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Formula Sheet: Sound

Sound Wave Fundamentals

Wave Properties

  • Wave Speed: \[v = f \lambda\] where:
    • \(v\) = wave speed (m/s)
    • \(f\) = frequency (Hz)
    • \(\lambda\) = wavelength (m)
  • Period and Frequency Relationship: \[T = \frac{1}{f}\] where:
    • \(T\) = period (s)
    • \(f\) = frequency (Hz)
  • Speed of Sound in Air: \[v = 331 + 0.6T_C\] where:
    • \(v\) = speed of sound (m/s)
    • \(T_C\) = temperature in Celsius (°C)
    • At room temperature (20°C): \(v \approx 343\) m/s
    Note: Speed of sound increases with temperature
  • Speed of Sound in a Medium: \[v = \sqrt{\frac{B}{\rho}}\] where:
    • \(v\) = wave speed (m/s)
    • \(B\) = bulk modulus (Pa)
    • \(\rho\) = density of medium (kg/m³)
    Note: Greater stiffness (bulk modulus) increases speed; greater density decreases speed

Wave Types and Characteristics

  • Longitudinal Waves: Sound waves are longitudinal; particle displacement is parallel to direction of wave propagation
  • Compression and Rarefaction: Regions of high pressure (compression) and low pressure (rarefaction) alternate in sound waves
  • Transverse vs. Longitudinal: Sound cannot travel as transverse waves through fluids (liquids and gases)

Sound Intensity and Decibels

Intensity

  • Intensity Definition: \[I = \frac{P}{A}\] where:
    • \(I\) = intensity (W/m²)
    • \(P\) = power (W)
    • \(A\) = area (m²)
  • Intensity for Point Source: \[I = \frac{P}{4\pi r^2}\] where:
    • \(I\) = intensity at distance \(r\) (W/m²)
    • \(P\) = total power of source (W)
    • \(r\) = distance from source (m)
    Note: Intensity follows inverse square law with distance
  • Intensity and Amplitude: \[I \propto A^2\] where \(A\) is the amplitude of the wave
  • Threshold of Hearing: \[I_0 = 1 \times 10^{-12} \text{ W/m}^2\] Reference intensity at 1000 Hz

Decibel Scale

  • Sound Level (Decibels): \[\beta = 10 \log_{10}\left(\frac{I}{I_0}\right)\] where:
    • \(\beta\) = sound level (dB)
    • \(I\) = intensity of sound (W/m²)
    • \(I_0\) = reference intensity = \(1 \times 10^{-12}\) W/m²
    Note: Decibel scale is logarithmic
  • Intensity Ratio from Decibel Difference: \[\frac{I_2}{I_1} = 10^{(\beta_2 - \beta_1)/10}\] where:
    • \(\beta_2 - \beta_1\) = difference in sound levels (dB)
  • Key Decibel Relationships:
    • +10 dB → intensity increases by factor of 10
    • +20 dB → intensity increases by factor of 100
    • +3 dB → intensity approximately doubles
    • -3 dB → intensity approximately halves

Doppler Effect

General Doppler Equation

  • Observed Frequency: \[f_o = f_s \left(\frac{v \pm v_o}{v \mp v_s}\right)\] where:
    • \(f_o\) = observed frequency (Hz)
    • \(f_s\) = source frequency (Hz)
    • \(v\) = speed of sound in medium (m/s)
    • \(v_o\) = speed of observer (m/s)
    • \(v_s\) = speed of source (m/s)
    Sign Conventions:
    • Numerator (observer): Use (+) when observer moves toward source; (-) when moving away
    • Denominator (source): Use (-) when source moves toward observer; (+) when moving away
  • Alternative Formulation:
    • Approaching (getting closer): \(f_o > f_s\) (higher pitch)
    • Receding (getting farther): \(f_o < f_s\)="" (lower="">

Special Cases

  • Stationary Observer, Moving Source: \[f_o = f_s \left(\frac{v}{v \mp v_s}\right)\] Use (-) when source approaches; (+) when source recedes
  • Moving Observer, Stationary Source: \[f_o = f_s \left(\frac{v \pm v_o}{v}\right)\] Use (+) when observer approaches; (-) when observer recedes
  • Both Moving in Same Direction: Apply general formula with careful attention to sign conventions
  • Doppler Shift: \[\Delta f = f_o - f_s\] Change in frequency due to relative motion

Beats

Beat Frequency

  • Beat Frequency: \[f_{\text{beat}} = |f_1 - f_2|\] where:
    • \(f_{\text{beat}}\) = beat frequency (Hz)
    • \(f_1\) = frequency of first wave (Hz)
    • \(f_2\) = frequency of second wave (Hz)
    Note: Beats occur when two waves of slightly different frequencies interfere
  • Beat Period: \[T_{\text{beat}} = \frac{1}{f_{\text{beat}}} = \frac{1}{|f_1 - f_2|}\] Time between successive maxima in amplitude
  • Condition for Beats: Two waves must have similar frequencies and amplitudes; beats are most prominent when \(|f_1 - f_2|\) is small

Standing Waves and Resonance

Standing Waves in Strings

  • Wave Speed on a String: \[v = \sqrt{\frac{T}{\mu}}\] where:
    • \(v\) = wave speed (m/s)
    • \(T\) = tension in string (N)
    • \(\mu\) = linear mass density (kg/m) = \(m/L\)
  • Wavelength for String Fixed at Both Ends: \[\lambda_n = \frac{2L}{n}\] where:
    • \(\lambda_n\) = wavelength of nth harmonic (m)
    • \(L\) = length of string (m)
    • \(n\) = harmonic number (1, 2, 3, ...)
  • Resonant Frequencies for String Fixed at Both Ends: \[f_n = \frac{nv}{2L} = \frac{n}{2L}\sqrt{\frac{T}{\mu}}\] where:
    • \(f_n\) = frequency of nth harmonic (Hz)
    • \(n\) = 1, 2, 3, ... (harmonic number)
    • \(n = 1\): fundamental frequency (first harmonic)
    • \(n = 2\): second harmonic (first overtone)
  • Fundamental Frequency: \[f_1 = \frac{v}{2L} = \frac{1}{2L}\sqrt{\frac{T}{\mu}}\] Lowest resonant frequency

Standing Waves in Open Pipes

  • Open Pipe (Both Ends Open):
    • Antinodes at both ends
    • Same formulas as string fixed at both ends
  • Wavelength for Open Pipe: \[\lambda_n = \frac{2L}{n}\] where \(n\) = 1, 2, 3, ...
  • Resonant Frequencies for Open Pipe: \[f_n = \frac{nv}{2L}\] where:
    • \(n\) = 1, 2, 3, ... (all harmonics present)
    • \(v\) = speed of sound (m/s)
    • \(L\) = length of pipe (m)
  • Fundamental Frequency (Open Pipe): \[f_1 = \frac{v}{2L}\]

Standing Waves in Closed Pipes

  • Closed Pipe (One End Closed):
    • Node at closed end
    • Antinode at open end
    • Only odd harmonics present
  • Wavelength for Closed Pipe: \[\lambda_n = \frac{4L}{n}\] where \(n\) = 1, 3, 5, 7, ... (odd integers only)
  • Resonant Frequencies for Closed Pipe: \[f_n = \frac{nv}{4L}\] where:
    • \(n\) = 1, 3, 5, 7, ... (only odd harmonics)
    • \(v\) = speed of sound (m/s)
    • \(L\) = length of pipe (m)
  • Fundamental Frequency (Closed Pipe): \[f_1 = \frac{v}{4L}\] Note: Fundamental frequency is half that of an open pipe of same length
  • Harmonic Series for Closed Pipe: \[f_n = (2n-1)f_1\] where \(n\) = 1, 2, 3, ... gives the 1st, 3rd, 5th, ... harmonics

Wave Interference and Superposition

Interference Principles

  • Principle of Superposition: When two or more waves overlap, the resultant displacement is the algebraic sum of individual displacements
  • Constructive Interference:
    • Waves in phase
    • Path difference = \(n\lambda\) where \(n\) = 0, 1, 2, 3, ...
    • Phase difference = \(2\pi n\) radians = \(360°n\)
    • Amplitude increases
  • Destructive Interference:
    • Waves out of phase
    • Path difference = \((n + \frac{1}{2})\lambda\) where \(n\) = 0, 1, 2, 3, ...
    • Phase difference = \((2n + 1)\pi\) radians = \(180°(2n + 1)\)
    • Amplitude decreases or cancels
  • Path Difference for Interference: \[\Delta x = |d_2 - d_1|\] where \(d_1\) and \(d_2\) are distances from two sources to the point of interference

Sound Wave Properties and Characteristics

Pitch, Loudness, and Timbre

  • Pitch: Perception of frequency
    • Higher frequency → higher pitch
    • Lower frequency → lower pitch
  • Loudness: Perception of intensity/amplitude
    • Greater amplitude → louder sound
    • Related to energy and intensity
  • Timbre (Quality): Determined by harmonic content (combination of fundamental and overtones)

Acoustic Phenomena

  • Reflection: Sound waves bounce off surfaces (echoes)
  • Refraction: Sound waves bend when passing between media of different densities or temperatures
  • Diffraction: Sound waves bend around obstacles and spread through openings
  • Absorption: Sound energy converted to other forms (usually heat) when encountering materials

Energy and Power in Sound Waves

Energy Relationships

  • Energy Density: \[u = \frac{1}{2}\rho v \omega^2 A^2\] where:
    • \(u\) = energy density (J/m³)
    • \(\rho\) = density of medium (kg/m³)
    • \(v\) = wave speed (m/s)
    • \(\omega\) = angular frequency (rad/s)
    • \(A\) = amplitude (m)
  • Power and Intensity Relationship: \[P = I \cdot A\] where:
    • \(P\) = power (W)
    • \(I\) = intensity (W/m²)
    • \(A\) = area (m²)
  • Intensity Proportionality: \[I \propto \frac{P}{r^2} \propto A^2 \propto f^2\] For point sources and given conditions

Additional Important Concepts

Harmonic Relationships

  • Harmonic Series: Integer multiples of the fundamental frequency \[f_n = nf_1\] where \(n\) = 1, 2, 3, ... for systems supporting all harmonics
  • Overtones:
    • First overtone = second harmonic (\(f_2 = 2f_1\))
    • Second overtone = third harmonic (\(f_3 = 3f_1\))
    • For closed pipes: overtones are only odd multiples of \(f_1\)

Nodes and Antinodes

  • Node: Point of zero displacement in standing wave (destructive interference)
  • Antinode: Point of maximum displacement in standing wave (constructive interference)
  • Distance Between Adjacent Nodes or Antinodes: \[d = \frac{\lambda}{2}\]
  • Distance Between Node and Adjacent Antinode: \[d = \frac{\lambda}{4}\]
  • Number of Nodes in Standing Wave: For string or open pipe: \(n + 1\) nodes for nth harmonic
    For closed pipe: varies with harmonic

Phase and Wave Relationships

  • Phase Difference and Path Difference: \[\Delta \phi = \frac{2\pi}{\lambda} \Delta x\] where:
    • \(\Delta \phi\) = phase difference (radians)
    • \(\Delta x\) = path difference (m)
    • \(\lambda\) = wavelength (m)
  • Angular Frequency: \[\omega = 2\pi f = \frac{2\pi}{T}\] where \(\omega\) is in rad/s
  • Wave Number: \[k = \frac{2\pi}{\lambda}\] where \(k\) is in rad/m
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