Q1: In drama, conflict that occurs within a character's mind is referred to as - (a) External conflict (b) Internal conflict (c) Interpersonal conflict (d) Physical conflict
Solution:
Ans: (b) Explanation: Internal conflict takes place within a character's consciousness, involving emotional or psychological struggles between opposing desires, beliefs, or values.
Q2: The conflict between Okonkwo and his son Nwoye in Achebe's "Things Fall Apart" is primarily - (a) Man versus nature (b) Man versus society (c) Man versus man (d) Man versus supernatural
Solution:
Ans: (c) Explanation: The clash between Okonkwo and Nwoye represents man versus man conflict, involving direct opposition between two characters with different values and beliefs.
Q3: In Soyinka's "The Lion and the Jewel", the conflict between Lakunle and Baroka centers on - (a) Sidi's affection and competing value systems (b) Land ownership disputes (c) Religious differences (d) Family inheritance rights
Solution:
Ans: (a) Explanation: Lakunle (representing modernity) and Baroka (representing tradition) compete for Sidi's love while embodying opposing worldviews about progress and cultural preservation.
Q4: The climax of a dramatic conflict typically occurs when - (a) The play begins with exposition (b) Characters are first introduced (c) Tension reaches its highest point (d) The resolution is achieved
Solution:
Ans: (c) Explanation: The climax represents the peak of dramatic tension where the conflict reaches its most intense moment before moving toward resolution.
Q5: In Shakespeare's "Macbeth", the protagonist's struggle with his conscience about murdering Duncan illustrates - (a) Man versus society (b) Man versus fate (c) Man versus self (d) Man versus nature
Solution:
Ans: (c) Explanation: Macbeth's internal debate between ambition and moral conscience exemplifies man versus self conflict, a psychological struggle within the character.
Q6: The rising action in a dramatic structure refers to - (a) The final resolution of conflicts (b) Events that intensify the conflict toward climax (c) The initial introduction of characters (d) The denouement of the play
Solution:
Ans: (b) Explanation: Rising action comprises the series of events and complications that build tension and develop the conflict toward the climactic moment.
Q7: In Wole Soyinka's "Death and the King's Horseman", Elesin's conflict with colonial authority represents - (a) Man versus self (b) Man versus supernatural forces (c) Man versus society (d) Man versus technology
Solution:
Ans: (c) Explanation: Elesin faces opposition from colonial society (represented by Pilkings) which prevents him from fulfilling his ritual duty, creating external social conflict.
Q8: A dramatic conflict that pits a character against destiny or predetermined outcomes is classified as - (a) Man versus fate (b) Man versus nature (c) Man versus man (d) Man versus self
Solution:
Ans: (a) Explanation: Man versus fate conflict involves a character struggling against forces beyond human control, such as prophecy, destiny, or predetermined circumstances.
Q9: The antagonist in a dramatic work functions primarily to - (a) Provide comic relief (b) Oppose the protagonist and create conflict (c) Narrate the story (d) Resolve all disputes
Solution:
Ans: (b) Explanation: The antagonist serves as the opposing force to the protagonist, generating conflict that drives the dramatic action forward.
Q10: In Shakespeare's "Romeo and Juliet", the feud between the Montagues and Capulets exemplifies - (a) Internal conflict (b) Man versus nature (c) External social conflict (d) Man versus supernatural
Solution:
Ans: (c) Explanation: The family feud represents external social conflict, where societal divisions and group hostilities create obstacles for the individual characters.
Q11: The falling action in dramatic structure occurs - (a) Before the exposition (b) During the introduction of conflict (c) After the climax, leading to resolution (d) At the opening scene
Solution:
Ans: (c) Explanation: Falling action follows the climax and consists of events that move the plot toward final resolution, reducing tension gradually.
Q12: Dramatic irony contributes to conflict when - (a) All characters know the same information (b) The audience knows something characters do not (c) No one understands the situation (d) The playwright reveals everything immediately
Solution:
Ans: (b) Explanation: Dramatic irony creates tension when the audience possesses knowledge that characters lack, intensifying the conflict's impact.
Q13: In Athol Fugard's works, conflict often arises from - (a) Supernatural interventions (b) Racial discrimination and apartheid (c) Agricultural disasters (d) Romantic misunderstandings
Solution:
Ans: (b) Explanation: Fugard's plays frequently explore conflicts stemming from South Africa's apartheid system and racial tensions inherent in that society.
Q14: A character struggling against natural disasters or wilderness demonstrates - (a) Man versus man conflict (b) Man versus society conflict (c) Man versus nature conflict (d) Man versus self conflict
Solution:
Ans: (c) Explanation: Man versus nature conflict involves characters battling environmental forces, natural elements, or animal threats beyond human societal control.
Q15: The resolution or denouement in drama serves to - (a) Introduce new conflicts (b) Present the initial problem (c) Tie up loose ends and conclude conflicts (d) Build maximum tension
Solution:
Ans: (c) Explanation: The resolution provides closure by resolving conflicts, answering questions, and showing the aftermath of the climactic events.
Q16: In classical tragedy, the protagonist's hamartia often creates - (a) Immediate resolution (b) Comic situations (c) Internal and external conflicts (d) Happy endings
Solution:
Ans: (c) Explanation: Hamartia (tragic flaw) generates both internal struggles within the character and external conflicts with other characters or fate.
Q17: The conflict between traditional values and Western civilization in African drama is best described as - (a) Man versus technology (b) Cultural conflict (c) Man versus supernatural (d) Physical conflict
Solution:
Ans: (b) Explanation: Cultural conflict represents clashes between different value systems, beliefs, and ways of life, particularly tradition versus modernity.
Q18: In J.P. Clark's "The Raft", the characters' struggle against the river current represents - (a) Man versus society (b) Man versus man (c) Man versus nature (d) Man versus technology
Solution:
Ans: (c) Explanation: The drifting loggers battle against natural forces (the river), illustrating man versus nature conflict as they struggle for survival.
Q19: Foreshadowing in drama functions to - (a) Resolve conflicts immediately (b) Build anticipation of future conflict (c) Eliminate tension (d) Conclude the narrative
Solution:
Ans: (b) Explanation: Foreshadowing hints at upcoming events or conflicts, creating suspense and preparing the audience for future developments.
Q20: The term 'protagonist' refers to - (a) The villain of the story (b) A minor character (c) The main character driving the action (d) The narrator only
Solution:
Ans: (c) Explanation: The protagonist is the central character around whom the plot revolves and who typically faces the primary conflict.
Q21: In "Othello", Iago's manipulation creates conflict primarily through - (a) Physical violence alone (b) Deception and psychological warfare (c) Natural disasters (d) Divine intervention
Solution:
Ans: (b) Explanation: Iago generates conflict through lies, manipulation, and psychological tactics that poison relationships and incite destructive actions.
Q22: Conflict between characters and gods or spiritual forces is classified as - (a) Man versus man (b) Man versus society (c) Man versus supernatural (d) Man versus nature
Solution:
Ans: (c) Explanation: Man versus supernatural conflict involves struggles against gods, ghosts, fate, or other metaphysical forces beyond natural explanation.
Q23: The exposition in dramatic structure primarily serves to - (a) Resolve all conflicts (b) Introduce characters, setting, and initial situation (c) Present the climax (d) Conclude the action
Solution:
Ans: (b) Explanation: Exposition establishes the foundation by introducing characters, setting, background information, and the initial circumstances before conflict develops.
Q24: In Zulu Sofola's "Wedlock of the Gods", the conflict between Ogwoma and traditional laws illustrates - (a) Man versus technology (b) Man versus nature (c) Individual versus societal norms (d) Man versus self exclusively
Solution:
Ans: (c) Explanation: Ogwoma's desire to remarry conflicts with traditional widowhood customs, representing an individual's struggle against established societal rules.
Q25: Catharsis in tragedy results from - (a) Comic relief throughout the play (b) The audience's emotional release through the conflict's resolution (c) Ignoring the protagonist's suffering (d) Avoiding all emotional engagement
Solution:
Ans: (b) Explanation: Catharsis provides emotional purification or release for the audience through experiencing pity and fear as the tragic conflict unfolds and resolves.
The document Practice Questions: Conflict In Drama is a part of the JAMB Course Literature in English.
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