Test: Iswaran The Storyteller - 2 - Class 9 MCQ

Iswaran described the ghost of a woman as appearing off and on at midnight during the full moon. This ghost was depicted as an ugly, skeletal figure holding a fetus in its arms, creating a spooky and unsettling atmosphere. Iswaran's vivid description added to the sense of suspense and fear in his storytelling.

Iswaran explained that after the elephant was revived, it was taken back to the jungle by its mahout, who is the elephant's caretaker. This final detail in the story helps wrap up the tale of the rampaging elephant and highlights the role of the mahout in caring for and managing the elephant.

Iswaran mentioned that in the factory area, which was once a burial ground, he often came across human skulls and bones. This detail was part of his eerie storytelling, adding a spooky element to his accounts of the location. It contributed to the unsettling atmosphere he described, making his stories more dramatic and engaging.

Iswaran usually read popular Tamil thrillers. These books often feature dramatic plots and suspenseful narratives, which influenced his storytelling style, making his stories captivating and filled with suspense and surprise. The excitement and vivid descriptions in thrillers helped him craft engaging tales for Mahendra.

Iswaran claimed he brought down the mad elephant by hitting its third toenail. According to him, this action, influenced by the Japanese art of ju-jitsu, temporarily paralyzed the elephant's nervous system, causing it to collapse. This dramatic element added to the suspense and excitement of his storytelling.

Iswaran claimed that he sometimes saw ghosts at night. He described encountering a particularly frightening ghost of a woman with a shriveled face and a foetus in her arms. This added to the spooky and suspenseful nature of his stories, which he shared with Mahendra, making his tales more engaging and dramatic.

When Mahendra looked out of the window, he saw a dark, cloudy form clutching a bundle, which he initially mistook for a ghost. This unsettling sight was a result of his anxiety and the influence of Iswaran's spooky stories. The dark shape was likely a product of his imagination, heightened by Iswaran's eerie tales about the supernatural.

Mahendra enjoyed Iswaran's stories primarily because of Iswaran's unique and engaging way of narrating them. Iswaran's storytelling was filled with suspense, dramatic flair, and surprise endings, which made his stories captivating. His ability to weave excitement and mystery into his tales kept Mahendra fascinated, despite the fantastical elements.

Iswaran believed that Karate-do (or ju-jitsu, as he called it) had the power to temporarily paralyse the nervous system. He explained that this technique, which he claimed to have read about, could stun an opponent, making them unable to move for a short period. This was how he described his ability to bring down the mad elephant, illustrating his belief in the effectiveness of this martial art for immobilizing a powerful animal.

Mahendra listened to Iswaran’s tales uncritically.

Mahendra, upon hearing Iswaran’s frightening story about the female ghost, dismissed it completely. He reacted by saying that Iswaran was crazy, denying the existence of ghosts or spirits, and suggesting that the tale was merely a product of Iswaran’s imagination. This comprehensive dismissal shows Mahendra's skepticism and rational approach to supernatural claims, reflecting his disbelief in such stories.

Iswaran claimed that after he had managed to bring down the mad elephant, a veterinary doctor was called to help revive the animal. This explanation added an element of credibility to his tale, as it aligned with the logical step of seeking professional help for a distressed animal. Iswaran's story blended reality with his dramatic flair, making it both entertaining and seemingly plausible.

Mahendra became uneasy after hearing Iswaran's unsettling story about a female ghost. As a result, he avoided looking out of the window on full-moon nights. The full moon, which used to be a source of beauty for him, now reminded him of Iswaran's ghostly tales. This avoidance was driven by his fear and the vivid imagery Iswaran had created, making him anxious about seeing anything unusual outside.