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Read the passage carefully and answer the following questions:
Mythology remains important in Western culture. Take, for instance, the role model of the hero, of contemporary revolutionaries, martyrs and dictators. These ideal figures exemplify models of human achievement. Similarly, notions of salvation, progress and ethics are so constitutive of our notions of reality that they’re often communicated through the format of mythology. There’s a surfeit of cultural products that fulfil the function of myth whereby characters and stories give us the means to understand the world we live in. Through superhero comic books, to the obscure immanence of modern art, from visions of paradisiacal vacations, to computer games and the self-mythologising of social media production, we seek a higher ground beyond the banal and the profane. We’ve even replaced the effervescent experience of sacred rites...in our engagement with art, drugs, cinema, rock music and all-night dance parties. Lastly, individuals have developed their own ways to create self-narratives that include mythical transitions in pilgrimages or personal quests to their ancestral lands. Likewise, some seek inner spaces wherein faith and meaning can be transformed into experience.
To prepare for our exploration of contemporary mythology, we can look back at civilisations and consider the function of the stories they told. The story of the flood, for example, recurs in early urban societies, marking a crisis in human-divine relations and man’s experience of gradual self-reliance and separation from nature. Whereas during the Axial Age (800-200 BCE), faith developed in an environment of early trade economies, at which time we observe a concern with individual conscience, morality, compassion and a tendency to look within. According to Karen Armstrong’s A Short History of Myth (2005), these Axial myths of interiority indicate that people felt they no longer shared the same nature as the gods, and that the supreme reality had become impossibly difficult to access. These myths were a response to the loss of previous notions of social order, cosmology and human good, and represented ways to portray these social transformations in macrocosmic stories, and were reflections of how people tried to make sense of their rapidly changing world.
What constitutes a mythology? It’s an organised canon of beliefs that explains the state of the world. It also delivers an origin story - such as the Hindu Laws of Manu or the Biblical creation story - that creates a setting for how we experience the world. In fact, for Eliade, all myths provided an explanation of the world by virtue of giving an account of where things came from. If all mythologies are origin stories in this sense, what are the origin stories suggested by psychology? Two original elements of human nature are explained in its lore: the story of personhood - that is, what it means to be an individual and have an identity - and, secondly, the story of our physical constitution in the brain. 
Contemporary psychology is a form of mythology insofar as it is an attempt to succor our need to believe in stories that provide a sense of value and signification in the context of secular modernity. The ways in which psychology is used - for example in experiments or self-help literature or personality tests or brain scans - are means of providing rituals to enact the myths of personhood and materialism.
 
Q. The author cites the examples of psychological experiments, self-help literature, brain scans and personality tests because
  • a)
    these are means by which myths of personhood and materialism are formulated.
  • b)
    these are means by which myths of personhood and materialism are modified.
  • c)
    these are means by which myths of personhood and materialism are validated.
  • d)
    these are means by which myths of personhood and materialism are decried.
Correct answer is option 'C'. Can you explain this answer?
Most Upvoted Answer
Read the passage carefully and answer the following questions:Mytholog...
In the last paragraph, the author states the following-
{The ways in which psychology is used - for example in experiments or self-help literature or personality tests or brain scans - are means of providing rituals to enact the myths of personhood and materialism.}
So, the examples the author mentions provide means to enact or approve the myths of personhood and materialism. Let's compare the options now. 
Option A talks about formulating the myths, which is wrong.
Option B talks about modifying the myths, which is wrong as well.
Option D contrast the inference. These rituals ratify, and not decry the myths.
Option C correctly conveys the above inference. Option C is the answer. 
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Read the passage carefully and answer the following questions:Mythology remains important in Western culture. Take, for instance, the role model of the hero, of contemporary revolutionaries, martyrs and dictators. These ideal figures exemplify models of human achievement. Similarly, notions of salvation, progress and ethics are so constitutive of our notions of reality that they’re often communicated through the format of mythology. There’s a surfeit of cultural products that fulfil the function of myth whereby characters and stories give us the means to understand the world we live in. Through superhero comic books, to the obscure immanence of modern art, from visions of paradisiacal vacations, to computer games and the self-mythologising of social media production, we seek a higher ground beyond the banal and the profane. We’ve even replaced the effervescent experience of sacred rites...in our engagement with art, drugs, cinema, rock music and all-night dance parties. Lastly, individuals have developed their own ways to create self-narratives that include mythical transitions in pilgrimages or personal quests to their ancestral lands. Likewise, some seek inner spaces wherein faith and meaning can be transformed into experience.To prepare for our exploration of contemporary mythology, we can look back at civilisations and consider the function of the stories they told. The story of the flood, for example, recurs in early urban societies, marking a crisis in human-divine relations and man’s experience of gradual self-reliance and separation from nature. Whereas during the Axial Age (800-200 BCE), faith developed in an environment of early trade economies, at which time we observe a concern with individual conscience, morality, compassion and a tendency to look within. According to Karen Armstrong’s A Short History of Myth (2005), these Axial myths of interiority indicate that people felt they no longer shared the same nature as the gods, and that the supreme reality had become impossibly difficult to access. These myths were a response to the loss of previous notions of social order, cosmology and human good, and represented ways to portray these social transformations in macrocosmic stories, andwere reflections of how people tried to make sense of their rapidly changing world.What constitutes a mythology? It’s an organised canon of beliefs that explains the state of the world. It also delivers an origin story - such as the Hindu Laws of Manu or the Biblical creation story - that creates a setting for how we experience the world. In fact, for Eliade, all myths provided an explanation of the world by virtue of giving an account of where things came from. If all mythologies are origin stories in this sense, what are the origin stories suggested by psychology? Two original elements of human nature are explained in its lore: the story of personhood - that is, what it means to be an individual and have an identity - and, secondly, the story of our physical constitution in the brain.Contemporary psychology is a form of mythology insofar as it is an attempt to succor our need to believe in stories that provide a sense of value and signification in the context of secular modernity. The ways in which psychology is used - for example in experiments or self-help literature or personality tests or brain scans - are means of providing rituals to enact the myths of personhood and materialism.Q. The author cites the examples of the story of the flood and myth of interiority to drive home the point that

Read the passage carefully and answer the following questions:Mythology remains important in Western culture. Take, for instance, the role model of the hero, of contemporary revolutionaries, martyrs and dictators. These ideal figures exemplify models of human achievement. Similarly, notions of salvation, progress and ethics are so constitutive of our notions of reality that they’re often communicated through the format of mythology. There’s a surfeit of cultural products that fulfil the function of myth whereby characters and stories give us the means to understand the world we live in. Through superhero comic books, to the obscure immanence of modern art, from visions of paradisiacal vacations, to computer games and the self-mythologising of social media production, we seek a higher ground beyond the banal and the profane. We’ve even replaced the effervescent experience of sacred rites...in our engagement with art, drugs, cinema, rock music and all-night dance parties. Lastly, individuals have developed their own ways to create self-narratives that include mythical transitions in pilgrimages or personal quests to their ancestral lands. Likewise, some seek inner spaces wherein faith and meaning can be transformed into experience.To prepare for our exploration of contemporary mythology, we can look back at civilisations and consider the function of the stories they told. The story of the flood, for example, recurs in early urban societies, marking a crisis in human-divine relations and man’s experience of gradual self-reliance and separation from nature. Whereas during the Axial Age (800-200 BCE), faith developed in an environment of early trade economies, at which time we observe a concern with individual conscience, morality, compassion and a tendency to look within. According to Karen Armstrong’s A Short History of Myth (2005), these Axial myths of interiority indicate that people felt they no longer shared the same nature as the gods, and that the supreme reality had become impossibly difficult to access. These myths were a response to the loss of previous notions of social order, cosmology and human good, and represented ways to portray these social transformations in macrocosmic stories, andwere reflections of how people tried to make sense of their rapidly changing world.What constitutes a mythology? It’s an organised canon of beliefs that explains the state of the world. It also delivers an origin story - such as the Hindu Laws of Manu or the Biblical creation story - that creates a setting for how we experience the world. In fact, for Eliade, all myths provided an explanation of the world by virtue of giving an account of where things came from. If all mythologies are origin stories in this sense, what are the origin stories suggested by psychology? Two original elements of human nature are explained in its lore: the story of personhood - that is, what it means to be an individual and have an identity - and, secondly, the story of our physical constitution in the brain.Contemporary psychology is a form of mythology insofar as it is an attempt to succor our need to believe in stories that provide a sense of value and signification in the context of secular modernity. The ways in which psychology is used - for example in experiments or self-help literature or personality tests or brain scans - are means of providing rituals to enact the myths of personhood and materialism.Q. Why does the author refer to contemporary psychology as a form of mythology?

Read the passage carefully and answer the following questions:Mythology remains important in Western culture. Take, for instance, the role model of the hero, of contemporary revolutionaries, martyrs and dictators. These ideal figures exemplify models of human achievement. Similarly, notions of salvation, progress and ethics are so constitutive of our notions of reality that they’re often communicated through the format of mythology. There’s a surfeit of cultural products that fulfil the function of myth whereby characters and stories give us the means to understand the world we live in. Through superhero comic books, to the obscure immanence of modern art, from visions of paradisiacal vacations, to computer games and the self-mythologising of social media production, we seek a higher ground beyond the banal and the profane. We’ve even replaced the effervescent experience of sacred rites...in our engagement with art, drugs, cinema, rock music and all-night dance parties. Lastly, individuals have developed their own ways to create self-narratives that include mythical transitions in pilgrimages or personal quests to their ancestral lands. Likewise, some seek inner spaces wherein faith and meaning can be transformed into experience.To prepare for our exploration of contemporary mythology, we can look back at civilisations and consider the function of the stories they told. The story of the flood, for example, recurs in early urban societies, marking a crisis in human-divine relations and man’s experience of gradual self-reliance and separation from nature. Whereas during the Axial Age (800-200 BCE), faith developed in an environment of early trade economies, at which time we observe a concern with individual conscience, morality, compassion and a tendency to look within. According to Karen Armstrong’s A Short History of Myth (2005), these Axial myths of interiority indicate that people felt they no longer shared the same nature as the gods, and that the supreme reality had become impossibly difficult to access. These myths were a response to the loss of previous notions of social order, cosmology and human good, and represented ways to portray these social transformations in macrocosmic stories, andwere reflections of how people tried to make sense of their rapidly changing world.What constitutes a mythology? It’s an organised canon of beliefs that explains the state of the world. It also delivers an origin story - such as the Hindu Laws of Manu or the Biblical creation story - that creates a setting for how we experience the world. In fact, for Eliade, all myths provided an explanation of the world by virtue of giving an account of where things came from. If all mythologies are origin stories in this sense, what are the origin stories suggested by psychology? Two original elements of human nature are explained in its lore: the story of personhood - that is, what it means to be an individual and have an identity - and, secondly, the story of our physical constitution in the brain.Contemporary psychology is a form of mythology insofar as it is an attempt to succor our need to believe in stories that provide a sense of value and signification in the context of secular modernity. The ways in which psychology is used - for example in experiments or self-help literature or personality tests or brain scans - are means of providing rituals to enact the myths of personhood and materialism.Q. Which of the following statements about human behaviour cannot be inferred from the first paragraph?

Read the passage carefully and answer the following questions:Mythology remains important in Western culture. Take, for instance, the role model of the hero, of contemporary revolutionaries, martyrs and dictators. These ideal figures exemplify models of human achievement. Similarly, notions of salvation, progress and ethics are so constitutive of our notions of reality that they’re often communicated through the format of mythology. There’s a surfeit of cultural products that fulfil the function of myth whereby characters and stories give us the means to understand the world we live in. Through superhero comic books, to the obscure immanence of modern art, from visions of paradisiacal vacations, to computer games and the self-mythologising of social media production, we seek a higher ground beyond the banal and the profane. We’ve even replaced the effervescent experience of sacred rites...in our engagement with art, drugs, cinema, rock music and all-night dance parties. Lastly, individuals have developed their own ways to create self-narratives that include mythical transitions in pilgrimages or personal quests to their ancestral lands. Likewise, some seek inner spaces wherein faith and meaning can be transformed into experience.To prepare for our exploration of contemporary mythology, we can look back at civilisations and consider the function of the stories they told. The story of the flood, for example, recurs in early urban societies, marking a crisis in human-divine relations and man’s experience of gradual self-reliance and separation from nature. Whereas during the Axial Age (800-200 BCE), faith developed in an environment of early trade economies, at which time we observe a concern with individual conscience, morality, compassion and a tendency to look within. According to Karen Armstrong’s A Short History of Myth (2005), these Axial myths of interiority indicate that people felt they no longer shared the same nature as the gods, and that the supreme reality had become impossibly difficult to access. These myths were a response to the loss of previous notions of social order, cosmology and human good, and represented ways to portray these social transformations in macrocosmic stories, andwere reflections of how people tried to make sense of their rapidly changing world.What constitutes a mythology? It’s an organised canon of beliefs that explains the state of the world. It also delivers an origin story - such as the Hindu Laws of Manu or the Biblical creation story - that creates a setting for how we experience the world. In fact, for Eliade, all myths provided an explanation of the world by virtue of giving an account of where things came from. If all mythologies are origin stories in this sense, what are the origin stories suggested by psychology? Two original elements of human nature are explained in its lore: the story of personhood - that is, what it means to be an individual and have an identity - and, secondly, the story of our physical constitution in the brain.Contemporary psychology is a form of mythology insofar as it is an attempt to succor our need to believe in stories that provide a sense of value and signification in the context of secular modernity. The ways in which psychology is used - for example in experiments or self-help literature or personality tests or brain scans - are means of providing rituals to enact the myths of personhood and materialism.Q. Which of the following statements about mythology cannot be inferred from the passage?

Read the passage below and answer the questions that follow.Revolutions are extreme changes in a country that can have far- reaching effects for its neighbors. For this reason, many countries pay close attention to revolutions as they play out to decide whether or not to assist or impede revolutionary progress to protect their own interests. Predicting the course of such events therefore becomes essential to determining foreign policy towards areas in turmoil. Scholars largely agree that revolutions tend to play out in similar ways. However, revolutionary theorists are still at odds over how successful revolutionary states form. Some historians such as Theda Skocpol argue that social revolutions are a product of socioeconomic and political conditions and therefore are predictable in at-risk countries. Others, like Greg McCarthy claim that this view fails to take into account social class and the struggle resulting from socioeconomic differences, factors that have been driving forces in revolutions instigated by the lower class, as in France and Russia. I contend that, although the preceding government and society are significant in causing a revolution and creating revolutionaries, the ideological mindset of the revolutionary group is itself a major factor in determining the outcome of the revolution.There may be some objections to the idea of generalizing the outcomes of revolutions beyond individual cases. Logic seems to dictate that every country has different political and socioeconomic conditions, all of which impact how a given revolution plays out.However, social revolution is a specific form of upheaval in the national political and social structure that can emerge from religious and economic motivations. These events are, according to Skocpol basic transformations of a societys state and class structures; and they are accompanied and in part carried through by class-based revolts from below. Such upheavals involve not only political and governmental shifts, but also socioeconomic changes.By gathering intelligence about revolutionary groups at the forefront of upheaval in a nation, we can deduce their ideologies. From their ideology, revolutionary tendencies can be applied to predict possible actions that may be taken during a revolution. For example, a communist group is likely to create a bureaucratic government based on the lower class, which could be effective at quick mass- mobilization in times of war. Using this sort of analysis, with emphasis on the structural and ideological distinctions of various revolutions, general trends for other revolutionary varieties, such as Islamic revolutions in the Middle East, can be found and refined.This information could be used to determine whether or not intervention is necessary for national security and if so, what sort. A country with an interest in oil in a region, for example, would not be keen on allowing communists to seize power, as the new regime would likely not be receptive to private investors. During a revolution led by religious zealots, onlookers may be less likely to deem intervention worth the trouble if such revolutionaries tend to create large, destructive armies. The guidelines when applied to more revolutions, could provide a way to better predict the formation of governments in the critical stage of revolution.Q.Why does the author mean by the line- ..although the preceding government and society are significant in causing a revolution and creating revolutionaries, the ideological mindset of the revolutionary group is itself a major factor in determining the outcome of the revolution.?

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Read the passage carefully and answer the following questions:Mythology remains important in Western culture. Take, for instance, the role model of the hero, of contemporary revolutionaries, martyrs and dictators. These ideal figures exemplify models of human achievement. Similarly, notions of salvation, progress and ethics are so constitutive of our notions of reality that they’re often communicated through the format of mythology. There’s a surfeit of cultural products that fulfil the function of myth whereby characters and stories give us the means to understand the world we live in. Through superhero comic books, to the obscure immanence of modern art, from visions of paradisiacal vacations, to computer games and the self-mythologising of social media production, we seek a higher ground beyond the banal and the profane. We’ve even replaced the effervescent experience of sacred rites...in our engagement with art, drugs, cinema, rock music and all-night dance parties. Lastly, individuals have developed their own ways to create self-narratives that include mythical transitions in pilgrimages or personal quests to their ancestral lands. Likewise, some seek inner spaces wherein faith and meaning can be transformed into experience.To prepare for our exploration of contemporary mythology, we can look back at civilisations and consider the function of the stories they told. The story of the flood, for example, recurs in early urban societies, marking a crisis in human-divine relations and man’s experience of gradual self-reliance and separation from nature. Whereas during the Axial Age (800-200 BCE), faith developed in an environment of early trade economies, at which time we observe a concern with individual conscience, morality, compassion and a tendency to look within. According to Karen Armstrong’s A Short History of Myth (2005), these Axial myths of interiority indicate that people felt they no longer shared the same nature as the gods, and that the supreme reality had become impossibly difficult to access. These myths were a response to the loss of previous notions of social order, cosmology and human good, and represented ways to portray these social transformations in macrocosmic stories, andwere reflections of how people tried to make sense of their rapidly changing world.What constitutes a mythology? It’s an organised canon of beliefs that explains the state of the world. It also delivers an origin story - such as the Hindu Laws of Manu or the Biblical creation story - that creates a setting for how we experience the world. In fact, for Eliade, all myths provided an explanation of the world by virtue of giving an account of where things came from. If all mythologies are origin stories in this sense, what are the origin stories suggested by psychology? Two original elements of human nature are explained in its lore: the story of personhood - that is, what it means to be an individual and have an identity - and, secondly, the story of our physical constitution in the brain.Contemporary psychology is a form of mythology insofar as it is an attempt to succor our need to believe in stories that provide a sense of value and signification in the context of secular modernity. The ways in which psychology is used - for example in experiments or self-help literature or personality tests or brain scans - are means of providing rituals to enact the myths of personhood and materialism.Q. The author cites the examples of psychological experiments, self-help literature, brain scans and personality tests becausea)these are means by which myths of personhood and materialism are formulated.b)these are means by which myths of personhood and materialism are modified.c)these are means by which myths of personhood and materialism are validated.d)these are means by which myths of personhood and materialism are decried.Correct answer is option 'C'. Can you explain this answer?
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Read the passage carefully and answer the following questions:Mythology remains important in Western culture. Take, for instance, the role model of the hero, of contemporary revolutionaries, martyrs and dictators. These ideal figures exemplify models of human achievement. Similarly, notions of salvation, progress and ethics are so constitutive of our notions of reality that they’re often communicated through the format of mythology. There’s a surfeit of cultural products that fulfil the function of myth whereby characters and stories give us the means to understand the world we live in. Through superhero comic books, to the obscure immanence of modern art, from visions of paradisiacal vacations, to computer games and the self-mythologising of social media production, we seek a higher ground beyond the banal and the profane. We’ve even replaced the effervescent experience of sacred rites...in our engagement with art, drugs, cinema, rock music and all-night dance parties. Lastly, individuals have developed their own ways to create self-narratives that include mythical transitions in pilgrimages or personal quests to their ancestral lands. Likewise, some seek inner spaces wherein faith and meaning can be transformed into experience.To prepare for our exploration of contemporary mythology, we can look back at civilisations and consider the function of the stories they told. The story of the flood, for example, recurs in early urban societies, marking a crisis in human-divine relations and man’s experience of gradual self-reliance and separation from nature. Whereas during the Axial Age (800-200 BCE), faith developed in an environment of early trade economies, at which time we observe a concern with individual conscience, morality, compassion and a tendency to look within. According to Karen Armstrong’s A Short History of Myth (2005), these Axial myths of interiority indicate that people felt they no longer shared the same nature as the gods, and that the supreme reality had become impossibly difficult to access. These myths were a response to the loss of previous notions of social order, cosmology and human good, and represented ways to portray these social transformations in macrocosmic stories, andwere reflections of how people tried to make sense of their rapidly changing world.What constitutes a mythology? It’s an organised canon of beliefs that explains the state of the world. It also delivers an origin story - such as the Hindu Laws of Manu or the Biblical creation story - that creates a setting for how we experience the world. In fact, for Eliade, all myths provided an explanation of the world by virtue of giving an account of where things came from. If all mythologies are origin stories in this sense, what are the origin stories suggested by psychology? Two original elements of human nature are explained in its lore: the story of personhood - that is, what it means to be an individual and have an identity - and, secondly, the story of our physical constitution in the brain.Contemporary psychology is a form of mythology insofar as it is an attempt to succor our need to believe in stories that provide a sense of value and signification in the context of secular modernity. The ways in which psychology is used - for example in experiments or self-help literature or personality tests or brain scans - are means of providing rituals to enact the myths of personhood and materialism.Q. The author cites the examples of psychological experiments, self-help literature, brain scans and personality tests becausea)these are means by which myths of personhood and materialism are formulated.b)these are means by which myths of personhood and materialism are modified.c)these are means by which myths of personhood and materialism are validated.d)these are means by which myths of personhood and materialism are decried.Correct answer is option 'C'. Can you explain this answer? for CAT 2025 is part of CAT preparation. The Question and answers have been prepared according to the CAT exam syllabus. Information about Read the passage carefully and answer the following questions:Mythology remains important in Western culture. Take, for instance, the role model of the hero, of contemporary revolutionaries, martyrs and dictators. These ideal figures exemplify models of human achievement. Similarly, notions of salvation, progress and ethics are so constitutive of our notions of reality that they’re often communicated through the format of mythology. There’s a surfeit of cultural products that fulfil the function of myth whereby characters and stories give us the means to understand the world we live in. Through superhero comic books, to the obscure immanence of modern art, from visions of paradisiacal vacations, to computer games and the self-mythologising of social media production, we seek a higher ground beyond the banal and the profane. We’ve even replaced the effervescent experience of sacred rites...in our engagement with art, drugs, cinema, rock music and all-night dance parties. Lastly, individuals have developed their own ways to create self-narratives that include mythical transitions in pilgrimages or personal quests to their ancestral lands. Likewise, some seek inner spaces wherein faith and meaning can be transformed into experience.To prepare for our exploration of contemporary mythology, we can look back at civilisations and consider the function of the stories they told. The story of the flood, for example, recurs in early urban societies, marking a crisis in human-divine relations and man’s experience of gradual self-reliance and separation from nature. Whereas during the Axial Age (800-200 BCE), faith developed in an environment of early trade economies, at which time we observe a concern with individual conscience, morality, compassion and a tendency to look within. According to Karen Armstrong’s A Short History of Myth (2005), these Axial myths of interiority indicate that people felt they no longer shared the same nature as the gods, and that the supreme reality had become impossibly difficult to access. These myths were a response to the loss of previous notions of social order, cosmology and human good, and represented ways to portray these social transformations in macrocosmic stories, andwere reflections of how people tried to make sense of their rapidly changing world.What constitutes a mythology? It’s an organised canon of beliefs that explains the state of the world. It also delivers an origin story - such as the Hindu Laws of Manu or the Biblical creation story - that creates a setting for how we experience the world. In fact, for Eliade, all myths provided an explanation of the world by virtue of giving an account of where things came from. If all mythologies are origin stories in this sense, what are the origin stories suggested by psychology? Two original elements of human nature are explained in its lore: the story of personhood - that is, what it means to be an individual and have an identity - and, secondly, the story of our physical constitution in the brain.Contemporary psychology is a form of mythology insofar as it is an attempt to succor our need to believe in stories that provide a sense of value and signification in the context of secular modernity. The ways in which psychology is used - for example in experiments or self-help literature or personality tests or brain scans - are means of providing rituals to enact the myths of personhood and materialism.Q. The author cites the examples of psychological experiments, self-help literature, brain scans and personality tests becausea)these are means by which myths of personhood and materialism are formulated.b)these are means by which myths of personhood and materialism are modified.c)these are means by which myths of personhood and materialism are validated.d)these are means by which myths of personhood and materialism are decried.Correct answer is option 'C'. Can you explain this answer? covers all topics & solutions for CAT 2025 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Read the passage carefully and answer the following questions:Mythology remains important in Western culture. Take, for instance, the role model of the hero, of contemporary revolutionaries, martyrs and dictators. These ideal figures exemplify models of human achievement. Similarly, notions of salvation, progress and ethics are so constitutive of our notions of reality that they’re often communicated through the format of mythology. There’s a surfeit of cultural products that fulfil the function of myth whereby characters and stories give us the means to understand the world we live in. Through superhero comic books, to the obscure immanence of modern art, from visions of paradisiacal vacations, to computer games and the self-mythologising of social media production, we seek a higher ground beyond the banal and the profane. We’ve even replaced the effervescent experience of sacred rites...in our engagement with art, drugs, cinema, rock music and all-night dance parties. Lastly, individuals have developed their own ways to create self-narratives that include mythical transitions in pilgrimages or personal quests to their ancestral lands. Likewise, some seek inner spaces wherein faith and meaning can be transformed into experience.To prepare for our exploration of contemporary mythology, we can look back at civilisations and consider the function of the stories they told. The story of the flood, for example, recurs in early urban societies, marking a crisis in human-divine relations and man’s experience of gradual self-reliance and separation from nature. Whereas during the Axial Age (800-200 BCE), faith developed in an environment of early trade economies, at which time we observe a concern with individual conscience, morality, compassion and a tendency to look within. According to Karen Armstrong’s A Short History of Myth (2005), these Axial myths of interiority indicate that people felt they no longer shared the same nature as the gods, and that the supreme reality had become impossibly difficult to access. These myths were a response to the loss of previous notions of social order, cosmology and human good, and represented ways to portray these social transformations in macrocosmic stories, andwere reflections of how people tried to make sense of their rapidly changing world.What constitutes a mythology? It’s an organised canon of beliefs that explains the state of the world. It also delivers an origin story - such as the Hindu Laws of Manu or the Biblical creation story - that creates a setting for how we experience the world. In fact, for Eliade, all myths provided an explanation of the world by virtue of giving an account of where things came from. If all mythologies are origin stories in this sense, what are the origin stories suggested by psychology? Two original elements of human nature are explained in its lore: the story of personhood - that is, what it means to be an individual and have an identity - and, secondly, the story of our physical constitution in the brain.Contemporary psychology is a form of mythology insofar as it is an attempt to succor our need to believe in stories that provide a sense of value and signification in the context of secular modernity. The ways in which psychology is used - for example in experiments or self-help literature or personality tests or brain scans - are means of providing rituals to enact the myths of personhood and materialism.Q. The author cites the examples of psychological experiments, self-help literature, brain scans and personality tests becausea)these are means by which myths of personhood and materialism are formulated.b)these are means by which myths of personhood and materialism are modified.c)these are means by which myths of personhood and materialism are validated.d)these are means by which myths of personhood and materialism are decried.Correct answer is option 'C'. Can you explain this answer?.
Solutions for Read the passage carefully and answer the following questions:Mythology remains important in Western culture. Take, for instance, the role model of the hero, of contemporary revolutionaries, martyrs and dictators. These ideal figures exemplify models of human achievement. Similarly, notions of salvation, progress and ethics are so constitutive of our notions of reality that they’re often communicated through the format of mythology. There’s a surfeit of cultural products that fulfil the function of myth whereby characters and stories give us the means to understand the world we live in. Through superhero comic books, to the obscure immanence of modern art, from visions of paradisiacal vacations, to computer games and the self-mythologising of social media production, we seek a higher ground beyond the banal and the profane. We’ve even replaced the effervescent experience of sacred rites...in our engagement with art, drugs, cinema, rock music and all-night dance parties. Lastly, individuals have developed their own ways to create self-narratives that include mythical transitions in pilgrimages or personal quests to their ancestral lands. Likewise, some seek inner spaces wherein faith and meaning can be transformed into experience.To prepare for our exploration of contemporary mythology, we can look back at civilisations and consider the function of the stories they told. The story of the flood, for example, recurs in early urban societies, marking a crisis in human-divine relations and man’s experience of gradual self-reliance and separation from nature. Whereas during the Axial Age (800-200 BCE), faith developed in an environment of early trade economies, at which time we observe a concern with individual conscience, morality, compassion and a tendency to look within. According to Karen Armstrong’s A Short History of Myth (2005), these Axial myths of interiority indicate that people felt they no longer shared the same nature as the gods, and that the supreme reality had become impossibly difficult to access. These myths were a response to the loss of previous notions of social order, cosmology and human good, and represented ways to portray these social transformations in macrocosmic stories, andwere reflections of how people tried to make sense of their rapidly changing world.What constitutes a mythology? It’s an organised canon of beliefs that explains the state of the world. It also delivers an origin story - such as the Hindu Laws of Manu or the Biblical creation story - that creates a setting for how we experience the world. In fact, for Eliade, all myths provided an explanation of the world by virtue of giving an account of where things came from. If all mythologies are origin stories in this sense, what are the origin stories suggested by psychology? Two original elements of human nature are explained in its lore: the story of personhood - that is, what it means to be an individual and have an identity - and, secondly, the story of our physical constitution in the brain.Contemporary psychology is a form of mythology insofar as it is an attempt to succor our need to believe in stories that provide a sense of value and signification in the context of secular modernity. The ways in which psychology is used - for example in experiments or self-help literature or personality tests or brain scans - are means of providing rituals to enact the myths of personhood and materialism.Q. The author cites the examples of psychological experiments, self-help literature, brain scans and personality tests becausea)these are means by which myths of personhood and materialism are formulated.b)these are means by which myths of personhood and materialism are modified.c)these are means by which myths of personhood and materialism are validated.d)these are means by which myths of personhood and materialism are decried.Correct answer is option 'C'. Can you explain this answer? in English & in Hindi are available as part of our courses for CAT. Download more important topics, notes, lectures and mock test series for CAT Exam by signing up for free.
Here you can find the meaning of Read the passage carefully and answer the following questions:Mythology remains important in Western culture. Take, for instance, the role model of the hero, of contemporary revolutionaries, martyrs and dictators. These ideal figures exemplify models of human achievement. Similarly, notions of salvation, progress and ethics are so constitutive of our notions of reality that they’re often communicated through the format of mythology. There’s a surfeit of cultural products that fulfil the function of myth whereby characters and stories give us the means to understand the world we live in. Through superhero comic books, to the obscure immanence of modern art, from visions of paradisiacal vacations, to computer games and the self-mythologising of social media production, we seek a higher ground beyond the banal and the profane. We’ve even replaced the effervescent experience of sacred rites...in our engagement with art, drugs, cinema, rock music and all-night dance parties. Lastly, individuals have developed their own ways to create self-narratives that include mythical transitions in pilgrimages or personal quests to their ancestral lands. Likewise, some seek inner spaces wherein faith and meaning can be transformed into experience.To prepare for our exploration of contemporary mythology, we can look back at civilisations and consider the function of the stories they told. The story of the flood, for example, recurs in early urban societies, marking a crisis in human-divine relations and man’s experience of gradual self-reliance and separation from nature. Whereas during the Axial Age (800-200 BCE), faith developed in an environment of early trade economies, at which time we observe a concern with individual conscience, morality, compassion and a tendency to look within. According to Karen Armstrong’s A Short History of Myth (2005), these Axial myths of interiority indicate that people felt they no longer shared the same nature as the gods, and that the supreme reality had become impossibly difficult to access. These myths were a response to the loss of previous notions of social order, cosmology and human good, and represented ways to portray these social transformations in macrocosmic stories, andwere reflections of how people tried to make sense of their rapidly changing world.What constitutes a mythology? It’s an organised canon of beliefs that explains the state of the world. It also delivers an origin story - such as the Hindu Laws of Manu or the Biblical creation story - that creates a setting for how we experience the world. In fact, for Eliade, all myths provided an explanation of the world by virtue of giving an account of where things came from. If all mythologies are origin stories in this sense, what are the origin stories suggested by psychology? Two original elements of human nature are explained in its lore: the story of personhood - that is, what it means to be an individual and have an identity - and, secondly, the story of our physical constitution in the brain.Contemporary psychology is a form of mythology insofar as it is an attempt to succor our need to believe in stories that provide a sense of value and signification in the context of secular modernity. The ways in which psychology is used - for example in experiments or self-help literature or personality tests or brain scans - are means of providing rituals to enact the myths of personhood and materialism.Q. The author cites the examples of psychological experiments, self-help literature, brain scans and personality tests becausea)these are means by which myths of personhood and materialism are formulated.b)these are means by which myths of personhood and materialism are modified.c)these are means by which myths of personhood and materialism are validated.d)these are means by which myths of personhood and materialism are decried.Correct answer is option 'C'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of Read the passage carefully and answer the following questions:Mythology remains important in Western culture. Take, for instance, the role model of the hero, of contemporary revolutionaries, martyrs and dictators. These ideal figures exemplify models of human achievement. Similarly, notions of salvation, progress and ethics are so constitutive of our notions of reality that they’re often communicated through the format of mythology. There’s a surfeit of cultural products that fulfil the function of myth whereby characters and stories give us the means to understand the world we live in. Through superhero comic books, to the obscure immanence of modern art, from visions of paradisiacal vacations, to computer games and the self-mythologising of social media production, we seek a higher ground beyond the banal and the profane. We’ve even replaced the effervescent experience of sacred rites...in our engagement with art, drugs, cinema, rock music and all-night dance parties. Lastly, individuals have developed their own ways to create self-narratives that include mythical transitions in pilgrimages or personal quests to their ancestral lands. Likewise, some seek inner spaces wherein faith and meaning can be transformed into experience.To prepare for our exploration of contemporary mythology, we can look back at civilisations and consider the function of the stories they told. The story of the flood, for example, recurs in early urban societies, marking a crisis in human-divine relations and man’s experience of gradual self-reliance and separation from nature. Whereas during the Axial Age (800-200 BCE), faith developed in an environment of early trade economies, at which time we observe a concern with individual conscience, morality, compassion and a tendency to look within. According to Karen Armstrong’s A Short History of Myth (2005), these Axial myths of interiority indicate that people felt they no longer shared the same nature as the gods, and that the supreme reality had become impossibly difficult to access. These myths were a response to the loss of previous notions of social order, cosmology and human good, and represented ways to portray these social transformations in macrocosmic stories, andwere reflections of how people tried to make sense of their rapidly changing world.What constitutes a mythology? It’s an organised canon of beliefs that explains the state of the world. It also delivers an origin story - such as the Hindu Laws of Manu or the Biblical creation story - that creates a setting for how we experience the world. In fact, for Eliade, all myths provided an explanation of the world by virtue of giving an account of where things came from. If all mythologies are origin stories in this sense, what are the origin stories suggested by psychology? Two original elements of human nature are explained in its lore: the story of personhood - that is, what it means to be an individual and have an identity - and, secondly, the story of our physical constitution in the brain.Contemporary psychology is a form of mythology insofar as it is an attempt to succor our need to believe in stories that provide a sense of value and signification in the context of secular modernity. The ways in which psychology is used - for example in experiments or self-help literature or personality tests or brain scans - are means of providing rituals to enact the myths of personhood and materialism.Q. The author cites the examples of psychological experiments, self-help literature, brain scans and personality tests becausea)these are means by which myths of personhood and materialism are formulated.b)these are means by which myths of personhood and materialism are modified.c)these are means by which myths of personhood and materialism are validated.d)these are means by which myths of personhood and materialism are decried.Correct answer is option 'C'. Can you explain this answer?, a detailed solution for Read the passage carefully and answer the following questions:Mythology remains important in Western culture. Take, for instance, the role model of the hero, of contemporary revolutionaries, martyrs and dictators. These ideal figures exemplify models of human achievement. Similarly, notions of salvation, progress and ethics are so constitutive of our notions of reality that they’re often communicated through the format of mythology. There’s a surfeit of cultural products that fulfil the function of myth whereby characters and stories give us the means to understand the world we live in. Through superhero comic books, to the obscure immanence of modern art, from visions of paradisiacal vacations, to computer games and the self-mythologising of social media production, we seek a higher ground beyond the banal and the profane. We’ve even replaced the effervescent experience of sacred rites...in our engagement with art, drugs, cinema, rock music and all-night dance parties. Lastly, individuals have developed their own ways to create self-narratives that include mythical transitions in pilgrimages or personal quests to their ancestral lands. Likewise, some seek inner spaces wherein faith and meaning can be transformed into experience.To prepare for our exploration of contemporary mythology, we can look back at civilisations and consider the function of the stories they told. The story of the flood, for example, recurs in early urban societies, marking a crisis in human-divine relations and man’s experience of gradual self-reliance and separation from nature. Whereas during the Axial Age (800-200 BCE), faith developed in an environment of early trade economies, at which time we observe a concern with individual conscience, morality, compassion and a tendency to look within. According to Karen Armstrong’s A Short History of Myth (2005), these Axial myths of interiority indicate that people felt they no longer shared the same nature as the gods, and that the supreme reality had become impossibly difficult to access. These myths were a response to the loss of previous notions of social order, cosmology and human good, and represented ways to portray these social transformations in macrocosmic stories, andwere reflections of how people tried to make sense of their rapidly changing world.What constitutes a mythology? It’s an organised canon of beliefs that explains the state of the world. It also delivers an origin story - such as the Hindu Laws of Manu or the Biblical creation story - that creates a setting for how we experience the world. In fact, for Eliade, all myths provided an explanation of the world by virtue of giving an account of where things came from. If all mythologies are origin stories in this sense, what are the origin stories suggested by psychology? Two original elements of human nature are explained in its lore: the story of personhood - that is, what it means to be an individual and have an identity - and, secondly, the story of our physical constitution in the brain.Contemporary psychology is a form of mythology insofar as it is an attempt to succor our need to believe in stories that provide a sense of value and signification in the context of secular modernity. The ways in which psychology is used - for example in experiments or self-help literature or personality tests or brain scans - are means of providing rituals to enact the myths of personhood and materialism.Q. The author cites the examples of psychological experiments, self-help literature, brain scans and personality tests becausea)these are means by which myths of personhood and materialism are formulated.b)these are means by which myths of personhood and materialism are modified.c)these are means by which myths of personhood and materialism are validated.d)these are means by which myths of personhood and materialism are decried.Correct answer is option 'C'. Can you explain this answer? has been provided alongside types of Read the passage carefully and answer the following questions:Mythology remains important in Western culture. Take, for instance, the role model of the hero, of contemporary revolutionaries, martyrs and dictators. These ideal figures exemplify models of human achievement. Similarly, notions of salvation, progress and ethics are so constitutive of our notions of reality that they’re often communicated through the format of mythology. There’s a surfeit of cultural products that fulfil the function of myth whereby characters and stories give us the means to understand the world we live in. Through superhero comic books, to the obscure immanence of modern art, from visions of paradisiacal vacations, to computer games and the self-mythologising of social media production, we seek a higher ground beyond the banal and the profane. We’ve even replaced the effervescent experience of sacred rites...in our engagement with art, drugs, cinema, rock music and all-night dance parties. Lastly, individuals have developed their own ways to create self-narratives that include mythical transitions in pilgrimages or personal quests to their ancestral lands. Likewise, some seek inner spaces wherein faith and meaning can be transformed into experience.To prepare for our exploration of contemporary mythology, we can look back at civilisations and consider the function of the stories they told. The story of the flood, for example, recurs in early urban societies, marking a crisis in human-divine relations and man’s experience of gradual self-reliance and separation from nature. Whereas during the Axial Age (800-200 BCE), faith developed in an environment of early trade economies, at which time we observe a concern with individual conscience, morality, compassion and a tendency to look within. According to Karen Armstrong’s A Short History of Myth (2005), these Axial myths of interiority indicate that people felt they no longer shared the same nature as the gods, and that the supreme reality had become impossibly difficult to access. These myths were a response to the loss of previous notions of social order, cosmology and human good, and represented ways to portray these social transformations in macrocosmic stories, andwere reflections of how people tried to make sense of their rapidly changing world.What constitutes a mythology? It’s an organised canon of beliefs that explains the state of the world. It also delivers an origin story - such as the Hindu Laws of Manu or the Biblical creation story - that creates a setting for how we experience the world. In fact, for Eliade, all myths provided an explanation of the world by virtue of giving an account of where things came from. If all mythologies are origin stories in this sense, what are the origin stories suggested by psychology? Two original elements of human nature are explained in its lore: the story of personhood - that is, what it means to be an individual and have an identity - and, secondly, the story of our physical constitution in the brain.Contemporary psychology is a form of mythology insofar as it is an attempt to succor our need to believe in stories that provide a sense of value and signification in the context of secular modernity. The ways in which psychology is used - for example in experiments or self-help literature or personality tests or brain scans - are means of providing rituals to enact the myths of personhood and materialism.Q. The author cites the examples of psychological experiments, self-help literature, brain scans and personality tests becausea)these are means by which myths of personhood and materialism are formulated.b)these are means by which myths of personhood and materialism are modified.c)these are means by which myths of personhood and materialism are validated.d)these are means by which myths of personhood and materialism are decried.Correct answer is option 'C'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice Read the passage carefully and answer the following questions:Mythology remains important in Western culture. Take, for instance, the role model of the hero, of contemporary revolutionaries, martyrs and dictators. These ideal figures exemplify models of human achievement. Similarly, notions of salvation, progress and ethics are so constitutive of our notions of reality that they’re often communicated through the format of mythology. There’s a surfeit of cultural products that fulfil the function of myth whereby characters and stories give us the means to understand the world we live in. Through superhero comic books, to the obscure immanence of modern art, from visions of paradisiacal vacations, to computer games and the self-mythologising of social media production, we seek a higher ground beyond the banal and the profane. We’ve even replaced the effervescent experience of sacred rites...in our engagement with art, drugs, cinema, rock music and all-night dance parties. Lastly, individuals have developed their own ways to create self-narratives that include mythical transitions in pilgrimages or personal quests to their ancestral lands. Likewise, some seek inner spaces wherein faith and meaning can be transformed into experience.To prepare for our exploration of contemporary mythology, we can look back at civilisations and consider the function of the stories they told. The story of the flood, for example, recurs in early urban societies, marking a crisis in human-divine relations and man’s experience of gradual self-reliance and separation from nature. Whereas during the Axial Age (800-200 BCE), faith developed in an environment of early trade economies, at which time we observe a concern with individual conscience, morality, compassion and a tendency to look within. According to Karen Armstrong’s A Short History of Myth (2005), these Axial myths of interiority indicate that people felt they no longer shared the same nature as the gods, and that the supreme reality had become impossibly difficult to access. These myths were a response to the loss of previous notions of social order, cosmology and human good, and represented ways to portray these social transformations in macrocosmic stories, andwere reflections of how people tried to make sense of their rapidly changing world.What constitutes a mythology? It’s an organised canon of beliefs that explains the state of the world. It also delivers an origin story - such as the Hindu Laws of Manu or the Biblical creation story - that creates a setting for how we experience the world. In fact, for Eliade, all myths provided an explanation of the world by virtue of giving an account of where things came from. If all mythologies are origin stories in this sense, what are the origin stories suggested by psychology? Two original elements of human nature are explained in its lore: the story of personhood - that is, what it means to be an individual and have an identity - and, secondly, the story of our physical constitution in the brain.Contemporary psychology is a form of mythology insofar as it is an attempt to succor our need to believe in stories that provide a sense of value and signification in the context of secular modernity. The ways in which psychology is used - for example in experiments or self-help literature or personality tests or brain scans - are means of providing rituals to enact the myths of personhood and materialism.Q. The author cites the examples of psychological experiments, self-help literature, brain scans and personality tests becausea)these are means by which myths of personhood and materialism are formulated.b)these are means by which myths of personhood and materialism are modified.c)these are means by which myths of personhood and materialism are validated.d)these are means by which myths of personhood and materialism are decried.Correct answer is option 'C'. Can you explain this answer? tests, examples and also practice CAT tests.
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