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Chapter Notes: Let's Perform

Chapter Notes: Let`s Perform

Introduction

This chapter helps students enjoy language through nonsense poetry and plays. They will listen to and perform a funny poem, compare a folk tale and a play script, use stronger describing words, build character profiles, write an ending for a story, and finally perform a short play. The focus is on simple, clear language, expression, and confidence in speaking and writing.

What nonsense!

We are going to prepare and perform an expressive reading of a nonsense poem.

What nonsense!

Introduction to nonsense poetry

  • Nonsense uses words, phrases or ideas that do not follow normal logic or meaning.
  • It often has invented words, strange pictures and impossible events.
  • The aim is to be playful, funny and imaginative, not serious.
  • The opposite of nonsense is sense - clear meaning and logical expression.
  • In Victorian England, nonsense writing was very popular.
  • Edward Lear (1812-1888)was a famous English writer and artist.
    • Known for his nonsense poems and limericks.
    • Wrote A Book of Nonsense (1846).
    • He was the twentieth child in a family of twenty-one!

The Jumblies - reading and activity

  • The Jumblies is a nonsense poem by Edward Lear.
  • The Jumblies are strange people who:
    • Sail to sea in a sieve (a kitchen strainer), not a real boat.
    • Have green heads and blue hands.
    • Do not listen when people say they will drown.
  • This poem is perfect for practising expression, rhythm and group reading.

Listening, rhythm and rhyme

  • Listen to the first stanza and clap the beat to feel the rhythm.
  • Find rhyming words(same end sounds) such as:
    • say / day, fig / big, etc.
  • Notice how the word "sieve"sounds.
    • Think of words that could rhyme with it.
    • Its sound helps keep the poem's pattern.

Spelling rule and word play

  • Spelling rule: "i before e except after c"
    • Example: field, thief, piece
    • After c: receive, ceiling
  • Make a list of -ie words and check which ones rhyme.
  • Notice how the poem uses odd or invented words.
    • In nonsense poetry, sound, rhythm and fun are often more important than exact meaning.

Choral reading and performance notes

  • A choral reading is when a group reads a poem aloud together.
  • This poem is ideal for practising:
    • Clear voice
    • Expression and feeling
    • Shared rhythm
  • You can:
    • Read lines together.
    • Share different lines between group members.
    • Add simple actions and gestures.

MULTIPLE CHOICE QUESTION
Try yourself: What is the purpose of nonsense poetry?
A

To be playful and imaginative

B

To tell real-life stories

C

To be serious and logical

D

To teach grammar rules

From story to play

Compare a folk tale and a play, and write stage directions.

The Sparrow's Quest - Part One (retelling)

  • A hungry sparrow searches for food on a cold winter day.
  • She thinks she sees a grub on an icy pond and swoops down.
  • It is only a twig, not food.
  • The ice is so cold that her feet sting with pain.
  • She cries out and calls the Ice the greatest power in the world.
  • The Ice laughs and tells her she is wrong:
    • The Sun is stronger because it can melt the ice in spring.
    • The sparrow must ask the Sun about power.

From folk tale to script: features and cast

  • A script is the written version of a play or film.
  • A play script usually includes:
    • Cast list: names of all characters.
    • Setting: where and when the scene takes place; what the stage looks like.
    • Dialogue: words spoken by the characters.
    • Stage directions: instructions in brackets that tell actors how to move or speak.

Example cast list and setting for a class production

  • Cast
    • Sparrow
    • Ice
    • Sun
    • Clouds (2-5 students)
    • Mountain
    • Grass (3-5 students)
    • Worm
  • Costumes
    • Green outfits for grass.
    • Masks for Sparrow, Sun and Worm.
  • Props
    • Dry leaves
    • A white sheet to show frozen ground
    • A backdrop of clouds and mountains
  • Setting example
    • Act 1, Scene 1 - Winter.
    • A white sheet in the centre of the stage shows the frozen ground.
    • The small Sparrow enters, looking for a grub to eat.

Script excerpt - Act 1, Scene 1
This shows how the story becomes a play script:

  • Stage directions in brackets:
    • (Winter. A white sheet, centre stage, represents the frozen ground...)
  • Character names followed by their words:
    • Sparrow: complains about the cold ice and asks about power.
    • Ice: laughs and explains that the Sun is stronger.
    • Sun: enters proudly and explains that clouds can hide him.

Stage directions and tense

  • Stage directions explain background and movement.
  • They are important for actors and the director.
  • Usually written:
    • In the present tense: "(A sparrow swoops down.)"
    • In brackets or italics.
  • Practice: change past-tense story sentences into present-tense stage directions.
    • Narrative: "A sparrow swooped down."
    • Stage direction: "(A sparrow swoops down.)"

More powerful language

We will form spelling rules for adding suffixes and practise comparative and superlative adjectives.

Comparatives and superlatives

  • Comparative adjectives compare two nouns.
    • Often use -er or more.
    • Example: "The Sun is brighter than the Ice."
  • Superlative adjectives compare more than twonouns.
    • Often use -est or most.
    • Example: "The Sparrow is one of the smallest birds of all."
  • Use more / most with longer adjectives (more than two syllables) or adjectives ending in -ful:
    • painful → more painfulmost painful.

Spelling rules for -er and -est

  • For most one-syllable adjectives, just add -er or -est:
    • late → later → latest
  • If the adjective ends in a single consonant with a single vowel before it, double the final consonant:
    • big → bigger → biggest
  • If it ends in -y, change y to and add the suffix:
    • happy → happier → happiest

Create characters

We are going to create a character profile from clues in a script and read aloud expressively.

Example - Act 1 Scene 2 (excerpt)

  • Clouds enter, moving quietly and covering the Sun.
  • Sparrow asks the Clouds if they are the greatest power.
  • The Clouds speak mysteriously and say their power lasts only until the Wind blows them away.
  • The Wind rushes in, spins the Sparrow around, and claims that the Mountain is more powerful than the Wind.
  • The scene ends with the curtains closing, giving a feeling of mystery.

Character profile example

Use these headings for a character profile:

  • Name
  • Physical appearance
  • Personality
  • Diet
  • Habitat
  • Likes
  • Dislikes
  • Costume/props

Example for Sparrow:

  • Name: Sparrow
  • Physical appearance: small, brown and grey, with black and white markings
  • Personality: energetic, playful, sociable, curious
  • Diet: seeds, corn, small insects (moths, caterpillars, worms)
  • Habitat: many places - towns, villages, countryside; nests in trees
  • Likes: dust or water baths, singing with other birds, hopping on the ground
  • Dislikes: ice, swimming, cats, birds of prey
  • Costume/props: brown tights, brown wings, grey T-shirt, black cap, short grey beak, white scarf

MULTIPLE CHOICE QUESTION
Try yourself: What should you do to create a story?
A

Make a song

B

Create characters

C

Write a poem

D

Draw pictures

Write an ending

We are going to write dialogue and an ending for the play script.

Structure and direct speech

  • Most stories have:
    • A beginning: introduces characters and setting.
    • A middle: shows the main problem or quest.
    • An end: shows how the story finishes.
  • Discuss:
    • How does the Sparrow's story begin?
    • What happens in the middle?
    • What kind of ending would be satisfying or surprising?
  • In a script:
    • Write the character's name followed by a colon and their words.
    • Do not keep writing "he said" or "she said".
  • Stage directions are separate:
    • Written in brackets.
    • In the present tense.
    • Not spoken aloud.

Example conversion

  • Narrative:
    • "Please can I have some more?" asked the child, quietly.
  • Script form:
    • Child (in a quiet voice): Please can I have some more?

The Sparrow's Quest - Part Two (scripted ending)

  • The Sparrow is tired and very hungry.
  • She sees a worm hole and calls to the Worm, asking if he is the most powerful creature.
  • The Worm wishes he was powerful so he would not fear being eaten.
  • He realises too late that the Sparrow is the one calling him.
  • The Sparrow gobbles him up.
  • The Worm, while being eaten, asks how it feels to be the greatest thing on earth.
  • The Sparrow wipes her beak and replies that she only feels a little less hungry.
  • This ending shows:
    • A twist - the quiet Sparrow becomes the most powerful for the Worm.
    • Irony - power here simply means the power to eat.

Perform a play

Spelling note

  • In British English:
    • practise = verb (action)
      • Example: "We practise the play every day."
    • practice = noun (thing)
      • Example: "Our practice today went well."
  • Make a mnemonic (memory trick) to remember:
    • "I practise to improve my practice."

Important Terms

  • Nonsense: Funny language that does not follow normal logic or meaning.
  • Sense: Clear, logical meaning.
  • Nonsense poem: A poem with silly ideas, invented words, or impossible events.
  • Rhythm: The beat or pattern of stressed and unstressed words in a line.
  • Rhyme: Words with the same ending sound (e.g., day/say, big/fig).
  • Sieve: A kitchen tool with holes used for straining or sifting; not safe for a real boat.
  • Choral reading: A group of people reading a text aloud together.
  • Victorian England: The time when Queen Victoria ruled Britain (1837-1901).
  • Quest: A long search or attempt to get something difficult.
  • Grub: A small larva or worm-like creature that birds eat.
  • Script: The written words of a play or film.
  • Cast: The group of actors who play all the parts in a play.
  • Setting: Where and when the story or scene happens.
  • Dialogue: The words spoken by characters.
  • Stage directions: Instructions (in brackets) that tell actors how to move or speak.
  • Comparative adjective: A word that compares two things (e.g., bigger, colder, more painful).
  • Superlative adjective: A word that shows the highest degree (e.g., biggest, coldest, most painful).
  • Suffix: A group of letters added to the end of a word (e.g., -er, -est, -ful).
  • Character profile: Notes that describe a character's looks, personality, habits, and likes.
  • Direct speech: The exact words a person says, shown in a script after the character's name.
  • Narrative: Story writing that tells events in sentences and paragraphs.
  • Mnemonic: A trick or sentence that helps you remember something.
  • Practise: Verb; to do something again and again to get better.
  • Practice: Noun; the activity or session of practising.
The document Chapter Notes: Let's Perform is a part of the Year 4 Course Year 4 English IGCSE (Cambridge).
All you need of Year 4 at this link: Year 4

FAQs on Chapter Notes: Let's Perform

1. What is nonsense poetry, and how does it differ from traditional poetry?
Ans. Nonsense poetry is a form of verse that employs whimsical language, absurd themes, and imaginative imagery, often prioritising sound and rhythm over logical meaning. Unlike traditional poetry, which typically conveys clear messages or emotions, nonsense poetry revels in the playful use of words and can create a sense of joy and curiosity through its unconventional structure and content.
2. What are the key features of "The Jumblies" that make it an example of nonsense poetry?
Ans. "The Jumblies" by Edward Lear features absurd characters, nonsensical scenarios, and playful language. The poem describes whimsical creatures who embark on an illogical journey in a floating tub, highlighting themes of adventure and imagination. The use of repetition, rhyme, and rhythm contributes to its musicality, making it engaging and entertaining, characteristic of nonsense poetry.
3. How can a story be effectively transformed into a play script?
Ans. To transform a story into a play script, one must identify key elements such as characters, setting, and plot. It involves condensing the narrative into dialogue and action, incorporating stage directions for performance clarity. Maintaining the essence of the story while adapting it for a visual medium is crucial, ensuring that the emotional and thematic core is preserved in the script format.
4. What are character profiles, and why are they important in playwriting?
Ans. Character profiles are detailed descriptions of characters, including their traits, backgrounds, motivations, and relationships with other characters. They are important in playwriting as they help writers create well-rounded and believable characters, ensuring consistency in their dialogue and actions throughout the script. This aids actors in understanding their roles and contributes to the overall coherence of the performance.
5. What is the significance of using comparatives and suffix rules in writing?
Ans. Using comparatives in writing allows for the expression of differences and similarities between subjects, enhancing clarity and depth in descriptions. Suffix rules, which govern how words can be modified to change their meaning or grammatical function, contribute to the richness of language. Mastery of these rules enables writers to create more nuanced and powerful language, improving overall communication effectiveness.
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