Simple Guitar Solo Arpeggio Tips Video Lecture - Guitar Become a Pro (English)

some of us have a hard time finishing
things that we start college books quest
for vengeance I haven't forgotten peer
I've just been a little bit busy okay
and the same is actually true with our
pezzi o--'s and we're gonna talk about
how to break them up and help them with
our solo playing so what I mean by not
finishing what you start
arpeggio wise it let's kind of talk
about that one shape that we've done off
of G which I talked about this before in
previous lessons it looks like this well
you know maybe you start off with good
intentions you're like all right I got
this maybe feeling good all right all
right so really I think arpeggios are a
really great way to learn the fretboard
and to never be stuck especially when it
comes to lead playing stuff but it can
be kind of daunting going through one
entire fretboard spinning shapes we're
gonna break it down into individual
pieces of this arpeggio and this is
gonna be anything you can do over a
major chord okay so our chord is gonna
be a G major
same applies for an acoustic guitar
whatever you wanna whatever you want to
use to utilize these awesome lick
building our Pesci Oh shapes
and let's really quick review just what
this G major arpeggio is I'm certain the
G we go on to the third fret fifth fret
seventh fret okay so this is a G a and a
B now an a is an energy major chord
arpeggio sister chord played one note at
a time but we're using it as a
transitional element so our whole
arpeggio is gonna be G a B D I remember
that G major chord assistant G a B and a
D all right so G BB is the first phase
the first shape of that we're gonna go
down a swing to the fifth fret on the D
string it the exact same shape we just
did it root note to friends two frets
down a string back two frets frets two
frets down stroke
back to you frets compensate for the B
string we end up on the eighth fret B
string G there's a root note two frets
two frets down a string back to France
we can end on the 15th fret of the high
E string so altogether okay now we don't
have to do that all as one in fact if
you just practice it that way it might
sound a little bland a might something
like an exercise just an arpeggio up and
down so we're gonna do is we're gonna
hone in on certain parts of this just a
little pieces so we don't have to finish
the whole thing or it's gonna kind of
jump into the middle all right so we're
gonna leave this first section behind
see you we're gonna start on this G the
fifth fret of the D string 7th fret 9th
fret 7th fret of the g string to come -
f g string D string so 5 5 d 1797 g this
is it we're just gonna make this kind of
like a touchstone of four different
notes that we can play any time G major
chord pops up or really technically
anytime anything in the G Major scale
any of those chords pop up basically we
can jump into it from G bar chord G open
an - all right so you can kind of be
like jam and I like you see like this
[Music]
double stop through them - again I'm
just kind of randomly mixing these four
notes together and it's a little more
musical signing if you play them out of
order if you jump around instead of
going maybe I want to slide right into
the major third I want to slide right
into that ninth fret on the D string
[Music]
into that note and I'm thinking of it
from this kind of arpeggio it is from a
larger
common tones of the score double stop
through it start playing those notes
combined with each other this is a good
example of maybe I've got three notes on
one string and only one note on another
string so what I can do is I can maybe
keep this note right here which again
this is just an octave that we kind of
came from here a fifth of g g a b c d
okay so i can add that to any of these
other notes and then arpeggio okay so i
can kind of make a little diet chords
however you want to look at it any kind
of combination of those i think sounds
pretty cool so you can kind of be
jamming on this
[Music]
[Music]
whatever you you know it's a it's up to
you it's really just thinking of it
being creative in any way that you want
we can go and extend this to the next
the next pitch to octave up our pleasure
that we did it from so this is the first
one second one so now we're just on a
fret tenth fret twelfth fret of the B
string and the tenth fret of the high E
string again that G major chord again
with the ABO transition we're just kind
of adding from the G Major scale
so again if I'm going a little too fast
for you really just break down the
fundamental aspects of what's in a chord
and it can be absolutely any chord this
is just one example and the great thing
about this example is a most arpeggio
examples is that it's totally movable if
you wanted to do something maybe two
frets higher G g-sharp a anything you
want to add for an a major chord you can
do with these pages here all right so
just like we did same thing just you
frets higher so now I can think of maybe
if I want to slide into something
excited
[Music]
that kind of seems cool because look
there oh that's a welcoming that must
know what they're doing not really
you're just kind of taking little pieces
of an arpeggio that you learned
you didn't even maybe learn an order you
just took a little spot of it and that's
why I think this is really uh in my
opinion like the best way to really
learn the fretboard because you're
learning it in a musical context and
just different places there you know it
just happens with different chord
voicings if you know this is a major
chord this is an a major chord this is
the major arpeggio it leads you to that
all of these things are traveling all
over the guitar but you can kind of use
in different applications and stuff like
that all right
so really the lesson is just kind of see
our pedos is a tool that is very helpful
in developing maybe touchstones or like
hot zones on the guitar that you can
always see and get to form any chord
like for instance one thing that I
incorporated my playing especially if
I'm improvising is if I'm on a major
Barre chord I know that that arpeggio is
gonna lead me into like here if I have
this octave gia that's the beginning
that arpeggio so I always think of this
arpeggio starting here here here and
here so I know that these spots
something I can always go to if I want
to kind of liven up something that I'm
playing alright so hopefully that was
helpful to you do you have any questions
hit me up in the comment section
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love to stay longer but I have to finish
my quest for vengeance see you later