Page 1
March 2024 a develop Ment Monthly
Page 2
March 2024 a develop Ment Monthly
IMPACT OF DIGITAL TECHNOLOGY
AND SOCIAL MEDIA ON ART MUSEUMS
Soma Ghosh
CAPTURING STREET ART
& WALLS OF INDIA
FROM THE ‘ART WITH INTELLIGENCE’
TO ‘ARTIFICIAL INTELLIGENCE’
Dr Manish Karmwar
Abhash K Saurav
OUR BOOkS
75 YEARS 75 FILMS
INDIA'S CINEMATIC JOURNEY
March 2024
YOJANA
Volume-68
No. 03
A DEVELOPMENT MONTHLY Let noble thoughts come to us from all sides.
Rig Veda
www.publicationsdivision.nic.in @DPD_India I @YojanaJournal @publicationsdivision @dpd_india
In ThIs Issue
number of pages: 56
Details of the Sales Outlets of the Publications Division on Page 50
YOJANA is published in Assamese, Bengali, English, Gujarati, Hindi, Kannada, Malayalam, Marathi, Odia,
Punjabi, Tamil, Telugu, and Urdu.
Since 1957
Editor
SHUCHITA CHATURvEDI
our representatives
Ahmedabad: JS Patel, Bengaluru: Shahid T Komath,
Bhubaneswar: Manoj Kumar Jali, Chennai: Sanjay
Ghosh, Guwahati: Maruf Alam, Hyderabad:
Krishna Vandana P, Jalandhar: Gagandeep Kaur
Devgan, Kolkata: Sumita Chakraborty, Mumbai:
Sangeeta Godbole, Thiruvananthapuram: Sudha S
Namboothiry.
Joint Director, ProDuction
D K C hruDhaIna Th c over Design
BInDu Verma
Yojana (English): Room No. 647, Soochna Bhawan,
CGO Complex, Lodhi Road, New Delhi-110 003.
E-mail (Editorial): sec-yojanaeng-moib@gov.in
YOJANA, a development monthly published since
1957, is a theme-based journal providing in-depth
analyses and views on socio-economic issues in
the broader framework of government policies.
Although published by the Ministry of Information
and Broadcasting, YOJANA is not restricted to
expressing the official point of view.
DIsCLaImer
l The vie ws e xpre sse d in various articles are
those of the authors and the y do not ne c essarily
re flect the vie ws of the Go vernme n t or the
organisation/ s the y work f or .
l Map s/flags use d in the article s are only indic ative
and the y do not re flect the politic al map or le gal
re presen t ation of the flag of India/an y othe r
c oun try .
l The inf ographics/figure s are pro vide d b y the
authors through the ir re liable sourc e s and
YOJANA claims no re sponsibility f or the same.
l Image s, graphics and illus trations, whe re ve r
use d, are mos tly sourc ed from go vernme n t
channels and are indic ative in nature .
l YOJANA does not o wn re sponsibility re garding
the c on t e n ts of the adve rtise men ts. The re aders
are re que s t e d t o ve rify the claims made in the
adve rtise men ts re garding c ourse s, c are e r -
guidanc e book s or ins titutions.
l YOJANA doesn't e ndorse or promot e an y brands
or privat e e n titie s prese n t ed as c ase s tudie s in an y
of the article s.
suBsCrIPTIOn/GrIeV anCes
Email: pdjucir@gmail.com
Phone: 011-24367453
(Monday-Friday, 9:30 am- 6:00 pm)
Postal Address: Abhishek Chaturvedi, Editor,
Journals Unit, Publications Division, Room No.
779, Soochna Bhawan, CGO Complex, Lodhi
Road, New Delhi-110 003.
Please not e that it will t ak e atleas t eigh t
week s t o s t art your sub scrip tion. Kindly raise
your queries/grie vanc es about non rec eip t of the
journals only aft er this period.
SUBSCRIPTION-RELATED DETAILS : Page 52
TRADITIONAL ART FORMS IN
DIGITAL AGE
Maneesha Agrawal MVG
POPULAR MUSIC IN INDIA
Dr Kasturi Paigude
FOLk ART REIMAGINED USING
MODERN TECHNIqUES AND
CONTExTS
Dr Pranshu Samdarshi
THE POWER OF ART FOR HEALING
AND SELF ExPRESSION
Dr Dharini Mishra, Parul Kala
6
11
17
23
33
40
46
53
NExT ISSUE : ECOSYSTEM
Page 3
March 2024 a develop Ment Monthly
IMPACT OF DIGITAL TECHNOLOGY
AND SOCIAL MEDIA ON ART MUSEUMS
Soma Ghosh
CAPTURING STREET ART
& WALLS OF INDIA
FROM THE ‘ART WITH INTELLIGENCE’
TO ‘ARTIFICIAL INTELLIGENCE’
Dr Manish Karmwar
Abhash K Saurav
OUR BOOkS
75 YEARS 75 FILMS
INDIA'S CINEMATIC JOURNEY
March 2024
YOJANA
Volume-68
No. 03
A DEVELOPMENT MONTHLY Let noble thoughts come to us from all sides.
Rig Veda
www.publicationsdivision.nic.in @DPD_India I @YojanaJournal @publicationsdivision @dpd_india
In ThIs Issue
number of pages: 56
Details of the Sales Outlets of the Publications Division on Page 50
YOJANA is published in Assamese, Bengali, English, Gujarati, Hindi, Kannada, Malayalam, Marathi, Odia,
Punjabi, Tamil, Telugu, and Urdu.
Since 1957
Editor
SHUCHITA CHATURvEDI
our representatives
Ahmedabad: JS Patel, Bengaluru: Shahid T Komath,
Bhubaneswar: Manoj Kumar Jali, Chennai: Sanjay
Ghosh, Guwahati: Maruf Alam, Hyderabad:
Krishna Vandana P, Jalandhar: Gagandeep Kaur
Devgan, Kolkata: Sumita Chakraborty, Mumbai:
Sangeeta Godbole, Thiruvananthapuram: Sudha S
Namboothiry.
Joint Director, ProDuction
D K C hruDhaIna Th c over Design
BInDu Verma
Yojana (English): Room No. 647, Soochna Bhawan,
CGO Complex, Lodhi Road, New Delhi-110 003.
E-mail (Editorial): sec-yojanaeng-moib@gov.in
YOJANA, a development monthly published since
1957, is a theme-based journal providing in-depth
analyses and views on socio-economic issues in
the broader framework of government policies.
Although published by the Ministry of Information
and Broadcasting, YOJANA is not restricted to
expressing the official point of view.
DIsCLaImer
l The vie ws e xpre sse d in various articles are
those of the authors and the y do not ne c essarily
re flect the vie ws of the Go vernme n t or the
organisation/ s the y work f or .
l Map s/flags use d in the article s are only indic ative
and the y do not re flect the politic al map or le gal
re presen t ation of the flag of India/an y othe r
c oun try .
l The inf ographics/figure s are pro vide d b y the
authors through the ir re liable sourc e s and
YOJANA claims no re sponsibility f or the same.
l Image s, graphics and illus trations, whe re ve r
use d, are mos tly sourc ed from go vernme n t
channels and are indic ative in nature .
l YOJANA does not o wn re sponsibility re garding
the c on t e n ts of the adve rtise men ts. The re aders
are re que s t e d t o ve rify the claims made in the
adve rtise men ts re garding c ourse s, c are e r -
guidanc e book s or ins titutions.
l YOJANA doesn't e ndorse or promot e an y brands
or privat e e n titie s prese n t ed as c ase s tudie s in an y
of the article s.
suBsCrIPTIOn/GrIeV anCes
Email: pdjucir@gmail.com
Phone: 011-24367453
(Monday-Friday, 9:30 am- 6:00 pm)
Postal Address: Abhishek Chaturvedi, Editor,
Journals Unit, Publications Division, Room No.
779, Soochna Bhawan, CGO Complex, Lodhi
Road, New Delhi-110 003.
Please not e that it will t ak e atleas t eigh t
week s t o s t art your sub scrip tion. Kindly raise
your queries/grie vanc es about non rec eip t of the
journals only aft er this period.
SUBSCRIPTION-RELATED DETAILS : Page 52
TRADITIONAL ART FORMS IN
DIGITAL AGE
Maneesha Agrawal MVG
POPULAR MUSIC IN INDIA
Dr Kasturi Paigude
FOLk ART REIMAGINED USING
MODERN TECHNIqUES AND
CONTExTS
Dr Pranshu Samdarshi
THE POWER OF ART FOR HEALING
AND SELF ExPRESSION
Dr Dharini Mishra, Parul Kala
6
11
17
23
33
40
46
53
NExT ISSUE : ECOSYSTEM
4 March 2024
Grateful to contribute
i would like to congratulate and thank the whole t eam Yojana for coming up with some good multi-media and
photo-rich work and making plain text look very attractive and driving... i feel really great for you providing
me with such an opportunity to write for a magazine that i used to read during my c ivil services preparation
days, long ago. it is indeed a really proud moment for me, and i always wish and look forward to contributing
to the Yojana issues in the days to come.
– vamshi Krishna palakurthi, Joint d irector, cdac-hyderabad
diverse insights
t he January issue of Yojana provides diverse aspects of ease of doing business. t he unit also highlights how
the provisions of the JAn visHWAs amendments are helpful in ease of business and ease of living. t he article
on ‘gst and the eAse oF Doing Business ’ by r aghavendra Pal singh is very thoughtful and gives diversified
views. in a wholesome manner, the January issue gives relevant thoughts for uPsc aspirants on gs 3 for
mains and for the economy in prelims as well. i want to especially thank the Publications Division for the
quality of the paper used. it enhances the reading experience.
– n imish Kumar, Bihar
innovative reforms
t he January '24 issue on ’ease of Doing Business‘ was full of classic articles. one of the remarkable features of
the amended Jan vishwas Act is the decriminalisation of provisions in different Acts, levying enhanced fines
and penalties instead of jail. t he two interviews were simply fantastic.
– pratap nayak, Bhubaneswar
rural development
in the December edition of Yojana magazine, the article ’Agriculture and rural Development: Key i nitiatives
& Achievements’ explores significant steps taken by the g overnment of india in 2023. t he declaration of the
'international Year of Millets' underscores a global push for millet production, positioning india as a hub for
these nutritious grains. t he 'World's Largest grain s torage Plan' in the cooperative sector reflects a strategic
effort to strengthen agricultural infrastructure. i n my personal view, i commend the comprehensive approach
to rural development, particularly the focus on sustainable agriculture and the success of the Millet Mission.
efficient implementation and monitoring through technology, along with grassroots awareness, remain
crucial for continued success.
– a marjeet Kumar, Bihar
visionary outlook
t he 'Year-end special' (December 2023 issue) was one of the best in terms of quality content, and it provides
a one-stop solution for referring to the major events of the year from an indian perspective. As always,
'Yojana' never disappoints and stands out among its peers. r equest to bring out an issue on 'r oadmap for
developed india ahead'.
– n itesh Kumar Manjhi, Jharkhand
Inbox
sec-yojanaeng-moib@gov.in
Page 4
March 2024 a develop Ment Monthly
IMPACT OF DIGITAL TECHNOLOGY
AND SOCIAL MEDIA ON ART MUSEUMS
Soma Ghosh
CAPTURING STREET ART
& WALLS OF INDIA
FROM THE ‘ART WITH INTELLIGENCE’
TO ‘ARTIFICIAL INTELLIGENCE’
Dr Manish Karmwar
Abhash K Saurav
OUR BOOkS
75 YEARS 75 FILMS
INDIA'S CINEMATIC JOURNEY
March 2024
YOJANA
Volume-68
No. 03
A DEVELOPMENT MONTHLY Let noble thoughts come to us from all sides.
Rig Veda
www.publicationsdivision.nic.in @DPD_India I @YojanaJournal @publicationsdivision @dpd_india
In ThIs Issue
number of pages: 56
Details of the Sales Outlets of the Publications Division on Page 50
YOJANA is published in Assamese, Bengali, English, Gujarati, Hindi, Kannada, Malayalam, Marathi, Odia,
Punjabi, Tamil, Telugu, and Urdu.
Since 1957
Editor
SHUCHITA CHATURvEDI
our representatives
Ahmedabad: JS Patel, Bengaluru: Shahid T Komath,
Bhubaneswar: Manoj Kumar Jali, Chennai: Sanjay
Ghosh, Guwahati: Maruf Alam, Hyderabad:
Krishna Vandana P, Jalandhar: Gagandeep Kaur
Devgan, Kolkata: Sumita Chakraborty, Mumbai:
Sangeeta Godbole, Thiruvananthapuram: Sudha S
Namboothiry.
Joint Director, ProDuction
D K C hruDhaIna Th c over Design
BInDu Verma
Yojana (English): Room No. 647, Soochna Bhawan,
CGO Complex, Lodhi Road, New Delhi-110 003.
E-mail (Editorial): sec-yojanaeng-moib@gov.in
YOJANA, a development monthly published since
1957, is a theme-based journal providing in-depth
analyses and views on socio-economic issues in
the broader framework of government policies.
Although published by the Ministry of Information
and Broadcasting, YOJANA is not restricted to
expressing the official point of view.
DIsCLaImer
l The vie ws e xpre sse d in various articles are
those of the authors and the y do not ne c essarily
re flect the vie ws of the Go vernme n t or the
organisation/ s the y work f or .
l Map s/flags use d in the article s are only indic ative
and the y do not re flect the politic al map or le gal
re presen t ation of the flag of India/an y othe r
c oun try .
l The inf ographics/figure s are pro vide d b y the
authors through the ir re liable sourc e s and
YOJANA claims no re sponsibility f or the same.
l Image s, graphics and illus trations, whe re ve r
use d, are mos tly sourc ed from go vernme n t
channels and are indic ative in nature .
l YOJANA does not o wn re sponsibility re garding
the c on t e n ts of the adve rtise men ts. The re aders
are re que s t e d t o ve rify the claims made in the
adve rtise men ts re garding c ourse s, c are e r -
guidanc e book s or ins titutions.
l YOJANA doesn't e ndorse or promot e an y brands
or privat e e n titie s prese n t ed as c ase s tudie s in an y
of the article s.
suBsCrIPTIOn/GrIeV anCes
Email: pdjucir@gmail.com
Phone: 011-24367453
(Monday-Friday, 9:30 am- 6:00 pm)
Postal Address: Abhishek Chaturvedi, Editor,
Journals Unit, Publications Division, Room No.
779, Soochna Bhawan, CGO Complex, Lodhi
Road, New Delhi-110 003.
Please not e that it will t ak e atleas t eigh t
week s t o s t art your sub scrip tion. Kindly raise
your queries/grie vanc es about non rec eip t of the
journals only aft er this period.
SUBSCRIPTION-RELATED DETAILS : Page 52
TRADITIONAL ART FORMS IN
DIGITAL AGE
Maneesha Agrawal MVG
POPULAR MUSIC IN INDIA
Dr Kasturi Paigude
FOLk ART REIMAGINED USING
MODERN TECHNIqUES AND
CONTExTS
Dr Pranshu Samdarshi
THE POWER OF ART FOR HEALING
AND SELF ExPRESSION
Dr Dharini Mishra, Parul Kala
6
11
17
23
33
40
46
53
NExT ISSUE : ECOSYSTEM
4 March 2024
Grateful to contribute
i would like to congratulate and thank the whole t eam Yojana for coming up with some good multi-media and
photo-rich work and making plain text look very attractive and driving... i feel really great for you providing
me with such an opportunity to write for a magazine that i used to read during my c ivil services preparation
days, long ago. it is indeed a really proud moment for me, and i always wish and look forward to contributing
to the Yojana issues in the days to come.
– vamshi Krishna palakurthi, Joint d irector, cdac-hyderabad
diverse insights
t he January issue of Yojana provides diverse aspects of ease of doing business. t he unit also highlights how
the provisions of the JAn visHWAs amendments are helpful in ease of business and ease of living. t he article
on ‘gst and the eAse oF Doing Business ’ by r aghavendra Pal singh is very thoughtful and gives diversified
views. in a wholesome manner, the January issue gives relevant thoughts for uPsc aspirants on gs 3 for
mains and for the economy in prelims as well. i want to especially thank the Publications Division for the
quality of the paper used. it enhances the reading experience.
– n imish Kumar, Bihar
innovative reforms
t he January '24 issue on ’ease of Doing Business‘ was full of classic articles. one of the remarkable features of
the amended Jan vishwas Act is the decriminalisation of provisions in different Acts, levying enhanced fines
and penalties instead of jail. t he two interviews were simply fantastic.
– pratap nayak, Bhubaneswar
rural development
in the December edition of Yojana magazine, the article ’Agriculture and rural Development: Key i nitiatives
& Achievements’ explores significant steps taken by the g overnment of india in 2023. t he declaration of the
'international Year of Millets' underscores a global push for millet production, positioning india as a hub for
these nutritious grains. t he 'World's Largest grain s torage Plan' in the cooperative sector reflects a strategic
effort to strengthen agricultural infrastructure. i n my personal view, i commend the comprehensive approach
to rural development, particularly the focus on sustainable agriculture and the success of the Millet Mission.
efficient implementation and monitoring through technology, along with grassroots awareness, remain
crucial for continued success.
– a marjeet Kumar, Bihar
visionary outlook
t he 'Year-end special' (December 2023 issue) was one of the best in terms of quality content, and it provides
a one-stop solution for referring to the major events of the year from an indian perspective. As always,
'Yojana' never disappoints and stands out among its peers. r equest to bring out an issue on 'r oadmap for
developed india ahead'.
– n itesh Kumar Manjhi, Jharkhand
Inbox
sec-yojanaeng-moib@gov.in
5 March 2024
State of the Art
Editorial
YOJANA
A
rt is something that is experienced and perceived by our senses
while providing a sublime perspective on things around us. it lets our
mental faculties think beyond and within. Art has the ability to bring the
subtleties to the forefront, often leaving the obvious for interpretation. it is
a powerful medium of human expression, building unique identities while
breaking barriers.
india, since time immemorial, has been the fulcrum of art. Be it visual
or performing, architecture or intricate weaves, the journey of art in india
has evolved with the diverse influence of the cultures and beliefs prevalent
in various ages and regions. t hose paintings, artwork, and culture woven
around them have been an indispensable medium for historians and
sociologists to gain a deeper understanding of society and people.
t he fields of art and culture are changing dramatically in the rapidly-
changing digital age. A new era where innovation has no bounds and old
boundaries are blurred has been brought about by the confluence of creativity and technology. t he creation,
consumption, and appreciation of art and culture have undergone a significant upheaval since the advent of the
digital age. t he internet era has made artistic expression accessible to people from a wide range of backgrounds
by democratising creativity. Aspiring artists can present their work to a worldwide audience with the use of
easily accessible software, social media, and online galleries.
social media platforms now serve as centres of culture, shaping discussions, trends, and even social
movements. Popular culture is shaped by internet superstars, influencers, and viral content that have emerged in
the digital age. With the advent of interactive tales, podcasts, web series, and transmedia experiences, the digital
age has completely transformed storytelling. Multimedia and interaction are used by storytellers to captivate
audiences more deeply. galleries and museums have begun to offer virtual exhibitions and virtual tours, which
let art enthusiasts view collections from the comfort of their own homes. t he art world has been reshaped by
non-Fungible t okens (nFt s), which allow artists to market their digital works as unique properties. nFt art allows
artists to sell or rent their artwork beyond the physical world. experiential displays of art and cultural events with
the use of drones are another area of art diversifying itself with digital technologies.
As technology continues to change the landscape of artwork, ethical considerations become increasingly
relevant. Questions concerning ownership, copyright, and the worth of digital art have been brought up by this
digital age. t hese discussions become essential in the changing digital landscape. c ross-cultural interactions are
made easier by digital platforms, which let users interact with and learn about people from other cultures. But
this also questions authenticity and cultural appropriation.
t he digital era has redefined how we produce, consume, and interact with creative expressions, pushing
art and culture into previously unexplored realms. in the meantime, social media, globalisation, and the
opportunities and difficulties presented by technology all influence culture in the digital era. it’s critical that we
acknowledge the ethical and cultural issues raised by the digital age while also appreciating its revolutionary
potential as we move through this dynamic environment. t hrough this issue of Yojana, we set out on a quest
to discover the inspirations and breakthroughs that have shaped our modern creative landscape as we explore
how art and culture have changed in the digital age. ?
Page 5
March 2024 a develop Ment Monthly
IMPACT OF DIGITAL TECHNOLOGY
AND SOCIAL MEDIA ON ART MUSEUMS
Soma Ghosh
CAPTURING STREET ART
& WALLS OF INDIA
FROM THE ‘ART WITH INTELLIGENCE’
TO ‘ARTIFICIAL INTELLIGENCE’
Dr Manish Karmwar
Abhash K Saurav
OUR BOOkS
75 YEARS 75 FILMS
INDIA'S CINEMATIC JOURNEY
March 2024
YOJANA
Volume-68
No. 03
A DEVELOPMENT MONTHLY Let noble thoughts come to us from all sides.
Rig Veda
www.publicationsdivision.nic.in @DPD_India I @YojanaJournal @publicationsdivision @dpd_india
In ThIs Issue
number of pages: 56
Details of the Sales Outlets of the Publications Division on Page 50
YOJANA is published in Assamese, Bengali, English, Gujarati, Hindi, Kannada, Malayalam, Marathi, Odia,
Punjabi, Tamil, Telugu, and Urdu.
Since 1957
Editor
SHUCHITA CHATURvEDI
our representatives
Ahmedabad: JS Patel, Bengaluru: Shahid T Komath,
Bhubaneswar: Manoj Kumar Jali, Chennai: Sanjay
Ghosh, Guwahati: Maruf Alam, Hyderabad:
Krishna Vandana P, Jalandhar: Gagandeep Kaur
Devgan, Kolkata: Sumita Chakraborty, Mumbai:
Sangeeta Godbole, Thiruvananthapuram: Sudha S
Namboothiry.
Joint Director, ProDuction
D K C hruDhaIna Th c over Design
BInDu Verma
Yojana (English): Room No. 647, Soochna Bhawan,
CGO Complex, Lodhi Road, New Delhi-110 003.
E-mail (Editorial): sec-yojanaeng-moib@gov.in
YOJANA, a development monthly published since
1957, is a theme-based journal providing in-depth
analyses and views on socio-economic issues in
the broader framework of government policies.
Although published by the Ministry of Information
and Broadcasting, YOJANA is not restricted to
expressing the official point of view.
DIsCLaImer
l The vie ws e xpre sse d in various articles are
those of the authors and the y do not ne c essarily
re flect the vie ws of the Go vernme n t or the
organisation/ s the y work f or .
l Map s/flags use d in the article s are only indic ative
and the y do not re flect the politic al map or le gal
re presen t ation of the flag of India/an y othe r
c oun try .
l The inf ographics/figure s are pro vide d b y the
authors through the ir re liable sourc e s and
YOJANA claims no re sponsibility f or the same.
l Image s, graphics and illus trations, whe re ve r
use d, are mos tly sourc ed from go vernme n t
channels and are indic ative in nature .
l YOJANA does not o wn re sponsibility re garding
the c on t e n ts of the adve rtise men ts. The re aders
are re que s t e d t o ve rify the claims made in the
adve rtise men ts re garding c ourse s, c are e r -
guidanc e book s or ins titutions.
l YOJANA doesn't e ndorse or promot e an y brands
or privat e e n titie s prese n t ed as c ase s tudie s in an y
of the article s.
suBsCrIPTIOn/GrIeV anCes
Email: pdjucir@gmail.com
Phone: 011-24367453
(Monday-Friday, 9:30 am- 6:00 pm)
Postal Address: Abhishek Chaturvedi, Editor,
Journals Unit, Publications Division, Room No.
779, Soochna Bhawan, CGO Complex, Lodhi
Road, New Delhi-110 003.
Please not e that it will t ak e atleas t eigh t
week s t o s t art your sub scrip tion. Kindly raise
your queries/grie vanc es about non rec eip t of the
journals only aft er this period.
SUBSCRIPTION-RELATED DETAILS : Page 52
TRADITIONAL ART FORMS IN
DIGITAL AGE
Maneesha Agrawal MVG
POPULAR MUSIC IN INDIA
Dr Kasturi Paigude
FOLk ART REIMAGINED USING
MODERN TECHNIqUES AND
CONTExTS
Dr Pranshu Samdarshi
THE POWER OF ART FOR HEALING
AND SELF ExPRESSION
Dr Dharini Mishra, Parul Kala
6
11
17
23
33
40
46
53
NExT ISSUE : ECOSYSTEM
4 March 2024
Grateful to contribute
i would like to congratulate and thank the whole t eam Yojana for coming up with some good multi-media and
photo-rich work and making plain text look very attractive and driving... i feel really great for you providing
me with such an opportunity to write for a magazine that i used to read during my c ivil services preparation
days, long ago. it is indeed a really proud moment for me, and i always wish and look forward to contributing
to the Yojana issues in the days to come.
– vamshi Krishna palakurthi, Joint d irector, cdac-hyderabad
diverse insights
t he January issue of Yojana provides diverse aspects of ease of doing business. t he unit also highlights how
the provisions of the JAn visHWAs amendments are helpful in ease of business and ease of living. t he article
on ‘gst and the eAse oF Doing Business ’ by r aghavendra Pal singh is very thoughtful and gives diversified
views. in a wholesome manner, the January issue gives relevant thoughts for uPsc aspirants on gs 3 for
mains and for the economy in prelims as well. i want to especially thank the Publications Division for the
quality of the paper used. it enhances the reading experience.
– n imish Kumar, Bihar
innovative reforms
t he January '24 issue on ’ease of Doing Business‘ was full of classic articles. one of the remarkable features of
the amended Jan vishwas Act is the decriminalisation of provisions in different Acts, levying enhanced fines
and penalties instead of jail. t he two interviews were simply fantastic.
– pratap nayak, Bhubaneswar
rural development
in the December edition of Yojana magazine, the article ’Agriculture and rural Development: Key i nitiatives
& Achievements’ explores significant steps taken by the g overnment of india in 2023. t he declaration of the
'international Year of Millets' underscores a global push for millet production, positioning india as a hub for
these nutritious grains. t he 'World's Largest grain s torage Plan' in the cooperative sector reflects a strategic
effort to strengthen agricultural infrastructure. i n my personal view, i commend the comprehensive approach
to rural development, particularly the focus on sustainable agriculture and the success of the Millet Mission.
efficient implementation and monitoring through technology, along with grassroots awareness, remain
crucial for continued success.
– a marjeet Kumar, Bihar
visionary outlook
t he 'Year-end special' (December 2023 issue) was one of the best in terms of quality content, and it provides
a one-stop solution for referring to the major events of the year from an indian perspective. As always,
'Yojana' never disappoints and stands out among its peers. r equest to bring out an issue on 'r oadmap for
developed india ahead'.
– n itesh Kumar Manjhi, Jharkhand
Inbox
sec-yojanaeng-moib@gov.in
5 March 2024
State of the Art
Editorial
YOJANA
A
rt is something that is experienced and perceived by our senses
while providing a sublime perspective on things around us. it lets our
mental faculties think beyond and within. Art has the ability to bring the
subtleties to the forefront, often leaving the obvious for interpretation. it is
a powerful medium of human expression, building unique identities while
breaking barriers.
india, since time immemorial, has been the fulcrum of art. Be it visual
or performing, architecture or intricate weaves, the journey of art in india
has evolved with the diverse influence of the cultures and beliefs prevalent
in various ages and regions. t hose paintings, artwork, and culture woven
around them have been an indispensable medium for historians and
sociologists to gain a deeper understanding of society and people.
t he fields of art and culture are changing dramatically in the rapidly-
changing digital age. A new era where innovation has no bounds and old
boundaries are blurred has been brought about by the confluence of creativity and technology. t he creation,
consumption, and appreciation of art and culture have undergone a significant upheaval since the advent of the
digital age. t he internet era has made artistic expression accessible to people from a wide range of backgrounds
by democratising creativity. Aspiring artists can present their work to a worldwide audience with the use of
easily accessible software, social media, and online galleries.
social media platforms now serve as centres of culture, shaping discussions, trends, and even social
movements. Popular culture is shaped by internet superstars, influencers, and viral content that have emerged in
the digital age. With the advent of interactive tales, podcasts, web series, and transmedia experiences, the digital
age has completely transformed storytelling. Multimedia and interaction are used by storytellers to captivate
audiences more deeply. galleries and museums have begun to offer virtual exhibitions and virtual tours, which
let art enthusiasts view collections from the comfort of their own homes. t he art world has been reshaped by
non-Fungible t okens (nFt s), which allow artists to market their digital works as unique properties. nFt art allows
artists to sell or rent their artwork beyond the physical world. experiential displays of art and cultural events with
the use of drones are another area of art diversifying itself with digital technologies.
As technology continues to change the landscape of artwork, ethical considerations become increasingly
relevant. Questions concerning ownership, copyright, and the worth of digital art have been brought up by this
digital age. t hese discussions become essential in the changing digital landscape. c ross-cultural interactions are
made easier by digital platforms, which let users interact with and learn about people from other cultures. But
this also questions authenticity and cultural appropriation.
t he digital era has redefined how we produce, consume, and interact with creative expressions, pushing
art and culture into previously unexplored realms. in the meantime, social media, globalisation, and the
opportunities and difficulties presented by technology all influence culture in the digital era. it’s critical that we
acknowledge the ethical and cultural issues raised by the digital age while also appreciating its revolutionary
potential as we move through this dynamic environment. t hrough this issue of Yojana, we set out on a quest
to discover the inspirations and breakthroughs that have shaped our modern creative landscape as we explore
how art and culture have changed in the digital age. ?
6 March 2024
rtistic traditions of any civilisation
comprise its cultural scaffold. i ts
progressional journey is made
alongside a framework that is
provided by various arts and their sublime forms,
a fact that has not changed even in today’s digital
age of connecting through the multiverse. the
multi-dimensional equations today’s generation
is beginning to touch upon cannot possibly be
gratified without our artistic traditions finding a
way to merge with technology.
Whatever has travelled with us since millennia
has become our cultural institution today. talking
from a global perspective, we have retained the
quintessential – forsaking the transient, invoking
the perpetual on every threshold that our journey
has stepped through. And now we are on the
brink of yet another threshold, that of the digital
age. What can be our approach to conserving,
preserving, expanding, and enhancing our exquisite
cultural/artistic traditions? t he answer is probably,
Art in any form is a manifestation of human brain’s potential for creation.
The capacity may be latent, but it is there in every human being… concealed
as vigour and vibrance of the verve of life. Artistic traditions have kept
changing and will continue to do so since creativity is a phenomenon of
incessant evolving. Digital enhancement technology has been instrumental
in keeping their journey synced with that of human race.
connecting our art forms to today’s futuristic world
- the digital world.
the revolutionary idea of connecting
various virtuosity techniques through a digital
interface is already being increasingly adopted
by numerous artists in many fields. these include
sculptors, artists, painters, writers, designers, glass
and pottery artisans, weavers, architects, and a
lot more. using electronic devices and computer
codes, digital artists are able to create their unique
art-works through specific design tablets. t his has
enhanced their rewards in many ways – design
innovation, increased access, convenience of
working, instant sharing, increased productivity,
wider reach and recognition among many others.
Digitisation of Art allows the artist immense
diversity and spontaneity. experimentation with
visualisation enables the blending of varied
disciplines, providing multifarious planes of
exploration with the components to achieve
unique and imaginative outcomes. through
interactive multimedia elements, installations,
and 2D (2 dimensional), 3D, or even 4 dimensional
A
TRADITIONAL
ART FORMS IN
MANEESHA AGRAWAL MvG
the author is a writer who has authored books and stories about civilisation and its perceptions including the book
‘Resurrecting Durbal Indian Art Forms’ by Publications Division. X (formerly Twitter) user id: @maneeshamvg
DIGITAL AGE
Read More