The Epic of Gilgamesh: Crash Course World Mythology #26 Video Lecture | World Mythology: Crash Course - Personal Learning

Hi, I’m Mike Rugnetta this is Crashcourse
Mythology and today we’re returning to one
of the world’s favorite texts, The Epic
of Gilgamesh!
This is one of the oldest written stories
in the world. And it’s a great illustration
of Joseph Campbell’s monomythic hero’s
journey introduced last episode. Plus it has
sacred trees, lovestruck goddesses, and a
fearsome demon named Humbaba. To Sumeria!
INTRO
The Epic of Gilgamesh is more than four thousand
years old. Written versions of the story date
back to 2100 BCE, which gives it incredible
historical value. For instance, several versions
of the Gilgamesh story use both Sumerian and
Akkadian names for gods, which shows -how
the story might have passed orally between
the cultures of ancient Mesopotamia. This
could also be considered syncretism – when
two religious traditions combine over time.
In this episode, we’re gonna work from a
version of the epic written around 1200 BCE,
and see how Gilgamesh himself fits into the
hero’s journey. A fair bit of warning though:
in this story, there is a brief mention of
rape.
At the start of our tale, Gilgamesh is the
king of Uruk, and he’s both a bad guy and
a bad king. His subjects are unhappy, he disrespects
the gods, and he’s a serial rapist. So,
basically he’s the opposite of a hero.
But Gilgamesh, like many “heroes” has
divine parentage – a goddess mom and human
king dad. Somehow this makes him two-thirds
god and one-third man? Try not to think too
hard about the math on that one. But either
way he’s still mortal, and that’s hard
for him to accept.
Eventually, Gilgamesh has a number of crazy
adventures. He chops down some famous trees,
and meets his best friend Enkidu, who helps
Gilgamesh become a better man and a better
king. When Enkidu dies, Gilgamesh goes to
the underworld to try to bring him back. He
fails, however, and then must admit that he’s
human after all. In the end, Gilgamesh i s
considered a hero not just for his incredible
deeds, but for coming to understand and accept
his true nature.
But ok, let’s backtrack. Because along the
way, Gilgamesh manages to check off nearly
every single heroic scene that we learned
about in the last episode. We’re gonna count
‘em up, one by one. Play along from home!
Every time you see a heroic scene, shout it
out. But ugh, I’m pretty far away, so just
make sure that you shout, like, really…
REALLY loudly.
So! Things get started in the Epic when Gilgamesh
and Enkidu first meet. Right away they decide
to wrestle each other, and realizing that
they’re evenly matched, they reach a stalemate.
This is a heroic trope in its own right (just
not one of Campbell’s); think Robin Hood
and Little John, Arthur and Lancelot, or Vin
Diesel and
Dwayne “The Rock” Johnson in Fast Five.
After dusting themselves off and becoming
bffs, Gilgamesh and Enkidu return to Uruk
to do kingly stuff. But Enkidu–who’s used
to living in the wilderness–he gets bored.
Gilgamesh proposes they head to the forest
and face off against a terrifying demon adversary:
Humbaba. Yeah, it’s just, it’s not a very
threatening name, I know. But trust me, he’s
a big deal, very terrifying. But did you see
what happened? This is what Campbell would
call the Announcement of the Quest (1).
To prep for the journey, Gilgamesh and Enkidu
get Supernatural Aid (2) in the form of some
special weaponry. Then they have a quick Refusal
of the Quest (3) as Enkidu, who knows the
power of Humbaba, tries to warn Gilgamesh:
“Humbaba, whose shout is the flood weapon,
whose utterance is Fire and whose breath is
Death, can hear for a distance of sixty leagues
through the forest, so who can penetrate his
forest? Debility would seize anyone who penetrated
his forest.”
But Gilgamesh persists. Gilgamesh and Enkidu
meet the Goddess (4), Gilgamesh’s mom Ninsun.
She’s not particularly happy with her son’s
plan, but she blesses Gilgamesh and adopts
Enkidu. In the forest Enkidu warns Gilgamesh
about its gates saying how afraid he is to
Cross the Threshold (5). But once again, Gilgamesh
persists, and the two venture forth into the
darkness of the forest...now deep in the Belly
of the Whale (6).
And we’re going to follow them right in.
Thoughtbubble, take us in there. Creeping
through the pine forest, Enkidu and Gilgamesh
prepare to confront Humbaba. Before long,
the earth shakes and the sky goes dark. Humbaba
is upon them! Humbaba is massive, with the
face of a lion, or scales, or vulture feet,
or a snake tail – depending on which version
you read...but, nonetheless, very fearsome!
Undeterred, Gilgamesh and Enkidu leap into
battle. With Supernatural Aid (7) from the
god Shamash, and some divine winds that bind
Humbaba, Gilgamesh slays the demon and removes
its head.
If you’re keeping score at home, this step
is technically “Atonement with the Father
(8)”. Humbaba can be read as a terrible,
overbearing Father figure that must be, well,
not so much atoned with as, you know, beheaded.
After the glorious battle, Gilgamesh and Enkidu
fell a bunch of sacred trees, build a raft,
and sail home with Humbaba’s noggin. Once
home, Gilgamesh takes a bath and puts on some
royal robes in anticipation of his Meeting
with a Goddess (9). In this case, the goddess
is Ishtar, who definitely has a thing for
Gilgamesh. She says: “Come to me Gilgamesh
and be my lover! Bestow upon me the gift of
your fruit! You can be my husband, and I can
be your wife.”
Gilgamesh refuses Ishtar’s advances, though
– maybe he just wasn’t ready to share
his fruit – which makes this scene Woman
as Temptress (10). Insulted, Ishtar sends
the Bull of Heaven to kill Gilgamesh, who
with Enkidu, kills the bull. But Enkidu, who
just does not know when to quit, slaps Ishtar
with a chunk of said bull. Not. Smart. Friendo.
And with that beefy slap, Enkidu seals his
fate. The life drains from his body, he gets
sicker and sicker and ... dies.
Thank you Thoughtbubble. With Enkidu dead,
Gilgamesh is at a turning point. He thought
he’d finished his hero’s journey! After
travelling to the ends of the earth, defeating
his “dad”, and returning home with a gross
bloody trophy… HE PUT ON ROBES! He was DONE!
But now, with the loss of his best friend,
Gilgamesh feels yet another call to adventure.
So, he leaves Uruk to roam the country, wondering:
“Shall I die too? Am I not like Enkidu?
Grief has entered my innermost being. I am
afraid of Death and so I roam open country.”
Gilgamesh is on another heroic quest, this
time to overcome death and live eternally.
He resolves to find Utnapishtim, who you might
remember from a previous episode – he’s
the dude who was granted immortality after
surviving the great flood. Along the way,
Gilgamesh crosses the mountains that guard
the rising and setting sun and confronts monstrous
Scorpion men.
Crossing the mountains means another Crossing
the Threshold (11) and crossing this threshold
means Gilgamesh is in the Belly of yet another
Whale, walking through ten leagues of darkness.
Eventually, stumbling through the dark, Gilgamesh
has another Meeting with the Goddess. This
time it’s Siduri, the goddess of beer and
wisdom, two things that don’t often go together.
Siduri tells Gilgamesh that to meet Utnapishtim,
Gilgamesh must cross lethal waters with the
boatman Ur-shanabi. Gilgamesh thanks Siduri
for the beer, sets off, and finds Ur-shanabi.
Immediately, Gilgamesh bashes Ur-shanabi over
the head. Which just, that seems very, very
rude – I mean, why would Gilgamesh treat
Ur-shanabi so Ur-shabbily? [beat] Anyways,
I suppose maybe clobbering is the only way
that Gilgamesh know how to communicate with
people who aren’t goddesses.
In addition to bashing Ur-shanabi over the
head, Gilgamesh smashes all of the “things
of stone.” Which is unfortunate because
it turns out that those “things of stone”
are the tools Ur-shanabi needs to cross the
water. So Gilgamesh has yet another task – he
must cut down trees to make punting poles.
Finally, Ur-shanabi shows Gilgamesh how to
use the poles to cross the lethal waters and
reach Utnapishtim. But when he does Gilgamesh
can’t exactly celebrate. Utnapishtim challenges
him. He asks:
“Why have you exerted yourself? What have
you achieved?
You have made yourself weary for lack of sleep,
You only fill your flesh with grief,
You only bring the distant days of reckoning
closer.
Mankind’s fame is cut down like reeds in
a reed-bed
Nobody sees the face of Death
Nobody hears the voice of Death.
Savage Death just cuts mankind down.”
This isn’t...exactly... the the answer Gilgamesh
was hoping for. Is Utnapishtim going to turn
him away? Is he doomed to remain mortal? Gilgamesh
persists, so Utnapishtim tells him his own
story – about the flood, being chosen by
Ea, the gods granting him immortality. And
this is a revelation to Gilgamesh, the truth
of immortality, and it serves as his Apotheosis
(12).
Utnapishtim decides if Gilgamesh really wants
to be immortal – fine. But to prove his
worth, he has to complete a Road of Trials
(13) with just one, simple task. Gilgamesh
must stay awake for six days and seven nights.
No problem, Gilgamesh says. Easy, he snorts.
He plops down on a rock and–having walked
in the darkness for over ten leagues–instantly
falls asleep. Whoops!
Even though Gilgamesh failed his test, Utnapishtim
gives him an out. If he really wants to avoid
death there’s a secret plant, a root like
a camel-thorn. If he can track it down, it’ll
bring him great rejuvenation. This will be
his Ultimate Boon (14).
So does Gilgamesh get his magic plant? Yes
and no. He manages to find it growing deep
underwater, and by tying stones to his feet,
manages to sink down, snip a sample, and float
back up to the surface. After this, he sets
off for his Great Return (15) to civilization.
But. After all that. On his way home, Boon
in hand...Gilgamesh decides that he should
stop and take a bath. While he’s soaking,
a snake slithers up, sneaks behind him, curls
around the plant and disappears. As he towels
himself off, he sees the plant is gone and
is just... defeated. He sits down and weeps.
Gilgamesh must return home empty handed.
So - what is heroism? Gilgamesh is a mighty
warrior who stands up to terrible monsters
and discovers the secret of immortality, but
who ultimately fails in his quest. Over the
course of the story he has almost all the
experiences set forth in Campbell’s monomyth,
sometimes more than once. But is this what
makes him a hero?
Really, Gilgamesh is kind of an ambivalent
figure. His journey has many successes, but
also many failures. His bravery – or lack
of respect – allows him to challenge and
kill Humbaba, but also gets Enkidu killed.
He proudly announces that he’s up to Utnapishtim’s
challenge, but he simply isn’t. At the end
of the epic, Gilgamesh comes to terms with
his limitations as a human. This completes
the journey, achieving the final, crucial
step – having the power and wisdom to live
a good life. Not an eternal life, but a good
one. In Gilgamesh’s case, that means one
where you aren’t a terrible king. Eva Thury
and Margaret Devinney sum up Gilgamesh’s
heroism pretty well:
“Gilgamesh wants to escape human limitations,
to get answers to questions not available
to his contemporaries, and perhaps most importantly,
he wants to overcome mortality both for himself
and others. But ultimately his story shows
us that, despite his extraordinary talents,
in these matters he is not different from
other humans. Thus, we see that it is precisely
his human limitations that make him truly
heroic.”
So, is he perfect? No. Is he even a role model?
Definitely not. But can he serve as a symbol
for an aspect of the human condition, of growing
past mistakes and accepting limitations? Maybe.
And perhaps THAT is what makes him a “hero”.
Next week we’ll see just how many heroes
might be lurking where you’re not expecting
them. Oh! And also, we’re gonna talk about
an army of flying monkeys that I may or may
not call “my pretties”. Thanks
for watching. We’ll see you soon!