The Rise Of Nationalism In Europe -Olympiad Level MCQ, Class 10 SST


20 Questions MCQ Test Olympiad Preparation for Class 10 | The Rise Of Nationalism In Europe -Olympiad Level MCQ, Class 10 SST


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This mock test of The Rise Of Nationalism In Europe -Olympiad Level MCQ, Class 10 SST for Class 10 helps you for every Class 10 entrance exam. This contains 20 Multiple Choice Questions for Class 10 The Rise Of Nationalism In Europe -Olympiad Level MCQ, Class 10 SST (mcq) to study with solutions a complete question bank. The solved questions answers in this The Rise Of Nationalism In Europe -Olympiad Level MCQ, Class 10 SST quiz give you a good mix of easy questions and tough questions. Class 10 students definitely take this The Rise Of Nationalism In Europe -Olympiad Level MCQ, Class 10 SST exercise for a better result in the exam. You can find other The Rise Of Nationalism In Europe -Olympiad Level MCQ, Class 10 SST extra questions, long questions & short questions for Class 10 on EduRev as well by searching above.
QUESTION: 1

The purpose behind the painting “TheMassacre at Chios” by EugeneDelacroix, 1824, was :

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QUESTION: 2

The aim of Romanticism, a culturalmovement, was :

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QUESTION: 3

German philosopher Johann GotfriedHerder claimed that true Germanculture was discovered through

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QUESTION: 4

Nationalism lost its liberal democraticsentiment in the last quarter of the 19thcentury, because :

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QUESTION: 5

The big power rivalry in the late 19th century was over :

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QUESTION: 6

The most serious source of nationalisttension in Europe after 1871 was :

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QUESTION: 7

The power struggle in Europe by thebig powers (late 19th century) led to :

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QUESTION: 8

A map celebrating the British Empire depict British domination of the world as :

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QUESTION: 9

Phillip Veit used the following in his painting as symbols
(i) Broken chains,
(ii) Sword
(iii) Olive branch round the sword and
(iv) Rays of the rising sun. They symbolised :

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QUESTION: 10

Who painted ‘Germania’ and for whatoccasion?

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QUESTION: 11

 Frederic Serrieu, a French artist, in his series of four prints (1848) visualised his dream of a world as :

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In the year 1848, a French artist named Frederic Sorrieu prepared a series of four prints visualizing his dream of a world made up of ‘democratic and social Republics’.

QUESTION: 12

The symbols of the new ‘British nation’were :

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QUESTION: 13

Ireland suffered under the British, because :

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The Irish Rebellion of 1798 was an uprising against British rule in Ireland. The United Irishmen, a republican revolutionary group influenced by the ideas of the American and French revolutions, were the main organising force behind the rebellion, led by Presbyterians angry at being shut out of power by the Anglican establishment and joined by Catholics, who made up the majority of the population. Many Ulster Protestants joined the rebellion, while the Roman Catholic Church backed the Crown. The result of this was that the conflict was of a political rather than a sectarian nature. A French army which landed in County Mayo in support of the rebels was overwhelmed by British and loyalist forces.

QUESTION: 14

Under the British dominance, Scotlandsuffered because of :

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QUESTION: 15

Some historians consider Great Britainas a model of the nation state because :

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QUESTION: 16

Garibaldi contributed to the Italianunification by :

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QUESTION: 17

How was the process of German unification completed and who was proclaimed the ruler?

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QUESTION: 18

A ‘Feminist’ is :

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QUESTION: 19

The weavers of Silesia revolted in 1845against contractors because :

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QUESTION: 20

In France, 1848 was a year when :

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The year 1848 was the year which witnessed great hardships. The population of Paris suffered from food shortages and unemployment. The following were the significance of the year 1848 for France –

• Republic was formed which provided suffrage, i.e., the Right to Vote in political elections to all the male adults above 21 and promised Right to work. Accordingly, national workshops were set up to provide employment opportunities.

• It also brought the refusal or rejection of the Monarchical power in France in 1848.