ghost.
The light is darkish blue and you see yourself in the iris of the burning eye.
The horror is in the seeing.
What you see is altered by the act of seeing.
The mystery does not stop there.
The seer is in turn altered by what he sees.
Having known this, stray cats jump from roof to roof.
They monitor the world from treetops and hold their weekly meetings in the graveyard, like wandering mendicants.
And when they walk out of the mirror of the sun and cross the crowded road in a flash, for a shining moment, they lurk in the light like a giant shadow of doubt.
ill-omens to those who cannot see beyond what they see.
From among the following select two words that help accentuate the enigmatic character of stray cats:
I. Doubt
II. Mandatory
III. Faith
IV. Mystery
The right combination according to the code is
Read the following poem and answer the questions:
Stray Cats
They are not exactly homeless.
They are dissidents who have lost their faith in furnished interiors, morning walks, the cake and the cutlery.
When you have nine lives to live you learn to take things in your stride.
You learn to stretch your body at full length and yawn at domestic
fictions.
And for this reason you figure in horror films in the mandatory moment between the flash of lightning and the appearance of the ghost.
The light is darkish blue and you see yourself in the iris of the burning eye.
The horror is in the seeing.
What you see is altered by the act of seeing.
The mystery does not stop there.
The seer is in turn altered by what he sees.
Having known this, stray cats jump from roof to roof.
They monitor the world from treetops and hold their weekly meetings in the graveyard, like wandering mendicants.
And when they walk out of the mirror of the sun and cross the crowded road in a flash, for a shining moment, they lurk in the light like a giant shadow of doubt.
ill-omens to those who cannot see beyond what they see.
The last two lines suggest that cats crossing the crowded road
Choose the correct chronological sequence in which the following literary works were published:
A) "Ulysses" - James Joyce
B) "Crime and Punishment" - Fyodor Dostoevsky
C) "To Kill a Mockingbird" - Harper Lee
D) "The Waste Land" - T.S. Eliot
E) "Frankenstein" - Mary Shelley
Why does Heathcliff think Catherine cannot love Edgar Linton as much as she loves him?
In which of his essays does Homi Bhabha discuss the " discovery ' of English in colonial India?
60 tests
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