| Term | Definition |
|---|---|
| Style | The distinctive manner in which an author uses language to express ideas and create meaning in prose fiction. |
| Diction | The author's choice of words and vocabulary level (formal, informal, colloquial, archaic). |
| Syntax | The arrangement and structure of sentences and phrases. |
| Tone | The author's attitude toward the subject matter or audience (serious, humorous, sarcastic, ironic). |
| Voice | The unique personality or perspective that comes through in the writing. |
| Type | Characteristics |
|---|---|
| Formal | Sophisticated vocabulary, complete sentences, no slang or contractions. |
| Informal | Conversational language, may include contractions and everyday expressions. |
| Colloquial | Reflects regional or cultural speech patterns, includes slang and idioms. |
| Archaic | Old-fashioned or outdated words and expressions from earlier time periods. |
| Abstract | Words representing ideas, concepts, or qualities (love, freedom, justice). |
| Concrete | Words representing tangible, sensory objects or experiences. |
| Structure Type | Description |
|---|---|
| Simple | One independent clause; creates clarity and directness. |
| Compound | Two or more independent clauses joined by coordinating conjunctions. |
| Complex | One independent clause and one or more dependent clauses. |
| Compound-Complex | Multiple independent clauses and at least one dependent clause. |
| Periodic | Main idea comes at the end; creates suspense and emphasis. |
| Loose/Cumulative | Main idea comes first, followed by modifiers; creates natural flow. |
| Device | Definition and Example |
|---|---|
| Simile | Comparison using "like" or "as" (Her smile was like sunshine). |
| Metaphor | Direct comparison without using "like" or "as" (Time is a thief). |
| Personification | Giving human qualities to non-human things (The wind whispered secrets). |
| Hyperbole | Exaggeration for emphasis (I've told you a million times). |
| Understatement | Deliberate downplaying for effect (It's just a scratch - for a serious wound). |
| Irony | Contrast between expectation and reality or literal and intended meaning. |
| Paradox | Statement that seems contradictory but reveals truth (Less is more). |
| Oxymoron | Two contradictory terms together (Deafening silence, bitter sweet). |
| Device | Definition and Example |
|---|---|
| Alliteration | Repetition of initial consonant sounds (Peter Piper picked). |
| Assonance | Repetition of vowel sounds within words (The rain in Spain). |
| Onomatopoeia | Words that imitate sounds (buzz, hiss, bang, crash). |
| Allusion | Reference to well-known person, place, event, or literary work. |
| Symbolism | Object, character, or event representing abstract ideas or concepts. |
| Imagery | Descriptive language appealing to the five senses. |
| Metonymy | Substituting the name of an attribute for the thing itself (The crown for royalty). |
| Synecdoche | Part represents the whole or vice versa (All hands on deck - hands for sailors). |
| Type | Characteristics |
|---|---|
| First Person | Narrator is a character in the story; uses "I" or "we"; limited perspective. |
| Second Person | Narrator addresses reader as "you"; rare in prose fiction. |
| Third Person Limited | Narrator outside the story; focuses on one character's thoughts and feelings. |
| Third Person Omniscient | All-knowing narrator with access to all characters' thoughts and feelings. |
| Third Person Objective | Narrator reports only observable actions and dialogue; no access to thoughts. |
| Concept | Description |
|---|---|
| Reliable Narrator | Trustworthy narrator whose account can be believed. |
| Unreliable Narrator | Narrator whose credibility is questionable due to bias, limited knowledge, or deception. |
| Narrative Distance | Degree of closeness or detachment between narrator and characters or events. |
| Stream of Consciousness | Narrative technique presenting continuous flow of character's thoughts and feelings. |
| Interior Monologue | Direct presentation of character's unspoken thoughts. |
| Technique | Description |
|---|---|
| Direct Speech | Exact words spoken by characters, enclosed in quotation marks. |
| Indirect Speech | Reported speech paraphrased by narrator without quotation marks. |
| Free Indirect Discourse | Blends character's thoughts with narrator's voice without quotation marks. |
| Dialect | Regional or social variety of language shown through spelling and word choice. |
| Idiolect | Individual character's unique manner of speaking. |
| Register Level | Characteristics and Usage |
|---|---|
| Frozen | Fixed, unchanging language (prayers, pledges, legal documents). |
| Formal | Standard, proper language for official or serious contexts. |
| Consultative | Professional but conversational; used in business settings. |
| Casual | Relaxed language among friends and peers; includes slang. |
| Intimate | Private language between very close individuals; personal references. |
| Element | Description |
|---|---|
| Mood | Emotional atmosphere created for the reader (tense, peaceful, eerie, joyful). |
| Word Choice Impact | Connotations of words shape emotional response. |
| Sentence Length | Short sentences create urgency; long sentences create contemplation or complexity. |
| Sound Devices | Rhythm, alliteration, and assonance contribute to mood. |
| Device | Function |
|---|---|
| Transitional Words | Connect ideas and show relationships (however, therefore, meanwhile). |
| Pronoun Reference | Maintains flow by referring back to previously mentioned nouns. |
| Repetition | Emphasizes key ideas and creates unity. |
| Parallel Structure | Similar grammatical patterns create balance and rhythm. |
| Lexical Chains | Related words throughout text create thematic unity. |
| Appeal Type | Description |
|---|---|
| Ethos | Appeal to credibility, authority, or character of speaker. |
| Pathos | Appeal to emotions, values, and feelings of audience. |
| Logos | Appeal to logic, reason, and evidence. |
| Device | Definition |
|---|---|
| Anaphora | Repetition of words or phrases at the beginning of successive clauses. |
| Epistrophe | Repetition of words or phrases at the end of successive clauses. |
| Antithesis | Contrasting ideas in parallel structure for emphasis. |
| Rhetorical Question | Question asked for effect, not expecting an answer. |
| Chiasmus | Reversal of grammatical structures in successive phrases. |
| Parallelism | Similar grammatical structure in related words, phrases, or clauses. |
| Method | Description |
|---|---|
| Direct Characterization | Narrator explicitly states character traits and qualities. |
| Indirect Characterization | Character revealed through actions, speech, thoughts, appearance, and others' reactions. |
| STEAL Method | Speech, Thoughts, Effects on others, Actions, Looks. |
| Type | Sense Appealed To |
|---|---|
| Visual Imagery | Sight (colors, shapes, appearances, movement). |
| Auditory Imagery | Sound (noises, music, voices, silence). |
| Tactile Imagery | Touch (texture, temperature, physical sensations). |
| Olfactory Imagery | Smell (scents, odors, fragrances). |
| Gustatory Imagery | Taste (flavors, food descriptions). |
| Kinesthetic Imagery | Movement and bodily sensations. |
| Symbol Type | Description |
|---|---|
| Universal Symbol | Recognized across cultures (light for hope, water for life). |
| Contextual Symbol | Gains meaning within specific work or cultural context. |
| Conventional Symbol | Established meaning in particular culture or tradition. |
| Personal Symbol | Unique meaning created by author for specific work. |
| Term | Definition |
|---|---|
| Motif | Recurring element (image, phrase, situation) that supports theme. |
| Symbol | Object, character, or event representing abstract ideas beyond literal meaning. |
| Feature | What to Examine |
|---|---|
| Word Choice | Level of vocabulary, connotations, specialized terms. |
| Sentence Length | Predominance of short, long, or varied sentences. |
| Sentence Type | Simple, compound, complex, or mixed structures. |
| Figurative Language | Frequency and types of metaphors, similes, and other devices. |
| Rhythm and Sound | Use of alliteration, assonance, repetition, and sentence rhythm. |
| Punctuation | Use of dashes, semicolons, fragments for effect. |
| Style | Characteristics |
|---|---|
| Minimalist | Sparse language, short sentences, limited description, focus on surface details. |
| Ornate/Purple Prose | Elaborate language, complex sentences, extensive description and figurative language. |
| Journalistic | Clear, objective language, factual tone, straightforward reporting style. |
| Poetic | Rich imagery, rhythm, figurative language, lyrical quality. |
| Conversational | Informal, natural speech patterns, casual diction, intimate tone. |
| Academic/Formal | Complex vocabulary, formal tone, sophisticated syntax. |
| Term | Definition |
|---|---|
| Sociolect | Language variety associated with particular social group or class. |
| Standard English | Widely accepted form used in formal writing and official contexts. |
| Non-Standard English | Regional or social varieties differing from standard forms. |
| Code-Switching | Alternating between languages or dialects depending on context. |