Text 1
Dance choreographer Alvin Ailey's deep admiration for jazz music can most clearly be felt in the rhythms and beats his works were set to. Ailey collaborated with some of the greatest jazz legends, like Charles Mingus, Charlie Parker, and perhaps his favorite, Duke Ellington. With his choice of music, Ailey helped bring jazz to life for his audiences.
Text 2
Jazz is present throughout Ailey's work, but it's most visible in Ailey's approach to choreography. Ailey often incorporated improvisation, a signature characteristic of jazz music, in his work. When managing his dance company, Ailey rarely forced his dancers to an exact set of specific moves. Instead, he encouraged his dancers to let their own skills and experiences shape their performances, as jazz musicians do.
Based on the texts, both authors would most likely agree with which statement?
Text 1
Because literacy in Nahuatl script, the writing system of the Aztec Empire, was lost after Spain invaded central Mexico in the 1500s, it is unclear exactly how meaning was encoded in the script's symbols. Although many scholars had assumed that the symbols signified entire words, linguist Alfonso Lacadena theorized in 2008 that they signified units of language smaller than words: individual syllables.
Text 2
The growing consensus among scholars of Nahuatl script is that many of its symbols could signify either words or syllables, depending on syntax and content at any given site within a text. For example, the symbol signifying the word huipil (blouse) in some contexts could signify the syllable "pil" in others, as in the place name "Chipiltepec." Thus, for the Aztecs, reading required a determination of how such symbols functioned each time they appeared in a text.
Based on the texts, how would the author of Text 2 most likely characterize Lacadena's theory, as described in Text 1?
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Text 1
Philosopher G.E. Moore's most influential work entails the concept of common sense. He asserts that there are certain beliefs that all people, including philosophers, know instinctively to be true, whether or not they profess otherwise: among them, that they have bodies, or that they exist in a world with other objects that have three dimensions. Moore's careful work on common sense may seem obvious but was in fact groundbreaking.
Text 2
External world skepticism is a philosophical stance supposing that we cannot be sure of the existence of anything outside our own minds. During a lecture, G.E. Moore once offered a proof refuting this stance by holding out his hands and saying, "Here is one hand, and here is another." Many philosophers reflexively reject this proof (Annalisa Coliva called it "an obviously annoying failure") but have found it a challenge to articulate exactly why the proof fails.
Based on the texts, how would the author of Text 1 most likely respond to proponents of the philosophical stance outlined in Text 2?
Text 1
Historians studying pre-Inca Peru have looked to ceramic vessels to understand daily life among the Moche people. These mold-made sculptures present plants, animals, and human faces in precise ways—vessels representing human faces are so detailed that scholars have interpreted facial markings to represent scars and other skin irregularities. Some historians have even used these objects to identify potential skin diseases that may have afflicted people at the time.
Text 2
Art historian and archaeologist Lisa Trever has argued that the interpretation of Moche "portrait" vessels as hyper-realistic portrayals of identifiable people may inadvertently disregard the creativity of the objects' creators. Moche ceramic vessels, Trever argues, are artworks in which sculptors could free their imagination, using realistic objects and people around them as inspiration to explore more abstract concepts.
Based on the texts, what would Lisa Trever (Text 2) most likely say about the interpretation presented in the underlined portion of Text 1?
Text 1
Despite its beautiful prose, The Guns of August, Barbara Tuchman's 1962 analysis of the start of World War I, has certain weaknesses as a work of history. It fails to address events in Eastern Europe just before the outbreak of hostilities, thereby giving the impression that Germany was the war's principal instigator. Had Tuchman consulted secondary works available to her by scholars such as Luigi Albertini, she would not have neglected the influence of events in Eastern Europe on Germany's actions.
Text 2
Barbara Tuchman's The Guns of August is an engrossing if dated introduction to World War I. Tuchman's analysis of primary documents is laudable, but her main thesis that European powers committed themselves to a catastrophic outcome by refusing to deviate from military plans developed prior to the conflict is implausibly reductive.
Which choice best describes a difference in how the authors of Text 1 and Text 2 view Barbara Tuchman's The Guns of August?
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49 videos|31 docs|28 tests
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