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Prehistoric Rock Paintings in India

Rock Paintings during Prehistoric Period - Delhi Police Constable

What is Prehistoric?

  • The distant past when there was no paper or language or the written word, and hence no books or written document, is called as the Prehistoric period.
  • It was difficult to understand how Prehistoric people lived until scholars began excavations in Prehistoric sites.
  • Piecing together of information deduced from old tools, habitat, bones of both animals and human beings and drawings on the cave walls scholars have constructed fairly accurate knowledge about what happened and how people lived in prehistoric times.
  • Paintings and drawings were the oldest art forms practiced by human beings to express themselves using the cave wall as their canvas.

Prehistoric Period: Paleolithic Age, Mesolithic Age, and Chalcolithic Age

The drawings and paintings can be catagorised into seven historical periods. Period I, Upper Palaeolithic; Period II, Mesolithic; and Period III, Chalcolithic. After Period III there are four successive periods. But we will confine ourselves here only to the first three phases. Prehistoric Era art denotes the art (mainly rock paintings) during Paleolithic Age, Mesolithic Age and Chalcolithic Age.


(i) Paleolithic Age Art

  • The prehistoric period in the early development of human beings is commonly known as the ‘Old Stone Age’ or ‘Palaeolithic Age’.
  • The Paleolithic period can be divided into three phases:
    (1) Lower Palaeolithic (2,50,000 BC-1,00,000 BC)
    (2) Middle Palaeolithic (1,00,000 BC – 40,000 BC)
    (3) Upper Palaeolithic (40,000 BC- 10,000BC)
  • We did not get any evidence of paintings from the lower or middle Paleolithic age yet.
  • In the Upper Palaeolithic period, we see a proliferation of artistic activities.
  • Subjects of early works confined to simple human figures, human activities, geometric designs, and symbols.
  • First discovery of rock paintings in the world was made in India (1867-68) by an Archaeologist, Archibold Carlleyle, twelve years before the discovery of Altamira in Spain (site of oldest rock paintings in the world).
  • In India, remnants of rock paintings have been found on the walls of caves situated in several districts of Madhya Pradesh, Uttar Pradesh, Andhra Pradesh, Telangana, Karnataka, Bihar, and Uttarakhand.
  • Some of the examples of sites early rock paintings are Lakhudiyar in Uttarakhand, Kupgallu in Telangana, Piklihal and Tekkalkotta in Karnataka, Bhimbetka and Jogimara in Madhya Pradesh etc.
  • Paintings found here can be divided into three categories: Man, Animal, and Geometric symbols.
  • Some of the characteristics of these early paintings are:
    (1) Human beings are represented in a stick-like form.
    (2) A long-snouted animal, a fox, a multi-legged lizard are main animal motifs in the early paintings (later many animals were drawn).
    (3) Wavy lines, rectangular filled geometric designs and a group of dots also can be seen.
    (4) Superimposition of paintings – earliest is Black, then red and later White.
  • In the late historic, early historic and Neolithic period the subjects of paintings developed and figures like Bulls, Elephants, Sambhars, Gazelles, Sheep, Horses, styled human beings, tridents and rarely vegetal motifs began to see.
  • The richest paintings are reported from Vindhya range of Madhya Pradesh and their Kaimurean extension into U.P.
  • These hills are fully Palaeolithic and Mesolithic remains.
  • There are two major sites of excellent prehistoric paintings in India:
    (1) Bhimbetka Caves, Foothills of Vindhya, Madhya Pradesh.
    (2) Jogimara caves, Amarnath, Madhya Pradesh.

Question for Rock Paintings during Prehistoric Period
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Bhimbetka Caves

Rock Paintings during Prehistoric Period - Delhi Police Constable

  • Continuous occupation of the caves from 100,000 B.C– 1000 A.D
  • Thus, it is considered as an evidence of long cultural continuity.
  • It was discovered in 1957-58.
  • Consists of nearly 400 painted rock shelters in five clusters.
  • One of the oldest paintings in India and the world (Upper paleolithic).
  • The features of paintings of three different phases are as follows (even though Bhimbetka contains many paintings of periods later, different from what is explained below, as we are dealing with the prehistoric period only, we are concluding by these three):

(i)Upper Paleolithic Age:

  • Paintings are linear representations, in green and dark red, of huge animal figures, such as Bisons, Tigers, Elephants, Rhinos and Boars beside stick-like human figures.
  • Mostly they are filled with geometric patterns.
  • Green paintings are of dances and red ones of hunters.

(ii) Mesolithic period Art:

  • The largest number of paintings belongs to this period.
  • Themes multiply but the paintings are small in size.
  • Hunting scenes predominate
  • Hunters in groups armed with barbed spears pointed sticks, arrows, and bows.
  • Trap and snares used to catch animals can be seen in some paintings.
  • Mesolithic people loved to point animals.
  • In some pictures, animals are chasing men and in others, they are being chased by hunter men.
  • Animals painted in a naturalistic style and humans were depicted in a stylistic manner.
  • Women are painted both in nude and clothed.
  • Young and old equally find places in paintings.
  • Community dances provide a common theme.
  • Sort of family life can be seen in some paintings (woman, man, and children).

(iii) Chalcolithic period Art:

  • Copper age art.
  • The paintings of this period reveal the association, contact and mutual exchange of requirements of the cave dwellers of this area with settled agricultural communities of the Malwa Plateau.
  • Pottery and metal tools can be seen in paintings.
  • Similarities with rock paintings: Common motifs (designs/patterns like cross-hatched squares, lattices etc)
  • The difference with rock paintings: Vividness and vitality of older periods disappear from these paintings.

Some of the general features of Prehistoric paintings (based on the study of Bhimbetka paintings)

  • Used colors, including various shades of white, yellow, orange, red ochre, purple, brown, green and black.
  • But white and red were their favorite.
  • The paints used by these people were made by grinding various colored rocks.
  • They got red from haematite (Geru in India).
  • Green prepared from a green-colored rock called Chalcedony.
  • White was probably from Limestone.
  • Some sticky substances such as animal fat or gum or resin from trees may be used while mixing rock powder with water.
  • Brushes were made of plant fiber.
  • It is believed that these colors remained for thousands of years because of the chemical reaction of the oxide present on the surface of rocks.
  • Paintings were found both in occupied and unoccupied caves.
  • It means that these paintings were sometimes used also as some sort of signals, warnings, etc.
  • Many rock art sites of the new painting are painted on top of an older painting.
  • In Bhimbetka, we can see nearly 20 layers of paintings, one on top of another.
  • It shows the gradual development of the human being from period to period.
  • The symbolism is inspiration from nature along with slight spirituality.
  • Expression of ideas through very few drawings (representation of men by the stick like drawings).
  • Use of many geometrical patterns.
  • Scenes were mainly hunting and economic and social life of people.
  • The figure of flora, fauna, human, mythical creatures, carts, chariots etc can be seen.
  • More importance for red and white colours.

Question for Rock Paintings during Prehistoric Period
Try yourself:Which period of prehistoric art at Bhimbetka Caves shows the association and exchange with settled agricultural communities of the Malwa Plateau through the inclusion of pottery and metal tools in paintings?
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Frequently Asked Questions (FAQs)

1. What are prehistoric rock paintings? 

Ans. Prehistoric rock paintings refer to the ancient artworks created by early humans on the walls of caves or rock shelters. These paintings date back to a time when writing systems did not exist, and they provide valuable insights into the culture, lifestyle, and beliefs of our ancestors. 

2. What are the different periods of prehistoric rock paintings in India? 

Ans. In India, prehistoric rock paintings can be categorized into three periods: the Paleolithic Age, the Mesolithic Age, and the Chalcolithic Age. The Paleolithic Age represents the earliest period, followed by the Mesolithic Age, and finally, the Chalcolithic Age. 

3. What are the general features of prehistoric paintings based on the study of Bhimbetka paintings? 

Ans. The study of Bhimbetka paintings, one of the oldest rock art sites in India, reveals some general features of prehistoric paintings. These include the use of natural pigments such as red and white, depiction of animals, humans engaged in hunting or dancing, geometric patterns, and the use of different techniques like finger painting and brush painting.

4. Where are the Bhimbetka caves located?

Ans. The Bhimbetka caves are located in the central Indian state of Madhya Pradesh. They are situated in the Vindhya mountain range, approximately 45 kilometers south of Bhopal, the capital city of Madhya Pradesh. 

5. Why are prehistoric rock paintings important? 

Ans. Prehistoric rock paintings are important as they provide a glimpse into the lives of early humans. They offer valuable information about their hunting practices, cultural activities, social organization, and artistic skills. These paintings also help archaeologists and historians in understanding the evolution of human civilization and the development of artistic expressions.

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FAQs on Rock Paintings during Prehistoric Period - Delhi Police Constable

1. What is the significance of rock paintings during the prehistoric period?
Ans. Rock paintings during the prehistoric period hold great significance as they provide valuable insights into the lives, beliefs, and cultural practices of our ancestors. They serve as a visual record of human history, allowing us to understand the development of early societies and their connection to the natural world.
2. How were prehistoric rock paintings created?
Ans. Prehistoric rock paintings were created using various techniques. The most common method involved grinding mineral pigments like ochre and charcoal into powder, which was then mixed with animal fat or plant juices to create a paint-like substance. This mixture was applied to the rock surface using brushes, fingers, or by blowing through a hollow reed, resulting in vivid and durable paintings.
3. What materials were used in prehistoric rock paintings?
Ans. Prehistoric rock paintings utilized a range of materials, including natural pigments like red and yellow ochre, charcoal, manganese oxide, and white clay. The pigments were commonly sourced from minerals found in the local environment. Tools such as bones, sticks, brushes made from animal hair, and even fingers were used to apply these pigments onto the rock surfaces.
4. What themes or subjects were depicted in prehistoric rock paintings?
Ans. Prehistoric rock paintings often depicted a variety of subjects, including animals, human figures, hunting scenes, rituals, and symbols. Animals such as bison, deer, horses, and mammoths were commonly represented, reflecting the importance of hunting and the close relationship between humans and nature during that time. Ritualistic and symbolic motifs were also prevalent, possibly representing religious or spiritual beliefs.
5. How have prehistoric rock paintings been preserved over time?
Ans. The preservation of prehistoric rock paintings largely depends on the environmental conditions and the type of rock surfaces they were created on. In some cases, the paintings have remained intact due to the protective rock shelters or caves where they were located. Factors such as limited exposure to sunlight, moisture, and human interference have contributed to their longevity. However, natural weathering, erosion, and modern-day activities can pose threats to their preservation, making conservation efforts crucial.
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