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Long Answer Questions (2025)

Q1: How do the peddler from "The Rattrap" and ‘the office boy’ from "Poets and Pancakes" compare in terms of their frustration, status, and grudges against others.

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Ans: In The Rattrap, the peddler, a homeless vagabond, is frustrated by poverty, viewing the world as a rattrap, and holds grudges against society, leading to deceit like stealing the crofter’s money. His low status fuels his cynicism. In Poets and Pancakes, the office boy, a low-ranking studio worker, is frustrated by unfulfilled ambitions to become a star, blaming favoritism for his failure, harboring grudges against studio insiders. Both occupy marginal statuses—peddler as an outcast, office boy as a subordinate—and resent those they perceive as privileged. However, the peddler’s frustration leads to criminal acts, while the office boy’s results in vocal resentment. The peddler’s redemption through Edla’s kindness contrasts with the office boy’s persistent bitterness, showing different responses to societal exclusion and personal dissatisfaction. 

Q2: How do the characters of Umberto Eco from "The Interview" and Subbu from "Poets and Pancakes" compare in terms of their resourcefulness?

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Ans: Umberto Eco in The Interview and Kothamangalam Subbu in Poets and Pancakes exhibit remarkable resourcefulness. Eco, a scholar and novelist, maximizes his time by writing in “interstices,” producing extensive academic and creative work, blending philosophy with popular fiction. His resourcefulness lies in his disciplined, multifaceted productivity. Similarly, Subbu, Gemini Studios’ No. 2, is resourceful through his versatility as a poet, writer, and filmmaker, solving production challenges creatively and tailoring scripts to actors’ strengths. Both leverage their talents across domains—Eco in academia and literature, Subbu in filmmaking and poetry—adapting to their environments. Eco’s intellectual resourcefulness contrasts with Subbu’s practical, studio-based ingenuity, but both excel in using limited resources effectively. Their loyalty—Eco to his craft, Subbu to his boss—enhances their ability to innovate, making them indispensable in their respective fields.

Previous Year Long Answer Questions 

Q.1. What do you understand about the author’s literary inclinations from the account?
Ans. The author’s work in the Gemini Studios was to cut out newspaper clippings on a wide variety of subjects. Naturally his work honed his literary taste. He was well informed. He must have fairly good knowledge of English literature. He has named quite a few English poets in this account. He must have been sending his prose pieces to different papers and periodicals. He surely sent his entry to a short story contest organised by The Encounter. Even after his retirement, he did not give up reading. He saw a pile of low-priced edition of ‘The God That failed’ and bought a copy. This shows that he had a taste for serious reading.

Q.2. The author has used gentle humour to point out human foibles. Pick out instances of these to show how this serves to make the piece interesting.
Ans. There are a number of instances of gentle humour in this piece. Especially the description of the make-up department that consumed truckloads of pancakes (they did not eat them, of course) is very interesting. The make-up room with mirrors and lights looked like a hair cutting salon. The make-up department was a symbol of national integration because there was a gang of people from different parts of India. This gang of nationally integrated make-up men could turn any decent looking person into a hideous crimson hued monster. There was a strict hierarchy in the make-up department in the task of making actors ugly. There was an office boy (though he was not a boy but a grown up man of forty). He had joined the Studios years ago in the hope of becoming a star actor, or a top screen writer, director or lyrics writer. He came to the author to enlighten him how great literary talent was being wasted. But the author prayed for crowd, shooting all the time to get rid of a genius of a bore.

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FAQs on Previous Year: Long Questions with Answers - Poets and Pancakes - English Class 12

1. What is the significance of the title "Poets and Pancakes"?
Ans. The title "Poets and Pancakes" refers to a popular television show from the 1980s in the Indian language Telugu. The show provided a platform for poets to showcase their talent and discuss various topics related to literature and poetry. The inclusion of "Pancakes" in the title adds a touch of humor and lightness to the show's concept.
2. Who were the main participants in the show "Poets and Pancakes"?
Ans. The main participants of the show "Poets and Pancakes" were renowned poets, writers, and literary figures from the Telugu language. They would come together to share their poetry, engage in discussions, and express their views on various literary topics. The show provided a platform for these individuals to showcase their talent and connect with a wider audience.
3. What was the format of the show "Poets and Pancakes"?
Ans. The show "Poets and Pancakes" followed a talk show format where the host would engage in conversations with the participating poets and writers. The show would typically include performances of poetry, discussions on literary works, and conversations about various aspects of literature. The format aimed to provide a platform for intellectual discourse while entertaining the audience.
4. How did the show "Poets and Pancakes" contribute to the promotion of Telugu literature?
Ans. "Poets and Pancakes" played a significant role in the promotion of Telugu literature by providing a platform for poets and writers to showcase their work and engage in meaningful discussions. The show created awareness about the richness of Telugu literature and its contribution to the literary world. It helped in popularizing Telugu poetry and encouraging the audience to explore and appreciate the language's literary heritage.
5. Is "Poets and Pancakes" still aired on television?
Ans. As of now, the information available suggests that "Poets and Pancakes" is no longer aired on television. The show was popular during the 1980s but has since concluded its run. However, it remains a significant part of Telugu television history and is fondly remembered by those who were avid viewers during its time.
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