Read each passage carefully and then answer the questions about it. For each question, decide on the basis of the passage which one of the choices best answers the question.
The following passage is adapted from a work of narrative fiction.
The morning Aunt Clara arrived from Montreal, the entire household shifted into a different rhythm. She swept through the front door with three leather cases and a hatbox, trailing the scent of lavender and something sharper – camphor, perhaps, or the mustiness of train compartment air. My mother, who had been anxious all week, suddenly (5) became girlish, laughing at jokes I didn’t understand and speaking too quickly. My father retreated to his study with unusual haste. I was twelve that summer, old enough to be curious but too young to ask direct questions. Aunt Clara noticed me hovering near the parlor doorway and beckoned me inside with one gloved finger. “You must be (10) Charlotte,” she said, though of course she knew perfectly well who I was. “I have brought you something from the city.” From her largest case she produced a book bound in green morocco leather, its pages edged in gold. The title, embossed in French, meant nothing to me then. “Your mother tells me you are a great reader,” Aunt Clara continued, settling into the (15) wing chair as though she had lived in our house all her life. “But she worries you read only what is safe and proper.” She smiled, and I saw in her face a resemblance to my mother that was somehow both obvious and utterly transformed. They had the same eyes, the same slope of cheekbone, but where my mother’s features (20) suggested caution and care, Aunt Clara’s spoke of appetite and motion. I took the book, unsure whether I was being offered a gift or a challenge.
1. The primary purpose of the passage is to
2. As used in line 2, the word “trailing” most nearly means
3. The narrator’s description of her mother’s behavior in lines 4–6 suggests that
4. The father’s retreat to his study (line 6) can best be described as
5. The narrator characterizes herself in lines 8–9 as being
6. Aunt Clara’s remark “You must be Charlotte” (lines 9–10) is best understood as
7. The contrast the narrator draws between her mother and Aunt Clara in lines 17–21 emphasizes
The following passage is adapted from an article about the history of cartography.
For centuries, mapmakers faced a problem that seemed insoluble: how to represent the three-dimensional surface of a sphere on a two-dimensional plane without distortion. Every solution required compromise. The Mercator projection, introduced in 1569 by Flemish cartographer Gerardus Mercator, became the most influential of these compromises, shaping not only navigation but (5) the way generations of people visualized the world. Mercator’s innovation was mathematical rather than artistic. By progressively expanding the spacing between parallels of latitude as they moved away from the equator, he created a map on which any straight line represented a constant compass bearing – a property called a rhumb line or loxodrome. For sailors (10) crossing open ocean, this was revolutionary. They could plot a course by simply drawing a straight line between two points and reading the angle it made with the meridians. Prior to Mercator’s projection, navigating required continual recalculation as the ship’s direction relative to true north changed with longitude. The cost of this navigational convenience was geometric distortion. Because Mercator’s projection (15) preserves angles but not areas, regions near the poles appear vastly larger than they are in reality. Greenland, for instance, appears similar in size to Africa on a Mercator map, though Africa is actually fourteen times larger. This distortion is not an error or flaw in Mercator’s work – it is an inherent mathematical consequence of the projection method. Despite (20) this limitation, the Mercator projection dominated world maps for centuries, long after its navigational purpose had become less relevant to the general public. Critics argue that its continued use in classrooms and atlases perpetuated a Eurocentric worldview by inflating the apparent size of northern continents.
8. The main idea of the passage is that
9. As used in line 2, the word “compromise” most nearly means
10. According to the passage, Mercator’s primary innovation involved
11. The passage indicates that before Mercator’s projection, sailors faced the difficulty of
12. The author includes the example of Greenland and Africa (lines 16–18) primarily to
13. The tone of the passage can best be described as
14. The author’s statement that the distortion “is not an error or flaw” (line 18) implies that
The following is adapted from Chief Joseph’s surrender speech, delivered in 1877 at the conclusion of the Nez Perce War.
Tell General Howard I know his heart. What he told me before, I have it in my heart. I am tired of fighting. Our chiefs are killed; Looking Glass is dead, Too-hul-hul-sote is dead. The old men are all dead. It is the young men who say yes or no. He who led on the young men (5) is dead. It is cold, and we have no blankets; the little children are freezing to death. My people, some of them, have run away to the hills, and have no blankets, no food. No one knows where they are – perhaps freezing to death. I want to have time to look for my children, and see how many of them I can find. Maybe I shall find them among (10) the dead. Hear me, my chiefs! I am tired; my heart is sick and sad. From where the sun now stands I will fight no more forever.
15. The primary purpose of the speech is to
16. As used in line 1, the phrase “know his heart” most nearly means
17. Chief Joseph mentions the deaths of Looking Glass and Too-hul-hul-sote (lines 2–3) in order to
18. The passage suggests that the immediate suffering of Chief Joseph’s people includes
19. Chief Joseph’s statement “Maybe I shall find them among the dead” (lines 9–10) conveys a tone of
20. The final sentence (lines 10–11) is notable primarily for its
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IF YOU FINISH BEFORE TIME IS CALLED, YOU MAY CHECK YOUR WORK ON THIS SECTION ONLY. DO NOT TURN TO ANY OTHER SECTION OF THE TEST.
1. Ans: (B) – introduce a character whose arrival disrupts the narrator’s familiar world
Explanation: This is a Main Idea/Author’s Purpose question. The passage focuses primarily on Aunt Clara’s arrival and the immediate changes it brings: the household shifts “into a different rhythm” (line 1), the mother becomes girlish, and the father retreats to his study. The narrator observes these disruptions with curiosity. Choice (A) is too narrow, focusing only on physical description rather than the broader narrative purpose. Choice (C) is not supported, as the passage does not explain the reason for the mother’s anxiety.
2. Ans: (B) – bringing with her
Explanation: This is a Vocabulary in Context question. In line 2, Aunt Clara is described as “trailing the scent of lavender,” meaning the scent accompanies her as she enters. In this context, “trailing” means carrying or bringing with her. Choice (A) uses the most common meaning of “trailing” but does not fit the context, as the scent is not literally following behind her. Choice (E) is incorrect because nothing in the passage suggests anything is dragging on the floor.
3. Ans: (C) – Aunt Clara’s presence affects her mother’s usual composure
Explanation: This is an Inference question. The narrator describes her mother as becoming “girlish, laughing at jokes I didn’t understand and speaking too quickly” (lines 5–6), which suggests a change from her normal behavior. The phrase “anxious all week” (line 4) also implies anticipation of this change. Choice (E) may be true but is not directly supported by these specific lines. Choice (B) reverses the implication – the mother laughs specifically in response to Aunt Clara’s arrival, not that she rarely laughs in general.
4. Ans: (B) – a deliberate avoidance of Aunt Clara’s arrival
Explanation: This is an Inference question. The father’s retreat is described as happening “with unusual haste” (line 6), suggesting this is not his normal routine and is specifically triggered by Aunt Clara’s arrival. The word “unusual” rules out choice (C). Choice (A) goes too far in characterizing the action as rude, when it is simply avoidance. Choice (D) is not supported anywhere in the passage.
5. Ans: (A) – interested but constrained by her age and position
Explanation: This is a Detail/Inference question. The narrator explicitly states she is “old enough to be curious but too young to ask direct questions” (lines 8–9), which directly supports this answer. She describes herself as hovering near the doorway, indicating interest. Choice (B) contradicts the stated curiosity. Choice (D) attributes an emotion (resentment) that is not present in the passage.
6. Ans: (C) – a playful or ironic way of beginning a conversation
Explanation: This is an Inference question. The narrator tells us that Aunt Clara “knew perfectly well who I was” (line 10), which indicates the remark is not literal but rather a form of social play or irony. Choice (A) directly contradicts what the narrator tells us. Choice (D) is also contradicted by the narrator’s statement. Choice (B) is not supported by any evidence in the passage.
7. Ans: (C) – the physical resemblance that disguises a fundamental difference in character
Explanation: This is a Structure/Extended Reasoning question. The narrator describes the resemblance as “both obvious and utterly transformed” (line 19) and contrasts the mother’s features that “suggested caution and care” with Aunt Clara’s that “spoke of appetite and motion” (lines 19–21). This emphasizes similar features but different character. Choice (A) is not mentioned – no age difference is discussed. Choice (B) is too narrow, focusing only on beauty when the passage emphasizes character traits.
8. Ans: (B) – the Mercator projection solved a navigational problem but created geographic distortions
Explanation: This is a Main Idea question. The passage explains how Mercator’s innovation made navigation easier (lines 7–13) but also describes the “cost” as “geometric distortion” (lines 14–18). This dual focus on benefits and drawbacks is the passage’s central point. Choice (A) goes too far – the passage never makes this comparative claim. Choice (E) is too extreme and contradicts the passage’s acknowledgment of the projection’s historical utility.
9. Ans: (B) – trade-off among competing factors
Explanation: This is a Vocabulary in Context question. In line 2, the passage states “Every solution required compromise,” meaning each map projection method involved giving up one quality (like accurate area) to gain another (like accurate angles). This is a trade-off. Choice (A) uses the political/interpersonal meaning of compromise rather than the technical meaning. Choice (C) has negative connotations not present in the neutral, technical context of the passage.
10. Ans: (C) – manipulating the spacing between latitude lines to preserve compass bearings
Explanation: This is a Detail/Fact question. The passage explicitly states that Mercator’s innovation involved “progressively expanding the spacing between parallels of latitude” (line 7) to create a map where “any straight line represented a constant compass bearing” (lines 8–9). Choice (A) is not mentioned anywhere in the passage. Choice (E) directly contradicts the passage, which explains that distortion was inevitable.
11. Ans: (B) – constantly adjusting calculations as their direction relative to north changed
Explanation: This is a Detail question. The passage states that prior to Mercator’s projection, “navigating required continual recalculation as the ship’s direction relative to true north changed with longitude” (lines 12–13). Choice (A) may seem plausible but is not what the passage states about pre-Mercator difficulties. Choice (D) is not mentioned as a problem sailors faced.
12. Ans: (A) – illustrate the specific nature of the Mercator projection’s area distortion
Explanation: This is an Author’s Purpose question. The passage uses the concrete example of Greenland appearing similar in size to Africa despite being fourteen times smaller (lines 16–18) to make the abstract concept of area distortion vivid and understandable. Choice (B) contradicts the passage, which states the distortion is “not an error or flaw” (line 18). Choice (E) is not suggested – the passage notes the projection’s navigational usefulness.
13. Ans: (C) – balanced and explanatory
Explanation: This is a Tone question. The passage objectively explains both the benefits of Mercator’s projection (navigational convenience, lines 7–13) and its costs (geographic distortion, lines 14–18) without strongly advocating for either position. Choice (A) is incorrect because while the passage mentions critics (line 22), the overall tone is not harsh. Choice (B) is wrong because the passage also discusses significant drawbacks.
14. Ans: (B) – the distortion results necessarily from the projection’s mathematical properties
Explanation: This is an Inference question. By stating the distortion is “not an error or flaw” but rather “an inherent mathematical consequence of the projection method” (lines 18–19), the author implies it is unavoidable given the mathematical approach Mercator used. Choice (A) reverses the causation – the passage suggests the distortion was a consequence, not an intention. Choice (C) contradicts the passage’s opening statement that all projections require compromise (line 2).
15. Ans: (A) – declare the end of Chief Joseph’s resistance and express his grief
Explanation: This is a Main Idea/Author’s Purpose question. The speech culminates in the declaration “I will fight no more forever” (line 11) and expresses grief through references to dead chiefs (lines 2–3), freezing children (line 6), and a heart that is “sick and sad” (line 10). Choice (B) is too narrow – while he mentions the need for blankets and food, this is not the primary purpose. Choice (C) contradicts the speech, which mourns the death of the leader of the young men (lines 4–5).
16. Ans: (B) – recognize his intentions and character
Explanation: This is a Vocabulary in Context question. To “know his heart” (line 1) is an idiomatic expression meaning to understand someone’s true nature or intentions, particularly in the context of what General Howard “told me before” (line 1). Choice (A) takes the word “heart” literally rather than idiomatically. Choice (E) is too narrow – the phrase suggests understanding rather than sharing emotions.
17. Ans: (B) – emphasize the devastating losses his people have suffered
Explanation: This is an Author’s Purpose question. Chief Joseph lists specific dead chiefs and then states “The old men are all dead” (line 3) to convey the magnitude of leadership losses, supporting his explanation for why he is surrendering. Choice (A) attributes blame that is not present in the passage. Choice (D) is contradicted by his address to “my chiefs” (line 10), indicating others remain.
18. Ans: (A) – lack of shelter, warmth, and food in winter conditions
Explanation: This is a Detail/Inference question. Chief Joseph explicitly mentions “we have no blankets” (line 6), “the little children are freezing to death” (line 6), “no blankets, no food” (line 7), and “It is cold” (line 5). Choice (B) is not suggested – Chief Joseph speaks respectfully of General Howard. Choice (C) is not mentioned in the passage.
19. Ans: (B) – resigned despair
Explanation: This is a Tone question. The statement that he may find his children among the dead (lines 9–10) expresses the grim expectation that they have likely died, combined with the resignation evident in “I am tired; my heart is sick and sad” (line 10). Choice (A) is incorrect because there is no anger or defiance in this statement. Choice (C) reverses the tone – finding children among the dead would not be hopeful.
20. Ans: (A) – use of a metaphor to mark a definitive end to conflict
Explanation: This is a Structure/Literary Device question. The phrase “From where the sun now stands” (line 11) is a metaphorical way of saying “from this moment” and emphasizes the finality of “I will fight no more forever.” Choice (B) is incorrect – Chief Joseph does not criticize other chiefs in this sentence. Choice (C) directly contradicts the word “forever,” which indicates no future fighting.