Time: 1 hour
M.M. 30
Attempt all questions.
- Question numbers 1 to 5 carry 1 mark each .
- Question numbers 6 to 8 carry 2 marks each.
- Question number 9 carry 4 marks each.
- Question numbers 10 and 11 carry 5 marks each
Q.1 Who is the poet of "A Photograph"? (1 mark)
(a) Khushwant Singh
(b) Ted Hughes
(c) Shirley Toulson
(d) Walt Whitman
Ans: (c) Shirley Toulson
Shirley Toulson reflects on time, memory, and loss through a single family photograph.
Q.2 The word "cardboard" in the poem refers to: (1 mark)
(a) The camera
(b) The sea
(c) The stiff backing of the old photograph
(d) The uncle's hat
Ans: (c) The stiff backing of the old photograph
It emphasises the fragile, aged, and preserved nature of the memory captured in the photo.
Q.3 What has "changed less" over the years according to the poem? (1 mark)
(a) The girls
(b) The uncle
(c) The sea
(d) The laughter
Ans: (c) The sea
The sea symbolises permanence in contrast to the transient nature of human life.
Q.4 The girls stood still to smile through their ________ at the uncle with the camera. (1 mark)
Ans: hair
Q.5 The mother's feet are described as "terribly ________". (1 mark)
Ans: transient
Q.6 Explain why the poet uses the phrase "laboured ease of loss". (2 marks)
Ans: The phrase "laboured ease of loss" captures the painful effort required to accept loss with apparent calm. Both the mother's laughter at the old snapshot and the poet's memory of that laughter are tinged with bitterness, showing that coming to terms with separation and death demands strenuous emotional work yet never feels truly easy.
Q.7 What do the names "Betty and Dolly" refer to in the poem? Give the context in which they appear. (2 marks)
Ans: "Betty and Dolly" are the names of the poet's mother's two girl cousins who went paddling with her at the beach. Twenty to thirty years later, the mother laughingly pointed them out in the snapshot, saying "See Betty and Dolly," while recalling how they were dressed for the beach holiday, highlighting a nostalgic yet wistful moment.
Q.8 How does the poet contrast human life with nature in the first stanza? (2 marks)
Ans: In the first stanza, the poet contrasts the unchanging sea with the "terribly transient feet" of the three girls. While the sea continues to wash the shore unchanged over decades, human beings and their moments are fleeting and temporary, emphasising the inevitability of change and mortality in human existence against nature's permanence.
Q.9 Read the passage given below and answer the questions that follow: (4 marks)
Some twenty - thirty - years later
She'd laugh at the snapshot. "See Betty
And Dolly," she'd say, "and look how they
Dressed us for the beach." The sea holiday
Was her past, mine is her laughter. Both wry
With the laboured ease of loss.
(i) Who is "she" in the above lines?
(a) Betty
(b) Dolly
(c) The poet
(d) The poet's mother
Ans: (d) The poet's mother
(ii) The sea holiday was her ________.
Ans: past
(iii) The poet's inheritance is her mother's ________.
Ans: laughter
(iv) Assertion (A): Both the mother's laughter and the poet's memory are free from sorrow.
Reason (R): They are described as "wry with the laboured ease of loss".
(a) Both A and R are true, and R is the correct explanation of A.
(b) Both A and R are true, but R is not the correct explanation of A.
(c) A is true, but R is false.
(d) A is false, but R is true.
Ans: (d) A is false, but R is true.
The assertion is false because the laughter and memory carry underlying pain and bitterness due to irreversible loss. The reason is true as it directly quotes the text, correctly identifying the wry and effortful nature of accepting loss, which contradicts the idea of sorrow-free emotions.
Q.10 Describe the three different phases depicted in the three stanzas of the poem "A Photograph". Support your answer with examples from the text. (5 marks)
Ans: The poem unfolds in three distinct temporal phases, each stanza capturing a different stage of memory and loss. The first stanza portrays the distant past-the moment the photograph was taken when the poet's mother, about twelve years old, enjoyed a beach holiday with her cousins Betty and Dolly. They stood smiling, holding hands, while the uncle clicked the picture, and the sea washed their "terribly transient feet," freezing a joyful instant in time. The second stanza shifts to the more recent past, twenty to thirty years later, when the mother looked at the snapshot and laughed nostalgically, pointing out how they were dressed for the beach. This laughter became the poet's cherished memory, though both the holiday and the laughter are marked as "wry with the laboured ease of loss," revealing underlying sorrow. The third stanza brings the reader to the present, after the mother's death. She has been dead nearly as many years as the girl in the photo lived, and faced with this final loss, the poet finds "nothing to say at all." The photograph's silence ultimately "silences" her, symbolising overwhelming grief and the ultimate finality of death. Through these phases, the poem traces the journey from captured joy to nostalgic remembrance to silent mourning.
Q.11 How does Shirley Toulson use the metaphor of silence in the final stanza to convey the depth of grief? Elaborate with reference to the poem's theme of transience. (5 marks)
Ans: In the final stanza, Shirley Toulson elevates silence to a profound metaphor for the inexpressible pain of loss, culminating the poem's exploration of life's transience. After stating that her mother has been dead for almost as many years as the young girl in the photograph lived, the poet declares, "And of this circumstance there is nothing to say at all. Its silence silences." The "circumstance" refers to the mother's death, an event so absolute that words fail entirely. The photograph, a mute object, embodies "its silence"-the frozen, wordless capture of a moment that no longer exists. This silence then "silences" the poet, rendering her speechless before the enormity of grief. This metaphor ties directly to the theme of transience introduced earlier: human feet are "terribly transient" against the eternal sea, moments of joy like the beach holiday become wry memories, and laughter itself fades into loss. Silence thus becomes the ultimate expression of irretrievable passage-where vibrant life, nostalgic recollection, and even articulate sorrow dissolve into mute acceptance. By ending with silence overpowering speech, Toulson conveys that some losses are too profound for language, leaving only a void that echoes the fleeting nature of human existence.