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Cheatsheet: Rhyme And Rhyme Scheme

1. Rhyme Basics

1.1 Definition of Rhyme

TermDefinition
RhymeThe repetition of similar or identical sounds in two or more words, usually at the end of lines in poetry.
Perfect RhymeWords with identical vowel and consonant sounds from the last stressed vowel onward (e.g., "cat" and "hat").
Imperfect RhymeWords with similar but not identical sounds; also called slant rhyme, near rhyme, or half rhyme (e.g., "worm" and "warm").

1.2 Functions of Rhyme

  • Creates musical quality and rhythm in poetry
  • Aids memorization and oral transmission of poems
  • Provides structure and unity to poetic lines
  • Emphasizes important words and ideas
  • Creates satisfaction through pattern completion
  • Links ideas and images across lines

2. Types of Rhyme by Position

2.1 End Rhyme

TypeDescription
End RhymeRhyme occurring at the end of lines; the most common type in poetry (e.g., "Whose woods these are I think I know / His house is in the village though").

2.2 Internal Rhyme

TypeDescription
Internal RhymeRhyme occurring within a single line of poetry (e.g., "Once upon a midnight dreary, while I pondered, weak and weary").
Cross RhymeA word at the end of a line rhymes with a word in the middle of another line.

2.3 Beginning Rhyme

TypeDescription
Beginning RhymeRhyme occurring at the beginning of lines; less common but used for special effects.

3. Types of Rhyme by Sound Quality

3.1 Perfect and Imperfect Rhymes

TypeDescription
Perfect/True/Full RhymeComplete match of vowel and consonant sounds after the last stressed vowel (e.g., "light" and "night", "pain" and "rain").
Slant/Near/Half RhymeSimilar but not identical sounds; consonance or assonance at line ends (e.g., "hold" and "bald", "stone" and "gone").
Eye Rhyme/Sight RhymeWords spelled similarly but pronounced differently (e.g., "love" and "move", "cough" and "bough").
Identical RhymeThe same word repeated or homophones used as rhyme (e.g., "bear" (animal) and "bear" (carry)).

3.2 Masculine and Feminine Rhymes

TypeDescription
Masculine RhymeSingle-syllable rhyme or rhyme on the final stressed syllable (e.g., "hells" and "bells", "support" and "retort").
Feminine RhymeRhyme on two or more syllables with stress on a syllable other than the last (e.g., "walking" and "talking", "merrily" and "verily").
Triple RhymeRhyme extending over three syllables (e.g., "glorious" and "victorious", "tenderly" and "slenderly").

3.3 Rich and Wrenched Rhymes

TypeDescription
Rich RhymeRhyme where the consonant before the vowel also matches (e.g., "stone" and "alone", "pain" and "Spain").
Wrenched RhymeForced rhyme where pronunciation is distorted to create rhyme; used for comic effect.

4. Rhyme Scheme Basics

4.1 Definition and Notation

TermDefinition
Rhyme SchemeThe ordered pattern of rhymes at the ends of lines in a poem or stanza.
Notation SystemLetters of the alphabet (A, B, C, D, etc.) are assigned to represent rhyming line endings; same letters indicate rhyming lines.

4.2 How to Identify Rhyme Scheme

  • Read through the poem and identify words at the end of each line
  • Assign the letter "A" to the first line ending
  • For each subsequent line, use "A" if it rhymes with the first line, or "B" if it introduces a new sound
  • Continue with new letters (C, D, E, etc.) for each new rhyme sound
  • Write the letter pattern in order (e.g., ABAB, AABB, ABBA)

5. Common Rhyme Schemes

5.1 Couplet Forms

PatternDescription
AA BB CC DDRhyming couplets; consecutive lines rhyme in pairs; common in heroic couplets and closed couplets.

5.2 Alternate and Cross Rhyme

PatternDescription
ABAB CDCDAlternate rhyme or cross rhyme; first and third lines rhyme, second and fourth lines rhyme; common in ballads and hymns.
ABCB DEFESimple four-line ballad stanza; only second and fourth lines rhyme.

5.3 Enclosed and Chain Rhyme

PatternDescription
ABBA CDDCEnclosed rhyme or envelope rhyme; outer lines rhyme, inner lines rhyme; used in elegiac stanzas.
ABA BCB CDCChain rhyme or interlocking rhyme; middle line of one tercet rhymes with first and third lines of next; used in terza rima.

5.4 Complex Patterns

PatternDescription
ABABBCCRhyme royal stanza; seven lines with this specific pattern.
ABAB BCBC CDCD EEShakespearean/English sonnet; three quatrains with alternate rhyme plus a rhyming couplet; total 14 lines.
ABBAABBA CDECDEPetrarchan/Italian sonnet; octave with enclosed rhyme, sestet with various patterns; total 14 lines.
ABABBCBCCSpenserian stanza; nine lines used in epic poetry.

5.5 Non-Rhyming Forms

PatternDescription
Blank VerseUnrhymed iambic pentameter; no rhyme scheme but maintains regular meter.
Free VersePoetry without regular rhyme scheme or meter; focuses on natural speech rhythms.

6. Rhyme Scheme in Specific Poetic Forms

6.1 Fixed Form Poems

FormRhyme Scheme
Shakespearean SonnetABAB CDCD EFEF GG (14 lines)
Petrarchan SonnetABBAABBA CDECDE or CDCDCD (14 lines)
Spenserian SonnetABAB BCBC CDCD EE (14 lines)
LimerickAABBA (5 lines, humorous)
VillanelleABA ABA ABA ABA ABA ABAA (19 lines with two repeating rhymes and two refrains)
Terza RimaABA BCB CDC DED... (interlocking tercets)
Ballad StanzaABCB or ABAB (quatrains)
Rhyme RoyalABABBCC (7 lines)
Ottava RimaABABABCC (8 lines)

6.2 Stanza Forms

Stanza TypeCommon Rhyme Schemes
CoupletAA
Tercet/TripletAAA, ABA, ABB
QuatrainAABB, ABAB, ABBA, ABCB
QuintetAABBA, ABABB, ABAAB
SestetABABCC, AABBCC, AAABBB
SeptetABABBCC (rhyme royal)
OctaveABABABCC (ottava rima), ABBAABBA

7. Analyzing Rhyme Scheme

7.1 Steps for Analysis

  • Read the poem aloud to hear the rhymes clearly
  • Mark the end word of each line
  • Listen for sound patterns, not just spelling
  • Assign letters systematically from the beginning
  • Note if the pattern repeats in subsequent stanzas
  • Identify the stanza form or poetic form based on the pattern
  • Consider the effect of the rhyme scheme on meaning and tone

7.2 Common Analysis Points

AspectWhat to Examine
RegularityIs the rhyme scheme consistent throughout? Does it change and why?
ComplexitySimple patterns (AABB) suggest directness; complex patterns suggest sophistication.
ClosureCouplets at the end provide strong sense of conclusion and emphasis.
ContinuityInterlocking rhymes (ABA BCB) create flow and forward movement.
EmphasisRhymed words receive emphasis and link related ideas.

7.3 Exam Tips for Identifying Rhyme Scheme

  • Always mark end words first before assigning letters
  • Count the total number of lines to identify sonnet forms (14 lines)
  • Check if all stanzas follow the same pattern
  • Watch for imperfect rhymes that may still count as part of the scheme
  • Note variations from expected patterns in known forms
  • Be precise with letter notation (use capital letters: A, B, C, not a, b, c)
  • Each new stanza in some forms restarts the letter sequence

8. Effects and Purposes of Rhyme Scheme

8.1 Structural Effects

  • Creates organization and predictability in verse
  • Divides poem into manageable units
  • Signals transitions between ideas or images
  • Provides sense of closure at stanza or poem end
  • Unifies lines within stanzas

8.2 Sonic and Musical Effects

  • Creates pleasing sound patterns and musicality
  • Reinforces meter and rhythm
  • Makes poetry memorable and suitable for recitation
  • Establishes mood (quick couplets suggest energy; complex schemes suggest reflection)

8.3 Semantic Effects

  • Links related ideas through rhymed words
  • Creates irony or humor through unexpected rhyme pairings
  • Emphasizes key words by placing them in rhyme position
  • Reinforces themes through repeated sound patterns

8.4 Relationship Between Form and Content

Rhyme PatternTypical Effect
Rhyming Couplets (AABB)Direct, emphatic, conclusive; good for maxims and epigrams
Alternate Rhyme (ABAB)Balanced, flowing, conversational; good for narrative
Enclosed Rhyme (ABBA)Contemplative, enclosed thought; good for complex ideas
Chain Rhyme (ABA BCB)Continuous forward movement; good for journeys or progressions
No Regular SchemeNatural speech, freedom, modern sensibility

9. Practice Identification Examples

9.1 Sample Quatrains

PatternExample Lines (End Words)
AABBnight/bright, day/way
ABABnight/day, bright/way
ABBAnight/day, way/bright
ABCBnight/day, bright/way (only 2nd and 4th rhyme)

9.2 Key Recognition Points

  • If consecutive lines rhyme throughout: AABB pattern (couplets)
  • If first and third, second and fourth rhyme: ABAB pattern (alternate)
  • If first and fourth, second and third rhyme: ABBA pattern (enclosed)
  • If only second and fourth lines rhyme: ABCB pattern (ballad stanza)
  • If 14 lines ending with couplet: Shakespearean sonnet (ABAB CDCD EFEF GG)
  • If 14 lines with octave and sestet: Petrarchan sonnet (ABBAABBA + sestet)
The document Cheatsheet: Rhyme And Rhyme Scheme is a part of the JAMB Course Literature in English.
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