Read the given extracts and answer the questions that follow:Therefore, on every morrow, are we wreathingA flowery band to bind us to the earth,Spite of despondence, of the inhuman dearthOf noble natures, of the gloomy days,Of all the unhealthy and o’er darkened waysMade for our searching: yes, in spite of all,Some shape of beauty moves away the pallFrom our dark spirits.Q. Pick the option that enumerates what ‘noble natures’ would include.1. Selflessness2. Insensitivity3. Enthusiasm4. Aggression5. Meticulousness6. Judiciousnessa)1, 4 and 5b)2, 3 and 6c)2, 4 and 5d)1, 3 and 6Correct answer is option 'D'. Can you explain this answer?

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Read the given extracts and answer the questions that follow:

Therefore, on every morrow, are we wreathing

A flowery band to bind us to the earth,

Spite of despondence, of the inhuman dearth

Of noble natures, of the gloomy days,

Of all the unhealthy and o’er darkened ways

Made for our searching: yes, in spite of all,

Some shape of beauty moves away the pall

From our dark spirits.

Q. Pick the option that enumerates what ‘noble natures’ would include.

1. Selflessness

2. Insensitivity

3. Enthusiasm

4. Aggression

5. Meticulousness

6. Judiciousness

a)
1, 4 and 5
b)
2, 3 and 6
c)
2, 4 and 5
d)
1, 3 and 6

Correct answer is option 'D'. Can you explain this answer?

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Test: A Thing of Beauty- Extract Based Type Questions- 1

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Read the given extracts and answer the questions that follow:Therefor...

According to Keats every small or big thing of nature is a thing of beauty and a source of pleasure. The sun, the moon, the trees and daffodil flowers are all things of beauty.

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Read the given extracts and answer the questions that follow:Therefor...

Explanation:
The given extract is from the poem "Ode to a Nightingale" by John Keats. In this extract, the speaker is talking about how beauty has the power to uplift and inspire our spirits, despite the challenges and darkness that we may face in life. The phrase "Of the inhuman dearth/Of noble natures" refers to the lack of noble or virtuous qualities in people.

Noble natures can include:
1. Selflessness: This refers to the quality of being concerned for the well-being and happiness of others, rather than oneself. Noble natures are characterized by acts of kindness, compassion, and self-sacrifice.

2. Enthusiasm: This refers to a strong and eager interest or excitement in something. Noble natures are often passionate and enthusiastic about their pursuits, whether it be a cause, a hobby, or a profession.

3. Judiciousness: This refers to the quality of having good judgment and making wise decisions. Noble natures are characterized by their ability to think critically, weigh options, and make choices that are fair and just.

Exclusions:
The other options mentioned in the question, such as insensitivity, aggression, and meticulousness, do not align with the concept of noble natures as described in the poem.

4. Insensitivity: This refers to a lack of empathy or consideration for the feelings of others. Noble natures, on the other hand, are characterized by their ability to understand and empathize with others.

5. Aggression: This refers to a hostile or violent behavior towards others. Noble natures are characterized by their peaceful and harmonious approach to life, seeking to resolve conflicts through dialogue and understanding.

6. Meticulousness: This refers to the quality of being extremely careful and precise in one's work or actions. While being meticulous can be a positive trait, it is not necessarily synonymous with noble natures. Noble natures are more concerned with the well-being of others and the pursuit of higher ideals, rather than perfectionism or attention to detail.

Conclusion:
In conclusion, 'noble natures' as described in the given extract from the poem include selflessness, enthusiasm, and judiciousness. These qualities represent a virtuous and noble character, which the speaker believes can counteract the darkness and despair of life.

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Read the given extracts and answer the questions that follow:Therefore, on every morrow, are we wreathingA flowery band to bind us to the earth,Spite of despondence, of the inhuman dearthOf noble natures, of the gloomy days,Of all the unhealthy and o’er darkened waysMade for our searching: yes, in spite of all,Some shape of beauty moves away the pallFrom our dark spirits.Q. In which of the following options can the underlined words be replaced with ‘despondence’?

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In spite of despondence, of the inhuman dearth of noble natures, of the gloomy days, of all the unhealthy and o’er–darkened ways made for our searching : ‘yes, in spite of all, some shape of beauty moves away the pall from our dark spirits.’Q. Why are we ‘despondent‘?

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British filmmaker Richard Curtis has written iconic popcultural classics like Mr. Bean, Four Weddings and a Funeral, Notting Hill and Bridget Joness Diary. His directorial debut, Love Actually, remains a rare film that at once parodies, celebrates, and reclaims, storytellings most bastardised genre. But Curtis most accomplished movie has everything and nothing to do with his reputation as the King of (Romanti c) Comedy.About Time (2013), starring Irish actor Domhnall Gleeson in a breakthrough role, cleverly weaponises its makers stature. It counts on the fact that we anticipate an innovative (buzzword: time travel) but typically breezy love story. But the girl-boy arc fades into the background, and the film subverts our expectations by instead morphing into a deeply contemplative and winning tragedy about human nature. Curtis virtually uses his own career as a smokescreen to transform About Time into an affecting ode to closure and its elastic relationship with time. Early in the film, a retired James (Bill Nighy) informs his son Tim, a boy on the verge of big-city adulthood, that the men of the family possess the power to travel back in time. Naturally, at first, Tim abuses this cosmic gift like any red-blooded, teething male hero would - to find, and refine, his pursuit of love. He meets Mary, an American girl, and manipulates time in a manner that compels her to fall for him. Youd imagine any writer at this point would be tempted to use time travel as the pivot to continue navigating the cross-cultural politics of companionship. But Curtis refrains from old-school gimmickry. He designs the narrative device as a trigger that forces Tims conflict to be conceived in the personal chasm that separates selfishness from selflessness: The selfishness of love from the selflessness of family.Tims story gets us thinking: do some of us subconsciously fail to sustain romantic relationships because were unwilling to snap that umbilical cord? Do we postpone marriage - a family, children, onwardness -to preserve the fading remnants of our family? To keep our history accessible? The films lyrical circularity exposes an uncomfortable truth about life - that romance is inherently an act of self-preservation. That loving someone, often, is a mechanism aimed at leaving something - and some times - behind. We choose to get consumed by life so that its origins are exhumed no more. For every child Tim has, the more irrevocably he drifts away from his own childhood. Every birth is inextricably linked to his rebirth. For each milestone he crosses as a life partner, the rules of time travel - a cinematic allegory for the texture of remembrance - force him to live rather than relive. Love is, after all, the emotional manifestation of the precise moment the future decides to break up with the past.Q. Fortunately, he manages to be both selfless and selfish without compromising on the recipients of either trait. What can be inferred from this line in the context of the passage?

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British filmmaker Richard Curtis has written iconic popcultural classics like Mr. Bean, Four Weddings and a Funeral, Notting Hill and Bridget Joness Diary. His directorial debut, Love Actually, remains a rare film that at once parodies, celebrates, and reclaims, storytellings most bastardised genre. But Curtis most accomplished movie has everything and nothing to do with his reputation as the King of (Romanti c) Comedy. About Time (2013), starring Irish actor Domhnall Gleeson in a breakthrough role, cleverly weaponises its makers stature. It counts on the fact that we anticipate an innovative (buzzword: time travel) but typically breezy love story. But the girl-boy arc fades into the background, and the film subverts our expectations by instead morphing into a deeply contemplative and winning tragedy about human nature. Curtis virtually uses his own career as a smokescreen to transform About Time into an affecting ode to closure and its elastic relationship with time. Early in the film, a retired James (Bill Nighy) informs his son Tim, a boy on the verge of big-city adulthood, that the men of the family possess the power to travel back in time. Naturally, at first, Tim abuses this cosmic gift like any red-blooded, teething male hero would - to find, and refine, his pursuit of love. He meets Mary, an American girl, and manipulates time in a manner that compels her to fall for him. Youd imagine any writer at this point would be tempted to use time travel as the pivot to continue navigating the cross-cultural politics of companionship. But Curtis refrains from old-school gimmickry. He designs the narrative device as a trigger that forces Tims conflict to be conceived in the personal chasm that separates selfishness from selflessness: The selfishness of love from the selflessness of family. Tims story gets us thinking: do some of us subconsciously fail to sustain romantic relationships because were unwilling to snap that umbilical cord? Do we postpone marriage - a family, children, onwardness -to preserve the fading remnants of our family? To keep our history accessible? The films lyrical circularity exposes an uncomfortable truth about life - that romance is inherently an act of self-preservation. That loving someone, often, is a mechanism aimed at leaving something - and some times - behind. We choose to get consumed by life so that its origins are exhumed no more. For every child Tim has, the more irrevocably he drifts away from his own childhood. Every birth is inextricably linked to his rebirth. For each milestone he crosses as a life partner, the rules of time travel - a cinematic allegory for the texture of remembrance - force him to live rather than relive. Love is, after all, the emotional manifestation of the precise moment the future decides to break up with the past. Q. How did Curtis refrain from following the usual story arc?

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Read the given extracts and answer the questions that follow:Therefore, on every morrow, are we wreathingA flowery band to bind us to the earth,Spite of despondence, of the inhuman dearthOf noble natures, of the gloomy days,Of all the unhealthy and o’er darkened waysMade for our searching: yes, in spite of all,Some shape of beauty moves away the pallFrom our dark spirits.Q. Pick the option that enumerates what ‘noble natures’ would include.1. Selflessness2. Insensitivity3. Enthusiasm4. Aggression5. Meticulousness6. Judiciousnessa)1, 4 and 5b)2, 3 and 6c)2, 4 and 5d)1, 3 and 6Correct answer is option 'D'. Can you explain this answer?

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Read the given extracts and answer the questions that follow:Therefore, on every morrow, are we wreathingA flowery band to bind us to the earth,Spite of despondence, of the inhuman dearthOf noble natures, of the gloomy days,Of all the unhealthy and o’er darkened waysMade for our searching: yes, in spite of all,Some shape of beauty moves away the pallFrom our dark spirits.Q. Pick the option that enumerates what ‘noble natures’ would include.1. Selflessness2. Insensitivity3. Enthusiasm4. Aggression5. Meticulousness6. Judiciousnessa)1, 4 and 5b)2, 3 and 6c)2, 4 and 5d)1, 3 and 6Correct answer is option 'D'. Can you explain this answer? for Class 12 2024 is part of Class 12 preparation. The Question and answers have been prepared according to the Class 12 exam syllabus. Information about Read the given extracts and answer the questions that follow:Therefore, on every morrow, are we wreathingA flowery band to bind us to the earth,Spite of despondence, of the inhuman dearthOf noble natures, of the gloomy days,Of all the unhealthy and o’er darkened waysMade for our searching: yes, in spite of all,Some shape of beauty moves away the pallFrom our dark spirits.Q. Pick the option that enumerates what ‘noble natures’ would include.1. Selflessness2. Insensitivity3. Enthusiasm4. Aggression5. Meticulousness6. Judiciousnessa)1, 4 and 5b)2, 3 and 6c)2, 4 and 5d)1, 3 and 6Correct answer is option 'D'. Can you explain this answer? covers all topics & solutions for Class 12 2024 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Read the given extracts and answer the questions that follow:Therefore, on every morrow, are we wreathingA flowery band to bind us to the earth,Spite of despondence, of the inhuman dearthOf noble natures, of the gloomy days,Of all the unhealthy and o’er darkened waysMade for our searching: yes, in spite of all,Some shape of beauty moves away the pallFrom our dark spirits.Q. Pick the option that enumerates what ‘noble natures’ would include.1. Selflessness2. Insensitivity3. Enthusiasm4. Aggression5. Meticulousness6. Judiciousnessa)1, 4 and 5b)2, 3 and 6c)2, 4 and 5d)1, 3 and 6Correct answer is option 'D'. Can you explain this answer?.

Solutions for Read the given extracts and answer the questions that follow:Therefore, on every morrow, are we wreathingA flowery band to bind us to the earth,Spite of despondence, of the inhuman dearthOf noble natures, of the gloomy days,Of all the unhealthy and o’er darkened waysMade for our searching: yes, in spite of all,Some shape of beauty moves away the pallFrom our dark spirits.Q. Pick the option that enumerates what ‘noble natures’ would include.1. Selflessness2. Insensitivity3. Enthusiasm4. Aggression5. Meticulousness6. Judiciousnessa)1, 4 and 5b)2, 3 and 6c)2, 4 and 5d)1, 3 and 6Correct answer is option 'D'. Can you explain this answer? in English & in Hindi are available as part of our courses for Class 12. Download more important topics, notes, lectures and mock test series for Class 12 Exam by signing up for free.

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