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Table of contents
Chapter Ten
Emerging Regional Configurations, c. 600–1200 CE
RECENT DISCOVERIES
FURTHER DISCUSSION
NEW DIRECTIONS IN RESEARCH
The Aihole inscription of Pulakeshin
COPPER COIN, PALLAVA DYNASTY
GOLD COINS OF RAJENDRA CHOLA
SILVER GURJARA-PRATIHARA COIN
PRIMARY SOURCES
KEY CONCEPTS
MAP 10.6 PORTS AND CITIES IN INDIAN OCEAN TRADE NETWORKS, C. 600–1500 (AFTER CHAUDHURI, 1985)
THE 12TH CENTURY VISHNU TEMPLE, ANGKOR VAT, CAMBODIA, AN EXAMPLE OF CULTURAL INTERACTION BETWEEN INDIA AND SOUTHEAST ASIA: VIEW OF TEMPLE
The colossal image of Gommateshvara at Shravana Belagola
SAPTA-MATRIKA SCULPTURE (NATIONAL MUSEUM)
LINGARAJA TEMPLE, BHUBANESHWAR (ORISSA)
JAGANNATHA TEMPLE, PURI (ORISSA)
FIGURE 10.2 PLANS OF SHIVA TEMPLE, NARTTAMALAI (TOP LEFT); BRAHMAPURESHVARA TEMPLE, PULLAMANGAI (TOP RIGHT); NAGESHVARASVAMI TEMPLE, KUMBAKONAM (BOTTOM) (AFTER HUNTINGTON, 1985)

Chapter Ten

Emerging Regional Configurations, c. 600–1200 CE

Chapter outline

(< />)SOURCES, LITERARYAND ARCHAEOLOGICAL

(< />)POLITICAL NARRATIVE AND POLITICAL STRUCTURE

(< />)ROYAL LAND GRANTS

(< />)RURAL SOCIETY: REGIONAL SPECIFICITIES

(< />)URBAN PROCESSES IN EARLYMEDIEVAL (< />)INDIA

(< />)HISTORICAL PROCESSES IN EARLYMEDIEVAL (< />)SOUTH INDIA

(< />)THE RELIGIOUS SPHERE

(< />)THE ARCHITECTURE AND SCULPTURE OF EARLYMEDIEVAL INDIA (< />)CONCLUSIONS

BRONZE IMAGE OF MANIKKAVACHAKAR (NATIONAL MUSEUM, NEW DELHI)

Pattadakal is a sleepy village nestled in a bend of the Malaprabha river in Bagalkot district of Karnataka. It is famous for its exquisite temples, which were built during the time of the early

Western Chalukyas and which combine elements of both the Nagara (northern) and the Dravida (southern) styles. The Virupaksha temple is considered the finest among them. The temple was constructed at the behest of queen Lokamahadevi to commemorate the conquest of Kanchipuram by her husband Vikramaditya II. Monuments are generally associated with the rulers who had them built. However, here we also have signatures of the architects who conceived the edifices and the skilled craftspeople who created them. The east porch of the Virupaksha temple has a Kannada inscription eulogizing the architect who designed the temple. It reads: ‘Gunda, whose conversation is entirely perfect, who has for his jewelled diadem and crest jewel the houses, vehicles, seats, and couches [that he designed], the sutradhari [architect] of the southern country.’ Another inscription nearby tells us that this architect was given the title of Tribhuvanacharya (maker of the three worlds). Several reliefs on the temple walls bear signatures of the sculptors who carved them.

At the south-eastern corner of the village is the Papanatha temple, similar in its basic plan to the Virupaksha temple, but with a shikhara in the northern style. The outer walls are ornamented with many panels depicting scenes and characters from the Ramayana , accompanied by label inscriptions. The eastern wall has a short Kannada inscription, giving the name of Revadi Ovajja, the architect who designed the shrine. He belonged to the guild of the Sarvasiddhi acharya s, the same guild to which the architect of the Virupaksha temple belonged. Carved close to the inscription are figures of chisels. The names of sculptors such as Baladeva and Devarya are engraved on the temple walls. The Pattadakal temples represent one of the many examples of the spectacular developments in the spheres of architecture and sculpture in the early medieval period.

The term ‘early medieval’ denotes an intermediate period between the ‘ancient’ and the ‘medieval’. Although the term has acquired a wide acceptance, one of the challenges for this period is to weave together, or at least juxtapose, the evidence from texts in Sanskrit, Persian, and the vernacular languages with that from inscriptions, coins, and archaeology. The different interpretations of the early medieval period are linked to important issues such as perceptions about the nature of Indian culture and civilization, and the basis on which continuity and change in history should be identified. More specifically, these interpretations are connected to historians’ assessments of the ‘Gupta age’ and the establishment of the Delhi Sultanate.

As mentioned in (< />)Chapter 9, historians have been long debating the nature of the society, polity, and economy of early medieval India. This period has often been labelled one of crisis, decline, decay, and decadence. The older histories attributed the decline to the advent of ‘Muslim rule’. (This phrase has been put in inverted commas because the term ‘Muslim’ is a very broad one, and it is more useful to describe the Ghaznavids and Ghurids more specifically as Turks). Subsequently, the feudalism school described the period as an age marked by political fragmentation, the transformation of peasants into serfs, and a decline of urban centres and the money economy. The feudalism hypothesis has been applied to both north as well as South India. For South India, there is another interpretative framework—the segmentary state model, which presents the kings of this age as ritual figures, devoid of the two important props of royal power—a revenue infrastructure and a standing army. A third major interpretative framework for early medieval India suggests that in many parts of the subcontinent, these centuries were marked by the formation and proliferation of states at the regional level. This hypothesis can be connected with the more specific argument that the early medieval period was one of urban change, but not of urban decay. Much of the older historiography

of this period focused on pan-Indian, or at least trans-regional patterns, but the more recent research highlights the regional and sub-regional specificities and variations.

SIGNATURE OF ARCHITECT AND CARVINGS OF CHISELS, PAPANATHA TEMPLE, PATTADAKAL

The positive impact of several decades of vigorous debate is that it raised important questions about political, social, and economic processes. However, in the long run, the tendency of historians to try to fit their data into one or other model has led to a sort of impasse in which the way forward may in fact lie in breaking free of the constraints of these models. The main focus of historians who have tried to reconstruct the ‘big picture’ has been on expanding and sharpening the analysis of class and caste hierarchies, and the legitimation of political power. Little attention has been devoted to the history of women and gender relations, both in the public domain and within the household. Writings on gender in the early medieval context have usually come from scholars with an interest in specific issues related to politics or religion. It is essential to include the results and implications of such studies in the larger narratives and to integrate gender relations into the social history of the period. In this chapter, these issues have been woven into the broader discussion of politics, society, and religion.

As it is not possible to give a complete or comprehensive account of all the historical aspects of the period c. 600–1200 CE, this chapter focuses on a few issues such as the larger historiographical debates and on developments in the Deccan and the far south.

Sources, Literary and Archaeological

Sheldon Pollock ([2006], 2007: 1) argues that there were two great moments of transformation in culture and power in pre-modern India. The first happened around the beginning of the Common Era, when Sanskrit, which had a long history as a sacred language restricted to religious practice, was ‘re-invented’ as a language for literary and political expression, eventually spilling out far beyond the frontiers of the subcontinent. The second moment of transformation was located in the beginning

of the second millennium CE, when vernacular speech forms became literary languages and began to challenge the position of Sanskrit, eventually replacing it.

The Sanskrit literature of the early medieval period has usually been described as characterized by pedantry, ornateness, and artificiality. The literature includes philosophical commentaries and religious texts, bhanas (monologue plays), stotras (hymn compositions), story literature, and anthologies of poetry. Historical and epic–Puranic themes were popular in kavya. The technical literature includes works on metre, grammar, lexicography, poetics, music, architecture, medicine, and mathematics.

The growth of regional polities was accompanied by the composition of royal biographies by court poets. Banabhatta’s Harshacharita is one of the well-known works of this genre. Sandhyakaranandin’s Ramacharita is written in shlesha (with double meaning) and simultaneously tells the story of the epic hero Rama and the Pala king Ramapala. The few works of poetry woven around quasi-historical themes or characters included Padmagupta’s Navasahasankacharita, which tells the tale of king Sindhuraja Navasahasanka of Malwa, and his winning of the hand of a princess named Shashiprabha. Bilhana wrote the Vikramankadevacharita, a eulogistic work about Vikramaditya VI, the Chalukya king of Kalyani. Hemachandra’s Kumarapalacharita (in Sanskrit and Prakrit) tells the story of Kumarapala, king of Anahilawada, while illustrating the rules of grammar. There is uncertainty about the authorship of the incomplete Prithvirajavijaya, which gives an account of the victory of Prithviraja Chauhan over Muhammad of Ghor. Chand Bardai’s Prithvirajaraso is an epic woven around the exploits of the same Chauhan king. Kalhana’s Rajatarangini is a historical chronicle of the rulers of Kashmir from the earliest times up to the 12th century CE.

The early medieval Puranas reflect the increasing popularity of theistic elements within the Hindu cults. They include the Bhagavata Purana (c. 10th century), the Brahmavaivarta Purana (composed some time between the 10th and 16th centuries), and the Kalika Purana (10th/11th century). Sections on tirthas (pilgrimage), vratas (vows), penances, gifts, and the dharma of women were added to the older Puranas during this period. The Upapuranas, many of which were composed in eastern India, are even more valuable for the information they provide on popular beliefs, customs, and festivals. They can be used to trace the dialogue between Brahmanical and non-Brahmanical ideas, values, and practices, which resulted in the emergence of distinct regional cultural configurations.

A. D. Mathur (2007) has recently argued that in the early medieval period, Hindu law (vyavahara) emerged from the shadow of dharma and established its independent identity. This was accompanied by an increasing formalization of law and legal procedures, and there was a tendency to empower the state to regulate and arbitrate in the social life of subjects, including with regard to marriage issues. A large number of important and influential Dharmashastra compilations, digests, and commentaries were written during this period. The compilations include the Chaturvimshatimata, which put together the teachings of 24 law-givers. Jimutavahana wrote a work on procedural law called the Vyavaharamatrika and a digest of laws on inheritance called the Dayabhaga, which became extremely influential in Bengal. Major commentaries include those of Medatithi (9th century), Govindaraja (11th/12th century), and Kulluka (12th century) on the Manu Smriti. Vijnaneshvara (11th–12th centuries) and Apararka (12th century) wrote commentaries on the Yajnavalkya Smriti. Vijnaneshvara’s commentary, titled the Mitakshara, became an authority on

various aspects of Hindu law. Other important Dharmashastra works include Lakshmidhara’s Kritya Kalpataru (12th century) and Devanabhatta’s Smritichandrika (11th/12th century).

Most of the Prakrit works of this period are Jaina texts in the Maharashtri dialect. Their language is marked by artificiality and ornamentation. The few available Pali texts show a strong Sanskrit influence. Apabhramsha represents the last stage of the Prakrit languages, out of which the various modern north Indian languages emerged. Apabhramsha works of this time include several texts on Jaina doctrines and saints, epic poems, short stories, and dohas (couplets).

The devotional songs of the Alvars and Nayanmars and the hagiographies of the saints were among the important Tamil texts. Royal biographies include the anonymous Nandikkalambakam, a poem in some 80 stanzas, giving a eulogistic account of the reign of the Pallava king Nandivarman III. Several works in Kannada, many of them associated with Jainism, were written as well, some under the royal patronage of the Rashtrakutas, Hoysalas, and Chalukyas.

Literary sources offer both direct as well as indirect information about their time. An example of a text that gives direct, useful historical information is the anonymous Lekhapaddhati, a work in Sanskrit and Prakrit composed in Gujarat in about the 13th century, which contains models of various types of legal documents. Another example is the Krishi-Parashara, an early medieval text of Bengal, dealing with agriculture. Historical information can also be prised out of texts that appear on the surface to be of little historical value. For instance, Jain folk tales (dharma-kathas) of western India often have merchants as protagonists, and are a useful source of information on trade and traders. Mathematical texts such as the 9th century Ganitasarasangraha of Mahaviracharya and the 12th century Lilavati of Bhaskaracharya offer incidental information about prices, weights and measures, wages, and coins.

Apart from indigenous texts, Chinese and Arab accounts are useful sources of information for early medieval India. Foremost among the former are the accounts of the monks Xuanzang (c. 600–64 CE) and Yijing (635–713 CE), both of whom visited India. One of Yijing’s works gives an account of Buddhist doctrines and practices in India, while the other provides brief biographical sketches of 56 Chinese monks who visited India in the 7th century. The important Arab works include the 9th–10th century writings of travellers and geographers such as Sulaiman, Al-Masudi, Abu Zaid, Al-Biduri, and Ibn Haukal. Later Arab writers include Al-Biruni, Al-Idrisi, Muhammad Ufi, and Ibn Batuta. Such accounts are especially useful for information on trade.

RECENT DISCOVERIES

New evidence regarding Wang Xuance’s missions to India

The Chinese travellers who made the arduous journey from China to India and back included monks and diplomats. Wang Xuance was one of several official envoys sent by the Tang emperors to India in the 7th century. According to Bangwei Wang, various sources suggest that he travelled to India three times. A Buddhist encyclopaedia edited by a contemporary monk named Daoshi, who also happened to know Wang Xuance personally, states: ‘The Tang ambassador Wang Xuance has been there [India] three times. When I met Xuance, he told me this.’ In fact, Daoshi makes a similar statement in two other places in his work. Wang Xuance himself made

the following assertion in one of his reports to the emperor: ‘Since Buddhism arose in India, I, the servant [of Your Majesty], have been sent there three times, and I saw and heard a lot.’

Wang was first sent to India by emperor Taizong as assistant to the imperial ambassador Li Yibiao. Members of the delegation left China in 643 and travelled to India via Tibet and Nepal. In Magadha, they met king Harsha and visited a number of Buddhist pilgrimage places. This is how Wang Xuance described the experi ence: ‘I had the unexpected good fortune to see the venerable footprints [of the Buddha]. Sometimes sad, sometimes happy, I could not control my feelings.’ The delegation returned to China in 645. A year or two later (in 646 or 647), Wang once again started off for India, this time as the head of the delegation. The route was the same as that adopted for the first mission. Chinese sources state that this embassy was attacked by soldiers led by a person named Arunasha, and all except Wang Xuance and his second-in-command Jiang Shiren were either killed or captured. Scholars have different opinions on the date of Wang Xuance’s third mission, which must have taken place some time between 657 and 661 CE.

Bangwei Wang draws attention to the recent discovery of an inscription in Skyid-grong in Tibet, which throws light on this third mission. The inscription on a rock face is seriously damaged, especially in its lower part. The surviving text covers an area 81.5 cm in width and 53 cm in length. It consists of 222 legible characters arranged in 24 lines, many parts too damaged to be read. The main purport of the inscription can, however, be understood. It states that the emperor sent Wang and his companions to India in the sixth month of the third year of Xianqing, i.e., in 658 CE. In the fifth month of the summer of some year (probably in 659 CE), the delegation arrived at a certain place, probably the very spot where the inscription was inscribed. There is also mention of some hitherto unknown members of Wang’s delegation. The inscription also indicates that the route taken by the delegation passed through Skyid-grong and Nepal.

Another inscription mentioning Wang Xuance was recently discovered at the Longmen Grotto in Luoyang. This records his gift of a Maitreya image for the southern cell of the Bingyan Grotto in the second year of Lingde (i.e., 665 CE). The diplomat was evidently a pious lay Buddhist.

Wang Xuance wrote a diary of his visits to India called Zhong Tianzhuguo xing ji (Records of the Travels to Middle India), which apparently included maps of India and sketches of Buddhist artefacts. Unfortunately, the diary is lost.

SOURCE Wang, 2002; Sen, 2003: 23, 40, 205, 261

As for the previous centuries, inscriptions continue to form a major source of historical information for c. 600–1200 CE. The interpretation of the epigraphic data is in fact central to the major debates concerning this period. Royal land grant inscriptions, mostly recording grants to Brahmanas, are especially important. Equally important are epigraphs recording non-royal and royal gifts made to religious establishments.

The assessment of the early medieval numismatic evidence is an issue of debate. As mentioned in the previous chapter, the hypothesis that there was a subcontinental decline in the money economy from c. 400 CE onwards can be questioned. Archaeological data on the early medieval period is extremely meagre, and this is a major drawback when it comes to framing and testing hypotheses related to settlement history.

Political Narrative and Political Structure

The contours of the kingdoms of early medieval India were fluid and are difficult to define. Kingdoms are more easily identified by their nuclear areas and political centres than by their boundaries. The political narrative of these centuries reveals some large, relatively long-lived kingdoms such as those of the Cholas, Rashtrakutas, Palas, and Pratiharas. There were also the more numerous short-lived kingdoms which had a much more modest range of territorial control. The interaction between lineages took the form of war and conflict as well as of military and matrimonial alliances. The details of how different lineages established their political and agrarian resource base in various parts of the subcontinent are obscure. B. D. Chattopadhyaya ([1983], 1997: 205–08) has pointed out that there was no dichotomy between lineages and states in early medieval India, and that lineage ties were in fact central to political formations.

The spread of state society was accompanied by a high level of spatial mobility of political elites and unprecedented levels of military build-up. The incessant warfare during the period indicates the importance of coercive power and military might in the politics of the time. Apart from a centrally hired core, the armies of kings included mercenaries, hired when the need arose. For instance, many Pala inscriptions from Bengal and Bihar address (among others) military contingents recruited from among the Gaudas, Malavas, Khashas, Kulikas, Hunas, Karnatas, and Latas. Similarly, the Rajatarangini mentions that kings of Kashmir recruited mercenaries from other areas. The core and mercenary troops were supplemented, when the need arose, by the military might of allied and subordinate rulers.

In many instances, the expansion of state society involved the displacement or integration of tribal communities. The interactions between tribal and Brahmanical cultures (however difficult it may be to define both these terms) are reflected indirectly in inscriptions. For instance, the Sanskrit inscriptions of Assam contain a sprinkling of Khasi, Bodo, and other non-Sanskritic words (Lahiri, 1991: 101). In south-east Rajasthan, the expansion of the power of the Guhila dynasty involved the transformation of the Bhils from hunter-gatherers to farmers. The foundation legend of king Guhadatta killing the Bhil chief Mandalika and seizing power suggests a fierce contest between the Guhilas and Bhils (Sinha Kapur, 2002: 38–39). The tribal element surfaces in other ways in Orissa (Singh, 1994: 287–88). Inscriptions of the imperial Ganga king Anantavarman Chodaganga refer to an ancestor named Kamarnava who defeated Shabaraditya, no doubt a chief of the Shabara tribe. On the other hand, the names of some of the dynasties, details of their origin myths, and references to their worshipping autochthonous deities such as Stambheshvari suggest that some of these kings were in fact successful tribal chiefs who had enhanced their political power and had also got ‘Hinduized’. The importance of the tribal element in the history of Orissa is best reflected in the Jagannatha cult, which clearly had tribal origins.

The prashastis of royal inscriptions reveal prevailing political hierarchies. Inscriptions of subordinate kings frequently refer to their overlord, while those of more powerful rulers sometimes mention their subordinates. Although there are various problems with the feudalism hypothesis as a whole, the term ‘feudatory’ or ‘vassal’ can be applied to subordinate rulers who were obliged to offer allegiance and military service to their suzerains. The emergence and development of such chains of command generally had nothing to do with land grants. There are some instances of early medieval kings granting land in return for military service, but this was by no means the general trend.

Claims to political paramountcy were reflected in the use of three titles that usually occur together in inscriptions—maharajadhiraja, parameshvara, and parama-bhattaraka. Paramount kings were sometimes described as commanding the obeisance of the samantas or of the circle of kings. Titles of subordinate rulers included maharaja, samanta, mahasamanta, ranaka, and mahasamantadhipati. Such a ruler was often also described as ‘one who has obtained the five great sounds’ (samadhigata-pancha-mahashabda), apparently referring to the privilege of hearing the sound of five musical instruments. Subordinate status was also indicated through the use of the overlord’s dynastic era and by the lesser king being described as meditating at the feet of his overlord.

The royal prashasti contains poetic embellishment, conventional rhetoric, and downright flattery. But along with the seals and invocations, it allows us to identify certain elements that comprised both the ideal and practice of kingship. The sectarian epithets of kings reflect more than mere religious affiliations or eclecticism, and can be viewed from the perspective of royal policy. The titles and designations in land grant inscriptions suggest the different tiers, ranks, and functionaries in the administrative infrastructure of kingdoms, although it is not always possible to identify their precise meaning. During the early medieval period, the horizontal and vertical linkages of political power are more visible than ever before and the emergent political elites can be connected with alliances with landed groups, some of them created and buttressed by royal grants.

FURTHER DISCUSSION

The image of the ideal king in inscriptions of Orissa

The analysis of kingship in ancient India has traditionally been based on literary sources. However, inscriptions constitute another important source of information on this subject. The prashastis of royal inscriptions are especially informative on the ideology of kingship. They offer a good sketch of the image of the ideal king in different times and regions.

The recurrent themes in prashastis of kings of early medieval Orissa include their bravery, military exploits, and physical beauty. Comparisons with the heroes of the Mahabharata— especially Yudhishthira—are frequent, as are comparisons with legendary kings such as Puru, Dilipa, Nala, Nahusha, Mandhata, Bharata, and Bhagiratha. Kings are also often compared with various deities, sometimes with the very deity whom they worshipped, usually either Shiva or Vishnu. Cultic affiliation is indicated through sectarian epithets such as parama-maheshvara, parama-bhagavata, and parama-vaishnava.

The king is eulogized in some inscriptions as protector of his people, custodian of dharma, and maintainer of the order of the varnas and ashramas. He is frequently eulogized as a remover of the stain of the Kali age. Such references occur in many inscriptions, cutting across sectarian and religious affiliations. They are also present in inscriptions of the Bhauma-Karas, who were Buddhists.

Kingship is associated with the performance of sacrifices in Shailodbhava inscriptions. The prashasti of these kings highlights their performance of the ashvamedha and vajapeya sacrifices, described in some epigraphs as having fallen into abeyance. However, no other dynasty of early medieval Orissa advertised itself in such a manner. This suggests that the performance of Vedic sacrifices was not a significant component in the ideology of kingship in ancient and early medieval Orissa.

Very few prashastis eulogize the king as builder of temples, mathas, or viharas. On the other hand, he is frequently eulogized for his generosity, often being compared with the kalpa-vriksha (tree of plenty). Some epigraphs specify the kinds of things he gifted, including land, gold, grain, cows, and elephants. Land grant inscriptions contain a series of benedictory and imprecatory verses eulogizing the gifting of land by kings to Brahmanas. Some describe the king as parama-brahmanya (greatly devoted to the Brahmanas). Apart from such references, the sheer evidence of hundreds of records of such grants indicates that dana (ritual giving), particularly bhumidana (the gift of land) to Brahmanas and religious establishments, was considered a pious activity especially appropriate for kings.

SOURCE Singh, 1994: 114–16

Notwithstanding the patriarchal nature of society, the political history of early medieval India gives several instances of queens succeeding to the throne. Three women rulers—Didda, Yashovati, and Sugandha—are known from Kashmir. Among the Eastern Chalukyas, Vijayamahadevi became ruler after the death of her husband Chandraditya. She is known to have issued a land grant to Brahmanas in the fifth year of her reign. A Kadamba queen named Divabbarasi is known to have ruled till her minor son attained majority. She too made land grants. In Orissa, there are instances of several queens of the Bhauma-Kara dynasty ascending the throne. Prithivimahadevi, also known as Tribhuvanamahadevi, is described as having ascended the throne at the behest of feudatories. Dandimahadevi, Dharmamahadevi, and Valkulamahadevi were other Bhauma-Kara queens. While these women ascended the throne due to the absence of a male heir, the accession of Prithivimahadevi seems, in addition, to have had something to do with the influence and intervention of her Somavamshi father. Imperial titles were feminized for the Bhauma-Kara queens into parama-bhattarika, maharajadhiraja (both ending with an elongated ‘a’) and parameshvari. Rudramadevi was a 13th-century Kakatiya queen of Andhra who succeeded to the throne on being nominated by her father. Such instances indicate that although political power in early medieval India was generally wielded by men, it could devolve on women in certain circumstances.

NEW DIRECTIONS IN RESEARCH

Rudramadevi, the female king

Rudramadevi was the fourth independent ruler of the Kakatiya dynasty of Warangal. Cynthia Talbot has used her story to raise a number of questions about female rulership in medieval India.

Before Rudramadevi ascended the throne, succession among the Kakatiyas had passed from father to son or from elder brother to younger brother. Rudradeva (1163–1195) was succeeded by his brother Mahadeva (1195–1198), and Mahadeva by his son Ganapati (1199–1261). Ganapati had no sons, and may have outlived his brothers. He selected his daughter Rudramadevi as his heir and ruled jointly with her for some years, after which she took over the reigns of government independently. From 1262 onwards, Kakatiya inscriptions speak of Rudramadevi as king. This queen’s long reign ended with her death in 1289.

Rudramadevi was able to repulse the Pandyas of southern Tamil Nadu, Eastern Gangas of Orissa, and Seunas of Devagiri. She was less successful in dealing with a rebellion of Ambadeva of the Kayastha family, one of the subordinates of the Kakatiyas. The queen is supposed to have worn male attire and led her soldiers in battle, possibly dying in the battlefield. On the pillar brackets of a temple built at her instance, she is shown Durga-like, as a woman warrior sitting on a lion, holding a dagger and shield. She is given the epithet raya-gaja-kesari (lion to the elephant-like [enemy] kings). Although Rudramadevi was biologically female, inscriptions project her as conforming to the role of a heroic male king.

Most of the inscriptions of Rudramadevi’s reign address her as maharaja and use the masculine form of her name—Rudradeva. A 14th century work called the Prataparudriya states that the decision to call her Rudra rather than Rudrama and to represent her as a male was taken by her father Ganapati. A remarkable copper plate inscription of the queen’s son-in-law Yellana oscillates in successive verses between the feminine and masculine forms of her name. Rudramadevi was married to Virabhadra of the Eastern Chalukya family, who is a dim, shadowy figure in the sources. The couple had daughters, but no sons. After Rudramadevi’s death, the throne passed into the hands of her daughter Mummamma’s son, Prataparudra, the last king of the Kakatiya line.

Talbot suggests that a situation of decentralized polities was one of the factors that allowed women such as Rudramadevi to successfully exercise political power, in spite of the existence of an overarching ideology which associated formal rulership with men. Another relevant factor was a socio-political system in which the family was central—a woman could ascend the throne if that was the only way in which rulership could remain within the immediate kin group. Further, Dravidian marriage and kinship systems, which allowed repeated inter-marriage between kin groups as well as cross-cousin marriage, made for a society in which a woman’s connections with her natal family remained strong, even after marriage.

SOURCE Talbot, 1995

A problem in reconstructing the complex tangle of the political history of early medieval India is that the grandiose claims of political success made by kings of one dynasty may be exaggerated and are, in fact, sometimes contradicted by counter-claims made by rivals. Nevertheless, a basic narrative can be constructed (see Majumdar [1955], 1964; [1957], 1966). As it is not possible to give a detailed account, the discussion below gives only a brief outline, focusing on some of the major dynasties that came to the fore during the period c. 600–1200.

THE DECCAN

The political history of peninsular India during c. 600–900 CE was marked by internecine warfare between the Chalukyas of Badami (known as the Western Chalukyas), Pallavas of Kanchi, and Pandyas of Madurai. All three rose to power in the 6th century, but in the mid-8th century, the Chalukyas made way for the Rashtrakutas of Manyakheta. Apart from the Chalukyas of Badami, there were two other branches of the lineage who ruled independently—the Chalukyas of Lata and the Eastern Chalukyas of Vengi. From time to time, the Eastern Gangas of Mysore and the Eastern Chalukyas got embroiled in events by taking sides in the conflicts between the Western Chalukyas, Pallavas, and Pandyas.

The Western Chalukyas claimed Brahmana origin as Haritiputras of the Manavya gotra. The king who established the independent power of this dynasty was Pulakeshin I (535–66). He built a strong fortress at Vatapi (Badami) and is described as having performed a number of shrauta sacrifices including the ashvamedha. The kingdom was further enlarged by Pulakeshin’s son Kirtivarman I (566/67–597/98), who fought successful wars against the Kadambas of Banavasi, Mauryas of the Konkan, and Nalas of the Bastar area.

The end of Kirtivarman’s reign was marked by a war of succession between his brother Mangalesha and nephew Pulakeshin II, the most powerful king of the line. Pulakeshin II (610/11– 642) emerged triumphant and went on to achieve many brilliant military successes, which are described in an inscription at Aihole. These included victories against the Kadambas of Banavasi, Alupas, and Gangas of Mysore. He despatched expeditions into the eastern Deccan, south Kosala, and Kalinga. One of his most important victories was against Harshavardhana on the banks of the Narmada river. Pulakeshin successfully attacked the Pallava kingdom, but was killed soon thereafter by a Pallava army that attacked and captured Badami. Pallava control over Badami and the southern areas of the Chalukya empire continued for several years. In the mid-8th century, the Western Chalukyas were overwhelmed by the Rashtrakutas.

The Eastern Chalukyas established themselves in Vengi in the Andhra region in the second half of the 8th century. Early rulers included Vishnuvardhana I. Vijayaditya II was one of the most important rulers of this dynasty. During his reign, initial reverses at the hands of the Rashtrakutas were followed by successful military expeditions against them and the Gangas, and campaigns into Gujarat. Rashtrakuta inscriptions acknowledge the change in the balance of power, when they admit that the glory of their kingdom was ‘drowned in the ocean of the Chalukyas’. But the Rashtrakutas soon re-established themselves and the Eastern Chalukyas were forced to acknowledge their paramountcy. A matrimonial alliance was also forged between the two powers.

PRIMARY SOURCES

The Aihole inscription of Pulakeshin

The Meguti temple at Aihole (Bagalkot district, Karnataka) stands on top of a hill, commanding a panoramic view of the surrounding countryside, including a large crop of megaliths nearby. Embedded in the eastern wall of this Jaina temple is a 19-line inscription in Sanskrit verse, written in the southern script typical of the 7th century. The inscription is dated in the year 556 (of the Shaka era), i.e., 634–35 CE. The composer, a poet named Ravikirti, was also the one who had the temple built. The inscription is a prashasti of the Chalukyas, especially the reigning king Pulakeshin II, who is referred to as Satyashraya (the abode of truth). It contains many details about the history of this dynasty, but its literary merits are also great. These suggest that Ravikirti may not have been making an idle boast when, in verse 37, he describes himself as the equal of Kalidasa and Bhasa. A few translated excerpts from the inscription are given below (pronouns starting with capital letters—He, Him, etc.—refer to Pulakeshin II):

Victorious is the holy Jinendra—he who is exempt from old age, death, and birth—in the sea of whose knowledge the whole world is comprised like an island.

And next, long victorious is the immeasurable, wide ocean of the Chalukya family, which is the birthplace of jewels of men that are ornaments of the diadem of the earth.

And victorious for very long is Satyashraya, who in bestowing gifts and honours on the brave and on the learned, both together on either, observes not the rule of correspondence of number….

An account of the early kings of the Chalukya line follows, upto the reign of Pulakeshin II’s uncle Mangalesha.

…Then, on the subversion of that (i.e., Mangalesha’s) rule encompassed by the darkness of enemies, the whole world grew light again, invaded as it were by the lustrous rays of His (i.e., Pulakeshin’s) irresistible splendour. Or when was it that the sky ceased to be black like a swarm of bees with thundering clouds, in which flashes of lightening were dancing like banners, and the edges of which were crashing in the rushing wind?

When, having found the opportunity, he who was named Appayika, and Govinda approached with their troops of elephants to conquer the country north of the Bhaimarathi, the one in battle through His armies, came to know the taste of fear, while the other at once received the reward of the services rendered by him.

When He was beseiging Vanavasi, which for a girdle has the rows of hamsa birds that sport on the high waves of the Varada as their play-place, and which by its wealth rivalled the city of the gods, that fortress on land, having the surface of the earth all around covered with the great sea of his army, to the onlooker seemed at once converted into a fortress in the water.

Although in former days they had acquired happiness by renouncing the seven sins, the Ganga and Alupa lords, being subdued by His dignity, were always intoxicated by drinking the nectar of close attendance upon him.

In the Konkanas the impetuous waves of the forces directed by Him speedily swept away the rising wavelets of pools—the Mauryas.

When, radiant like the destroyer of Pura [i.e., Shiva] He beseiged Puri, the Fortune of the western sea, with hundreds of ships in appearance like arrays of rutting elephants, the sky, dark blue as a young lotus and covered with tiers of massive clouds, resembled the sea, and the sea was like the sky.

Subdued by His splendour, the Latas, Malavas, and Gurjaras became as it were teachers of how feudatories, subdued by force, ought to behave.

Harsha, whose lotus feet were arrayed with the rays of jewels of the diadems of hosts of feudatories prosperous with unmeasured might, through Him had his joy [harsha] melted away by fear, having become loathsome with his rows of lordly elephants fallen in battle.

While He was ruling the earth with his broad armies, the neighbourhood of the Vindhya, by no means destitute of the lustre of the many sandbanks of the Reva, shone even more brightly by his great personal splendour, having to be avoided by his elephants because, as it seemed, they by their bulk rivalled the mountains.

Almost equal to Indra, He by means of all the three powers, gathered by him according to rule, and by his noble birth and other excellent qualities, acquired the sovereignty over the three Maharashtrakas with their nine and ninety thousand villages.

Through the excellencies of their householders prominent in the pursuit of the three objects of life, and having broken the pride of other rulers of the earth, the Kalingas with the Kosalas by His army were made to evince signs of fear.

Hard pressed [pishta] by Him, Pishtapura became a fortress not difficult of access; wonderful (to relate), the ways of the Kali age to Him were quite inaccessible.

Ravaged by Him, the water of Kunala—coloured with the blood of men killed with many weapons, and the land within it overspread with arrays of decorated elephants—was like the cloud-covered sky in which the red evening twilight has risen.

With His six-fold forces, the hereditary troops and the rest, who raised spotless chauris, hundreds of flags, umbrellas, and darkness (i.e., dust), and who churned the enemy elated with the sentiments of heroism and energy, He caused the splendour of the lord of the Pallavas, who had opposed the rise of his power, to be obscured by the dust of his army, and to vanish behind the walls of Kanchipura.

When straight away He strove to conquer the Cholas, the Kaveri, who has the darting carps for her tremulous eyes, had her current obstructed by the causeway formed by his elephants whose rutting-juice was dripping down, and avoided the contact with the ocean.

There He caused great prosperity to the Cholas, Keralas, and Pandyas, he being the hot-rayed sun to the hoarfrost—the army of the Pallavas.

While He, Satyashraya, endowed with the powers of energy, mastery, and good counsel—having conquered all the quarters, having dismissed the kings full of honours, having done homage to the gods and Brahmanas, having entered the city of Vatapi—is ruling, like one city, this earth which has the dark-blue waters of the surging sea for its moat….

This stone mansion of Jinendra, a mansion of every kind of of greatness, has been caused to be built by the wise Ravikirti, who has obtained the highest favour of that Satyashraya whose rule is bounded by the three oceans.

SOURCE Kielhorn, 1900–01

The Eastern Chalukya king Vijayaditya III (848–92) claimed to have won victories over the Pallavas and Pandyas and to have given shelter to a Chola king. He also claimed to have been victorious over the Gangas, Rashtrakutas, Kalachuris, and a king of south Kosala. Conflict with the Rashtrakutas continued during the reign of the Chalukya king Bhima I (892–922). Bhima was captured by the enemy, but ultimately released. From the reign of Vijayaditya IV, numerous succession disputes erupted and the Rashtrakutas backed contenders in some of these. Some of the rulers of this period had very short reigns—e.g., Vijayaditya IV ruled for six months, Tala for one month, and Vijayaditya V for a mere fortnight. Some amount of political stability was restored during the reigns of Bhima II and Amma II, but the kingdom started crumbling thereafter. In 999 CE, Rajaraja Chola conquered Vengi.

The political history of the Deccan between c. 753–975 CE was marked by the ascendancy of the Rashtrakutas. In certain copper plate grants, the Rashtrakutas claim descent from the lineage (vamsha) of Yadu. (In the epics, Yadu was the son of Yayati and the brother of Puru and Turvasu; Krishna was supposed to be a descendent of Yadu). Various inscriptions elaborate on this mythical story of origin, stating that the Rashtrakutas belonged to the Satyaki branch of the Yaduvamsha, mentioning an eponymous ancestor.

‘Rashtrakuta’ means the chief of a rashtra (division or kingdom, depending on the context). The word occurs in inscriptions of several dynasties from about the 4th century, in the sense of a class of provincial officials. It is possible that the Rashtrakutas originally belonged to a group of such officials. The attempts made by some historians to connect the Rashtrakutas with the Rathikas of Ashokan inscriptions or with the Kannada–Telugu Reddi caste are not acceptable. The origins of the dynasty can be traced to the Kannada-speaking area. One of the titles used by kings of the main and subordinate lines was Lattalura-puraveshvara (lord of the great city of Lattalura); Lattalura has been identified with Latur on the Maharashtra–Karnataka border. The Rashtrakutas achieved spectacular military successes in the north and south. At some point or other, they defeated the great

powers of the time such as the Pratiharas, Palas, Eastern Chalukyas, and Cholas. However, they did not manage to hold on to their northern conquests for long.

BRAHMI SCRIPT, AIHOLE INSCRIPTION

MAP 10.1 MAJOR DYNASTIES OF PENINSULAR INDIA, C. 700–1300

The Rashtrakutas appear to have migrated from the Latur area to Ellichpur (near the source of the Tapi, in modern MP) in c. 625 CE. Here, they carved out a principality and ruled for several generations as feudatories of the Chalukyas. They assumed an independent status under Dantidurga (he whose elephant is his fortress), who ascended the throne in 733 CE. Dantidurga won many military victories and assumed imperial titles.

The Rashtrakuta empire expanded during the reigns of Dantidurga’s successors, especially under Krishna I, Govind III, and Amoghavarsha. There were incursions into the north as well as against rulers of peninsular India. But the Rashtrakutas could not press home their victories against the Western Chalukyas, Eastern Chalukyas, Eastern Gangas, and Pallavas. The magnificent Kailashanatha temple at Ellora was built during the reign of the Rashtrakuta king Krishna I.

Amoghavarsha (814–878) built a new capital city of Manyakheta (identified with modern Malkhed). He was a patron of literature and a scholar himself. He wrote the Kavirajamarga, the earliest Kannada work on poetics. Later Rashtrakuta kings achieved some successes—for instance, Kanauj was captured during the time of Indra III, and there were victories against the Cholas—but there were several reverses as well. Towards the end of the 10th century, the Paramaras sacked Manyakheta and this event signalled the decline of the Rashtrakuta dynasty.

HERO STONE, KARNATAKA

Hundreds of inscribed and uninscribed memorial stones found in various parts of peninsular India (Settar, n.d.) reflect different kinds of violence and conflict in the society of their time. They also represent a widespread and long-standing tradition of memorializing the dead in stone. The large numbers of memorial stones found in Karnataka differ widely in form, style, and content. Chronologically, they range from the 5th to 19th centuries, with a peak during the 10th–13th centuries. A majority of them are viragals (memorials for heroes), mostly honouring men who died in the course of cattle raids, either as defenders or attackers. However, an interesting memorial stone found at Kembalu records the death of a queen who led her men in such a raid. There are memorials to those who died while protecting their womenfolk from molestation and rape at the hands of enemies, those who perished while helping or rescuing friends and relatives, and those who gave their lives defending their lord or their land. Some memorial stones record the bravery of people who died defending their town or village from kings, princes, robbers, and oppressive officers. There are also memorials in memory of those who died while fighting wild animals such as elephants, cows, boars, tigers, and even horses. Sometimes, only the name of the hero is inscribed, with no mention of the circumstances of his/her death.

THE FAR SOUTH

In Tamil Nadu, the viragals are concentrated in the area adjacent to the southern border of Karnataka and mostly belong to between the 5th/6th and 12th centuries CE, after which they decline in numbers. The earliest memorial stone inscriptions in this area are in the Tamil language and Vatteluttu script, while the later ones are in the Tamil language and Tamil script. Like those of Karnataka, most of the Tamil Nadu viragals record the death of men in cattle raids. Some mention other kinds of violent incidents such as battles, robbers’ raids, and attacks by wild animals. The hero stones of this region are simple compared to those of other areas. They generally consist of a single relief panel depicting the hero standing with weapons in his hands. He often holds a sword in his right hand, a bow, arrow, or shield in his left, and a quiver filled with arrows on his shoulder. His face is in profile, but his torso faces the front; his left leg is usually lifted to give the impression of movement and action. A pedestal or memorial shrine is also often shown next to him.

The political history of the far south during this period was dominated by the Pallavas, Pandyas, Cheras, and Cholas (Sastri [1955], 1975: 146–215). The Pallavas were associated with Tondaimandalam, the land between the north Penner and north Vellar rivers. Inscriptions refer to early kings of this line such as Shivaskandavarman, who ruled in the early 4th century CE. However, the ruler who played a crucial rule in the Pallavas’ rise to power in the last quarter of the 6th century was Simhavishnu. Putting an end to the political disturbances caused by the Kalabhras, he conquered the land upto the Kaveri, coming into conflict with the Pandyas and the ruler of Sri Lanka.

Simhavishnu’s successor was Mahendravarman I (590–630), renowned as a great patron of the arts, and apparently a poet and musician in his own right. His reign saw the beginning of a conflict between the Pallavas and Western Chalukyas. The army of Pulakeshin II reached perilously close to the Pallava capital Kanchipuram and annexed the northern part of that kingdom. Subsequently, during the reign of Narasimhavarman I Mahamalla (630–68), the Pallavas managed to settle scores by winning several victories over the Chalukyas with the aid of their ally Manavarma, a Sri Lankan prince, who later became ruler of the island kingdom. The climax of these victories was Narasimhavarman’s invasion of the Chalukya kingdom and his capturing Badami. This Pallava king claims to have defeated the Cholas, Cheras, and Kalabhras. Two naval expeditions despatched to help Manavarma were successful, but this Sri Lankan ruler subsequently lost his kingdom and reached the Pallava court as a political refugee. Narasimhavarman was an enthusiastic patron of architecture. The port of Mamallapuram, along with its five temples known as the rathas, was built during his reign.

COPPER COIN, PALLAVA DYNASTY

GOLD COIN OF CHOLA KING KULOTTUNGA I

The Pallava–Chalukya conflict continued during the subsequent decades, interspersed with some peaceful interludes. The Pallavas also came into conflict with the Pandyas to the south and the Rashtrakutas to the north. In the early 9th century, the Rashtrakuta Govinda III invaded Kanchi during the reign of the Pallava Dantivarman. Dantivarman’s son Nandivarman III managed to defeat the

Pandyas. The last known imperial Pallava king was Aparajita. Aided by Western Ganga and Chola allies, he defeated the Pandyas at a battle at Shripurambiyam. The Pallavas were ultimately overthrown in c. 893 by the Chola king Aditya I, and thereafter, control over Tondaimandalam passed into the hands of the Cholas.

Kings of the Pandya dynasty are known in the early historical period, but their connection, if any, with the Pandyas of early medieval times, is unclear. The first two rulers of the early medieval line were Kadungon (560–90) and his son Maravarman Avanishulamani (590–620). The latter is credited with ending Kalabhra rule in the area and reviving Pandya power. The Pandyas were involved in internecine wars with the Pallavas and other contemporary powers. King Rajasimha I (735–65) had the epithet Pallava-bhanjana (breaker of the Pallavas). The empire expanded during his reign and during that of his successors Jatila Parantaka Nedunjadaiyan (756–815) and Shrimara Shrivallabha (815–862). The Pandyas were completely overpowered by the Cholas in the 10th century.

On the Kerala coast, the Chera Perumals continued to hold sway, in spite of the fact that several Pallava, Pandya, Chalukya, and Rashtrakuta rulers claimed military successes in the area. Few details of Chera history are available. One of the last kings of the line was Cheraman Perumal, regarding whom there are many legends. Different sources describe him variously as a Jaina, Christian, Shaiva, or Muslim, and it is possible that he renounced the world, dividing his kingdom among his kinsmen or vassals. His reign ended in the early 9th century.

Chola kings are known in early historical South India, but their post-Sangam history is unclear, as is their connection with the Cholas of early medieval times. The founder of the early medieval Chola dynasty of Tanjore was Vijayalaya. He established his power in the area around Uraiyur, captured Tanjore from the Muttaraiyar chieftains, and extended his kingdom along the lower Kaveri. Vijayalaya accepted the overlordship of the Pallavas.

Aditya I (871–907), the successor of Vijayalaya, achieved significant military successes and expanded the Chola kingdom. He confederated with the Pallavas to defeat the Pandyas in the battle at Shripurambiyam and obtained some territories in the Tanjore area as recompense. He then went on to defeat and kill his Pallava overlord Aparajita in 893. This victory gave him control over Tondaimandalam. Thereafter, he went on to conquer Kongudesha (corresponding roughly to Coimbatore and Salem districts) from the Pandyas, perhaps with the help of the Cheras. He also claims to have captured Talakad, capital of the Western Gangas. Aditya I entered into a matrimonial alliance with the Pallavas by marrying a Pallava princess.

Parantaka I (907–953), who succeeded Aditya I, won several victories with the help of his allies such as the Western Gangas, the Kodumbalur chiefs, and the ruler of Kerala. He succeeded in conquering Madurai, after which he took the title of Madurantaka (destroyer of Madura) and Maduraikonda (capturer of Madurai). He defeated the combined armies of the Pandyas and the king of Sri Lanka at the battle of Vellur, and the Pandya territories fell into Chola hands. These victories were, however, followed by a resounding defeat at the hands of the Rashtrakutas in 949. The army of Krishna III defeated the Chola army at the battle of Takkolam. The Rashtrakutas over-ran Tondaimandalam and Krishna III assumed the title of ‘Conqueror of Kachchi (Kanchi) and Tanjai (Tanjore)’. The Cholas gradually recovered their power during the reigns of kings such as Sundara Chola Parantaka II (957–73), who defeated a combined Pandya–Sri Lankan army and also launched an invasion of the island kingdom. By the time Uttama Chola came to the throne (973), most of Tondaimandalam had been retrieved from the Rashtrakutas.

GOLD COINS OF RAJENDRA CHOLA

RAJARAJA CHOLA

The peak of Chola power was reached during the reign of Arumolivarman, who assumed the title of Rajaraja on his accession. From Rajaraja’s reign (985–1014) right up to the 13th century, the Cholas remained the major political power in South India. Through a series of succesful military campaigns, Rajaraja broke the confederation between the Pandyas and the rulers of Kerala and Sri

Lanka. A successful naval expedition to Sri Lanka led to the destruction of Anuradhapura, and a Chola province was established in the northern part of the island. Rajaraja also achieved victories against the Western Chalukyas and Rashtrakutas. The Maldives were conquered towards the end of his reign.

The process of Chola territorial expansion continued under Rajaraja’s son and successor Rajendra I. His reign was marked by military victories against Mahinda V, the king of Sri Lanka, and against the armies of the Pandyas, the ruler of Kerala, and the Western Chalukyas. He built a new capital at Gangaikondacholapuram. A successful naval expedition was despatched in 1025 CE to the kingdom of Sri Vijaya in the Malay peninsula, which had great strategic importance in Indian Ocean trade. Military conflicts marked the reigns of subsequent Chola kings as well, but the Cholas held their own till the time of Kulottunga I (1070–1122). His long reign saw the despatch of an embassy of merchants to China and flourishing trade with the kingdom of Shri Vijaya. Kulottunga has the title Shungam-tavirtta (abolisher of tolls) in inscriptions. Although his long reign was comparatively peaceful, during the second half, the kingdom faced hostility from the Chalukyas and Hoysalas, and seems to have diminished. There was some recovery during the rule of Vikrama Chola, who succeeded in re-establishing Chola control over Vengi. Later rulers included Kulottunga II, Rajaraja II, and Kulottunga III. The power of the imperial Cholas declined thereafter, and the dynasty came to an end in the 13th century.

Chola inscriptions generally refer to the king as ko (king), perumal, or peruman adigal (the great one). He was also given more grandiose titles signalling paramountcy e.g., raja-rajadhiraja and ko-konmai-kondan, both of which mean king of kings. Inscriptions present the king as endowed with an attractive physical appearance, a great warrior and conqueror, a protector of varnashrama dharma, a destroyer of the evils of the Kali age, a generous giver of gifts (especially to Brahmanas), and a great patron of the arts. Kings were often compared with the gods, sometimes directly, at other times through the use of double entendre. For example, Rajaraja is referred to as Ulakalanda Perumal, (the great one who measured the earth). This could apply to the king, who is known to have ordered a great land survey for revenue purposes. It could equally apply to the god Vishnu who, according to a famous ancient myth, encompassed the universe with his three strides.

The dynasties of early medieval South India, even those that may have been connected in some way with their namesakes of the early historical period, crafted new origin myths for themelves (Veluthat, 1993: 30–50). These were rooted in the epic–Puranic traditions of the Suryavamsha (solar lineage) and Chandravamsha (lunar lineage) The origin myths sometimes combined a Brahmana and Kshatriya ancestry (this is known as a brahma-kshatra ancestry), with an emphasis on the latter. Claims to Kshatriya status were reflected in epithets, e.g., Rajaraja’s title of Kshatriya-shikhamani (crest jewel of the Kshatriyas). Many kings had names ending in ‘varman’, the name suffix that texts such as the Manu Smriti prescribed for Kshatriyas. The Pandyas linked themselves to the lunar dynasty and the Cholas to the solar dynasty. The Pallavas claimed to be Brahmanas of the Bharadvaja gotra, and traced their line back to the god Brahma, going on to list Angiras, Brihaspati, Shamyu, Bharadvaja, Drona, Ashvatthama, and the eponymous Pallava.

FURTHER DISCUSSION

Religious and political symbolism in the Tanjavur temple

SHIVA AS TRIPURANTAKA

Tanjavur or Tanjai was the political and ceremonial centre of the imperial Cholas. The city was located at the south-western tip of the fertile Kaveri delta, which formed a rich agrarian resource base for the dynasty. The physical and symbolic centre of Tanjavur was the magnificent Brihadishvara temple dedicated to Shiva, built during the reign of Rajaraja. That this was an imperial temple, closely connected with the ruling dynasty, was evident in many ways, for instance in the fact that it was also known as the Rajarajeshvara temple after the king. It was also reflected in some of the sculptures and paintings that adorned the shrine.

The walls of the Brihadishvara temple have representations of Shiva in many forms, including Nataraja, Harihara, Lingodbhava, Ardhanarishvara, and Bhairava. They also depict other deities

such as Gaja-Lakshmi, Sarasvati, Durga, Vishnu, and Ganesha. However, one representation— the Tripurantaka form of Shiva—stands out. This form alludes to the Puranic story in which the god destroys the three cities or fortresses of the demons with one arrow.

Shiva Tripurantaka is not prominent in temple sculpture before the Chola period. In the Brihadishvara temple, we see him in all the niches of the upper part of the wall of the vimana. He also appears in two sculpted panels and one imposing fresco painting in the inner ambulatory of the temple. A four-armed bronze image which originally belonged to the temple also seems to depict Shiva in this form—the god stands in an archer’s pose, although the bow and arrow are not shown.

R. Champakalakshmi points out that the prominence of the Tripurantaka form of Shiva in the Tanjavur temple has to be understood as a part of the temple’s larger iconographic programme. Since the temple was a symbol of Rajaraja’s power, the Tripurantaka form must have had a special political significance as well. Its association with the theme of victory over evil demons may have had a special appeal for a king who projected himself as a great conqueror.

But there are other angles as well. The Tripurantaka story is one of the most important episodes in the Shaiva bhakti work called the Tevaram. It is also notable that in this episode, Brahma is described as Shiva’s charioteer and Agni as his arrow. The Vedas are described as becoming the wheels of his chariot and the Mandara mountain his bow. Vishnu took the form of Mayamoha and tried to delude the demons who, however, remained steadfast in their devotion to Shiva. After destroying their three cities, Shiva took on two of them as his doorkeepers and the third as his drummer. Like many other Puranic stories, there is a sub-text which, in this case, emphasizes the subordination of other gods to Shiva. The Tripurantaka form of Shiva may therefore have tied in well with Rajaraja’s attempt to raise the Shaiva cult to a position of pre-eminence in his kingdom.

We can also note a mural in the south wall of chamber 5 which seems to represent Rajaraja Chola himself as a prime devotee of Shiva as Dakshinamurti, a form in which the god preaches the highest knowledge to various sages.

SOURCE Champakalakshmi, 1996: 424–41

Prashasti and genealogy are absent in Chera inscriptions. It has been suggested that this may have been because the Cheras followed a matrilineal system of succession, but this is not entirely convincing. Later literary tradition emphasized the importance of Brahmanas and temples in their accounts of the dynasty’s origins. For instance, the Periyapuranam mentions king Cheraman Perumal sitting in a temple, and then being brought to the city and crowned king. The 16th century Keralolpatti states that the king was invited to accept kingship by representatives of the Brahmanas.

While northern Brahmanical elements seem to have become pan-Indian in early medieval royal inscriptions, the inscriptions of the Pandyas appealed to indigenous Tamil traditions as well. For instance, kings of this dynasty claim to have had their twin fish emblem carved on the peak of the

Himalayas or Mount Meru. They also claim to have been anointed and taught Tamil by the sage Agastya, and as having built the great city of Madurai and establishing the Sangam there. Another interesting element concerns language. In the copper plate grants of the Pandyas, the Sanskrit portion is followed by the Tamil. The two portions are not identical, the Tamil one being sometimes more detailed. In Chola and Pallava inscriptions, the royal prashasti is usually in Sanskrit and the rest is in Tamil.

Apart from connecting themselves with the epic–Puranic tradition, South Indian kings also legitimized their power through the performance of sacrifices such as the ashvamedha and rajasuya. The inscriptions also mention rituals such as the hiranyagarbha and tulapurusha. The gifting of land to Brahmanas and making gifts of various kinds to temples were other important activities linked to the legitimation of royal power.

The circuit of power in the Chera, Pallava, and Chola kingdoms included several local chieftains. (Such chiefs do not seem to have been particularly important in the Pandya kingdom, where the only ones mentioned are the Ays.) One view is that these chieftains were governors appointed by kings to rule over divisions of their kingdom. However, they actually seem to have been subordinates or feudatories, similar to (and in some cases perhaps descendants of) chieftains who are known from the early historical period. The chiefs provided military back-up when required. It is also likely that they paid tribute to their overlord and attended his court. They were connected to the kings and to each other through matrimonial alliances.

MAP 10.2 SOME DYNASTIES OF INDIA, C. 550–700 CE

In the Chola kingdom, the Cholas exercised direct control over Cholamandalam, which corresponded roughly to modern Tanjavur and parts of Tiruchirapalli districts. Outside this core area, chiefs such as the Paluvettaraiyar, Vel of Kodumbalur, Miladu, Banas, and Gangas held sway. There is an inverse correlation between the power of kings and the inscriptional references to chieftains. In the early 11th century, at the midpoint of Rajaraja Chola’s reign, an increase in centralization led to a corresponding decline in inscriptional references to chiefs. In the late 11th century, especially after the reign of Kulottunga I (1070–1122), there was a rise in the number of such references, indicating an increase in their power as the Chola monarchy declined.

NORTH INDIA : THE PUSHYABHUTIS, HARSHAVARDHANA

Two major sources of information regarding the Pushyabhuti dynasty are the Harshacharita, a prose biography written by Banabhatta, court poet of king Harshavardhana, and the account of the Chinese pilgrim Xuanzang. The Pushyabhutis initially had their base in the area around Sthanishvara (modern Thanesar in Ambala district, Punjab). Little is known about the first three kings of the dynasty. The fourth king of the line was Prabhakaravardhana, described in the Harshacharita as a great general with many military victories to his credit. With the marriage of princess Rajyashri to the Maukhari ruler Grahavarman, an important marriage alliance was forged between the Pushyabhutis and the Maukharis of Kanyakubja, who were their neighbours to the east.

The dramatic events that subsequently overtook the Pushyabhutis are narrated by Banabhatta. Prabhakaravardhana died and was succeeded by his son Rajyavardhana in c. 605 CE. Close on the heels of this event, Grahavarman was killed by the king of Malava, and Rajyashri was imprisoned. Leaving the reigns of governance in the hands of his younger brother Harshavardhana, Rajyavardhana marched towards Kanyakubja (Kanauj), defeating the Malava army along the way. His next encounter was with the army of Shashanka, ruler of Gauda (in Bengal). According to the story given in the Harshacharita, Rajyavardhana was killed by Shashanka through a strategem. Harshavardhana became king. One of his first actions was to rush towards Kanyakubja and rescue his sister, who was on the verge of committing sati. Kanauj subsequently passed into the hands of the Pushyabhutis.

The reign of Harshavadhana, also known as Harsha, was marked by a number of military victories. Harsha probably defeated Shashanka and extended his control over parts of Kongoda in Orissa. He was victorious against the ruler of Sindh in the north-west and Valabhi in the west. He impressed his might on Kashmir. However, he suffered a crushing defeat at the hands of the Western Chalukya ruler Pulakeshin II. There are different assessments of Harsha’s empire. He seems to have had direct control over Thanesar, Kanauj, Ahichchhatra, Shravasti, and Prayaga, and he extended his empire into Magadha and Orissa. The Narmada was the southern boundary of his empire. In the east, Bhaskaravarman (king of Kamarupa) and Dhruvabhata accepted his overlordship, while in the west, the king of Valabhi did likewise. The forest chiefs of the Vindhyas also recognized his overlordship. This seems to have involved the payment of tribute as well as military alliance. Some of the subordinate rulers, who had titles such as raja, samanta, and mahasamanta, used the Harsha era of 606 CE (the year of accession of this king) in their inscriptions. Embassies were exchanged with China during Harshavardhana’s reign.

Xuanzang gives a vivid description of the beauty, grandeur, and prosperity of Kanauj, the capital of Harsha’s empire. Regarding the king, he tells us that he divided the day into three parts— attending to administrative duties during one, and devoting himself to religious works during the other two. He mentions Harsha making frequent tours of inspection around his kingdom. Periodic assemblies, attended by subordinate kings, reinforced the political hierarchy. Harsha is known to have made religious land grants, and Xuanzang suggests that ministers and officials may also have been paid through such grants.

FURTHER DISCUSSION

The life and travels of Xuanzang

Xuanzang was the youngest of the four sons of Hui, a man who had refused high office to devote himself to scholarly pursuits. When he was under 12 years old, he was taken to a Buddhist monastery by one of his brothers, and soon became a probationer. It was a time of political turmoil and of distress caused by famine and urban unrest. Xuanzang travelled around from one monastery to another and was eventually ordained as a monk at Ch’eng-tu.

After spending a few more years travelling and studying in China, he decided to visit India. He set out on his journey in 629 CE and eventually spent about 13 years travelling around the subcontinent (c. 630–44 CE). He collected hundreds of manuscripts, some of which were unfortunately swept away and lost in the flood waters of the Indus on his homeward journey. When he arrived in China, he wrote an account of his travels titled Da Tang xi yu ji (this used to be spelt as Si-yu-ki).

Although a monk, Xuanzang was a keen observer of politics. This may have been in part due to his family background. Some of his ancestors had not only distinguished themselves through their scholarship but had also occupied high posts in administration. But there are places where Xuanzang idealizes the Indian situation. For instance, in one place, he states that in India people who violated filial piety either had their nose and ears or hands and feet cut off, or that they suffered exile or banishment. This sort of observation seems to have been due to his desire to emphasize the virtue of filial piety which was cherished by the Chinese. According to D. Devahuti, Xuanzang was not as biased an observer as he is sometimes held to be. He sometimes praised non-Buddhist kings, and sometimes found fault with Buddhist ones. Devahuti also observes that Xuanzang wrote the account of his Indian travels after arriving home in China, far from the court of Harsha, with little practical inducement for indulging in flattery. Tansen Sen points out that Xuanzang’s work is a unique source for the study of cross-cultural perspectives in ancient times and was meant for Chinese monks as well as for the Tang emperor. Apart from the account of the doctrines and practices of Buddhist monks, stupas, monasteries, and pilgrimage sites, it offers many other details about 7th century India. These include descriptions of its landscape, climate, produce, cities, the caste system, and various customs of the people. Xuanzang describes Kanauj and king Harsha, whom he presents as a virtuous and brave ruler, favourably inclined towards Buddhism. He describes his audience with the king, which led to the establishment of diplomatic relations between Kanauj and the Tang court. Even after his return to China, Xuanzang continued to play an important role in promoting both religious and diplomatic exchanges between China and India.

SOURCE Devahuti [1970], 1983; Sen, 2006

We do not have much detail regarding Harsha’s adminstration, but there seems broad continuity in official designations from the Gupta period. Bana mentions forest guards known as vanapalas. There is mention of an official called the sarva-palli-pati (chief of all the villages). Xuanzang states that

people were taxed lightly and that the king took one-sixth of the farmer’s produce as his grain share. Inscriptions mention dues such as bhaga, bhoga, kara, and hiranya—terms known from earlier inscriptions. Xuanzang gives a stereotyped description of the army as consisting of infantry, cavalry, chariots, and elephants. The Banskhera and Madhuban inscriptions refer to the king’s camp of victory containing boats, elephants, and horses.

Inscriptional evidence suggests that the early Pushyabhuti rulers were worshippers of Surya. Rajyavardhana was a devotee of the Buddha. Harsha seems to have been a devotee of Shiva, but was also partial towards Buddhism. He convened a great assembly at Kanauj, where Xuanzang, along with many others, gave discourses on Mahayana doctrines. We are told that Shramanas, Brahmanas, and adherents of various sects were invited to this grand conclave. Various subordinate kings, including those of Assam and Valabhi, were also present.

Harsha was a patron of learning and the arts, and had various talents himself. He is supposed to have written three dramas, a work on grammar, and at least two Sutra works. The three plays attributed to him are the Ratnavali, Priyadarshika, and Nagananda. The Nagananda is about the bodhisattva Jimutavahana, and the Ratnavali and Priyadarshika are romantic comedies. It is possible that the king himself composed the text of the Banskhera and Madhuban inscriptions. The Banskhera inscription has the king’s signature and shows his calligraphic skills. Bana tells us that the king was an accomplished lute player. Bana, Mayura, and Matanga Divakara were among the accomplished writers associated with his court.

MAP 10.3 XUANZANG’S ROUTE

Harsha’s death in 648 CE was followed by a period of political confusion until the rise of Yashovarman in c. 715–45 CE. Thereafter, a number of lineages vied for control over Kanauj. One of the striking features of the political history of the times was what is known as the tripartite struggle between the Rashtrakutas, Palas, and Gurjara-Pratiharas.

EASTERN INDIA

The death of king Shashanka in c. 637 was followed by over a century of political confusion in Bengal (Majumdar [1955], 1964: 44–57). Yashovarman of Kanauj, Lalitaditya of Kashmir, and a Chinese army invaded the area. Much of Bengal passed into the hands of Bhaskaravarman, the ruler of Assam, while territories in Bihar and Orissa were conquered by Harsha. The Khalimpur copper plate of Dharmapala asserts that finally Gopala, founder of the Pala dynasty, was elected by the people, rescuing them from matsya-nyaya (chaos).

Gopala’s successor Dharmapala (770–810) initially suffered defeats at the hands of the Pratiharas and Rashtrakutas, but went on to conquer large parts of northern India. He held a durbar at Kanauj, installing his puppet ruler Chakrayudha on the throne and proclaiming his own paramountcy. This durbar was attended by many vassal chiefs. The nucleus of Dharmapala’s empire was Bengal and Bihar, which came under his direct rule. Beyond this, the kingdom of Kanauj was a dependency. Further to the west and south, the rulers of the Punjab, western hill states, Rajputana, Malwa, and Berar acknowledged his sovereignty. According to a tradition preserved in the Svayambhu Purana, Nepal was also a vassal state. Tibetan tradition credits Dharmapala with founding the Buddhist monastery at Vikramashila (identified with Antichak in Bhagalpur district, Bihar). He also founded a monastery at Somapuri in Varendra, whose ruins have been identified at Paharpur in Rajshahi district. Tibetan tradition ascribes the founding of the Odantapuri monastery (in Bihar) to this king as well, although other sources say it was founded by Devapala or Gopala.

Devapala (810–850), the successor of Dharmapala, extended the empire and claimed to have extracted tribute from the whole of northern India from the Himalayas to the Vindhyas, and from the eastern to the western oceans. His inscriptions claim that his military campaigns led him as far as Kamboja in the west and the Vindhyas in the south and that he exterminated the Utkalas, conquered Pragjyotisha, curbed the pride of the Hunas, and destroyed the haughtiness of the lords of the Dravidas and Gurjaras. Devapala too was a patron of Buddhism.

The power of the Palas declined in the late 9th century, as weak kings suffered defeat at the hands of the Rashtrakutas and Pratiharas. The subordinate rulers of Assam and Orissa assumed independence. The Chandelas and Kalachuris refer to defeats inflicted by their armies on Gauda, Radha, Anga, and Vanga. There was a revival of Pala power in the late 10th century under Mahipala I, another brief period of recovery in the 11th century, followed by a decline in the 12th century.

The Palas exercised power over Assam (known as Kamarupa or Pragjyotisha) for some time during the time of Devapala. Then, in about 800 CE, a local ruler of Kamarupa named Harjaravarman threw off the Pala yoke and asserted his independent status. This is suggested by his imperial titles and the fact that there are no references to the Palas in the inscriptions of his successors. This dynasty, known as the Salamba dynasty, ruled between c. 800 and 1000 CE. Their capital was Haruppeshvara, on the banks of the Lauhitya, i.e., Brahmaputra. According to tradition, the Karatoya river was the western boundary of Kamarupa.

In Orissa, the late 6th century saw the Shailodbhavas establish themselves in Kongoda (roughly modern Puri and Ganjam districts). Initially subordinates of Shashanka, they soon asserted their independence. The decline of the Shailodbhavas in the 8th century was paralleled by the rise of the Gangas of Shvetaka, migrants from Karnataka, who had established themselves in the north Ganjam area. The Gangas of Kalinganagara were also migrants from Karnataka. They moved into Orissa towards the end of the 5th century and established themselves in the Vamsadhara and Nagavali valleys in south Orissa. They claimed in their inscriptions to have achieved overlordship over all of Kalinga by the quivering edge of their sword. In north Orissa, the Bhauma-Karas exercised power from the 8th/9th century into the 10th century.

A number of new dynasties came to the fore in Orissa between the 10th and the mid-12th centuries. In north and central Orissa, the several lineages whose names ended with the suffix ‘bhanja’ included the Bhanjas of Khinjali mandala, the Adi Bhanjas of Khijjinga-kotta (in Mayurbhanj and Keonjhar areas), and the Bhanjas of Baudh (in the Phulbani district area). During

the 9th–11th centuries, the Shulkis and Tungas ruled over the Dhenkanal area, while the Nandodbhavas were established in the Dhenkanal and adjoining Cuttack and Puri areas. In the course of the 10th century, the Somavamshis of Dakshina-Kosala expanded their dominion to carve out an empire that included large parts of northern and central Orissa.

The rapid expansion of the Ganga kingdom began in the 10th century and culminated in the unification of north and south Orissa. The Ganga king Anantavarman Chodaganga was responsible for displacing Somavamshi rule in lower Orissa in the early 12th century. The military expansion of the imperial Gangas may have been assisted by their alliance with the Cholas. The mother and one of the queens of Anantavarman were Chola princesses. This did not, however, rule out military conflict —Kulottunga I twice sent armies against Kalinga. Anantavarman made inroads into Bengal as well.

MAP 10.4 MAJOR DYNASTIES OF NORTHERN, CENTRAL, AND EASTERN INDIA, C. 700–1100 CE

Lineage names and genealogical accounts sometimes throw light on the origins of certain lineages. In some cases, though—e.g., the Shailodbhavas, Kulikas, Shulkis, and Bhauma-Karas—they point to tribal origins. Other kings such as the Tungas, Somavamshis, and imperial Gangas used gotra designations, indicating claims to Brahmana status.

There is also evidence of the migration of lineages. Mention has already been made of the various Gangas lineages who were immigrants from Karnataka. The Bhauma-Karas may have come from Assam, the Somavamshis from south Kosala (in eastern MP and western Orissa), and the Tungas from Rohitagiri (identified with Rohtasgarh in Shahabad district of Bihar).

FURTHER DISCUSSION

Some origin myths of the dynasties of Orissa

In the Orissa region, royal origin myths became more elaborate after the 7th century. Although the details of these myths obviously cannot be considered as historical ‘facts’, they do encode significant information about the origin of lineages. Furthermore, as these myths were one of various strategies adopted by ruling lineages to legitimize their power, it is important to carefully analyse them and identify the traditions to which these dynasties anchored themselves.

The origin myth recounted in Shailodbhava inscriptions speaks of a man named Pulindasena, famed among the people of Kalinga. Athough endowed with virtue, strength, and greatness, he did not covet sovereignty, but worshipped the god Svayambhu to create a man capable of ruling the earth. The god granted him this boon, and Pulindasena saw a man emerging from the splintering of a rock. This was the lord Shailodbhava, who founded a distinguished lineage that was named after him. One of the Shailodbhava inscriptions adds two verses attributing the miraculous birth of Shailodbhava to Hara or Shambhu (i.e., Shiva).

The Pulindas were an ancient tribe mentioned in various ancient texts, and the importance attached to Pulindasena reflects the tribal origins of the Shailodbhava dynasty. The motif of emerging or being born from a rock perhaps points to the rocky terrain in which the dynasty was initially based. The importance attached to Shiva can be connected to the fact that the Shailodbhavas were worshippers of this god. Most of their inscriptions have the Shaiva bull motif on the seal; many of them begin with an invocation to Shiva and describe the king as parama-maheshvara. Shailodbhava inscriptions also eulogize the Mahendra mountain, referring to it as a kula-giri, i.e., a ‘tutelary mountain’.

The Bhanja origin myth is also interesting. The fact that the various groups of Bhanja kings may represent collateral ruling houses or different lineages with a common clan affiliation is suggested by the fact that in their inscriptions, they all claim origin from an egg, although details vary. The early Bhanjas of Khinjali mandala claimed to belong to the egg-born lineage (andajavamshaprabhava). The outline of this story is elaborated on in the inscriptions of the Adi-Bhanjas. These state that Gandadanda Virabhadra, progenitor of the Adi-Bhanja family, burst out of the egg of a peahen in the great hermitage of Kotyashrama, where he was reared by

the sage Vasishtha. The peafowl clearly had an important significance for the Bhanja lineages. However, it is interesting to note that in Adi-Bhanja inscriptions, the miraculous birth of the progenitor of the lineage was set in a respectable Brahmanical locale—a hermitage of the sage Vasishtha. Another version of the story introduces Ramadeva, probably none other than Rama of epic vintage, into the account.

While the Shailodbhava and Bhanja origin myths reflect a mixture of Brahmanical and tribal elements, the Somavamshis and imperial Gangas anchored themselves to the epic–Puranic tradition. The Somavamshis claimed to belong to the lunar dynasty. The Korni and Vizagapatnam plates of the Ganga king Anantavarman Chodaganga give the most grandiose account of all, tracing the ancestry of the dynasty back to the god Vishnu.

SOURCE Singh, 1994: 120–22

THE RAJPUT CLANS

The use of the term Rajaputra for specific clans or as a collective term for various clans emerged by the 12th century. The Agnikula myth, which refers to certain clans emerging from the fire of a great sacrifice conducted by sage Vasishtha on Mount Abu, is also a fairly late phenomenon. The ‘Agnikula Rajputs’ included the Pratiharas, Chaulukyas, Paramaras, and Chahamanas. The medieval bardic traditions of Rajasthan contain lists of 36 Rajput clans. Although these include the Hunas, Pratiharas, Chahamanas, Guhilas, and Tomaras, there are some differences in the lists, indicating that the claims to Rajput status remained somewhat fluid.

B. D. Chattopadhyaya ([1976], 1997: 57–80) has pointed out that the emergence of the Rajputs was part of a widespread phenomenon of the proliferation of lineage-based states in early medieval India. The emergence of the clans that eventually came to be considered as Rajputs can be understood against the background of various factors such as the expansion of the agrarian economy, new features in land distribution (including the distribution of land among royal kinsmen), inter-clan collaboration in the form of political and matrimonial alliances, and the construction of fortresses on an unprecedented scale.

The Gurjara-Pratiharas were among the various dynasties that arose in north India after the breakup of the Gupta empire (Majumdar [1955], 1964: 19–43). The dynasty was founded by a Brahmana named Harichandra, in the area around Jodhpur in Rajputana. Various other Gurjara families, probably collaterals, set up small principalities to the south and east of this area. The antecedents of the Gurjara-Pratihara dynasty are a subject of debate. The word pratihara means doorkeeper. Both the early Jodhpur and imperial Pratiharas had a common tradition that their name came from the fact that their ancestor, the epic hero Lakshmana, once served as a doorkeeper to his brother Rama. Some historians think that the Gurjaras were a foreign people who came into India in the wake of the Huna invasions, but there is no conclusive proof of this. Another view is that Gurjara is the name of a country (i.e., land), not of the people, though in ancient times people generally gave their name to their land and not vice versa. A few scholars consider the Gurjaras and Pratiharas to be two different families or tribal groups. Others think that the Pratiharas were a clan of the Gurjara tribe.

The modern Gujars who inhabit the northwest, western Rajasthan, Gujarat, and Uttar Pradesh may represent their descendents.

SILVER COIN OF GURJARA-PRATIHARA KING BHOJA I

SILVER GURJARA-PRATIHARA COIN

The Gurjara-Pratiharas came to prominence in the second quarter of the 8th century, when they offered successful resistance to the Arabs during the time of Nagabhata I. This king’s line soon

became the most important powerful Pratihara family, eclipsing the Jodhpur branch. Nagabhata’s control extended over parts of Malwa, Rajputana, and Gujarat. Later Gurjara-Pratihara kings, included Nagabhata II, moved into the Kanauj region. The expansion of the Gurjara-Pratihara kingdom involved constant conflicts with other contemporary powers such as the Palas and Rashtrakutas.

The best known Gurjara-Pratihara king was Bhoja, grandson of Nagabhata II. He ascended the throne in or before 836 CE, and had a long reign of over 46 years. His earliest inscription—the Barah copper plate of this date was issued from the skandhavara (royal camp of victory) at Mahodaya. Mahodaya may have been another name for Kanauj. Bhoja was defeated by the Palas, Rashtrakutas, and Kalachuris in the first part of his reign, but subsequently managed to make a comeback. He won victories against the Palas and possibly also against the Rashtrakutas, aided by feudatories such as the Chedis and Guhilas. A 9th century Arab account of India, attributed to the merchant Sulaiman, refers to the great military power and riches of a king named Juzr, usually identified with Bhoja.

The Gurjara-Pratiharas subsequently suffered several defeats. In the early 10th century, during the time of Mahipala, the Rashtrakuta Indra III completely devastated the city of Kanauj. There was another Rashtrakuta invasion in c. 963, this time led by their king Krishna. The feudatory chiefs and provincial governors of the Gurjara-Pratiharas gradually started asserting their independence; the empire disintegrated and was reduced to the area around Kanauj. The Gurjara-Pratiharas had a rather shadowy existence thereafter and were wiped off the political map by the Ghaznavids in the early 11th century. Their powerful successor states in central and western India included the Chahamanas or Chauhans in Rajputana, Chaulukyas or Solankis in Gujarat, and Paramaras or Pawars in Malwa. The fact that these three dynasties shared the myth of Agnikula origin with the Pratiharas suggests that they were connected to each other by ethnic or kinship ties.

The Chandellas, who established themselves in Bundelkhand, were one of the 36 Rajput clans. Their inscriptions trace their descent to a mythical ancestor named Chandratreya, born of the moon. The historical founder of the dynasty was Nannuka, who can be placed in the first quarter of the 9th century. Inscriptions connect the early kings of this dynasty with Kharjjuravahaka (Khajuraho), which was the capital of Nannuka. The Chandellas initially seem to have been vassals of the Pratiharas of Kanauj and were involved in conflicts with them, as well as with the Palas and Kalachuris. The Chandella kingdom expanded steadily under early kings such as Jayashakti and Vijayashakti and under later ones such as Harsha (900–925 CE). Harsha helped the Pratihara ruler Mahipala recover his throne after it was captured by the Rashtrakuta Indra III in about 914 CE. The Chandellas took advantage of the decline of the Pratiharas and Palas to assert their independence. Dhanga, the first independent Chandella king, took the title of maharajadhiraja. Several of the Khajuraho temples were built during his reign.

The Chandella kingdom was bordered on the south by that of the Kalachuris of Chedi country, also sometimes referred to as Dahala-mandala. The Chedi capital Tripuri is identified with Tewar, 6 miles west of Jabalpur. Kokkala I, the earliest king of the dynasty, probably ascended the throne in 845, and soon got embroiled in conflicts with the Pratiharas and their feudatories. Later kings included Shankaragana, Yuvaraja, and Lakshmanaraja. The poet Rajashekhara, associated with the court of the Gurjara-Pratihara king Mahendrapala and his son Mahipala, was also closely associated with the Kalachuri court of the time. Rajashekhara’s drama, the Viddhashalabhanjika, was staged in

the court of Yuvaraja in order to celebrate the victory against the Rashtrakutas. Kalachuri power suffered reversal during the reign of Yuvaraja II, with defeats at the hands of the Chalukya Taila II and Munja, the Paramara king of Malwa. This was followed by recovery under Kokkala II, when expeditions were successfully launched against the Chaulukyas, Chalukyas, and the kingdom of Gauda. A collateral branch of the Kalachuris ruled at the time on the banks of the Sarayu.

DEBASED GOLD COIN OF CHANDELLA KING, MADANAVARMA

The kingdom of the Paramaras of Malwa was adjacent to that of the Kalachuris. This lineage seems to have orginally been based in the Mount Abu area of Rajasthan. The basis of this assumption is a tradition preserved in certain texts and later Paramara inscriptions. According to this story, the sage Vishvamitra stole Vasishtha’s wish-granting cow (kama-dhenu). Vasishtha performed a sacrifice on Mount Abu in order to recover his precious cow. A hero sprang out of the sacrificial fire and forcibly seized the cow from Vishvamitra. Vasishtha named this hero Paramara (slayer of the enemy) and made him king. The story goes on to tell us that Upendra, the earliest known king of the Paramara dynasty, was born in the lineage of this hero. Early Paramara inscriptions do not narrate this story; they describe kings of this dynasty as having been born in the family of the Rashtrakutas.

The capital of the main branch of the Paramaras was Dhara (identified with modern Dhar, MP). The early Paramaras were vassals of the Rashtrakutas. Upendra, who probably ruled in the first quarter of the 9th century, may have been made ruler of the Deccan by Govinda III after the latter’s successful military expedition in Malwa. The Paramaras were temporarily eclipsed when they lost Malwa to the Pratiharas. Their power revived in the mid-10th century during the reigns of Vairasimha II and Siyaka II (also known as Harsha). Siyaka threw off allegiance to the Rashtrakutas in the later part of his reign, and the Rashtrakuta army was defeated at Kalighatta, on the banks of the Narmada. Siyaka chased the Rashtrakuta army right upto their capital Manyakheta, but subsequently withdrew. His successor Munja (also known as Utpala or Vakpatiraja II) extended the empire, achieved military successes against the Kalachuris, and sacked Tripuri. He led many expeditions

into Rajputana and defeated the Hunas. He sacked Aghata, the capital of the Guhilas of Medapata, captured some territories of the Chahamanas of Naddula, and annexed Mount Abu and the southern areas of Jodhpur from the Chahamanas, placing his sons and a nephew in charge of the conquered territories. Munja also invaded the Chaulukya kingdom of Anahilapataka and Lata. He was finally defeated by the Chalukya ruler Taila II. Munja was an accomplished military leader, poet, and patron of art and literature. He is also credited with having dug many tanks and built many temples. Sindhuraja, Munja’s successor, recovered some of the territories that had been lost to the Chalukyas.

The Chaulukya family (not be confused with the Chalukyas) had at least three branches. The oldest branch ruled from Mattamayura in central India and its earliest rulers included Simhavarman, Sadhanva, and Avanivarman. Another branch line was founded by Mularaja I, who established his capital at Anahilapataka (also known as Anahilavada). A third branch was founded by Barappa in Lata, with its political centre at Bhrigukachchha (Broach) in southern Gujarat. Mularaja I of Anahilapataka led military expeditions into Saurashtra and Kutch and against the Abhiras. His power diminished due to invasions of the Chahamanas and the Chaulukyas of Lata. Another defeat at the hands of the Paramaras led Mularaja to take refuge with the Rashtrakuta king Dhavala. He was eventually able to recover his kingdom, but his successors remained embroiled in conflicts with the Kalachuris and Paramaras.

In Mewar in south-east Rajasthan, in the 7th century, two lines of Guhilas ruled from Nagda– Ahada and Kishkindha, and there was a small Guhila principality at Dhav-agarta. By the 10th century, the major Guhila families included those of Nagda–Ahada, Chatsu, Unstra, Bagodia, Nadol, and Mangrol. The early inscriptions of the Guhilas of Nagda–Ahada describe them as belonging to the lineage of Guhila. A 10th century inscription names 20 kings, beginning with Guhadatta and ending with Shaktikumara. Guhadatta is described as a Brahmana from Anandapura (identified with Vadnagar in north-east Gujarat). Later inscriptions give another account, describing Bappa Rawal as the founder of the dynasty, combining Brahmana and Kshatriya elements in their origin accounts. These accounts reflect the complex process of the transformation of the Guhilas of the Nagda–Ahada line from a local to a sub-regional state in the 10th century, and to a regional state of Mewar in the 13th century (Sinha Kapur, 2002).

FURTHER DISCUSSION

The Tomaras and Delhi in legends and inscriptions

The Tomara Rajputs have a special connection with the Delhi area. Mention was made in the previous chapter of the iron pillar in Mehrauli in Delhi. The pillar, which carries the inscription of king Chandra, bears several other short inscriptions, including an 11th century inscription which seems to refer to Anangapala Tomara establishing Delhi.

The connection between the Tomaras and Delhi is reflected in medieval legends. One of these legends is connected with the iron pillar and is one of several stories that explain how the city of Delhi got its name. According to one version, recounted in the Prithvirajaraso, a learned Brahmana told the Rajput king Bilan Deo or Anangapala Tomara that the pillar was immoveable, that its base rested on the hood of Vasuki, the king of serpents, and that Anangapala’s rule would

last as long as the pillar stood. The king was curious and had the pillar dug out, but the lower part was smeared with the blood of the serpent. Realizing that he had made a grave mistake, he ordered the pillar re-installed. However, in spite of all attempts, it remained loose (dhili). And, the story concludes, in the looseness of the pillar lies the origin of the name Dhilli or Dhillika (from where we get Dilli and Delhi).

This is, of course, a myth, but the Tomara connection with the Delhi area is reflected in archaeological evidence. Anangpur (mentioned in (< />)Chapter 2 as a major palaeolithic site) in the Badarpur area has remains of early medieval fortifications and structures, and the name of this village connects it with one of the various Tomara kings named Anangapala. The stone masonry dam near the village was probably built by him. Anangapala II was the founder of the citadel of Lal Kot in the Mehrauli area, and probably also built the tank known as Anang Tal. The reservoir of Suraj Kund is attributed to the Tomara king Surajpala. The Tomaras are thus associated with the construction of the earliest surviving waterworks in the Delhi area.

The sequence of rulers in this area is recounted in several inscriptions. A 12th century inscription found in a small town called Bijholia in Rajasthan describes the Chauhan king Vigraharaja as the conqueror of Dhillika (Delhi). The 13th century Palam Baoli inscription (found in a step well in Palam village) records the construction of a step well by Uddhara, a householder of Dhilli. Line 3 of this inscription speaks of the land of Hariyanaka, which was first enjoyed by the Tomaras, then by the Chauhans, and thereafter by the Shakas. The term ‘Shaka’ is here used for the Delhi Sultans, and the inscription gives a list of the ‘Shaka’ rulers from Muhammad of Ghor up to Balban. A 13th century inscription found at Sonepat (known as the Delhi Museum stone inscription) records the construction of a well in Suvarnaprastha village, and states that Dhillika in the Hariyana country was ruled successively by the Tomaras, Chahamanas, and Shakas. A 14th century inscription found in Sarban village (near Raisina road in New Delhi) records the building of a well in Saravala village by two merchants named Khetala and Paitala. Four stanzas narrate the past of Dhilli, giving the same sequence of rulers as the inscriptions mentioned above, except that the term used for the Delhi Sultans is not ‘Shaka’ but the more accurate Turushka (Turks).

SOURCE Singh [1999], 2006: 81–83, 89–97

THE ANANGPUR DAM

SURAJ KUND RESERVOIR

Of the many branch lines of the Chahamanas, the oldest ruled in Lata till the mid-8th century. Another branch was founded by Lakshmana at Naddula in south Marwar. A third, founded by Vasudeva, established itself in the early 7th century in Shakambhari-pradesha with its capital at Shakambhari, which has been identified with Sambhar near Jaipur. The Chahamanas of Shakambhari were originally subordinates of the Pratiharas, with whom they also had matrimonial ties. They assumed independence during the reign of king Simharaja.

BILLON COIN OF CHAHAMANA KING, PRITHVIRAJA II

The Tomara kingdom was adjacent to that of the Chahamanas. The Tomaras ruled the Hariyana country from their capital Dhillika (Delhi), initially acknowledging Pratihara paramountcy. In the 10th century, they were involved in conflict with the Chahamanas of Shakambhari. They continued to rule Hariyana country until the mid-12th century, when they were overthrown by the Chahamana king Vigraharaja IV. Prithviraja III, also known as Rai Pithora, was one of Vigraharaja’s nephews. Bardic accounts, including the biographical epic, Prithviraja Raso, composed by Chand Bardai, describe his many battles. These included his victory over the Turkish invader, Muhammad of Ghor, in the first battle of Tarain (1191), and his subsequent defeat at the hands of the same adversary on the same battlefield in 1192.

KASHMIR AND THE NORTH-WEST

The early rulers of the Karkota dynasty, which established its rule in Kashmir in the 8th century, included Lalitaditya. The reign of king Vajraditya witnessed Arab raids into Kashmir. Jayapida, one of the most powerful Karkota kings, launched an ambitious three-year-long expedition against the eastern countries and claims to have defeated five chieftains of Gauda. On his way back from this campaign, he seems to have defeated the ruler of Kanyakubja. The Karkota dynasty came to an end in 855–56 CE. It was followed by the Utpala dynasty, founded by Avantivarman. He is credited with having taken major steps to prevent the flood waters of the Mahapadma (i.e., Wular) lake from damaging crops. Another ruler was Shankaravarman, who led military campaigns into the Punjab and Gujarat. The later years of this dynasty were marked by political intrigues, and power changed hands frequently. The successors of the Utpalas included kings such as Yashaskara and Parvagupta.

The political history of early medieval Kashmir indicates the important political role played by the Tantrins (a body of foot soldiers), Ekangas (a body of soldiers who functioned as royal

bodyguards), and landed chiefs known as the Damaras. The history of this region also reveals a tradition of powerful queens. The best known is Didda, who dominated Kashmir politics in the second half of the 10th century.

The Turkish Shahiya dynasty had its base in the Kabul valley and Gandhara area. In the second half of the 9th century, Kallar, a Brahmana minister of king Lagaturman, overthrew the Shahiya king and staked his claim to power, laying the foundation of the Shahi dynasty. Kallar is identified with king Lalliya of the Rajatarangini. He does not seem to have been able to maintain his control over the Kabul valley for long. After yielding before the Arab Sarrarid Yaqub ibn Layth in 870 CE, he was forced to move his capital to Udabhanda, modern Und village in Rawalpindi district. The Shahi dynasty ultimately collapsed in the wake of the Ghaznavid invasions.

NEW DIRECTIONS IN RESEARCH

Didda

The Rajatarangini’s description of the 12th century history of Kashmir mentions three women rulers—Yashovati of the Gonanda dynasty, Sugandha of the Utpala dynasty, and Didda of the Yashaskara dynasty. Of them, Didda (Didda is a respectful term for an elder sister, still used by Kashmiri pandits) had the longest and most eventful stint, exercising political power for almost 50 years. This included the period of her husband Kshemagupta’s reign, the time that she was regent for her minor son Abhimanyu, and the years she ruled Kashmir in her own right after ascending the throne in 980–81 CE.

Didda’s career is described in the sixth taranga of the Rajatarangini. Kalhana describes how this queen was aided in her rise to power by a minister, the loyal Naravahana, who ‘established the rule of the dowager over the entire kingdom and made her comparable to Indra’. Describing how she managed to create a rift in the ranks of her enemies, Kalhana observes: ‘She, whom none believed had the strength to step over a cattle track—the lame lady—traversed, in the manner of the son of the wind, the ocean of the confederate forces’ (6.226). He describes how she ruthlessly killed her son and three grandsons before ascending the throne. Didda had an affair with a courier and herdsman named Tunga, who soon became her trusted confidante. The queen chose her nephew Sangramaraja as her successor, thereby diverting the succession to her maternal family from Lohara. Kalhana refers to Didda founding towns, temples, and monasteries. These included the towns of Diddapura and Kankanapura and a temple called the Diddasvamin temple. This queen is also credited with repairing many temples dedicated to the gods.

Although Kalhana narrated Didda’s rise to power and the details of her reign, he clearly disapproved of her. He describes her as deficient in moral character, merciless by nature, and as one who was easily influenced by others. Further, for Kalhana, her personality reflected the defects of womankind:

‘Even in the case of those who are born in high families, alas! the natural bent of women, like that of rivers, is to follow the downward course’ (6.316)

As we have seen earlier, women rulers are known from other regions as well. Devika Rangachari points out that a comparison of the women rulers of Kashmir with those of Andhra (notably Rudramadevi) shows some important differences. For instance, in passing power on to the Loharas, Didda managed to divert royal succession from the Yashaskaras to her natal family. Of course it is likely that initially, a woman ruler such as Didda may have been considered a safe bet by those who sought to keep the succession within the ruling family, and that matters took an unexpected turn once the queen had established herself and got used to exercising power.

Rangachari draws attention to the fact that, in spite of his prejudices, Kalhana portrays both royal and non-royal women as historically relevant figures. In the realm of political power, women appear as sovereign rulers as well as powers behind the throne, and some of them played an important role in the founding and destruction of lineages. The Rajatarangini also reflects the direct and indirect political influence of courtesans and women of ‘low’ birth in the harem. In Kashmir, as elsewhere, within the constraints of the prevailing patriarchal power structure, male control over political power was occasionally breached.

SOURCE Pandit [1935], 1968: 244–60; Rangachari, 2002

Arab inroads into western India began with a naval expedition to Thana near Mumbai in 637 CE; this was followed by expeditions to Broach and Debal, a port in Sindh. None of these resulted in any decisive territorial gains. The Arabs were subsequently involved in protracted campaigns against the kingdoms of Zabul and Kabul in Afghanistan. They also launched several expeditions resulting in the conquest of Makran. They finally succeeded in getting a foothold in Sindh, when Hajjaj, governor of Iraq, despatched an army under his nephew and son-in-law, Muhammad bin Kasim. The capture of Debal was followed by the annexation of Nehrun (Hyderabad) and Siwistan (Sehwan), and there was a decisive victory over king Dahar at the fort of Raor, not far from the latter’s capital Alor. Alor, Brahmanabad, and Multan were subsequently taken. All these events are recounted in the Chachnama, an early 13th century Persian translation of an old Arabic history of bin Kasim’s conquest of Sindh. The conquest of Sindh was completed by Junaid, but the Arab hold over Sindh remained precarious over the next few centuries. Junaid also made inroads towards Malwa; these were thwarted by the Pratihara Nagabhata I, Chalukya Pulakeshin II, and perhaps also by Yashovarman.

In the 9th and 10th centuries, much of Afghanistan was under the control of the Samanids. A slave of the Samanids named Alptagin rose to become governor of Balkh and went on to found an independent Turkish dynasty in Ghazni in Afghanistan. Alptagin’s slave and son-in-law Subuktagin established his own rule in Ghazni in 977 CE. There were conflicts between the Turkish principality of Ghazni and the neighbouring Shahiyas of the Gandhara and Punjab areas. These conflicts intensified during the reign of Mahmud, son and successor of Subuktagin, who launched 17 campaigns into the Indian subcontinent over 27 years (1000–1027). These included expeditions against the Shahiyas, Multan, Bhatinda, Narayanpur, Thaneshwar, Kanauj, Mathura, Kalinjar, and Somnath. Mahmud’s final Indian campaign was against the Jats. His campaigns were aimed primarily at looting rather than conquest.

The Turks succeeded in establishing a firm foothold in north India two centuries later, during the reign of Muhammad of Ghor. The house of Ghor started off as a minor hill state and a subordinate of the Ghaznavid rulers, and eventually attacked and absorbed Ghazni. Thereafter, Muhammad Ghori made inroads into India. Initial victories in Multan, Uchh, and southern Sindh were followed by defeat at the hands of the Solankis of Gujarat. The conquest of the Punjab was followed by the defeat suffered by the Turkish forces at the hands of Prithviraja Chauhan in the first battle of Tarain (1191). The second battle of Tarain (1192) saw the Ghurids defeat a Rajput confederacy. Qutb-ud-din Aibak, Ghori’s commander-in-chief, swiftly moved into Delhi, Ranthambhor, Kanauj, Gwalior, and Kalinjar, while another commander, Bakhtiyar Khalji, annexed Bihar and Bengal. Ghori’s nominal suzerainty thus came to extend over almost the whole of north India. But control over these areas was tenuous and the Indian acquisitions were still an appendage to the Ghurid empire. During the reigns of Aibak (1206–10) and Iltutmish (1211–36), the Delhi Sultanate became more firmly established, and ultimately broke off its ties of allegiance to Ghazni.

COIN OF SHAHI KING SPALAPATIDEVA

Royal Land Grants

Royal land grants are a major source for the history of early medieval India and are central to debates concerning this period. The incidence of grants by kings to Brahmanas increased significantly during c. 600–1200. The phenomenon reveals certain general patterns as well as regional specificities.

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DONATIVE INSCRIPTIONS

Brahmadeyas (land gifted to Brahmanas) had a political dimension. These settlements were created by royal order, and the rights of the Brahmana donees were declared and confirmed by royal decree. The feudalism hypothesis interprets brahmadeyas as a cause as well as a symptom of political fragmentation. This interpretation is difficult to accept for various reasons. Why should kings have voluntarily eroded their own power? Furthermore, was this really a period of political fragmentation? The political narrative in the preceding sections in fact clearly indicates that the early medieval period was marked by an unprecedented level of the proliferation of state polities at the regional, sub-regional, and trans-regional levels, within a broader economic context of agrarian expansion. Far from being symptoms of the disintegration of polities or royal disempowerment, land grants to Brahmanas were one of several integrative and legitimizing policies adopted by kings.

From the point of view of fledgling kingdoms struggling to establish their power and legitimacy, the patronage of Brahmanas, a social group that had traditionally enjoyed a privileged socio-religious status, did not amount to an inordinate loss of revenue or control. In fact, kings who ‘granted’ a piece of land may not have been in a position to realize revenue from that land in the first place. From the point of view of the large, established kingdoms, the making of a few land grants did not significantly deplete state resources. The maximum number of grants and the most lavish grants— both to Brahmanas and to religious establishments—were generally made by the most powerful dynasties and kings. In fact, the increase in royal land grants indicates higher levels of control over productive resources by kings compared to earlier periods. Strategies of control, alliances, and collaboration with prestigious social groups were an important facet of the politics of the time. The increase in the wealth and power of a section of Brahmanas and institutions such as temples did not take place at the expense of royal power (see Singh, 2006: 203–4).

Leaving aside the Delhi Sultans, inscriptions of other early medieval dynasties bear testimony to the Brahmanization of royal courts all over the subcontinent. Brahmanas emerged as ideologues and legitimizers of political power by crafting royal genealogies and performing prestigious sacrifices and rituals. As pointed out earlier, many royal genealogies linked lineages with the epic–Puranic tradition and assigned kings a respectable varna status. Origin myths often indirectly reflected actual relationships between social groups and institutions. For instance, myths enshrined in later literary sources of Kerala assigned an important place to Brahmanas and temples in their explanation of the origins of kingship, reflecting the close relationship that existed between kings, Brahmanas, and temples. The direct political role of Brahmanas in the Chera period is evident in the fact that Brahmanas of the leading Brahmana settlements formed part of the Nalu Tali (the king’s council) at Mahodayapura.

While royal grants to Brahmanas remained a feature throughout the early medieval period, from about the 10th century, there was a shift towards donations to temples. There were also some ‘secular grants’. For instance, Karnataka gives evidence of kings making grants of land in return for military service. In Orissa too, the imperial Gangas made grants to nayakas or military chiefs. However, at the subcontinental level, the number of instances of ‘service’ or military grants were very few compared to those made to Brahmanas and religious establishments.

BRAHMANA BENEFICIARIES

Although Brahmana landowners existed in earlier centuries, there was a significant acceleration, intensification, and expansion of Brahmana control over land in the early medieval period. In the previous chapter, reference was made to a few instances of land grants made to Brahmanas by private individuals, some grants made to Brahmanas at their own request, and others made by kings at the request of certain people. The complexities revealed by these earlier inscriptions are less apparent in inscriptions of later times. However, there are still some clues which suggest that certain other people had a hand in grants ostensibly made by kings. An example is the 13th century Calcutta Sahitya Parishat copper plate inscription of Vishvarupasena, which records the king’s gift to a Brahmana named Halayudha. Five of the eleven plots of land ‘gifted’ to this Brah-mana are described as having been previously purchased by Halayudha himself, and the inscription actually seems to reflect a royal ratification of these purchases. Among the inscriptions of Orissa, some Bhauma-Kara and Ganga grants refer to feudatories or members of their families as the vijnapti (the person at whose request the grant was made). Such evidence corroborates D. C. Sircar’s (1969: 7) suggestion that land grant charters often camouflaged the identity of people involved in making the grant and sometimes even the very nature of the transaction.

Common sense might suggest that Brahmanas who were given grants of land were associated with the royal court. Some early medieval inscriptions of Bengal do, in fact, describe the donees as shantivarikas or shantyagarikas—men in charge of the performance of religious rites for the king. Other inscriptions from the same region describe land as having been gifted as dakshina for the performance of certain rites. In Orissa, some Brahmana donees were connected with the royal court as priests (purohitas, punyavachakas), astrologers (jyotishis), and administrators. Similar instances can be cited from other parts of the country. However, the vast majority of inscriptions do not reveal a court connection for the Brahmana donees.

Brahmana recipients of royal grants are identified in inscriptions by their ancestry, gotra, pravara, charana, shakha, and native place. Gotra refers to the exogamous clan system of the Brahmanas. The gotras are divided into ganas, each of which has its own pravara. The pravara consists of a series of names (1, 2, 3, or 5) of supposed ancestral rishis. Charana refers to a school of Vedic learning, and shakha to a particular recension of a Veda. Inscriptions tend to use charana and shakha interchangeably. They highlight the Vedic learning of Brahmana donees, for instance by mentioning their titles such as acharya, upadhyaya, and pandita.

The references to native place indicate that some Brahmana donees were recent migrants into the area, and that there was a significant degree of spatial mobility among a section of the Brahmanas. Several phases of Brahmana migrations can be identified in early Indian history. The details of the earliest migrations, which may have begun as early as in c. 800 BCE, are shrouded in a mythological haze. The initial eastward movement is reflected in the gradual, though grudging, acknowledgement of the eastern regions in early Brahmanical literature, and the eastward extension of the term Aryavarta. The southward movement is reflected in legends associated with Agastya and Parusharama, which were mentioned in (< />)Chapter 8. Another phase of southward migration can be associated with the ‘Sangam age’, i.e., the early historical period of South India.

The Brahmana migrations of later times are better documented. The 16th century Keralolpatti records a tradition of 32 villages as the original Brahmana settlements in Kerala, which seems to

reflect developments that occurred in the early medieval period. The late medieval Kulaji texts of Bengal trace the ancestry of the Kulin Brahmanas of Bengal to five Brahmanas from Kanyakubja, who were requisitioned by king Adisura to coach the Bengal Brahmanas in the correct performance of Vedic rites. Although the characters and details of this story cannot be treated as historical, they do suggest a few important things that are corroborated by other sources—namely, that the prestige of the Brahmana in early medieval India was still grounded in his Vedic learning, and that learned Brahmanas were migrating from Madhya-desha (the middle Ganga valley) into eastern lands.

Apart from such literary references, from the 5th century onwards, land grant inscriptions document the influx of Brahmana immigrants from the heartland of Madhya-desha into the areas of Maharashtra, Bengal, Madhya Pradesh, and Orissa. Some migrants came from renowned centres of Brahmanical learning such as Takari, Shravasti, Kolancha, and Hastipada. The phenomenon of migration intensified in the 8th century. The fanning out of Brahmanas into different parts of the subcontinent explains the need to fix the relative ranking of groups belonging to different regions. A broad division that had emerged by the 10th century was that of the Pancha-Gaudas (the northern group) and the Pancha-Dravidas (groups living south of the Vindhyas). The former included the Sarasvata, Gauda, Kanyakubja, Maithila, and Utkala Brahmanas. The Pancha-Dravida group included the Gurjjaras, Maharashtriyas, Karnatakas, Trailingas, and Dravidas.

But why were Brahmanas migrating? Factors such as political instability and pressure on land have been cited as possible reasons (Datta, 1989: 224), but these are not entirely convincing. The migrations can be connected with the search for a better livelihood arising out of specific historical contexts. The earlier phases of eastward and southward migrations may have been related to the decline of sacrifice-oriented religious practice in north India, especially in the early historical period. Members of the Brahmana community who had earned their livelihood by officiating at sacrifices, may have been impelled to leave their homes in search of alternative occupations that offered a more secure and lucrative income. This might also explain why the post-6th century BCE literature displays such diversity in the occupations followed by Brahmanas.

The migrations of the early medieval period coincided with the proliferation of kingdoms in various parts of the subcontinent, and may have had to do with new incentives rather than pressures. The emerging political elites required legitimation and an administrative infrastructure, and this opened up new opportunities and avenues of employment for learned, literate Brahmanas. By this time, the religious practices of ordinary people had become increasingly oriented towards theistic devotion and had little to do with the Vedas or shrauta rituals. Yet, it is interesting to note that during the centuries that saw the virtual eclipse of Vedic religious practice at the popular level, Brahmanas were consistently advertised in inscriptions as Vedic scholars, or at least in terms of their Vedic affiliations, and kings were advertising their patronage of such Brahmanas. The big gulf that existed between the Sanskritic–Vedic tradition on the one hand and the lives of ordinary people on the other may have been the very factor that made this tradition a useful legitimizing basis for elite groups who were keen to highlight their loftiness and aloofness from the masses. Therefore, it is not a coincidence that two major phases of Brahmana migration coincided with major phases of state formation.

Certain inscriptions mention Brahmanas with unusual non-Sanskritic names, and some of them may represent Brahmanized tribal priests. For instance, some Eastern Cha-lukya inscriptions record grants made to Boya Brahmanas—these were originally priests of the Boya tribe, who got

Brahmanized at some point of time. Inscriptions sometimes also mention Brahmanas with unheard-of gotras, or whose gotras and pravaras do not match. These may represent groups which had invented a Brahmana identity for themselves in order to improve their social and economic prospects.

THE NATURE OF BRAHMADEYA SETTLEMENTS

While discussing the nature of brahmadeya settlements, it is difficult to detach the body of ‘facts’ from the theoretical frameworks in which they are embedded and, as mentioned earlier, the theoretical frameworks contradict one another in crucial respects. Further, although some general features and trends hold good for most of the subcontinent, brahmadeyas of different regions, subregions, and periods often had their own specificities. Not all Brahmana settlements were the result of royal land grants. And although we will never have precise statistics, it is important to remember that brahmadeya villages must have formed a small proportion of settlements in most areas.

As already mentioned, from the point of view of the state, the creation of brah-madeyas generally involved a renunciation of actual or potential sources of revenue. Land grant inscriptions sometimes state that the land was granted along with treasure trove and hidden deposits, forests, and heirless property. Going by textual evidence, the king theoretically had rights over these, and the transfer of such rights to the donees would have affected the state’s prerogatives. Inscriptions also indicate that brahmadeyas were not to be interfered with by the state, its officers, or its soldiers. In the Chola empire, certain important brahmadeyas had taniyur status within the nadu (locality), i.e., they were independent of the jurisdiction of the nadu. All this indicates that for all practical purposes, the brahmadeyas were autonomous islands in the rural landscape, where the Brahmana donees were free to do as they pleased, and where the writ of the state did not apply. The apparent independence of the brahmadeyas was, however, tempered by their close relationship with the king.

In some cases, land grants involved the establishment of Brahmana settlements outside the margins of settled agricultural tracts, thereby leading to an extension of the margin of cultivation. But the vast majority of grants were made in areas that were already settled and where land was already being tilled. This is quite clear from the description of where the gifted villages were located, as well as from other details. For instance, post-12th century grants of Bengal often mention the annual income of the gifted land and state that the land was granted along with habitat land (vastu-bhumi). Evidently, what the grants usually did was to insert Brahmana donees into an already existing social, economic, and cultural web.

Brahmadeya land could vary from a small plot, a single village, or several villages. The number of donees, likewise, varied from a single Brahmana to several hundreds. There are instances of donees receiving multiple gifts. One of several examples of a vast area being granted to a large number of Brahmanas is recorded in the 10th century Pashchimbhag plate of Srichandra (from Bengal). This records a grant to 6,000 Brahmanas, along with several people associated with a matha (monastery) of the god Brahma, and a temple of Vishnu. Three vishayas (districts) in Shrihatta mandala in Pundravardhana bhukti were granted and were transformed into a brahmapura that was named Shrichandrapura after the king. The boundary details indicate that brahmadeyas were sometimes contiguous to each other, reflecting a trend towards an increase in the number and density of Brahmana settlements in certain areas.

The technical vocabulary of the land grant inscriptions is not always easy to unravel. It is clear, however, that the majority of the grants gave the Brahmana settlements a permanent tax-free status.

This meant that the land in question was considered tax free from the point of view of the state. The dues which the state may have actually or potentially been entitled to levy on the villagers were now to be paid to the donee. Brahmadeyas, thus, had a special revenue status, and the right to collect and retain revenue was vested in the donees.

FURTHER DISCUSSION

Kara-shasana s and kraya-shasanas

While most land grant inscriptions specify that the gifted land was tax exempt from the point of view of the state, there are a few exceptions. Such tax-paying grants are known as kara-shasanas. The few instances of kara-shasanas come from Orissa, Bengal, and Andhra Pradesh. Given below are the examples from Orissa.

The Bobbili plates of Chandavarman state that the registration of the amount payable for the village was fixed at 200 panas to be paid annually in advance, as in the case of the 36 (i.e., all other) agraharas.

The Ningondi plates of Prabhanjana-varman suggest that the dues for the land were fixed at 200 panas to be paid in advance.

The Ganjam grant of the Shvetaka Ganga king Prithivivarmadeva states that the land was given subject to the payment of taxes (sa-karikritya), and the annual rent is specified as 4 palas of silver.

Among the grants of the Gangas of Kalinganagara, the Kalahandi grant of Vajrahasta seems to stipulate the amount of rent to be paid in the month of Phalguna. The Chicacole grant of Anantavarman states that the revenue was fixed at 10 mashakas (probably meaning either 10 coins or silver weighing 10 mashakas).

The Angul plate of the Bhauma-Kara queen Dharmamahadevi seems to suggest that Shakemva village was given as a revenue-free gift, while 10 malas of land in Deshala village were given subject to the annual payment of 3 palas of silver.

The Jurada grant of Nettabhanja states that the annual sum levied on the village was fixed at 4 palas of silver, and an additional 4 palas was to be paid in the form of a tax known as khandapala-mundamola (possibly a tax that had to be paid to the officer in charge of the territorial unit known as the khanda).

Among the Shulki inscriptions, the Talcher plate of Kulastambha specifies the trin-odaka (i.e., tax) as 2 palas of silver, even though the conventional phrases referring to the tax-free nature of the endowment are also present. The Puri plate of Kulastambha specifies the tax as 10 palas of silver.

The Talcher plate of the Tunga ruler Gayadatunga states that the tax had been fixed at 4 palas of silver. The Asiatic Society plate of the same king refers to the land as having been constituted into a kara-shasana and specifies the tax as being fixed at 9 palas of silver.

The two sets of Patna plates of the Somavamshi king Janamejaya Mahabhavagupta state that the annual tax had been fixed at 8 and 5 palas of silver respectively.

The absence of any specific reference to the tax-free status of the land in the grants of the imperial Gangas may suggest that these grants, too, were not tax free.

All this suggests the existence of at least two major categories of land grants—one that was exempt from all revenue claims of the state and another that remained subject to what was perhaps a nominal tax. The overwhelming majority of the grants fell into the former category.

Apart from the kara-shasanas (revenue-paying grants), a small number of inscriptions from early medieval India record secular sale deeds. These are known as kraya-shasanas. D. C. Sircar has pointed out that both the kara-shasanas and kraya-shasanas often carry the very imprecatory and benedictory verses that are a part of the regular land grants.

SOURCE Singh, 1994: 66, 240; Sircar, 1952

The permanent nature of the grant was expressed in statements to the effect that the gift was to last as long as the sun, moon, and stars, i.e., forever. This implied (this point was also sometimes stated explicitly) that after the death of the donee, his rights would be inherited by his successors. A few inscriptions indicate the re-gifting of villages to new donees. This shows that there was sometimes a gap between what was prescribed and what actually happened, but it is likely that the vast majority of gifts were at least initially inherited by the heirs of the original beneficiaries.

Royal land grants generally gave the donees fairly comprehensive rights over the resources of the land. However, beyond the general stipulations about the permanent, hereditary, and tax-free nature of the grants, there were significant differences in the terms of the grants across and within regions. The grants of the Palas, who ruled over parts of Bengal and Bihar between the 8th and 12th centuries usually state that the land was granted up to its boundaries, grass, and pastures (sva-sima-trinayuti-gochara-pary-anta), along with its ground (sa-tala), with the space above the surface of the ground (s-oddesha), with mango and madhuka trees (s-amra-madhuka), with water and dry land (sa-jala-sthala), and along with pits and barren spots (sa-gartt-oshara). It was exempt from all dues (a-kinchit-pragrahya) and was granted along with all the dues such as the bhaga, bhoga, kara, and hiranya (samasta-bhaga-bhoga-kara-hirany-adi-pratyaya-sameta). Pala inscriptions also have the term a-chata-bhata-praveshya, which means that the land was not to be entered by the king’s irregular or regular troops, i.e., soldiers of any kind.

The answer to the question of whether or not the Brahmana donees were granted judicial rights hinges on the interpretation of terms such as sa-dash-aparadha and sa-chauroddharana. These terms or their variants are found in inscriptions of some dynasties, including the Palas. Sa-dash-aparadha has been interpreted in three ways. According to one interpretation, it indicates that the

donees were given the right to the proceeds of fines imposed on people who had been found guilty of certain criminal offences. A second interpretation is that it referred to immunity from punishment granted to the donees in case they themselves committed such crimes. The third interpretation is that it refers to the right to try people who were accused of certain offences. The term sa-chauroddha-rana can be interpreted either as indicating the right to punish those found guilty of theft or as the right to realize fines from those found guilty of this crime.

Inscriptions from various parts of the country indicate the wide scope of authority vested with the donees. For example, certain inscriptions of Orissa describe the land as having been granted along with the habitat land and forest (sa-padr-aranya). This is similar to post-12th century inscriptions of Bengal which transfer rights over the habitat land (vastu-bhumi) to the donees. From the 9th century onwards, some inscriptions of Orissa (those of Udayavaraha and the Bhauma-Kara, Shulki, and Tunga dynasties) state that the land was granted along with control over the outposts in the village, landing or bathing places, and ferries (sa-kheta-ghatta-nadi-tara-sthan-adi-gulmaka). This can be understood as referring to rights over dues collected at these spots or as rights over military outposts at these places. Another significant stipulation occurs in inscriptions of the Bhauma-Karas, Adi-Bhanjas, Shulkis, and Tungas, where land is said to have been granted ‘along with weavers, cowherds, brewers, and other subjects’ (sa-tantravaya-gokuta-shaundik-adi-prakritika). Mention can also be made of certain land grants of Karnataka which indicate the transfer of sharecroppers (addhikas) along with the land.

At the same time, many donees did not have one important right—the right to alienate land, i.e., to transfer, sell, or dispose of it in any way. As mentioned in (< />)Chapter 9, the inalienability of gifted land is indicated by the stipulation that it had been granted according to the nivi-dharma, akshaya-nivi-dharma, or aprada-dharma. Similarly, several Orissa inscriptions contain the term a-lekhani-praveshataya. This meant that the land could not be made the subject of another document, i.e., it could not be sold. In such cases, the rights of Brahmana donees over the land gifted to them were more than those of a landlord, but less than those of a landowner.

THE IMPACT OF BRAHMANA SETTLEMENTS ON AGRARIAN RELATIONS

Royal patronage strengthened the economic power of a section of the Brahmana community and led to the further growth of a Brahmana landed elite. Members of this elite cannot be described as ‘Brahmana feudatories’, as this confuses them with other groups such as samantas or subordinate rulers who had to provide military service to their overlords. Even the term ‘Brahmana intermediaries’ is inappropriate, because the Brahmanas were not passing taxes or material resources on to the kings.

Most historians view the early medieval period as one of agrarian expansion, in which land grants played an important role. But there are major differences of opinion regarding the nature of agrarian relations during this time. How exactly did the establishment of brahmadeyas affect the rights of various sections of the rural community—large or small peasant proprietors, tenants, sharecroppers, and landless labourers? Do the long lists of pariharas (exemptions) that we find in many of the land grant charters indicate an increasing oppression of the peasantry? Varied answers have been given to such questions. The feudalism school argues that land grants led to an increasing subordination and oppression of rural groups by Brahmana donees. Burton Stein (1980: 63–84) speaks of a Brahmana–

peasant alliance in early medieval South India. The proponents of the ‘integration’ or ‘processual’ model have not directly addressed the issue of the nature of agrarian relations in any detail.

The insertion of Brahmana donees into the village community introduced a new element into agrarian relations, eroding the older ones. As mentioned earlier, in the context of Brahmana settlements in South India, Rajan Gurukkal has argued that such settlements involved the employment of non-family labour and hence eroded the kinship basis of production relations. The fact that most of the land grants carried with them a tax-free status meant that villagers were supposed to hand over various dues to the donees. Sometimes, inscriptions refer to taxes in a very general way. At other times, they specify a long list of tax exemptions —i.e., taxes that the villagers had to pay to the donees instead of to the state. The fact that the donees were also often given rights over water resources, trees, forests, and habitation area would have affected the rights enjoyed by the village community. Most village-level disputes must have been settled by a section of the village community and, therefore, where inscriptions suggest the possibility of the transfer of judicial rights or the right to collect fines for criminal offences, it is the rights of this section that would have been affected.

There seems little doubt that the terms of the brahmadeya grants, varied as they were, created a class of Brahmana donees who enjoyed superior rights and control over the resources and inhabitants of the village. In economic terms, the relationship between Brahmana donees and other rural groups was marked by dominance and exploitation. The substitution of state exploitation and control by the more close-at-hand Brahmana exploitation would no doubt have meant higher levels of subjection of the average farmer. This is not, however, the equivalent of the institution of serfdom in the European manorial system.

Although the general trend was towards increasing levels of social and economic stratification in rural society, the degree and specificities of this stratification varied in different areas. The level of economic dominance achieved by the donees was affected by a number of variables such as ecology, the availability of arable land, the level of organization among the Brahmanas, and the presence or absence of competing social and corporate groups. In Assam, where cultivable land was not in short supply and where large numbers of non-Brahmanas also held land, the extent of social and economic stratification was not as rigid as in other areas. In South India, corporate organizations of Brahmanas known as sabhas furthered the power of the donees. In Kerala, the power and influence of the sabha was enhanced by the absence of corporate organizations of other social groups. Increasing rural stratification sharpened socio-economic conflicts, although direct references to such conflicts are few and far between. Certain inscriptions of Karnataka, which do give direct instances of such conflicts, will be discused further on.

LAND GRANTS AS PART OF LARGER SOCIAL AND CULTURAL PROCESSES

B. D. Chattopadhyaya ([1994], 1997: 16) has argued persuasively that the major historical processes operative throughout Indian history, including the early medieval period, were the expansion of state society through the process of local state formation, the transformation of tribes into peasants and caste formation, and cult appropriation and interaction.

Land grants strengthened the position of a section of the Brahmanas in rural areas. They backed the Brahmana’s traditionally high social status by political support and economic power, and gave him wide-ranging control over land, resources, and people. Brahmanas emerged as a dominant caste in brahmadeya villages. In areas where brahmadeya villages were situated close to tribal

communities, the latter were introduced to plough agriculture. Some tribal groups were absorbed into the fold of caste society; others were given the status of outcastes or untouchables. The phenomenon of land grants was connected to the proliferation of castes in other ways as well. For instance, the need to record large numbers of land transactions was an important factor in the transformation of the kayasthas (scribes) from an occupational group into a caste.

The increase in the number and scale of land grants had an important impact on the Brahmanas themselves. Reference was made earlier to the emergence of regional classifications and hierarchies of status among Brahmanas. As they were drawn into new networks of activities and social relations, Brahmanas came to be divided into a number of sub-castes. Migrant Brahmanas tended to crystalize into sub-castes. In the Tamil Nadu and Karnataka areas, the engagement with temple religion led to the emergence of the Shiva Brahmanas—a Brahmana sub-caste associated with Shiva temples.

Integration into local society could also lead to the modification of marriage practices. In Kerala, while most Brahmanas maintained their partilineal system, the Brahmanas of Payyanur took to matriliny. The Nambudri Brahmanas had a custom (it is not clear when exactly it began) of the eldest son marrying a Brahmana woman, while the other sons had sambandam relations with Nayar women. This practice must have been geared towards keeping the property of the Brahmana family intact and consolidated. However, it could only have emerged within the context of the Nayar matrilineal society.

The early medieval period saw the increasing popularity of temple-based sectarian religion, and from about the 10th century onwards, inscriptions indicate an increase in royal patronage of temples. Was there any connection between the brahmadeyas and these developments? Some Brahmanas moulded their activities to the temple milieu by becoming temple managers, others took on the less prestigious vocation of temple priests. Inscriptions of South India testify to the direct participation of Brahmanas and Brahmana sabhas in temple management. Brahmana settlements in Kerala seem to have been temple centred right from the time of the earliest inscriptions. We can therefore assume that the Brahmanas of the brahmadeyas must have played an important role in the spread of temple-oriented religion, in spite of the fact that the inscriptions persist in emphasizing their Vedic, rather than their sectarian, affiliations.

Where established in or near tribal areas, brahmadeyas functioned as nodes of reciprocal interaction between Brahmanical and tribal religions, and different sorts of religious syntheses resulted. Tribal communities were exposed to Brahmanism and Brahmanism too was transformed in the course of its interaction with regional, local, and tribal traditions. In times of migration, marriages between Brahmanas and local women may have been an additional factor that furthered the interaction between the Brahmanical and tribal worlds. These interactions were reciprocal, but not equal or evenly balanced, as the Brahmanical elements eventually emerged as dominant. The cult of Jagannatha in Orissa is a good example of the Brahmanization of a tribal deity, and has been analysed in detail by many scholars (Eschmann, Kulke, and Tripathi, 1978). R. S. Sharma (1974) has suggested that the interaction between Brahmanical and tribal cultures via land grants played an important role in the emergence and development of Tantra.

The fact that the early medieval period with its proliferation of land grants to Brahmanas also saw such an enormous output in the sphere of Sanskrit literature does not seem to be a coincidence. We have seen how these centuries saw the opening out of avenues of employment for literate, learned Brahmanas in the administrative structures of proliferating royal courts. Brahmana scholars, poets,

and dramatists were also feted and patronized in these courts. Patronage through land grants may also have played an important role in promoting and sustaining Brahmana scholarship. Wealth based on the control of land, and the emergence of clusters of settlements inhabited by Brah-mana specialists in various branches of Sanskrit learning may have provided a section of the Brahmana intelligentsia with the security and wealth necessary for sustained intellectual activity.

Rural Society: Regional Specificities

From a general discussion of historical processes that affected the lives of villagers in various parts of the subcontinent, we move on to vignettes of the specificities of rural societies and agrarian relations in different regions. Direct textual evidence regarding the details and textures of rural life in this period is meagre. There is, however, a text that deals exclusively with various aspects of agricultural operations. This is the Krishi-Parashara (Majumdar and Banerji, 1960), apparently composed in the Bengal area some time between c. 950 and 1100 CE. Ascribed to an author named Parashara, it is written in Sanskrit verse, sprinkled with a few prose mantras, in simple and straightforward language and style. The Krishi-Parashara does not mention any form of irrigation and declares the knowledge of rainfall to be the root of agriculture. Towards this end, it gives a series of maxims concerning the relationship of planetary movements, seasons, wind direction, and rainfall. It recommends the use of weathervanes comprising a flag tied to a post. It advises the farmer about the importance of manure (sara) for a luxuriant paddy crop. It gives instructions for the proper procedure of rice cultivation. It offers advice regarding the kind of plough and draught animals that should be used. Eight different parts of the plough are distinguished. A ploughshare measuring 9 cubits, called the madika, is declared to be best suited for all operations.

After explaining how seeds should be preserved, the Krishi-parashara discusses the sowing procedure. This, it urges, is best done in Vaishakha (April–May), but the sowing of seeds for transplantation is best undertaken in Shuchi (May–July). After sowing the seeds, the mayika (probably a ladder-shaped instrument for levelling rice fields) should be used, otherwise the seeds would not grow evenly. The process of transplantation (ropanabidhi) is described and the suggestions about the distance at which seedlings should be planted vary according to prevailing planetary conjunctions. Instructions are given for thinning out the paddy (kattana), the removal of weeds (nistrinikaranam), and the regulation of water. Pausha (December–January) is harvest time, and details are given for planting the medhi, a pillar post in the middle of the threshing floor to which the oxen were tied. After harvesting and threshing the grain, states Parashara, the farmer should have it weighed with an adhaka (probably a vessel for measuring grain).

PRIMARY SOURCES

Popular agricultural sayings of early medieval Bengal

Although the Bengali language was fully developed by c. 1000 CE, there is scarcely any surviving pre-1300 CE literature in this language. The earliest works include the Dak Tantra, popularly known as the Dakar Bachan, a Buddhist Tantric work containing aphorisms and wise sayings in old Bengali. Another similar work, which has undergone more changes over time, is

the Khanar Bachan. According to popular belief, Khana was the daughter-in-law of the astronomer Varahamihira. The ‘Dak’ of the Dakar Bachan lives in popular imagination in the more humble form of a milkman. ‘Dak goala’ often appears as the signature of the sayings.

The sayings contained in these two works are largely concerned with agricultural matters, although they also touch on astrology, medicine, and domestic issues. Consisting of short, rhyming aphorisms, the Dakar Bachan and Khanar Bachan, are closely related to the soil and climate of Bengal, and even today serve as agricultural manuals for farmers in this region. Given below is a translation of some of the sayings of Dak and Khana:

If it rains in the month of Agrahayan [November–December], the king goes a-begging.

If it rains in the month of Paush [December–January], money may be had even by selling the chaff.

If it rains at the end of Magh [January– February], the king and his country become blessed.

If it rains in Phalgun [February–March], the millet chinakaon (Peanicum miliaceum) grows abundantly.

Khana says, the paddy thrives in the sun and the betel in the shade.

If the paddy gets profuse sunshine by day and showers by night, it develops rapidly. Khana says, the drizzling rain in the month of Kartik [October–November] does immense good to the paddy.

Hear, O son of ploughman, put some smut of paddy in the bamboo-bush; if you do so near the root of the shrubs, they will soon cover two kudas [about 174 square cubits] of land.

O son of ploughman, plant patol (Trichosanthis dioeca) in a sandy soil; your expectations will be fulfilled.

Sow the seeds of mustard close, but those of rye at some distance from one another. Cotton plants should be put at the distance of a leap from one another, and jute should by no means be planted near them, for cotton plants will perish if they come in contact with water from the jute-field.

If the sky is covered by mist in Chaitra [March–April] and there is plenty of paddy in Bhadra [August–September], the earth is afflicted with plague and other disasters of that sort.

If a southern wind blows in the month of Ashadh [June–July], there will be a flood in the year.

If in Paush there is heat in the atmosphere and cold in Vaishakh [April–May], in that year heavy rainfall will commence from the first part of Ashadh.

If the clouds take the form as if cut by spade and axe, and the wind blows off and on, it should be understood that rainfall will commence in a day or two; O my peasant friend, do not waste time in such weather, but busy yourself in constructing a ridge around your field to preserve the water.

If in the night the clouds cover the sky and there be rain throughout the day, O brother farmer, it will be in vain for you to go to your field for work.

SOURCE Sen, 1954: 17–27

Apart from prescriptions related to agricultural processes, especially the cultivation of paddy, the Krishi-Parashara also offers information on early medieval agricultural rituals and festivals in eastern India. The worship of cows in Kartika (October–November), during the go-parva (festival of cows), says Parashara, ensures the health of cattle for a year. The fruits of agriculture are denied, he continues, to the farmer who does not perform the hala-prasarana, the ceremonial first ploughing. In connection with fertility beliefs, we may note Parashara’s injunctions against allowing the collected seeds to come into contact with a menstruating woman or one who is barren, pregnant, or has just borne a child. We are told that during three days of the month of Ashadha, the Ambuvachi takes place—this is when the earth menstruates and seeds must not be sown. The mantra prescribed in the Krishi-Parashara for the dispersal of birds and animals from fields and to keep paddy fields free from disease consists of mystical syllables used in Tantric texts. On an auspicious day in Pausha, before the harvesting of paddy, Parashara states that a ceremony called the pushya-yatra should be performed. This included ceremonial feasting, dancing, music, and prayers to the sun. Deities mentioned in connection with agricultural operations include Prajapati (the text in fact begins with a salutation to him), Shachi, Indra, Marut, and Vasudha. However, it is Lakshmi who is the recipient of the final prayer at the end of agricultural operations, a prayer which Parashara recommends should be inscribed in granaries to ensure prosperity.

Inscriptions are more forthcoming than most texts about village life. The general term for ‘village’ in the early medieval inscriptions of Bengal and Bihar is grama or pataka. The vastu (homestead land) formed the core of the village settlement. The boundaries of landholdings were marked by rivers, marshy land, tanks, cattle paths, date and banyan trees, and adjoining villages. Villages sometimes had boundary walls or boundary posts. Inscriptions mention various types of trees— mango, jackfruit, betel nut, coconut, and madhuka. Rice was the staple crop and some inscriptions mention paddy fields. Almost all of the land grant inscriptions of the Sena dynasty give the dimensions of the gifted land in meticulous detail, using both surface measures (nala, pataka, bhu-pataka, etc.) as well as seed measures (drona, bhu-drona, adhavapa, etc.), which were probably originally calculated in terms of rice output. It is also interesting to note that all the Sena grants specify the annual revenue income of the gifted land in terms of currency units called puranas, kapardaka-puranas, and churnis. This suggests the maintenance of careful revenue records by the state.

Apart from royal functionaries, most of the land grants of Bengal and Bihar address the cultivators (kshetrakarah) or inhabitants (prativasinah) of the village. The invariable mention of Brahmanas and the chief among Brahmanas (Brahmanottarah) indicates their importance at the village level. A few inscriptions mention certain other groups of people as well. For instance, the Irda plate of Nayapala addresses tradesmen and clerks, in addition to cultivators and residents. The Ramganj plate of Ishvaraghosa includes the karmakaras (wage labourers) among those addressed. Some of the Pala grants mention the puroga—a village leader or chief. The terms mahattara or mahattama

can be understood as referring to village elders or heads. The term kutumbin is increasingly used in the sense of a farmer.

Nayanjot Lahiri’s (1991) study of the early medieval inscriptions of Assam suggests that in this region, agricultural activity and settlements were concentrated in or near the valleys of the Brahmaputra and other rivers. Such settlements are especially visible in the Tezpur and Guwahati areas. The frequent mention of rivers and streams in the description of village boundaries confirms the connection between the location of agrarian villages and riverine water resources. The hills that fringe the Assam valley (e.g., the Mikir, Khasi, Garo, Singori, Haji, and Sualkuchi hills) are conspicuous by their absence in the inscriptions. Apart from rivers and streams, the boundaries of villages are indicated by features such as agricultural fields, embankments, ponds, trees, roads, and villages. Rice cultivation was the most important activity in the agricultural villages. The habitations (vastu) were located in the midst of clumps of bamboo and fruit trees, surrounded by fields. Pasture land was sometimes situated on the borders of agricultural land, and in some cases may have consisted of agricultural land left fallow for a few years. Embankments geared towards controlling and channelizing water are mentioned frequently. Apart from rice, inscriptions mention various kinds of fruit (jackfruit, figs, black berry, mango, walnut, and sweet root) and trees (banyan, saptaparna, jhingani, odiamma, bamboo, and cane). Trees with trade potential included betel nut, sandalwood, and silk cotton. These do not seem to have been grown in plantations.

In Assam, as in many other areas, kings made grants of land to Brahmanas. The ranks of the rural community comprised Brahmanas, tribals, and several other groups. They included the kaivarttas (traditionally associated with fishing and boating) as well as other occupational groups such as potters and weavers. This suggests a combination of agricultural activity with craft specialization. Household units formed the core of agricultural labour. After the 9th century, there is a clear pattern of an increase in the number of agricultual settlements based on wet rice cultivation, which must have been accompanied by demographic growth.

Irrigation played an important role in the expansion of agriculture in early medieval Rajasthan (Chattopadhyaya [1973], 1997). Tanks and wells were the main sources of artificial irrigation, and there are many references to these in 12th–13th century inscriptions, especially in west Rajasthan, where water was most scarce. These mention different types of wells (dhimada/dhivada, vapi, araghatta/araghata/arahata), tanks, and reservoirs (tadaga, tatakini, pushkarini, etc.). Some tanks seem to have been named after people who built them.

Whether the Persian wheel was in use in early medieval Rajasthan is debated, and hinges on the interpretation of the term araghatta. The key issue is whether the reference is to the Persian wheel or to the noria, and whether the former was being used in India before the 13th–14th centuries. The noria is a wheel which has pots or buckets attached to its rim without a chain for carrying the pots, or a gear mechanism to ensure a continuous flow of water. It could only be used to draw water from close to the surface or from a river. The Persian wheel, on the other hand, had gears and a chain to carry the pots and was associated with a well. The araghatta seems to have been different from an ordinary well (dhimada) or a step well (vapi), and the general consensus among many historians is that it does refer to something similar to the Persian wheel, if not exactly identical to it.

Crops mentioned in the inscriptions of Rajasthan include rice, wheat, barley, jowar, millet, and moong. Oilseeds such as sesame and sugarcane were cash crops. There are references to crops growing in fields that were irrigated by tanks or wells, and the Dabok inscription of 644 CE suggests

the practice of growing two crops a year. The people who controlled irrigation resources included kings, royal officials, corporate bodies such as goshthis, and individual cultivators.

There was an expansion of irrigation works in the low rainfall areas of north Gujarat, Saurashtra, Kutch, and south Rajasthan (V. K. Jain, 1990: 24–34). The Aparaji-taprichchha of Bhuvanadeva, an architectural work composed in western India in about the 12th century, mentions rivers, lakes, wells, tanks, and arahattas as sources of water for irrigating fields. Inscriptional references to irrigation increased from the 7th–8th centuries to the 11th–13th centuries. Large numbers of tanks, wells, and step wells (vapis) were constructed in the 12th–13th centuries by rulers, nobles, and merchants. The Chaulukyas of Anahilavada took initiatives in building irrigation works and seem to have had an irrigation department. The expansion of irrigation must have facilitated double cropping. Inscriptions of western India mention irrigated fields of barley, millet, rice, wheat, and pulses. Irrigation played a significant role in the increasing cultivation of cash crops such as sugarcane, oilseeds, cotton, and hemp, which were important items of trade between the 11th and 13th centuries.

APERSIAN WHEEL

The inscriptions of Orissa (Singh, 1994: 238–39, 241, 196) mention various land measure terms such as timpira, muraja, nala, hala, and mala. The descriptions of the boundaries of land often contain a mixture of Sanskrit, Oriya, and Telugu words. Village boundaries were indicated by features such as trees, rocks, anthills, trenches, rivers, hills, embankments, tanks, wells, and the boundaries and junctions of adjoining villages. As for water resources, rivers and tanks are mentioned most frequently, while wells occur in fewer inscriptions. The Achyutapuram plates of Indravarman state that no one should cause hindrance to the donee if he opened the sluice of the tank. The reference seems to be to a royal tank (raja-tataka), mentioned among the boundaries of the gifted land.

The details of rural life and agrarian relations in South India will be discussed later in this chapter.

Urban Processes in Early Medieval India

The idea of a decline of cities, urban crafts, trade and money in early medieval times is an important part of the hypothesis of Indian feudalism. In the previous chapter, there was reference to R. S. Sharma’s theory of a two-stage urban decay, one beginning in the second half of the 3rd or the 4th century, and the second one starting after the 6th century (Sharma, 1987). Sharma has summarized archaeological data from various regions to substantiate his theory. He admits that the Indian literary evidence for urban decay is not strong, but cites the accounts of Xuanzang and Arab writers. His explanation of urban decay centres around a supposed decline in long-distance trade. Urban decline undermined the position of urban-based artisans and traders; artisans were forced to migrate to rural areas; traders were not able to pay taxes; the distinction between town and village became blurred. Urban contraction was, however, accompanied by agrarian expansion. Elsewhere, Sharma ([1965], 1980: 102–5) cites epigraphic references to the transfer of rights over markets to donees, merchants transferring part of their profits to temples, and the transfer of customs dues from the state to temples. On this basis, he talks of a feudalization of trade and commerce. He argues that a mild urban renewal began in some parts of the subcontinent in the 11th century, and that urban processes were well-established by the 14th century. A revival of foreign trade—linked to an increase in the cultivation of cash crops, better irrigation techniques, increasing demand for commodities, improvements in shipbuilding and an expansion of internal trade—is cited as a major reason for the urban revival, as well as for the decline of the feudal order.

As mentioned in (< />)Chapter 9, the hypothesis of urban decline can be questioned on various grounds. Chattopadhyaya ([1986], 1997) has argued that the early medieval period saw the decline of certain urban centres, but there were others that continued to flourish, as well as some new ones that emerged. Xuanzang suggests that cities such as Kaushambi, Shravasti, Vaishali, and Kapilavastu were in decline. But he also mentions flourishing ones such as Thaneswar, Varanasi, and Kanyakubja. The archaeological data on the settlements of the period is patchy and inadequate. But some early historical cities continued to be inhabited during early medieval times, e.g., Ahichchhatra, Atranjikhera, Rajghat, and Chirand. Chattopadhyaya also marshalls epigraphic evidence from the Indo-Gangetic divide, the upper Ganga basin, and the Malwa plateau, with a special focus on the sites of Prithudaka (modern Pehoa in Karnal district, Haryana), Tattan-dapura (Ahar, near Bulandshahr, UP), Siyadoni (near Lalitpur in Jhansi district, MP), and Gopagiri (Gwalior). While Prithudaka may have been a semi-urban marketing centre, the other three clearly had an urban status in the 9th–10th centuries. Inferences about the continued vibrancy of city life can also be made on the basis of the numerous literary works and the sculpture and architecture, which must have been substantially, if not entirely, patronized by urban elites.

With regard to monetary history, John S. Deyell (1990: 4–7) has convincingly shown that money was not scarce in early medieval India, nor were states of the time suffering from a financial crisis. There was a reduction of coin types and a decline in the aesthetic quality of coins, but not in the volume of coins in circulation. The main focus of Deyell’s work is on the post-1000 CE period, but the roots of the currency systems of that period lay in the preceding centuries. He also points out that the debasement of coinage was not necessarily a signal of financial crisis of the state nor of a general economic crisis. In fact, it could reflect an increasing demand for coins in a situation where the supply of precious metals was restricted. Such shortages occurred for a variety of reasons, from time to time, in different parts of the world. We know that Afghanistan was a major source of silver for the Indian subcontinent. Deyell argues that north India experienced a sustained shortage of silver in

1000 CE (and in some places as early as 750 CE), and that this made it necessary for rulers to dilute the silver content of their coins.

Traders of the subcontinent were part of a wider world of trade interactions that connected Africa, Europe, and various parts of Asia. From the 7th century onwards, the Arabs swiftly expanded their political dominion into northern Africa, the Mediterranean region, central Asia, and Sindh. Their territorial conquests in Egypt, Persia, and Sindh gave them strategic control over Indian Ocean trade. The political success of the Arabs had important implications for the spread of Islam as well as for the expansion of international trade. Arab conquests and the establishment of the Ummayid and later, the Abbasid caliphates, made it possible for Arab traders to emerge as lead players in trade along the overland as well as the maritime routes that connected Europe with East Asia.

Texts such as the 9th century Ahbar as-Sin wa’l-Hind describe the long maritime journeys made by Arab traders from ports in Oman to Quilon (Kollam) in Kerala and on to China, via the port of Kalah-bar (probably located north of Singapore) and the Malacca Straits. K. N. Chaudhuri (1985: 37–41) has shown out that by the 11th century, the Indian Ocean trade was divided up into smaller segments—the stretch from the Red Sea and Persian Gulf to Gujarat and Malabar; from the Indian coast to the Indonesian archipelago; and from Southeast Asia to East Asia. Great trade emporia emerged at the junction of these three segments, providing merchants with cargo, shipping services, and protection. They included Aden, Hormuz, Cambay, Calicut, Satgaon, Malacca, Guangzhou, and Quanzhou. Chaudhuri highlights the importance of silk, porcelain, sandalwood, and black pepper in the Asian trade of medieval times. These commodities were exchanged for various items such as incense, horses, ivory, cotton textiles, and metal products. India’s maritime networks were strongly oriented eastwards, towards China and East Asia. Sri Lanka was an important hub of Indian Ocean trade.

Ranabir Chakravarti (2002: 187–219) highlights the importance of mandapikas in the trade circuits of early medieval India. These were, for the most part, local centres of exchange that constituted an intermediate level between the small, periodic markets (hatta, hattika) and larger trade centres (pattana). The mandapikas were integrated into their rural hinterlands, and functioned as nodes of exchange of various types for edible staples and cash crops. They were also centres for the collection of commercial tolls and duties. They were analogous to the penthas in the Deccan and the nagarams further south. Chakravarti also draws attention to the tradition of raja-shreshtis (royal merchants). Although the references to such merchants go back to the 4th/3rd century BCE, they are mentioned more frequently in the early medieval period, especially in the Deccan and South India. These royal merchants may have procured luxury items and war animals for rulers. It is not certain whether they also collected revenue at trade centres on the king’s behalf.

The analysis of the literary and epigraphic sources of western India (c. 1000–1300 CE) by V. K. Jain (1990) indicates that traders of this region were carrying on business in luxury goods as well as in staples such as foodgrains, pulses, salt, oil, ghee, jaggery, coconut, betel leaf, arecanut, spices, textiles, pottery, animals, fragrances (e.g., sandalwood, camphor, musk, aloe, and saffron), ivory, and gold. Jain suggests that Indian traders of western India tended to confine their operations to coastal and internal trade, leaving the operations further afield to the Arabs and others. The main imports into western India included metals (both base and precious), silk, gems, spices, wine, frankincense, and horses. As far as exports are concerned, there was a change during the 11th–13th centuries. Before this, India’s exports mainly comprised luxury goods such as fine textiles, silk, and spices.

From the 11th century onwards, although these remained important, there was a significant expansion in the range of exported items, which came to include sugar, cotton and flax cloth, buckram, tanned leather, leather goods, and weapons such as swords and spears. Hoards of gadahiya/gadhaiya coins of the 7th– 12th centuries have been found in various parts of western India, indicating the use of money as a medium of exhange. Traders also used hundikas or bills of exchange, which facilitated large-scale transactions without the use of money. Inscriptions often mention toll houses (shulka-mandapikas), and commercial taxes were an important source of state income.

Merchants played an important role in the administrative organization of the Chaulukyas, occupying important civic and military posts such as those of the mahamatya and dandadhipati. Many of the traders of western India were Jainas. Jaina texts such as the Shatsthanakaprakarana of Jineshvara Suri (11th century) laid down the ethical code that Jaina merchants should follow. Merchants of Gujarat made their mark not only as patrons of learning but also as writers of works of kavya, poetics, philosophy, and grammar. Hemachandra, who wrote several important Jaina texts as well as works on subjects such as grammar, metrics, and philosophy, was the son of a merchant of Dhandhuka. Gujarat merchants made generous grants to support the building of temples, wells, and tanks. The temples at Mount Abu and Girnar reflect such patronage. Inscriptions from this region also refer to tolls and taxes that were due from merchants being transferred to religious establishments for their maintenance and for the celebration of festivals.

India’s trade with Southeast Asia and China grew in the early medieval period. The trade with Southeast Asia will be discussed in the later section on urban processes of South India. Tansen Sen (2003: 236–37) has argued that between the 7th and 15th centuries, there was a major change in the nature of Sino-Indian interactions, from Buddhist-dominated to trade-centred exchanges. By this time, China itself had emerged as a major centre of Buddhism. The increasing Sinification of Chinese Buddhism and the growing importance of indigenous Chinese Buddhist schools and practices had led to a reduction in the importance of cultural transmission from India to China. The stream of Buddhist monks moving between India and China continued in the 10th and 11th centuries, as did the project of translating Indian texts into Chinese. But Indian Buddhism was no longer an essential lifeline for the survival and growth of Chinese Buddhism. Sino-Indian trade links in early medieval times can be divided into three phases. The 7th–9th centuries saw a continuation of the earlier demand for Buddhist ritual items. In the 9th–10th centuries, there was a decline in overland trade between India and China due to disturbed political conditions in central Asia and Myanmar. In the late 10th century, both tributary and commercial relations were revived, and overland and maritime trade grew significantly.

Xuanzang mentions silk among the most popular materials for clothing in India. One of the Sanskrit words for silk is kausheya. This was probably indigenously produced silk, as opposed to china-patta or chinamshuka, which was either Chinese silk or silk woven from Chinese yarn in India (Liu, 1996: 49–72). As mentioned in (< />)Chapter 9, although silk was manufactured in India, it was not as fine as Chinese silk, and the demand for the latter therefore continued. Silk fabric and garments were important gift items brought to India by Chinese diplomatic missions and monks. However, by the 11th century, Chinese porcelain had overtaken silk as an import into India. Some of the porcelain was carried further westwards by traders to the lands bordering the Persian Gulf and Red Sea, where too it was much in demand. Other Chinese items imported into India included hides, vermilion, fruits (such as pears and peaches), camphor, lacquer, and mercury. There is also mention

of metals such as gold, silver, and copper coming from China. As for items imported by China from India, these seem to have increased in range in the 11th century, and included horses, frankincense, sandalwood, gharu wood, sapan wood, spices, sulphur, camphor, ivory, cinnabar, rose water, rhinoceros horn, and putchuck. Some of these items, such as frankincense and rose water, originated in the Persian Gulf area and moved on eastwards from the Indian ports. Others originated in India. By the end of the 13th century, Indian textiles became one of the most important Indian exports to China (Sen, 2003: 182–85)

The expanding trade between China and India was accompanied by a re-orientation of routes. From the 8th century onwards, the maritime routes between India and China became more frequently used than the overland ones. One of the sea routes went through the Andaman and Nicobar Islands, while another one passed by the Bay of Ben-gal ports on to Sumatra and the South China Sea. The increasing preference for the sea routes was partly due to changes in maritime technology, specifically the shift from sewn ships to sturdier ones with nailed hulls.

The diversification of trade commodities and trade links seems to be the general pattern as far as Indian trade in the early medieval period is concerned. Meera Abraham’s (1988) analysis of the list of commodities mentioned in inscriptions of the Ayyavole guild indicates a shift away from luxuries towards a greater emphasis on staples and basic goods such as yarn, textiles, dyes, processed iron, pepper, and horses. Abraham also points out that in the mid-12th century, inscriptions started recording the import of large quantities of goods imported into South India from West Asia, Southeast Asia, and China. The imports included precious stones, pearls, perfumes, aromatics, myrobalans, honey, wax, textiles including silk, spices, horses, and elephants. Lists of export items handled by members of the South Indian merchant guilds include cotton textiles, spices (e.g., pepper), iron, dyes, ivory, areca, and putchuck. From the 13th century, the west coast became increasingly important. Quilon (Kollam) was an important port and the Chinese Yuan emperors sent missions to this place. The shift in the centre of gravity towards the western ports of South India and Sri Lanka indicates an expansion of Indian trade links with Egypt and West Asia.

While discussions of early medieval maritime trade tend to be dominated by a focus on the ports of Gujarat and South India, the Bay of Bengal ports also had a role to play, even though the activity was not as intense as that off the Malabar, Coromandel, or Gujarat coasts. Till the 8th century, Tamralipti (Tamluk in Medinipur district) was the most important port in Bengal. Samandar, probably located near Chittagong, rose to prominence in the post-8th century CE and is frequently mentioned in the Arab accounts.

There was also active interaction between the Orissa coast, Sri Lanka, Southeast Asia, and East Asia. Excavations at Khalakapatna (on the left bank of the Kushbhadra river in Puri district) and Manikapatna (on the channel connecting Chilka lake with the Bay of Bengal) have yielded important evidence. Chinese celadon ware and porcelain, two Chinese copper coins, and some glazed pottery which may have originated from West Asia were found at Khalakapatna, which seems to have been an important port between the 11th and 14th centuries. Manikapatna has revealed a cultural sequence from the early historical period to the 19th century CE. Chinese pottery, including celadon ware (and possibly also local imitations), and Chinese copper coins have been found here (Sahu, 1994–95).

The early medieval period saw migrations of several communites involved in trade. Among the earliest such movements were those of Arab and Persian traders, who settled along the Konkan, Gujarat, and Malabar coasts. An inscription of 875 CE records the king of Madurai granting asylum

to a group of Arabs. This is the first instance of an Arab settlement on the Coromandel coast. Arabic inscriptions at Cambay, Prabhasapattana (Somanath), Junagadh, and Anahilavada indicate that Arab shipowners and traders were living in these parts of Gujarat in the 13th century. A Jewish community took root in the Malabar area. Political developments in West Asia also led to movements that affected the subcontinent. The Arab expansion in West Asia led to several movements of Christians and Zoroastrian Persians (Parsis) to the Kerala coast.

Historical Processes in Early Medieval South India

THE NATURE OF SOUTH INDIAN STATES

We now move to a more specific focus on South India. The historiography of early medieval South India has gone through several distinct phases. The writings of pioneering scholars such as Nilakantha Sastri represented a major initiative in weaving together the scattered data from diverse sources into a larger historical narrative. However, this narrative was tinged with nationalist fervour, and there was a tendency to glorify the Chola state, which was presented as a highly centralized empire. This approach came in for severe criticism in the 1960s, when Burton Stein ([1975], 1976) put forward a hard-hitting critique of the ‘traditional historiography’ represented by scholars like Sastri, T. V. Mahalingam, and A. Appadorai. According to Stein, a major flaw in their interpretation of the early medieval polity of South India was that they did not relate the state to society and economy, especially to the agrarian order. He pointed out that there was an inconsistency between the glorification of the Chola state as a strong, centralized, bureaucratized monarchy, and the simultaneous eulogy of strong local self-governing institutions. The fault, according to Stein, did not lie in the understanding of the economy, but in the characterization of the state.

Central to Stein’s alternative model were the concepts of sacral kingship, segmentary state, peasant society, and peasant state. According to Stein, the theory as well as practice of South Indian kingship reflects a sacred kingship rather than bureaucratic or ‘constitutional’ kingship. The effective power of kings and their control over people and resources were confined to the core areas around their political centres, outside which kings were basically ritual figures. Land revenue was extracted only from a limited area and states were dependent on looting expeditions for their sustenance. Stein denied the existence of a Chola bureaucratic machinery through which the state could have made its presence and control felt at the local level. He also denied the existence of a Chola standing army, arguing that military power was distributed among various groups including peasants, merchants, and artisans. Deprived of the supports of a bureaucracy, revenue collection machinery of any significant dimension, and standing army, the hypothesis of a centralized Chola state collapses.

While it is true that the omnipotence of the Chola state was exaggerated by earlier scholars, there are many problems in the alternative offered by Stein. It is difficult to accept his description of early medieval South Indian kingship as purely sacral. Such a description ignores the basis of enduring power and military success achieved by dynasties such as the Cholas. Stein emphasizes that looting expeditions were the basis of ancient Indian kingdoms and cites the military expeditions of Samudragupta and the petty cattle raiders of South India as examples. It can be countered that these two examples actually reflect two qualitatively different types of political systems. War and loot were certainly part and parcel of the politics of ancient and early medieval kingdoms, but the formation and persistence of empires such as the Maurya, Gupta, Satavahana, and Chola indicates

that they were based on something more than sporadic looting expeditions. Some sort of administrative structure and revenue infrastructure did exist in these polities, and long-term or sustained military success was ultimately based on the state’s ability to mobilize and control people and resources. Stein also creates an artificial dichotomy between ritual sovereignty and ‘real’ power. In fact, he confuses effective political or coercive power with centralized control.

The research of Karashima (1984) indicates that several titles in Chola inscriptions refer to administrative offices, and that the Chola kings made certain attempts to centralize their administration. This is confirmed by the study of tax terms by Subbarayalu (1982) and Shanmugan (1987). Heitzman’s analysis of tax terms and functional titles in Chola inscriptions shows that although the early Chola state reveals few hints of an elaborate administrative system, from about 1000 CE, a hierarchy of royal land revenue officials began to reach out in a thorough and systematic fashion to villages through-out Cholamandalam. There was also an increase in the personal involvement of Chola kings in issuing orders aimed at directing and re-organizing land taxation (Heitzman, 1997: 227).

KEY CONCEPTS

The segmentary state, according to Southall and Stein

The idea of the segmentary state is based on anthropologist Aidan W. Southall’s Alur Society: A Study in Processes and Types of Domination (1953). Southall argued that the political system of the African Alur tribe combined lineage segmentation and political specialization. Southall discussed the process whereby this immigrant tribe established its domination over a series of chiefless societies, often without the use of force. According to him, in many parts of the world, at most times in history, the form of political organization has been segmentary rather than unitary.

Southall made a fundamental distinction between a unitary and a segmentary state. The unitary state is a political system in which there is a central monopoly of power exercised by a specialized administrative staff within defined territorial limits. The power structure of a segmentary state is different. In this case (this is somewhat confusing) ‘specialized political power is exercised within a pyramidal series of segments tied together at any one level by the oppositions between them at a higher level and ultimately defined by their joint opposition to adjacent unrelated groups’ (Southall, 1953: 260). Further:

Territorial1. sovereignty is recognized but limited and relative. Political authority is strongest near the political centre and gets more and more diluted towards the periphery, often shading off into a ritual hegemony.

There2. is a centralized government, but there are also many peripheral foci of administration over which the centre exercises only limited control.

There3. is specialized administrative staff at the centre, but it is repeated on a reduced scale at all the peripheral foci of administration.

Monopoly4. of the use of force is successfully claimed to a limited extent and within a limited range by the central authority, but legitimate force of a more restricted type is associated with the peripheral foci as

well.

There5. are several levels of subordinate foci of power. They are organized pyramidally in relation to the central authority. Similar powers are repeated at each level, but with a decreasing range. The peripheral authorities are reduced images of the central authority.

The6. more peripheral a subordinate authority, the greater opportunity it has to change its allegiance from one power pyramid to anther. Segmentary states are thus flexible, fluctuating, and interlocking.

Burton Stein (1980) added some additional points to Southall’s description of the segmentary state. He suggested that sovereignty in a segmentary state is dual, consisting of actual political control and ritual sovereignty. There could be a multiplicity of centres, one a source of ritual sovereignty, the others exercising political control over territorial segments. Stein asserted that the specialized ad ministrative staff at the centre may have its counterparts at the level of the lower segments as well. Further, the organization of the segmentary state is pyramidal in two senses—first, the relationship between the centre and the peripheral foci of power is in all cases identical; and second, there is opposition which is complementary among the parts of the state as a whole, as well as within any constituent segment.

The problem is that the segmentary state is a conceptual category that includes within its purview states that have very little in common except a certain ‘segmentation’ of power—take the contrasts between the Alur tribal system and medieval European feudal states. Southall actually allowed for a whole range of segmentary states, with systems such as the Alur standing at a lower rung, and suggested that it would be a good idea to identify different varieties of segmentary states.

In view of the catch-all nature of the category of the segmentary state, it does not seem to be a very useful theoretical model for understanding state systems. As for early medieval South India, the empirical evidence does not correspond to Southall’s or Stein’s concept of a seg-mentary state. The focus on segmentation gives inadequate attention to the processes making for integration. And the abstract discussion of the relations within and among the various segments, as described by both Southall and Stein, is not particularly clear.

The framework that Stein considers most applicable to early medieval South India is that of the segmentary state. As will be discussed further on, the usefulness of this model and its applicability to early medieval South India can be questioned. Stein’s description of the early medieval South Indian state as a peasant state is even more questionable and seems to represent an extreme reaction to the idea of a highly centralized monarchy. The existence of corporate village organizations does not indicate that peasants excercised political power at a higher level.

SEE (< />)P(< />). 591 FOR A DISCUSSION OF THE CONCEPTS OF PEASANT SOCIETY AND PEASANT STATE

The feudalism model has been applied to early medieval South India by scholars such as Kesavan Veluthat (1993) and R. N. Nandi (2000). Other scholars prefer to side-step both the segmentary and feudal models and to focus on specific issues. For instance, Heitzman discusses the mode of production and the links between land, labour, and the state structure. Similarly, while marshalling an impressive range of inscriptional data, Karashima (1984: xxiv–xxvi) holds that there are problems with both the feudal and the segmentary models, and that the Chola period did in fact see the formation of a central-ized state. But he asserts that his aim is to focus on certain specific issues, not to present any overarching theoretical framework.

The volume of data on state and society in early medieval South India has been growing steadily. However, much of the scholarship has focused on the Chola state and society. An important issue to be kept in mind is that South India should not be considered as a homogeneous unit for the purposes of analysis, nor should its history in the early medieval period be exclusively equated with the Cholas. There were differences in the historical processes unfolding in the core areas of Cholamandalam in the Kaveri valley and those of other areas such as Kerala, Karnataka, and Andhra. This issue has been factored into the following discussion, wherever possible.

ADMINISTRATIVE STRUCTURES

Early medieval states of South India were clearly not as powerful or centralized as suggested by Sastri, nor as ineffectual as suggested by Stein. The important functionaries associated with the royal court included the king’s advisers and priests. Chola inscriptions mention the Brahmana purohita and rajaguru. The Pallavas and Cheras had a council of ministers and the Pandya inscriptions refer to mantrins (ministers) who may have been organized into a council. Other high-ranking functionaries who were closely associated with the king in early medieval courts, but whose functions are not certain, include the adhikari, vayil ketpar, and tirumandira-olai (Veluthat, 1993: 75–86).

Karashima, Subbarayalu, and Matsui’s (1978) concordance of personal names, epithets and titles in Tamil inscriptions reveals several functionaries who were associated with the central adminstration. The larger number of terms for offices and officials in the Chola inscriptions compared to those of the Pallavas, Pandyas, and Cheras, suggest an expansion of the administrative structure, especially from the reign of Rajaraja I (985–1016) onwards. After the reign of Kulottunga I (1070–1122), there is a decline in such references, indicating that a reverse process had set in. The titles of individuals associated with administrative offices include araiyan, an honorific for important people. Some functionaries associated with the court had titles such as udaiyan, velan, and muvendavelan, indicating that they were landowners.

Officials at the nadu (locality) level included the nadu-vagai, nadu-kakani-nayakam, nadu-kuru, and kottam-vagai. The precise functions of many of these officers are not certain and there seems to have been some overlap in their duties. There are also indications of a hereditary element in official appointments.

The Cholas had a large land revenue department consisting of several rungs, but it was largely concerned with maintaining accounts. The assessment and collection of revenue were undertaken by corporate bodies such as the ur, nadu, sabha, and nagaram, and sometimes by local chieftains, who passed the revenue on to the centre. In the early 11th century, during the reign of Rajaraja I, the Chola state initiated a massive project of land survey and assessment, and there was a reorganization of the

empire into units known as valanadus. Two surveys were also conducted in the reign of Kulottunga I. In the post-Rajaraja period, the revenue department was known as puravu-vari-tinaikkalam or the shri-karanam.

Certain frequently occurring terms in inscriptions give information about the dues imposed by the state on cultivators. Eccoru referred to the obligation of villagers to provide food for state officials. Muttaiyal and vetti meant the obligation to provide labour services. Kudimai was another term for such labour services. In the early Chola period, there were many land revenue terms such as puravu, irai, kadan/kanikkadan, and opati. Kadamai emerged as the most important land revenue term in the later Chola period. Its precise rate is uncertain (it may have been as high as 40 to 50 per cent of the produce), and it seems to have been collected in kind. The antarayam was a rural tax realized in cash. There is a steady rise in the number of revenue terms in inscriptions, peaking during the reign of Rajendra II (1052–63 CE), and declining from the time of Kulottunga I.

The many military expeditions of the kings of early medieval South India suggest an effective army organization, but details are meagre. The personal bodyguards attached to kings and chieftains were connected to their lords through ties of loyalty. There was a hereditary element in their selection and they seem to have been given assignments of land revenue. There was some sort of standing army, recruited and maintained by the state, and the senapati and dandanayakam were important military officers. Chola inscriptions mention several military contingents. Periodical levies of troops from the chieftains supplemented the standing army, when required. The expedition to Sri Lanka during the reign of Rajaraja I and the Shri Vijaya expedition during the reign of Rajendra I are often cited as evidence of a Chola navy. Whether this was a regular, separately recruited and organized naval force, or whether we are looking at episodes when armed forces were transported across the oceans, is not certain.

Regarding the administration of justice, scholars such as Sastri suggested the existence of a central or royal court of justice called the dharmasana. However, this seems more a reflection of the idea that the king was theoretically the highest court of appeal. The day-to-day administration of justice seems to have been actually handled by various local bodies such as the sabha.

RURAL SOCIETY

Burton Stein (1980: 67–68) described the society of early medieval South India as a ‘peasant society’. By this, he meant the following: most people of the time lived in settled agrarian villages; peasant agriculture and related occupations provided the main means of subsistence and wealth; the structure of social relations corresponded to the characteristics of peasant societies, including asymmetrical power relations with those powerful enough to demand a share of the produce; well-developed corporate organizations existed; and there were effective alliances among various corporate elements. Stein stated that his aim was to describe the agrarian basis of South Indian history during Chola and post-Chola times. But in attempting to redress the balance, and in emphasizing the peasantry as the prime social, economic, political, and cultural element in South Indian history, he ended up sidelining kings, chieftains, merchants, and other urban groups.

Stein acknowledged that caste principles of hierarchy and inequality gave an important specific quality to Indian peasant society, but argued that this feature could not be used to raise serious doubts about whether this was indeed a peasant society. In spite of the existence of segregation, internal hierarchy, and exploitation, in India, as elsewhere in the world, peasant life was marked by social,

ritual, and political interdependence and co-operation. Stein also asserted that, typical of peasant societies, the Indian peasant household was multi-dimensional, despite the caste-based division of labour and occupational specialization. Stein’s treatment of the peasantry as a virtually undifferentiated mass, at the most divided between lower and dominant sections, is questionable.

Another problematic aspect of Stein’s hypothesis is his description of the relationship between Brahmanas and peasants as an alliance. He described Brahmanas as the prime mediators of order and legitimacy and saw their interaction with the peasantry as the primary cultural nexus of South Indian peasant society during the early medieval period. The Brahmana–peasant alliance was a self-consciously worked out one, based on self-interest. Given the popularity of Buddhism and Jainism in the urban centres, Brahmanas realized that they were best off establishing their base in rural areas. As for the peasants, Stein suggested that they were aware of their need to forge some sort of cohesion and ideological unity against their perennial enemies—the hill people. The entire argument is unconvincing.

As far as the specific features of South Indian village life are concerned, it is evident that the basic unit of rural society was the ur. This term refers to the villages themselves as well as to the village assemblies. These were non-brahmadeya villages, and were also known as vellanvagai villages. Inscriptions indicate that apart from agricultural fields, these villages included the habitation area, sources of drinking water, irrigation works, pasture land, and cremation grounds. In the habitation area, the ur-nattam or ur-irukkai represented the residential quarter of the landowning farmers, the kammanacheri was the residential quarter of artisans, and the paraicheri the residential quarter of agricultural labourers.

A hierarchy of rights and statuses existed at the village level. These included the socially and spatially segregated groups, also considered as ritually impure—the paraiyar. Then, there were the cultivating groups known as the vellalar, among whom a distinction can be made between landowning farmers (kaniyudaiyar) and tenant farmers (ulukudi). The vellalas were identified with the Shudra varna, but unlike in the north, the Shudra tag did not carry with it connotations of a lowly social status and discrimination. This is because the vellala were an economically powerful group; holders of that important basis of wealth—land. This gave them a status that was almost as high as that of the Brahmanas. Service groups such as potters and blacksmiths may have had control over small plots of land. An analysis of land transfers in the late Chola period indicates the emergence of economically powerful and locally influential landlords.

There are a few interesting references in Karnataka inscriptions to villages headed by women (Nandi, 2000: 217). For instance, an inscription belonging to 902 CE mentions the wife of a man named Bittayya as the head of a village named Bharangiyur. An inscription of 1055 refers to a woman named Chandiyabbe as a gavundi (village chieftain) and another woman named Jakkiyabbe as her mantraki (counsellor). An epigraph from the Shikarpur taluk mentions the wife of a district headman succeeding her husband to his office after his death.

The inscriptional evidence of royal land grants to Brahmanas in South India goes back to the 3rd/4th century, and this practice became quite widespread in the early medieval period. Karashima (1984: xx–xxi) suggests that there was an important difference in the patterns of landholding in brahmadeya and non-brahmadeya villages. While individual holdings existed in the former, communal holding prevailed in non-brahmadeya villages. However, there is evidence of individual ownership in non-brahmadeya villages. In general, the trends visible through the early medieval

period include the strengthening of individual property rights and an increasing disparity in the size of land holdings.

Inscriptions of the Chola period record several instances of land transfers via sale or gift, involving the transfer of kani rights. Kani signified the rights of possession over land, sometimes also associated with the idea that the possessor of these rights had certain duties and obligations to perform. Chola and Pandya land grants refer to two sorts of land rights—the karanmai (the right to cultivate) and the mitatchi (a superior possessive right). When these two terms occur together, they refer to the right to cultivate the land and to have it cultivated. There is also mention of kutimai (the right of occupancy). The karanmai was of two types—kudi nikki and kudi ninga. Kudi nikki suggests a situation in which people previously settled in the village were either removed or deprived of their rights. Kudi ninga meant that such people were not to be disturbed. Some land grants state that the land was granted along with the labourers attached to it.

A striking feature of the history of early medieval South India is the existence of a number of strong corporate bodies in the rural and the urban spheres. The ur was the corporate body of the vellanvagai villages. The members of this corporate body consisted of the tax-paying landowners of the village. Although the number of members was not fixed, it was usually less than 10. The ur dealt with various matters related to land management such as land sale, gift, and tax exemptions.

The sabha was the Brahmana assembly in brahmadeya villages. Membership was governed by criteria such as property ownership, family antecedents, learning, and good conduct. The sabha was concerned with managing landed property, including property associated with temples. Its duties included collecting revenue and maintaining accounts. It could also supervise religious activities in the temple. Going against the sabha’s decision was considered a serious offence, punishable by social ostracism. While the size of Brahmana sabhas in the Karnataka area was initially fairly small, some 11th–12th century inscriptions mention very large sabhas consisting of 300, 500, 1,000, 2,000, 3,000, and even 12,000 members. This suggests a growing Brahmana population in certain villages.

PRIMARY SOURCES

The history of a Karnataka village

Kanakatte is a village in the Arsikere taluk of Hassan district in south Karnataka. B. D. Chattopadhyaya analysed 15 inscriptions from this place in order to reconstruct the history of this village over about a hundred years. In the inscriptions, the village is called Kalikatti.

The earliest inscription is inscribed on a hero stone at Arakere. Dating to c. 890 CE and belonging to the reign of a Ganga king named Satyavakya Permanadi Rachamalla, it records the death of a samanta named Shri Muttara. Shri Muttara died heroically fighting a battle against the Nolambas. We are told that he was rewarded posthumously with the award of two villages— Arikere (which can be identified with the find-spot of the inscription) and Kalikatti. The benefit of this endowment must have gone to Shri Muttara’s descendents.

Over two centuries later, Kalikatti is mentioned in two inscriptions belonging to the reign of the Hoysala king Vishnuvardhana (1108–42 CE). It had obviously become an important place as it is

described as the foremost village in a territorial unit known as ‘Magare 300’. One of the inscriptions is dated 1130 CE, and tells us that mahasamanta Singarasa of Arasikere obtained Kalikatti free from all obstructions and governed it. He installed a deity named Singeshvara (named after himself), and made some grants of dry and wet land to the Kalamukha priest for the maintenance of the Shiva shrine. One of the pieces of land was situated near the first ridge of the small sluice of the big tank (hiriya-kere) of the village. An inscription of 1132 CE suggests that Singarasa was removed from his headquarters at Arasikere and shifted to Kalikatti. Singarasa went on to install a linga named Bettadakalideva in the village, and granted some more gifts of dry and wet land near the big tank of the village, to the temple.

An inscription of 1189, belonging to the reign of the Hoysala king Ballala II, describes Kalikatti as a resplendent village (ur) with well-filled tanks, areca palms, rice fields, and fine temples. Several of the Kalikatti inscriptions mention the big tank of the village, and some mention its sluices. Other tanks, including one known as Aduva-gere, are also mentioned. Some tanks— Hariyoja’s tank, Mangeya’s tank, Boviti’s tank, and Bitteya’s tank—were named after the people who presumably owned them. The yoja suffix in Hariyoja’s name suggests that he was an artisan. The references to tanks being set up at different points of time reflect several initiatives to expand the irrigation infrastructure of the village, and this must have increased agricultural productivity.

The 12th century inscriptions give the names of various samantas and mahasamantas who ruled over Kalikatti. Some of them set up temples and donated lands to them. In early 13th century inscriptions, Kalikatti is referred to as a sthala or a nad. There is mention of its various hallis (hamlets), two new tanks, and two new images of deities enshrined in temples. The hiriya-kere of the old days was even now being mentioned. But a big change took place in this period—the settlement became an agrahara and was given the name Vijaya-Narasimhapura. The details of the inscriptions also throw light on the social changes that took place in the settlement over time.

SOURCE Chattopadhyaya, 1990

There were close links between some of the Brahmana sabhas and the Chola court. Two inscriptions from Uttaramerur state that the resolution of the sabha was made in the presence of an official especially deputed by the king. Even more telling are two Tanjavur inscriptions which indicate that Rajaraja I issued orders to the sabhas of Cholamandalam to perform various types of services in the Brihadishvara temple. Important brahmadeyas in the Chola empire had taniyur status. Taniyur means ‘separate village’. The villages concerned were considered independent entitites within the nadus in which they were located.

1

Several inscriptions from the Karnataka area point to sources of conflict within the rural community (Nandi, 2000: 125–27).Conflict could erupt over the introduction of Brahmana donees into a village. For instance, a mid-13th century epigraph tell us that the gaudas (cultivators) of a village protested against the conversion of their village into a brahmadeya, upon which the king sent an army to pillage the village in order to punish them. Conflicts could erupt over village resources. A 1230 CE inscription from Hassan taluk states that two farmers died while trying to prevent agents

of the Brahmanas from cutting down palmyra trees in their village. Water was an especially sensitive issue. A 1080 CE inscription from the same taluk refers to a conflict between a Brahmana and a farmer’s family over drawing water from a village tank. An early 13th century inscription mentions a conflict between farmers and a chief over an irrigation tank. The chief was killed and the Hoysala king set up a hero stone in his memory and built a new tank.

A 1231 CE inscription from Mannargudi, belonging to the time of Rajaraja III, reveals the burden of compulsory labour levies on farmers. It states that the nattar (leading men of the locality) of the taniyur village of Rajarajadhiraja-chaturvedimangalam complained to the Brahmana sabha and mahasabha of the unbearable burden of compulsory labour imposed on them. The problem was not simply a question of the amount that they had to pay, but of various collecting agencies who demanded the same levies. Some of the tax collectors seem to have been armed. The inscription also mentions nettal (compulsory labour) imposed on villagers for the repair work to be conducted in the capital city, Rajarajapuram. Subbarayalu (2000: 92–4) points out that this city was located about 35 km away from Mannargudi, and it would have been an arduous task for villagers to trek all the way there to fulfil their labour obligations. The sabha and mahasabha of the village met to consider the complaints of the leading men of the locality and specified the levies that could hereafter be imposed.

Recent scholarship suggests that the nadu—the ‘locality’ consisting of several settlements, rural or urban—was a more important unit than the village in early medieval South India. The term nadu also referred to the assembly of the locality. Nadus were usually named after one of their villages. It is difficult to identify the exact number of nadus in the Chola kingdom. Subbarayalu counted 140 in the Cholamandalam area and 65 in the area to its north. Their numbers were not static over time, and there was an increase after the 9th century. The fact that nadus varied a great deal in size indicates that they were not artificial administrative divisions created by the state. Clusters of villages similar to the nadu existed in the Pallava and Pandya kingdoms as well, though in the Pallava inscriptions, they are referred to as kottam. Such units seem to have been absent in the Chera kingdom.

Members of the nadu assembly were known as the nattar. They formed an influential corporate body that functioned collectively, and they figure among the people addressed in royal inscriptions. The nadu was the basic unit of revenue, and the nattar played an important role in revenue matters. They were responsible for land assessment and tax collection, passing on taxes to the various nadu-level officers of the king. The nattar also played an important role in managing irrigation works. They donated land to temples and were custodians of gifts made by others. Although it initially probably consisted mainly of the dominant landowners, in the course of the 12th and 13th centuries, the nadu assembly also came to include landowning artisans and merchants.

AGRICULTURE AND IRRIGATION

The expansion of the agrarian economy was the result of various factors such as the extension of the margin of agriculture through land reclamation, the spread of irrigation techniques, and an expansion in the range of crops. The increase in the area under cultivation can be inferred from the fact that donees of land grants were sometimes given rights over forested area, references to forests in the vicinity of gifted land, and the mention of the transfer of wasteland to the donee. There is some direct evidence as well. A 6th century inscription of the Kadambas (who ruled over the Goa area) gave the Brah-mana donee the right to engage labourers in order to clear a piece of forested area and bring it

under cultivation. It also mentions the reclamation of a tract of coastal land, and its conversion to rice fields by damming up seawater.

NEW DIRECTIONS IN RESEARCH

Irrigation devices in early medieval Tamil Nadu

James Heitzman has analysed references in Chola inscriptions from five taluks in central Tamil Nadu—Kumbakonam, Tiruchirappalli, Tirukkoyilur, Tirutturaipundi, and Pudukkottai—and identified the distribution and changes in irrigation technology during the Chola period. The references to irrigation works—tanks, wells, canals, sluices—often occur in the descriptions of the boundaries of gifted land.

Going by the frequency of the references, Kumbakonam and Tiruchirappalli taluks show a strong reliance on canals. Canals constituted as much as 85 per cent and 84 per cent of the irrigation works mentioned in inscriptions from these two areas respectively. We can note that Kumbakonam taluk is in the lower Kaveri valley and Tiruchirappalli taluk is further upstream. Tanks constituted only 7 per cent of the total references. In Tirutturaippundi taluk, canals constituted 79 per cent of the mentioned irrigation works and tanks 15 per cent. In Pudukkottai taluk, the frequency of canals was 49 per cent and tanks 38 per cent. In Tirukkoyilur taluk, 60 per cent of the references were to canals and 23 per cent to tanks. Sluices constitute only 4.7 per cent of the references, while wells constitute 5.4 per cent of the terms.

The reasons for differences in irrigation technology between various sub-regions were to a large extent ecological, and depended on which type of technology was best suited to a particular terrain. Another interesting point is that inscriptions reveal striking similarities with the general patterns of irrigation prevalent in these areas today.

Canals and tanks were the major types of irrigation works utilized in early medieval Tamil Nadu. However, there were some changes over time. For instance, in both Kumbakonam and Tirukkoyilur taluks, over time, there is a systematic increase in references to canals and a reduction in references to tanks. In Pudukkottai taluk on the other hand, there is a decline in the frequency of references to canals.

If the data is put together, the picture that we get is as follows: In the Kumbakonam taluk, the development of the irrigation network began before the Chola period, and its basic nature remained unchanged through the period of Chola rule. In Tirukkoyilur taluk, tanks were initially the most important source of irrigation, but in course of time, river-fed canals became increasingly important. In Pudukkottai taluk, canal development may have peaked in the 11th century, after which it plateaued. In Tiruchirappalli taluk, investment in canals was relatively low in the 11th century, but went up in the 12th century.

SOURCE Heitzman, 1997: 38–54

The use of the araghatta (Persian wheel) spread to South India in the early medieval period. Inscriptions mention sluices which distributed the water of rivers and tanks. Nandi (2000: 91–94) has described the various improvements in agricultural technology in the Karnataka region. The first references to tanks with sluice-weir devices in this area belong to the 8th century, and the number of such references increases thereafter. An inscription of 890 CE from the Hiriyur taluk states that farmers of a village constructed a large tank provided with four sluices. The practice of building channels connecting tanks with river waters also took off, and there seems to have been a spurt in the building of tanks.

Chola inscriptions mention various types of irrigation works such as tanks, canals, wells, and sluices. Some Chola kings are credited with initiating tank and canal construction. For instance, Rajendra I is supposed to have begun the construction of the Cholaganga tank and canal network. Members of the village community, Brahmanas, kings, and chieftains played a role in the maintenance of irrigation works. However, when it came to the construction and maintenance of the more numerous small-scale irrigation works, members of the village community played a central role. The nattar stepped in when several villages were involved or affected. There are epigraphic references to tank maintenance committees (erivariya). Farmers were sometimes granted sowing rights over adjacent plots of land in return for taking on the responsibility of dredging tanks.

FURTHER DISCUSSION

Betel leaves and areca nuts

The chewing of pan (this word comes from the Sanskrit parna, which means ‘leaf’) is a widespread practice with a long history in South and Southeast Asia. The grits of areca nut (Areca catechu)—supari—are folded into a leaf of the betel vine (Piper betle) with a bit of slaked lime and kattha paste. The origins and early use of betel leaf and areca nut can be traced to Southeast Asia. Areca nut has been found in the Spirit Cave in Thailand, at levels belonging to c. 10,000–7000 BCE. Skulls with stained teeth typical of chewers of these substances have been found in c. 3000 BCE contexts in the Philippines. More specifically, areca nut may have originated in central Malasia. These commodities probably made their way into South India in the early centuries CE. In Sankrit, betel leaf and areca nut are called tambula and guvaka respectively.

The chewing of betel leaf is mentioned in the Jataka stories, as well as in the Charaka and Sushruta Samhitas, Brihat-samhita of Varahamihira, and the Mandasor inscription. Kalidasa’s Raghuvamsha associates the practice with South India. Shudraka’s Mrichchhakatika refers to betel leaf being eaten with camphor in Vasantasena’s mansion. In the Silappadikaram, Kannaki serves betel leaf and areca nut to her husband Kovalan at the end of the last meal he has before leaving home for Madurai.

The cultivation of these commodities in South India seems to have been in place by about the 5th century. The Pattuppattu mentions fields of areca palms, along with those of plantains, sugarcane, ginger, and coconut. A 812 CE inscription from Gubbi taluk refers to betel nut plants forming the boundary of a village granted to a Jaina shrine. The cultivation of betel leaf and areca nut was also widely prevalent in Bengal.

The references to betel leaves and areca nuts shoot up in sources of the 11th– 12th centuries, when many inscriptions from South India mention that land gifted to temples included betel vines and areca gardens. An 11th century inscription from Arsikere taluk refers to details of the harvesting and processing of areca nuts. It states that the crop was harvested by workers known as the koylasis and that the processing of the nuts for sale in the market was done by workers known as mottakaras. The frequent mention of these commodities in inscriptions reflects an increasing demand, both within the temple context and among elite groups.

Betel leaf and areca nut swiftly found their way into the minutiae of temple rituals. In earlier times, temple offerings included boiled rice, incense, and sandal paste. Now, betel leaf and areca nut were added to the list. Abu Zaid, an early 10th century Arab writer, mentions betel leaf being offered as a gesture of friendship and honour. There is mention of a custom of exchanging betel leaves in an inscription of Rajaraja Chola. A 12th century Chinese account by a traveller named Chou-Jakua tells us that chewing betel leaf was popular among kings and nobles.

Betel leaf and areca nut were among the important commodities involved in the trade networks of western India. An 1145 CE inscription from Mangrol, a port on the Saurashtra coast, refers to

a levy imposed on the camel loads, cartloads, and bundles of betel leaf arriving at this port, probably from South India. It suggests that there were special godowns for storing the leaf and special shops selling the commodity in the area.

The habit of chewing pan spread swiftly to many parts of the subcontinent. That it was an elite habit is indicated by the Dvyashrayakavya of Hemachandra, which states that on a certain day, even poor people must have pan. The Rajatarangini’s story of king Ananta being heavily in debt to a betel leaf seller named Padmaraja suggests that some betel sellers made good profits.

The medicinal properties of betel leaf and areca nut are suggested in ancient medical treatises. According to Al-Biruni, Indians ate betel leaves with lime after dinner because they were digestive aids. He also states that chewing areca nut was good for the teeth, gums, and stomach, because it had astringent properties. But apart from its perceived medicinal properties, the consumption of these items had clearly become a fashionable habit for those who could afford it. The increasing popularity of betel leaf and areca nut consumption can be compared with the more rapid and extensive spread in later times of other addictive commodities such as tea, coffee, and tobacco.

SOURCE Acharya, 1998: 48, 214; Nandi, 2000: 101–2

A steady extension of the margin of cultivation, the spread of irrigation works, and changes in market demand led to changes in patterns of land use. In the Karnataka area, apart from rice, there was an increasing emphasis on various types of millets such as priyangu (panicum italicum), ragi (eleusine coracana), jowar (sorghum vulgare), and bajra (bulrush millet). Also increasingly grown were inferior varieties of rice such as shyamaka, nivara, kangu, kodrava, and karadusha. There was an increase in the cultivation of cash crops such as sugarcane, betel leaves and areca nuts, coconuts, oranges, and spices such as black pepper and ginger.

URBAN PROCESSES

The early medieval period represents a second major phase of urban growth in South India. The hypothesis of urban decay has no validity whatsoever for this region. Cities played different, often multiple, roles—as political centres, centres of manufacturing and trade, and as sacred or ceremonial centres.

Market or commercial centres were known as nagarams. The nagaram was an urban space, connected mainly with the production and exchange of commodities, at the local, inter-regional, or international level. Agricultural produce also moved in and out of it. A nadu could have one or more nagarams. Like some of the important brahmadeyas, certain nagarams were given taniyur status, which made them independent and free of the jurisdiction of the nadu they were located in. The nagaram had a corporate body consisting of merchants, members of which were known as the nagarattar. This group was also involved in land management; it owned and managed land known as nagarakkani, from which it collected revenue.

The nagarams seem to have become increasingly important in the Chola period, when the nagarattar appear often as donors in inscriptions (Champakalakshmi, 1996: 45–46). The number

and lavishness of their gifts (mostly money, gold, and silver) peaked in the middle Chola period. At this point, there was also the emergence of corporate organizations associated with specialized groups—e.g., the Saliya nagaram and Sattum Parishatta nagaram, which were connected with the textile trade; the Shankarappadi nagaram, which was a corporate organization of oil and ghee suppliers; the Paraga nagaram, which was a corporate organization of seafaring merchants; and the Vaniya nagaram, a powerful organization of oil merchants.

There were significant improvements in craft techniques. For instance, the earlier hand oil mills used for oil pressing were replaced by bullock-driven oil mills. Improvements also took place in the textile weaving industry. An 11th century inscription from Challakere taluk mentions the grant of a site for setting up a loom.

Various centres of craft production can be identified, some showing a continuous growth from the early historical period. Kanchipuram, located in a major cotton-growing region, was one of the most important centres of the weaving industry from the early historical period onwards. Many other weaving centres mushroomed in the area around the city, and also in the Tanjavur and South Arcot district areas. In the 12th–13th centuries, weavers and merchants started investing in land and became part of the landowning elite.

There were close connections between cities, kings, and temples in South India. The background to these links included the increasing power of the Chola state, the increasing popularity of Vaishnava and Shaiva bhakti, and the emergence of the temple as a prominent religious institution in the urban landscape. In the late Pallava and early Chola periods, there was a significant shift of royal patronage from gifts to Brahmanas towards gifts to temples. Earlier kings of South India had built and patronized temples. But the Cholas constructed a large number of new, architecturally elaborate temples, and also rebuilt some of the old temples in stone. The magnificent temples at Tanjavur and Gangaikondacholapuram were architectural proclamations of the close connection between the political and religious domains.

The city of Tanjavur was located on the southern bank of the Vadavaru river on the south-western edge of the fertile, agriculturally rich Kaveri delta. Gangaikondacholapuram, the other royal city, was located on the northern edge of the delta. A settlement called Tanjai existed in pre-Chola times, but it was transformed into a major royal and temple city during the reign of Rajaraja I (Champakalakshmi, 1996: 62–64). The Brihadishvara temple dominated the city and constituted its centre. The area around the temple formed the city’s inner circuit. This was where the political and priestly elites lived. Outside this was an outer residential circuit, which housed other urban groups such as merchants. There are references to four markets (angadis) in the city. The temple generated a demand for material such as milk, ghee and flowers, as well as services of various kinds such as those provided by priests, temple women, musicians, washermen, and watchmen. Special performances were staged in the temple on days marking the birth asterisms of members of the royal family. Apart from the king, members of the royal family made many gifts to the Brihadishvara temple. As mentioned earlier, some of its sculptural ornamentation and paintings were imbued with strong political meaning.

MAP 10.5 URBAN CENTRES IN TAMIL NADU, C. 1000 CE (AFTER CHAMPAKALAKSHMI, 1996)

The Brihadishvara temple was a major building project and may have taken 7 to 8 years to build. The temple drew many areas and groups into its economic web. Inscriptions state that over 600 employees were drawn from villages and towns in various parts of the Chola kingdom to serve in the temple. Revenue from many far-flung villages, including some in Sri Lanka, was assigned to it for its maintenance. The management of its financial resources was in the hands of Brahmana sabhas of several villages. Farmers, herdsmen, and artisans living around Tanjavur supplied many of its requirements.

Another example of a major urban complex of the period are Kudamukku and Palaiyarai, located adjacent to each other in the most fertile part of the Kaveri delta (Champakalakshmi, 1996: 331–55). Kudamukku represented a sacred centre, while the palace complex of the Cholas was located at Palaiyarai. The history of these twin settlements goes back to earlier times, but they came into prominence during the Chola period. Kudamukku was the site of many temples, and is mentioned in

bhakti songs of the Al-vars and Nayanars. Endowments by members of the royal family, officials, merchants, artisans, and others led to a steady growth of its temple establishments, especially the Nageshvara temple, which became the most prominent shrine. Kudamukku was an important point on the trade routes. It was a centre of betel nut and areca nut cultivation as well as an important centre of crafts such as metal work and textiles. A Chola mint was probably located here. The history of Palaiyarai goes back to the 7th century, but it came into prominence as an important administrative centre and as the residential capital of the Cholas. Both Kudamukku and Palaiyarai were knitted to their rural and coastal hinterlands through intricate ties.

The history of Madurai and Kanchipuram as political centres, centres of commodity production (especially cotton textiles), and religious activity goes back to the early historical period. In early medieval times, both of them grew in size and importance. Kanchipuram, a prominent centre of weaving and commerce, is mentioned in inscriptions and texts as a managaram (big city). It was initially connected to the port of Nirppeyyarru on the banks of the Palar river. Subsequently, Mamallapuram emerged as its major port outlet. There was a significant expansion in Kanchipuram’s hinterland through land grants and the growing web of the temple economy. Apart from its economic role, Kanchipuram also had an important cultural significance and was an important centre of Buddhism, Jainism, Vishnuism and Shivaism.

The urban developments of the early medieval period were reflected in caste organization. In Karnataka (Nandi, 2000: 158–80), there was the emergence of trading castes such as the Garvares. These were northern merchants who migrated southwards in the 10–11th centuries. Other occupational groups of this region that evolved into castes included the gaudas and heggades. The gaudas or gavundas were originally cultivators or village headmen, while the heggades were initially revenue officials. Apart from the kayasthas, another group of professional scribes known as the karanas also assumed the form of a caste.

FURTHER DISCUSSION

Weavers and weaving in early medieval Tamil Nadu

Vijaya Ramaswamy’s detailed study of the weavers of South India between the 10th and 17th centuries shows a match between the textile centres of that period and those of present times. The most important weaving communities in early medieval times in the Tamil Nadu area were the Saliyar and Kaikkolar. During the Chola period, the latter seem to have combined the vocations of weavers and soldiers. Weavers had their own residential sector in all towns. This was often located in the temple square, as was the case in Tanjavur.

The varieties of textiles and techniques used in cloth manufacture can be gleaned from literary and epigraphic sources. Muslins (known as sella) and chintz (known as vichitra) were much in demand. Vegetable dyes such as red safflower, indigo, and madder were used. Block printing seems to have been in vogue in South India from the 12th century onwards. Artisans used both vertical and horizontal looms, and the use of patterned looms seems to have begun in the 11th century.

The industry was well organized and textiles were important commodities both in internal and external trade. Weavers sold their goods at local fairs, but at the high er level, the textile trade was controlled by powerful merchant guilds. There is also evidence of weavers’ guilds known variously as samaya pattagara, saliya samayangal, and seniya pattagara. Ramaswamy refers to the mobility of some of the weaver castes within South India. These migrations may have taken place in the Vijayanagara period (15th–16th centuries), which saw a high point in the development of the weaving industry.

The Cholas actively encouraged the weaving industry in their kingdom and derived revenue from it. Inscriptions mention taxes such as the tari irai or tari kadamai (loom tax). Other dues included achchu tari (probably a tax on the patterned loom), tari pudavai (probably a tax on cloth), panjupeeli (a tax on cotton yarn), parutti kadamai (a tax on cotton), nulayam (a tax on cotton thread), and kaibanna or bannige (a tax on dyers). A tax called pattadai nulayam was levied on silk thread. On the other hand, there is evidence of the state announcing tax concessions and tax remissions for a specified period to weavers in new settlements in order to attract them. Kulottunga I was given the title Sungam tavirta Cholan (remover of customs duties). This alludes to his having abolished customs dues at ports in order to promote trade.

The increase in the socio-economic status of weavers and their involvement in temple honours and activities in early medieval South India are reflected in the many donations they made to temples. These took the form of money, livestock (cows, sheep), and shares of cloth or land. The gifts were aimed at defraying the cost of the building of shrines, making and installing images, the maintenance of perpetual lamps, providing woven cloth, and the celebration of festivals. Some donations were made as expiation for crimes. There is also evidence of weavers being given land by temples or village assemblies for services rendered by them.

Weavers invested money in land and were involved in money-lending as well. The Madras Museum copper plates of Uttama Chola state that the king deposited money with certain groups of weavers for the celebration of a festival at the temple of Uragam at Kanchipuram. Some weavers were also given managerial roles in the temple, including the management of finances and maintenance of accounts. In return for performing these important duties, they were declared exempt from taxes.

SOURCE Ramaswamy, 1985

A major development in early medieval South India was the emergence of a supra-caste dichotomy—the idangai (left hand) and valangai (right hand) caste groupings. The castes that were classified as belonging to the right-hand consisted mostly of agricultural groups. Those of the left hand comprised mostly artisanal and trading groups. Intially, these were not antagonistic groupings, but an element of conflict did emerge in later times.

TRADE AND TRADERS

Many trade routes intersected at ports on the eastern coast of South India. Mamallapuram developed under the Pallavas, and Nagapattinam became prominent in the Chola period. Kaveripattinam too was important, but less so compared to Nagapattinam from the 11th century onwards. Tiruppalaivanam and Mayilarppil were coastal towns that served the area to the north of Kanchipuram. Kovalam and Tiruvadandai were located to the north of Mamallapuram, while Sadras and Pudupattinam were located to its south. Other important coastal towns included Pallavapattinam, Cuddalore, and Tiruvendipuram. Corporate organizations of merchants played a leading role in fixing customs duties on goods in such port towns. Quilon (Kollam) was an important port town on the western coast, and there is inscriptional evidence of an agreement between the Manigramam guild, foreign traders, and the king regarding various issues such as taxes, warehouses, and the protection of merchants and their merchandise at this port.

The ports and market towns of South India were involved in a flourishing transit trade as well as direct trade with far-flung areas. The goods involved included both staples and luxury goods. Eleventh century inscriptions mention several commodities involved in trade transactions within the subcontinent—rice, pulses, sesame, salt, pepper, oil, cloth, betel leaf, areca nut, and metals. Twelfth century inscriptions mention a larger range of commodities including wheat and other foodgrains, pulses, groundnut, sesamum, jaggery, sugar, cotton, cumin, mustard, coriander, ginger, turmeric, elephants, and gems. A 12th century inscription found at Shikarpur (in Shimoga district, Karnataka) mentions merchants travelling along land and water routes with cargoes consisting of elephants, horses, sandalwood, camphor, musk, saffron, and precious and semi-precious gems such as moonstones, rubies, diamonds, pearls, lapis lazuli, onyx, topaz, and carbuncles. Inscriptions at Piranmalai (Ramanathapuram district, Tamil Nadu) mention imports such as aloeswood, sandalwood, silk, rose water, camphor, oil, perfume, elephants, and horses. Many of these items were imported from Southeast Asia. Horses came from Arabia, silk from China, elephants from Myanmar, and rose water from West Asia.

THE STUPA AT BOROBUDUR, JAVA

MAP 10.6 PORTS AND CITIES IN INDIAN OCEAN TRADE NETWORKS, C. 600–1500 (AFTER CHAUDHURI, 1985)

The Chola kings promoted trade in various ways, including by setting up erivirappattanas. These were protected mercantile towns, which emerged as important centres of trade. Some of the Chola military expeditions—such as those to Sri Lanka in the 1080s and against ports in the Malaysian peninsula and Indonesian islands in 1025 and the 1070s—were probably more than looting expeditions and aimed at controlling important trade sectors. In the case of expeditions against Sri Lanka, apart from the fact that Mantai (Mannar) was an important entrepôt of maritime trade, an added incentive must have been the desire to control the pearl fisheries of the Gulf of Mannar.

The expanding contacts between South India and Southeast Asia are reflected in inscriptions and sculptures (Abraham, 1988: 29–31). The Tanjore inscription of Rajen-dra Chola I mentions a kingdom of Madamalingam, which can probably be identified with Tambralinga, not far from the Kra isthmus (this links Thailand and Malaysia), an important centre of maritime trade. An important route linked Takuapa to the Bay of Bandon. Hindu images dating from the 4th century onwards have been found in this area. Two Chola period images were discovered at Vieng Sra and a Surya image of the Chola style was found at Jaiya. A profusion of pottery and glass remains were discovered at Ko Kao

island, situated at the mouth of the Takuapa river. Many were from China, while some may possibly have been of West Asian and Indian origin.

THE 12TH CENTURY VISHNU TEMPLE, ANGKOR VAT, CAMBODIA, AN EXAMPLE OF CULTURAL INTERACTION BETWEEN INDIA AND SOUTHEAST ASIA: VIEW OF TEMPLE

RELIEF SCENE FROM THE MAHABHARATA

APSARAS

There was reciprocal interaction between the elites of South, Southeast, and East Asia. The larger Leiden grant refers to the king of Shri Vijaya and Kadaram patronizing the building of a Buddhist monastery at Nagapattinam. Rajaraja also gave a generous land grant for the upkeep of this monastery. Inscriptions mention various gifts in favour of deities enshrined in temples of Nagapattinam on behalf of the kings of Shri Vijaya and Kadaram. The Khmer king sent a gift to Rajendra I. A trade mission was sent by Rajaraja Chola to China in 1015. Chinese sources mention four tribute-bearing missions sent by the Cholas to the court of the Song emperors between 1015 and 1077. They are described as bearing gifts of elephant tusks, rhinoceros horns, pearls, frankincense, rose water, putchuck, barus camphor, brocade, opaque glass, and plumflower. Out of these items that were in great demand in China, some were from India, others from West Asia.

J. C. van Leur’s ([1934], 1955: 133–37, 197–200) theory of the India–Southeast Asia trade being largely in the hands of small-time peddlers is contradicted by the evidence of the existence of powerful guilds in early medieval South India and incontrovertible evidence of their involvement not only in internal trade but also long-distance trade, especially with Southeast Asia. Corporate organizations of merchants became very prominent from the 10th century onwards. In inscriptions, they are referred to as samaya, which means an organization created through an agreement or contract. Members of such associations were governed by a code of conduct known as the bananju-dharma. One of the most powerful guilds was the Ayyavole (The Five Hundred), also known as the Ainnurruvar. This was originally established in Aihole in Karnataka and soon became the largest supra-regional association of merchants. The Manigramam was another important merchant guild located in the Tamil country, and was subordinated to the Ayyavole in the 13th century. The guilds were based on occupation and economic interest, and membership cut across lines of caste and religion. There were also links between merchant guilds and associations of craft specialists such as

weavers. The Anjuvannam was an association of foreign merchants who were intially involved in trade activities on the Kerala coast and later fanned out to other areas.

Most of the guild inscriptions have been found in South India, but some have also been found in Sri Lanka and East and Southeast Asia (Abraham, 1988: 29–33, 60). An inscription mentioning the Ayyavole was found at Padaviya in Sri Lanka. This gives a eulogy of the guild and lists its different component groups. A 1088 CE inscription of the same guild was found at Loboe Toewa in Sumatra. The Manigramam seems to have established a base at Takuapa in Thailand. This is evident from a 9th century inscription found near this place, along with some stone sculptures of Indian manufacture which seem to have been associated with a temple. The fact that the epigraph mentions armed protection extended over a tank suggests that the traders were accompanied by soldiers. The inscription invokes the title of the Pallava king and suggests the existence of an autonomous coastal settlement of Tamil traders here. In China, Quanzhou in Fujian province yielded over 300 Hindu images and artefacts, and a bilingual Tamil–Chinese inscription. This suggests the presence of a colony of Tamil merchants, perhaps members of a guild, in the 13th/14th century.

FURTHER DISCUSSION

Aihole and the Ayyavole

Inscriptions form a major source of information on the guilds of early medieval South India. Most of them are on stone, a few on copper plates. The stone inscriptions are often associated with temples and usually record donations made by guild members. A few refer to public services performed by them, or agreements between rulers and merchants regarding the setting up of mercantile townships. Guild inscriptions frequently include a prashasti of the guild, which throws light on its relationship with the state and other organizations, as well as the religious affiliations of guild members. Lists of commodities involved in trade are also often given.

Aihole, located on the banks of the Malaprabha river in the fertile Raichur doab in Bijapur district, Karnataka, is known for its magnificent Chalukya period temples. The Ayyavole guild seems to have originated in this town. It was probably founded by a group of Brah-mana mahajanas (traders) of this place in about the 8th century. The earliest inscription referring to this guild is found in the Lad Khan temple at Aihole. Several other Aihole inscriptions, ranging from the 8th to 12th centuries, mention it as well. The town of Aihole was also known by other names such as Ayyavole, Aryapura, and Ahichchhatra. Inscriptions refer to members of the Ayyavole guild as ‘ornaments on the brow of that great lady, the city of Ahichchhatra’, or as ‘the 500 svamis [lords] of the illustrious town of Ayyavole’. Inscriptional references to the Ayyavole range from the 8th/9th century to the late 17th century. During the early medieval period, against the background of expanding trade and urban settlements, the activities of this guild expanded.

Given the large area that the Ayyavole operated over (Karnataka, Tamil Nadu, southern Andhra Pradesh, and parts of Kerala), one of the questions that arises is whether it functioned as a loose federation of units or whether it had a centralized organizational structure. Opinions on this issue

vary greatly. Meera Abraham suggests that the organization consisted of a sort of federation of units, each operating over fairly large areas.

The Ayyavole had close links with various ruling elites and enjoyed royal patronage. The Cholas had a close relationship with this guild. According to tradition, the Pandya kings invited the Nattukottai Chettiars, members of Ayyavole, to migrate from Kaveripattinam to their territory. The Ayyavole had links with other, smaller merchant associations such as the Valanjiyar, as well as close links with agraharas and agrahara Brahmanas.

SOURCE Abraham, 1988

As Chola power waned in the 12th century, the merchant guilds of South India became increasingly independent and less dependent on royal support. Trading caravans moved around with armed protection. Merchant guilds jointly fixed tolls and cesses, and made joint donations to temples along with the Chittirameli and Pandinen Vishaya, which were associations of agriculturists controlling the production and exchange of agricultural commodities.

The Religious Sphere

Religious developments in early medieval India show continuities with the preceding centuries and can be reconstructed on the basis of religious texts, inscriptions, architecture, and sculptural remains. At the level of popular worship, the focus was on devotional worship in temples and on pilgrimage. The Hindu cults, especially those associated with the worship of Vishnu, Shiva, and Shakti, became increasingly popular. The Tantric tradition became more visible and exerted its influence over Hindu, Buddhist and, to a lesser extent, Jaina traditions. While the Hindu cults were fairly widespread throughout the subcontinent, Buddhism and Jainism had a more restricted provenance. Jainism held sway in western India and Karnataka, while the strongholds of Buddhism were located in eastern India and Kashmir. The age-old naga cults still held their ground, as evident in the importance of the worship of Nilamata naga in Kashmir.

The relationship between different cults and sects was partly marked by interaction and a certain level of syncretism. For instance, the Jaina tirthankara Rishabha was turned into an avatara of Vishnu in the Bhagavata Purana. As already mentioned, certain Puranas include the Buddha among the incarnations of Vishnu. A verse in Jayadeva’s Gita Govinda refers to the Buddha as the ninth incarnation of Keshava (Vishnu). The Brihadishvara temple at Tanjore has a large image of a seated Buddha to the right of the main gateway, and the Buddha under a bodhi tree is depicted in some relief carvings around the temple. At the same time, the relationship between religious traditions and sects could also be marked by tensions and rivalry, an example of which is the hostility between Shaivas and Jainas in South India. Such antagonism was sometimes expressed in graphic iconic form, for instance in sculptures of deities trampling on their rivals.

Many early medieval sites show a juxtaposition of shrines belonging to different religious traditions. One of the most spectacular instances of this is at Ellora, in the Aurangabad district of Maharashtra. From the 6th century CE onwards, artisans began chiselling a series of Buddhist caves at the southern end of the basalt lava outcrop, as well as several Hindu caves and shrines at the

northern end. One of the most spectacular of the Ellora shrines is the Kailashanatha temple, built in the 8th–9th centuries. Jaina caves were added to the northern end at about this time. Similarly, at Badami (Bagalkot district, Karnataka), Vaishnava, Shaiva, and Jaina caves stand next to each other.

The early medieval period saw the advent of Islam on the subcontinent. Reference has been made to Arab merchants settled in various parts of western India. Epigraphic and textual evidence indicates that by the 13th century, the Muslim population in these ports and towns included not only Arab shipowners and traders, but also local oilmen and masons. Several inscriptions record the building of mosques by wealthy traders. The centuries after the establishment of the Delhi Sultanate saw a growth in the number of Muslims in the subcontinent.

Religious shrines derived patronage from various sections of society. The political patronage of certain temples, especially after the 10th century, led to the emergence of royal temples. Religious cults were an important aspect of emergent regional cultures. Religious identities also became more clearly defined during these and the subsequent centuries. For instance, David Lorenzen ([1999], 2006) has argued that a self-conscious Hindu identity emerged in the medieval period, during the period of interaction with Is-lam. As it is not possible to detail all the developments in the religious history of various parts of the subcontinent, a few of these developments are summarized below, followed by a closer look at Vaishnava and Shaiva bhakti in South India.

BUDDHISM IN EARLY MEDIEVAL INDIA

Xuanzang noted many large, flourishing monasteries in the Magadha area, such as those of Nalanda, Tilodaka, and Bodh Gaya, but also mentioned many deserted or ruined monasteries elsewhere. The Chinese pilgrim spent over five years studying the Yogachara doctrine at Nalanda. Yijing visited Bodh Gaya and the monastery of Tilodaka, which he described as housing some 1,000 monks. Xuanzang offers a general description of the monasteries of the time. He mentions their skilful construction and refers to their having a three-storeyed tower at each side, profusely painted doors and windows, and low walls. The monks’ cells were plain outside and ornamented inside. There were large, high assembly halls in the middle of the building, storeyed chambers, and turrets of varying height, with doors facing eastwards. Textual sources and inscriptions indicate the location of monasteries of early medieval times, and archaeological remains of many of these have been identified.

PRIMARY SOURCES

A letter from Xuanzang to Prajnadeva

After Xuanzang returned to China, he busied himself translating Buddhist Sankrit texts into Chinese in the Tz’u-en monastery at Ch’ang an. During this period, he corresponded with some of the monks he had met in India. One of these was Prajnadeva, a senior monk belonging to the Mahabodhi monastery at Bodh Gaya. Prajnadeva had sent Xuanzang the text of a hymn composed by himself and a present of two rolls of cotton cloth. He had also asked the Chinese monk to let him know if he requried any copies of Buddhist texts. This is what Xuanzang wrote in reply, in

654 CE. (As the letter was in Chinese, someone in the Bodh Gaya monastery must have been equipped to translate it for the recipient.):

Bhikshu Xuanzang of the great T’ang empire begs to address this to the venerable Tripitaka-Master Prajnadeva of the Mahabodhi monastery:

Your Reverend, it has been quite long since we parted, which enhances my longing and admiration for you. The non-communication between us all the more leaves the thirst of the yearning unquenched.

Bhikshu Dharmadirgha arrived here with your very kind letter which brought me delight. There were also two rolls of fine cotton cloth and one fascile of a hymn. I feel rather embarrassed as my want of virtue does not deserve such kindness.

The weather is getting warmer now, and I do not know how you have been keeping since you last wrote.

I can imagine how you have assimilated the theories of all the schools, pondered over all volumes of the scriptures, hoisted the flag of the right dharma, led the swerving people to the correct path, and beat back the discordant preachers. You surely maintain your spirit in front of princes and nobles, and compliment or criticize at will in a galaxy of talented people. All this contributes to your highly pleasant demeanour.

As for me, my incapacity is compounded by the decline of vigour. This all the more increases my yearnings when I remember the virtue of Your Reverend.

During my sojourn in your country, I had the honour of meeting Your Reverend.

In the convocation at Kanyakubja, we also engaged in a debate and argued our respective viewpoints in the presence of the princes and thousands of devotees.

As one of us expounded the tenets of the Mahayana school, the other advocated the aims of Hinayana. In the course of debate, our arguments unavoidably got heated. In order to defend the truth, there was scant regard for personal feelings. Thus, there were clashes. But, as soon as the debate was over, we did not take each other amiss. Now, you have sent word through the messenger apologizing for the past. How scrupulous you are!

You, holy sir, are profound in scholarship, eloquent in speech, firm in belief, and superb in cultivation. You are [in excellence] greater than the expanse of the water in the Anavatapa lake, and purer than the purest mani [jewel]. Your Reverend set an example for emulation by the juniors, among whom Your Reverend stood like a giant.

I wish you all the best in your endeavour in promoting the noble tradition and disseminating the true dharma.

Mahayana Buddhism surpasses all other schools in its perfection in reasoning and in its meridian level in argument. It is regrettable that Your Reverend has reservations about it. It is like

preferring a sheep-drawn or deer-drawn cart to a bullock-drawn carriage, or preferring crystal to beryl. Enlightened as Your Reverend is, why such persistence in unbelief? Our mundane life is ephemeral. It is advisable that Your Reverend makes an early resolution to embrace Alamkaraka-saddharma [the Mahayana path] so that there is no regret at the end of life.

Now, there is a messenger returning to India, I send you my sincere regards and a little memento as a token of my gratitude. It is too inadequate to express my deep feelings for Your Reverend. I hope Your Reverend would appreciate this.

When I was returning from India, I lost a horse-load of scriptures in the river Sindhu. I attach herewith a list and request that they be sent to me. This much for the present.

Yours

Bhikshu Xuanzang

SOURCE Tan Chung, cited in Devahuti, 2001: 282

The Buddhist monasteries at Sanchi and Amaravati continued to flourish till the 12th–13th centuries. The Chachnama refers to Buddhism flourishing in Sindh in the north-west. In Kashmir, the Jayendra monastery at Shrinagara and the Raja monastery at Parihasapura declined by the 11th century, but the Ratnagupta monastery and Ratnarashmi monastery at Anupamapura flourished in the 11th and 12th centuries. The Palas of Bengal and Bihar were patrons of Buddhism. Various monasteries such as Nalanda, Odantapura (near Nalanda), Vikramashila (identified with Antichak in Bhagalpur district, Bihar), and Somapuri (located at Paharpur) flourished in their kingdom. There was active interaction between Tibetan monks and these centres. In Orissa, remains of early medieval Buddhist stupas, monasteries, and sculptures have been found at Lalitagiri and Ratnagiri. Several Buddhist viharas were built during this period in Nepal, as well as in Ladakh, Lahul, and Spiti. It was the Tantric form of Buddhism that flourished at most of the major monastic centres.

SPITI VALLEY (HP): KEY MONASTERY

TABO MONASTERY

CLAY STATUES IN ASSEMBLY HALL

ALCHI, LADAKH: PAINTING OF SHRINE

Buddhist images of the early medieval period show great variety in iconographic forms and testify to the popularity of devotional worship. The Bodhicharyavatara of Shantideva (8th century CE) describes the Mahayana rites of worship. These included bathing the image with scented water, offering food, flowers, and clothes, swinging censers, and burning incense, and the performance of vocal and instrumental music. Donative inscriptions of the Maitrakas of Valabhi refer to provisions made to cover the cost of incense, lamps, oil, and flowers (dhupa-dipa-taila-pushpa).

The early medieval period saw the ascendency of Tantric Buddhism, which combined ritual, magic, and meditation. The earliest texts of this tradition are the Manjushrimulakalpa and the Guhyasamaja (5th–6th centuries). Tantric Buddhism was known as Vajrayana (literally, the

Thunderbolt or Diamond vehicle). The thunderbolt and diamond both symbolized power and strength, characteristics of a person who had attained siddhi (enlightenment). The vajra-sceptre and bell were important elements in the ritual paraphernalia of Vajrayana. Another name for Tantric Buddhism was Mantrayana—vehicle of the mantras. Mantras were considered an important means to attain spiritual perfection. One of the most important ones was the six-syllable mantra described in the tradition as the hridaya (heart) of Avalokiteshvara: Om mani padme hum. Om and hum were sacred sounds. Mani padme literally means ‘jewel in the lotus’ or it may refer to a bodhisattva named Manipadma. Buddhist Tantra has complex symbolic interpretations of this mantra, which was believed to have great potency. Female deities had an important place in the Vajrayana pantheon. The most popular of these was Tara. The exponents of Tantric or esoteric Buddhism were known as Siddhas or Tantra-gurus. The 16th century Tibetan traveller gives an account of famous Siddhas.

The Hevajra Tantra advocates the attainment of liberation by using and sublimating sexual energy. Sexual yogic rituals were supposed to be performed at night in a cemetery with a low-caste girl, after drinking alcohol, and eating meat. The path of Sahajayana, taught by the mahasiddha Saraha, on the other hand, advocated neither rituals nor mantras. It emphasized instruction by a guru and held that it was possible to attain a liberated state while enjoying a worldly life. The Sahajiyas rejected obtuse philosophy and devotional worship, and attached prime importance to intuition in the attainment of salvation. This sect was especially influential in Bengal.

Buddhism did not completely disappear from the subcontinent, but it did decline and was relegated to the geographical, political, and cultural margins. Various factors have been suggested for this—the failure of Buddhism to maintain a distinct identity in relation to the Hindu cults, the ‘degeneration’ brought in by increasing Tantric influences, and a strident Hinduism represented by thinkers such as Shankara. The Turkish invasions led to the destruction of several major monastic centres, which formed easily identifiable targets. However, there is much about the history of Buddhism in early medieval India, especially the reasons for dwindling lay support and patronage, that remains obscure. It should also be noted that some of the monasteries that were established in Tibet and in the western Himalayas during these centuries have a continuous history right down to the present.

Some scholars have analysed the social aspects of Tantric or esoteric Buddhism. Miranda Shaw’s (1994) study of women in Tantric Buddhism, suggests that women and men are integral to the Tantric way, and that they are both seen as capable of creating non-exploitative, non-coercive, and mutually enlightening relationships, and as capable of attaining liberation together. This can be seen, for instance, in the image of the union of a male and female Buddha as a symbol of enlightenment, as well as in the powerful iconography of yoginis in Tantric iconography. Shaw argues that women played an important role in the creation of Tantric Buddhism and that they participated actively and fully in it as teachers, students, practitioners, and innovators. This seems a somewhat idealized view.

Ronald M. Davidson (2002) has tried to relate Tantric Buddhism to the broader patterns of political, social, and economic change in the early medieval period. Although his analysis is limited insofar as it takes the feudal paradigm and all its corollaries as a given, it does raise important issues about the social dimensions of esoteric Buddhism. David-son suggests a ‘samantization’ of the gods, in which deities, like kings, came to be organized into a hierarchy of supremacy and subordination. He also sees a political resonance in the fact that Tantric Buddhism had as its defining metaphor the individual achieving kingship and exercising dominion. The newer forms of Buddhism

had to grapple with the collapse of old sources of support and patronage and had to forge new social links. The siddhas evolved networks of political patronage and engaged with tribal and outcaste groups. Some monasteries grew into mahaviharas and became owners of large landed estates. Women’s participation—both at the monastic and lay level—declined sharply, something very apparent from the inscriptional silence from all over the subcontinent.

Tara

The bodhisattva Tara was known in earlier centuries, but became increasingly important in the early medieval period. The Manjushrimulakalpa lists her various names—Bhrikuti, Mamaki, Lochana, Shveta, Pandaravasini, and Sutara. Later texts speak of her many forms, of which the Green and White were the most popular. These are said to have been born from the tears of Avalokiteshvara when he saw the terrible conditions in hell. Tara is considered to have a great capacity to relieve people’s suffering.

The Mahapratyangira-dharani refers to her as the greatest deity. She is described as white in colour, wearing a garland of vajras around her neck, holding a vajra in her hand, and bearing the figure of Vairochana on her crown. Many Tara-stotras (Tara hymns) were composed from the 7th century CE. The 8th century Sragdhara-stotra describes her as one who gives strength to the weak and succour to those in distress, and as the saviour of all beings from sufferings of all kinds. Early medieval stotras elevate Tara to the position of a companion of Avalokiteshvara and mother of all the Buddhas, associating her with maitri (love) and karuna (compassion). In Tantric Buddhism, Tara came to be considered as the shakti (energy) of the Buddha, or as an emanation of one of the various Buddhas.

One of the most frequent iconic representations of Tara in northern and eastern India depicts her in a form known as Khadiravani Tara or Shyama Tara, considered to be an emanation of the Dhyani Buddha Amoghasiddha. She is shown standing or sitting gracefully, with her right hand in the boon-granting varadamudra, and holding a lotus with a long stalk in her left hand. She has two attendants—Ashokakanta Marichi to her right and Ekajata to her left. Eight miniature goddesses or scenes are sometimes shown to the left and right. Another form of Tara is Mahachina Tara or Ugra Tara, an emanation of Akshobhya. This is her terrifying form, in which she appears four armed, standing on a corpse. She holds a sword and chopper in her right hands, and a lotus and skull cap in her left.

MAJOR CENTRES OF JAINISM

Jainism was popular in parts of Rajasthan, Gujarat, Bengal, Orissa, Madhya Pradesh, Uttar Pradesh, and Karnataka (Chatterjee, 1984). Xuanzang’s account suggests that the Digambara sect was more widespread than the Shvetambara sect. Jaina establishments received royal patronage from the Chapas of Gujarat and the Paramara kings. In peninsular India, some of the Gangas, Rashtrakutas, Eastern and Western Chalukyas, and Kadambas were patrons of Jaina scholars and establishments.

A large number of Jaina works were written in Sanskrit, Prakrit, Apabhramsha, Kannada, and Tamil during this period. The great Jaina philosophers of the time included Akalanka, Haribhadra, and Vidyananda. Akalanka, author of the Tattvartharajavarttika, was a skilled logician, and seems to have lived in the 8th century. Haribhadra was also a logician, and his works include a commentary on Dinnaga’s Nyayapravesha. His Anekantajayapataka contains a refutation of Buddhist and Brahmanical doctrines. Vidyananda lived in the 9th century and belonged to Pataliputra. His works include the Aptamimam-salamkrita, which contains a detailed discussion of the principles of logic. The Adi Purana (8th century) of Jinasena and Gunabhadra listed and outlined a set of samskaras (life-cycle rituals) which were Brahmanical in form, but were endowed with distinct Jaina meaning. Echoing the prejudices of Brahmanical texts, the Adi Purana states that Shudras were not to be included in certain higher religious practices, including monkhood.

The colossal image of Gommateshvara at Shravana Belagola

Shravana Belagola, a small town in the Channarayapatna taluk of Hassan district in Karnataka is an important Jaina pilgrimage site. Its name derives from shramana, which means ‘ascetic’ in Sanskrit, and bela-kola which means ‘white tank’ in Kannada. The town lies between two rocky hills known as Chandragiri or Chikkabetta and Vindhyagiri or Indragiri (also known as Doddabetta).

The 37 Jaina temples at Shravana Belagola were built between the 8th and 18th centuries. A Jaina monastery here has 17th–18th century mural paintings on its wall. Over 500 inscriptions in this town speak of the history of the place. However, Shravana Belagola is best known for its colossal 17.5 m high monolithic statue of the saint Gommateshvara or Bahubali, which is said to be the tallest free-standing monolithic sculpture in the world.

In Jaina tradition, Gommata or Bahubali is the son of Adinatha, the first tirthankara. Tenth century inscriptions in Kannada, Tamil, and Marathi, engraved at the base of the image, tell us that it was made at the orders of Chamunda Raja or Chavunda Raya. Chamunda Raya was a minister of the Ganga king Rachamalla (Rajamalla), who ruled from 974 to 984 CE.

Bahubali’s statue, carved out of light-grey granite, can be seen on the top of the hill on which it stands from as far away as 10 km, but cannot be glimpsed from the base of that hill. The nude image is carved in the round up to the knees, at which point it merges into the matrix of the rock. The surface of the figure is highly polished. Bahubali stands erect in the Kayotsarga pose, with stiff, unbent arms and legs, the arms not touching the body. His feet are planted on a full-blown lotus. His taut, robust body has high, broad shoulders, a slim waist, and a broad pelvis. His hair is curly, his face broad, and his chin and nose well shaped. His body has the lakshanas (signs) of

a mahapurusha (great man) such as ears with long lobes and unusually long arms. Creepers entwining his arms and legs, and anthills rising up to his thighs, bear testimony to his extraordinary penance. His gaze is calm and resolute, and the subdued smile playing on his lips reflects his inner tranquility. Bahubali is flanked by the carving of a yaksha and yakshi.

The mahamastabhisheka or head anointment of Bahubali is performed every 12 years. On this occasion, devotees pour offerings including milk, flowers, and jewels over the head of the colossal image. The most recent mahamastabhisheka was held in 2006.

SOURCE Nagaraj, 1980

DETAILS OF THE DILWARA TEMPLE, MOUNT ABU

Jaina shrines of the early medieval period were located at various places in modern Uttar Pradesh including Deogarh and Mathura. The Digambaras were active in Samatata and Pundravardhana in

Bengal. Several places of Jaina pilgrimage were located in Rajasthan, including at Chittor. The Dilwara temples of Mount Abu are among the most spectacular Jaina temples of this period. The Jaina centres in Gujarat included Bhrigukachchha, Girnar, and Valabhi, which was famous for its temple of Chandraprabha and a temple dedicated to Mahavira. In central India, Jaina establishments existed at Sonagiri and Khajuraho. In western India, there were well-established Jaina centres at Nasik and Pratishthana. There are Jaina caves at Ellora. In Orissa, the Jaina establishments at Udayagiri and Khandagiri continued to flourish in the early medieval period.

Jainism had a strong presence in the Karnataka area. The Aihole inscription of Pulakeshin II begins with an invocation to Jinendra (lord of the jinas) and tells us that the poet Ravikirti was responsible for the building of the temple in whose wall the inscription is embedded. Jaina temples are located at Shravana Belagola, Koppana, and Halebid. Jaina inscriptions have also been found in various parts of Andhra Pradesh. Donative inscriptions belonging to the reigns of Pallava, Chola, and Pandya kings have been found in various parts of Tamil Nadu, and they contain the names of various Jaina saints. One who is mentioned frequently is Ajjanandi, who seems to have lived in Madurai in the 9th century. Other saints, who were probably his contemporaries or near contemporaries, include Indusena and Mallisena. Jaina inscriptions at places such as Shravana Belagola give long lists of pontifical succession stretching over many centuries. By the end of the early medieval period, Jainism retained a significant presence in Gujarat, Rajasthan, and Karnataka.

SHANKARA AND ADVAITA VEDANTA

The early medieval period saw a great deal of philosophical writings related to the various darshanas. One of the most influential thinkers of the time was Shankara, who lived in the late 8th and early 9th centuries. It is difficult to separate historical detail from legend in Shankara’s hagiographies, all of which were composed after the 14th century (Pande [1994], 1998). One of the most popular of these is the Shankara-digvijaya of Madhava. This describes Shankara as travelling all over the country, meeting and debating with philosophical adversaries, defeating them all. Shankara was one of the most influential proponents of Vedanta. His version of Vedanta is known as Advaita Vedanta.

As mentioned in (< />)Chapter 8, the Upanishads form the last part—anta—of the Vedas. They, and the philosophies based on them, are therefore called Vedanta (sometimes referred to as Uttara Mimamsa). Mention was made in an earlier chapter of the various Vedanta philosophical systems based on the Upanishads, including Badarayana’s Brahma Sutra and the Bhagavad Gita. The earliest formal exposition of Advaita or non-dualistic Vedanta was put forward by Gaudapada in the 7th or 8th century in his Mandukyakarika, a verse commentary on the Mandukya Upanishad. Gaudapada was influenced by Madhyamika and Vijnanavada Buddhism. He held that worldly objects were similar to things seen in a dream. Reality is one (a-dvaita), and the idea of plurality is due to maya (illusion born out of ignorance).

Gaudapada’s ideas were developed further by Shankara, who tried to demonstrate that the Upanishads and Brahmasutras contained a systematic, unified philosophy. His major work is his bhashya (commentary) on the Brahma Sutra. According to Shankara, the performance of Vedic sacrifices was for people who wanted to attain material, worldly gains, but the Upanishads contained the way to supreme knowledge. In his monistic doctrine, brahman is the ultimate reality. It is without qualities (nirguna). It is pure consciousness, eternal and unchanging. All change and

plurality is only apparent. Shankara identified two levels of reality—conventional reality and absolute reality. An example he gave to illustrate this idea is that of a person looking at a coiled rope and thinking that it is a snake. The rope seems like a real snake, but it is not one. The reason for mistaking conventional reality for absolute reality is ignorance (avidya). The goal of Advaita Vedanta is liberation from the cycle of rebirth, which consists of the realization of the oneness of the atman with brahman.

Shankara’s vigorous espousal of a philosophy whose roots lay in the Vedic tradition is seen by some scholars as a key factor in the decline of Buddhism in India. On the other hand, it is interesting to note that his critics referred to him as a ‘hidden Buddhist’. This is because his treatment of the world as illusion struck them as rather similar to the ideas of the Mahayana schools. However, it should be noted that while defending his interpretation of the Upanishadic doctrine, Shankara also countered objections that could be raised against it by proponents of other schools, putting forward a strong critique of the viewpoints of Buddhist schools as well as other schools such as Samkhya, Nyaya, and Mimamsa.

Shankara is supposed to have founded the Dashanami sect and to have established four or five monasteries known as the Amanaya mathas (see Kulke [1993], 2001). Although it is clear that some sort of organization for preserving and propagating Shan-kara’s teaching emerged fairly early in the day, many historians have argued that the mathas (including those at Shringeri and Kanchi) seem to have been established several centuries later, and were attributed to Shankara in order to endow them with prestige. The Shringeri matha, for instance, seems to have been set up in the 14th century, during the Vijayanagara period.

THE HINDU CULTS

Although certain theistic tracts are ascribed to Shankara, Advaita Vedanta is not essentially a theistic philosophical system. At the level of popular practice, however, it was theistic worship that prevailed, and along with this, there was the development of a theology of bhakti. Within the Hindu tradition, although many deities (e.g., Surya, Ganesha, Karttikeya, and Brahma) formed the focus of devotional worship, it was the Vaishnava, Shaiva, and Shakta cults that were the most popular. There was an increase in the number and geographical spread of temples during this period. Temple sculptures show great variety in the forms of representation of deities, as well as a pan-Indian systemization of iconic forms. Sectarian epithets became common in royal inscriptions, kings patronized the building of temples, and certain temples became closely identified with their royal patrons. However, royal patronage was neither the only nor the most important source of patronage. As in earlier centuries, there were many groups of non-royal people who offered donations to religious establishments.

Although at one level, deities like Vishnu, Shiva, and Shakti formed the focus of exclusive worship of devotees who considered them supreme deities, at another level, they were also part of a larger community of gods. Monolatory—a belief in a supreme god without denying the existence of other gods—is an important aspect of Hinduism. This is why, apart from representations of the presiding deity, Hindu temples often depict various other deities as well.

VISHNUISM AND SHIVAISM

Textual evidence and temple sculpture indicate that the idea of the ten incarnations of Vishnu was more or less standarized in the early medieval period. Pancharatra texts expanded on the idea of the vyuhas (emanations) of Vishnu, and the number of vyuhas increased from 4 to 24. Some aspects of Vaishnava theology were discussed in (< />)Chapter 9, and others will be discussed later on in the section on South Indian bhakti.

The divine cowherd Krishna emerged as a major focus of devotional worship within Vishnuism. The Harivamsha, a supplement to the Mahabharata, describes the many legends associated with Krishna’s childhood and youth. The Bhagavata Purana is another important Vaishnava text. It seems to have been composed in South India in the 9th–10th centuries. Book 10 of this Purana is the Krishna-charita, which gives a detailed account of Krishna’s life—his birth and his childhood with his foster-parents Nanda and Yashodha; his cowherd life in Braja and his miraculous exploits such as killing Putana and overcoming the serpent Kaliya; and his relationship with the gopis (cowherd girls). The text speaks in particular of one gopi whom Krishna desires especially, but does not mention her name. In Krishna bhakti, the love of the gopis for Krishna, their longing for him, and their grief at their separation from him, is used as a metaphor for the relationship between devotee and god.

‘DURGA’ TEMPLE, AIHOLE: SHIVA WITH NANDI BULL

VARAHA LIFTING PRITHVI

There are stray references to a Radha in earlier texts such as the Matsya, Varaha, and Linga Puranas. She is not mentioned directly in the Harivamsha, or in the Vishnu and Bhagavata Puranas. It was Jayadeva’s celebrated 12th century lyric poem, the Gita-Govinda that brought Radha into the limelight. This work is known for its high literary quality and powerful eroticism. The theme of the love between Radha and Krishna was elaborated on in a later Purana, the Brahmavaivarta Purana.

The ‘Durga’ temple at Aihole

The ‘Durga temple’ at Aihole is named after a nearby fort, and is not dedicated to the goddess Durga. It was probaby built in about 725–30 CE, during the reign of the Chalukya king Vijayaditya. The temple is apsidal in form and has an ambulatory passage running along the entire outer side of the apse. The mandapa (hall) and verandah are basically in the Dravida style, while the shikhara is a variety of the Nagara style. The small sanctum with a rounded back has a raised circular altar. The image of the presiding deity was removed at some point, it is not known when.

The Durga temple is an enigmatic structure. The issues that scholars have grappled with include the place of this temple within the larger history of temple architecture, whether the shikhara was part of the original structure or whether it was added later to an originally flat- roofed shrine; and whether the sculptures in the circumambulatory passage were original or later additions.

The biggest mystery, however, concerns the deity to whom this temple was dedicated. Over the years, it has been variously connected with Shiva, Vishnu, Brahma, and Aditya (Surya). It has also been argued that it was a Buddhist shrine, taken over at some point by the Shaivas. This view, which is not longer accepted, was based on the erroneous belief that the apsidal architectural form was associated exclusively with Buddhism. In actual fact, this form was used in the religious architecture of the Ajivikas, Jainas, and the Hindu cults.

The pradakshina-patha (circumambulatory passage) of the temple consists of a verandah gallery running all around the shrine. The outer rim of this gallery is formed by a parapet and 28 square pillars, letting in plenty of air and light. On the inner wall of this gallery are 11 wall niches, separated by pilasters. These niches frame a series of relief sculptures, only seven of which have

survived. These reliefs are considered among the sculptural masterpieces of the Chalukya period. The themes of these sculptures are: Shiva with Nandi; Vishnu in his man-lion Narasimha avatara; Vishnu on garuda; Vishnu in his boar incarnation; Durga Mahishasuramardini; and Hari-Hara (the combination of Vishnu and Shiva). One of the empty niches once contained an image of Shiva as Bhikshatana.

The sheer variety of the sculptures makes it difficult to identify the cultic affiliations of the temple. Shaiva temples of this region usually depict a variety of deities, but have a Nandi mandapa (a pavilion enshrining the Nandi bull), which is absent here. Therefore, it does not seem to be a Shiva temple. As its sculptural programme does not privilege the goddess, it does not seem to be a goddess temple. Vishnu temples of this region and period tend to have exclusively Vaishnava sculptural themes, so this was not a Vishnu temple. The view among many art historians today is that the Durga temple was dedicated to Aditya (Surya). There is an image of this deity above the entrance, and a gateway inscription refers to it as a temple of Aditya. Several representations of the sun god have been found elsewere on the structure as well. However, even if it can be understood as a Surya temple, in many respects, the form and style of the Durga temple at Aihole remain unique.

SOURCE Tartakov, 1997

Sculptural representations of the various avataras of Vishnu have been found in many parts of the subcontinent. The goddesses Lakshmi, Sarasvati, and Bhudevi are often associated with him. Vaishnava devotionalism acquired a strong expression in South India in the hymns of the Alvars, which will be discussed later. Many Vaishnava temples and sculptures are attributed to the early medieval period.

The increasing popularity of the worship of Shiva was accompanied by the development of various Shaiva philosophical schools, whose ideas show considerable overlap. The Agamas are considered authoritative texts by followers of Shaiva Siddhanta, Kashmir Shivaism, and the Virashaiva tradition. They are considered as containing the words of Shiva himself and are supposed to be taught only to select initiates. These Agamas seem to have been composed in the Tamil-speaking area between c. 400 and 800 CE. Although they recognize the importance of knowledge (jnana), ritual (kriya), and yogic practice and conduct (charya), they attach prime importance to bhakti. Recognizing the authority of the Vedic tradition, they nevertheless consider Shaiva bhakti as superior to the performance of Vedic sacrifices. The rituals prescribed for performance at home and in temples are supposed to be performed with Shaiva mantras, although they also include some Vedic mantras. The texts also discuss the making of religious images and the construction of temples.

Shaiva Siddhanta was a major Shaiva philosophical school in South India. It recognized three eternal principles—God (Shiva), the universe, and souls. Shiva was considered to have created the world through his will and energy (shakti). Shaiva Siddhanta accepts the authority of the Vedas, Agamas, and the hymns of the saints, but interprets the Vedic tradition through the perpective of Shaiva bhakti.

VARAHA SCULPTURE FROM LALITAPUR, 10TH/11TH CENTURY

The influential Kashmir Shaiva school was associated with a monistic or non-dualistic philosophy, according to which the atman (individual soul) and the world were identical with Shiva. The universe was considered a manifestation created by Shiva through his creative power, and is compared to a reflection of a city or village in a mirror. Shakti is considered the feminine aspect of the god. The ideas of the Kashmir Shaiva school are contained in the Shivasutras, which, according to tradition, were revealed by the god himself to a sage named Vasugupta, who can be placed in the 8th–9th centuries. His pupils Kallata and Somananda further elaborated on the philosphical doctrines. Other leading figures of the school include Abhinavagupta, Utpala, and Ramakantha.

The Kapalikas and Kalamukhas were two important Shaiva sects of the time. No texts of these sects have survived, and their history has to be reconstructed on the basis of inscriptions and highly negative references to them in the texts of their adversaries. These sects had monasteries (mathas) and well-organized priesthoods. Lorenzen’s ([1972], 1991) study of these orders shows that although they had their distinct monastic groups, they did not have separate laities. The Kapalikas were Tantric Shaivite ascetics who lived in the forest. They carried a skull bowl for begging and were associated with a mahavrata or great vow. They are described as performing penances, animal and human sacrifice, and sometimes practising self-mutilation. The Kalamukhas seem to have been an offshoot of the Pashupatas, and were especially active in the Karnataka area between the 11th and 14th centuries. There are many inscriptions recording gifts to temples and mathas of this sect. The

inscriptional references to various Shaiva sects in early medieval India have been discussed by V. S. Pathak (1960).

Shaiva bhakti became extremely popular in South India due to the ideas and activities of the Nayanmar saints, which will be discussed in a later section of this chapter. Aspects of Shaiva sculpture and architecture too are discussed in a later section.

THE SHAKTI CULT

Mention was made in (< />)Chapter 8 to the Devi-Mahatmya, which was inserted into the Markandeya Purana by about the 7th century. This contains verses in praise of the Devi (goddess) and speaks of her many exploits, including how she vanquished the demon Mahishasura. The stories narrated in the Devi-Mahatmya are accompanied by verses in which the gods praise her in various ways. The Narayani-stuti speaks of her Vaishnavi-shakti sustaining the entire universe. It refers to her nine Matrika forms, and to her other manifestations as Lakshmi, Sarasvati, Narayani, Katyayani, Durga, Bhadrakali, and Ambika. In the last 14 verses of the Devi-Mahatmya, the goddess declares her future manifestations in different ages—as Yogamaya (daughter of Nanda and Yashoda), Raktadantika, Shatakshi, Shakambhari, Durga, Bhima, and Bhramari. In the last canto, in a promise reminiscent of the Bhagavad Gita, she announces that she will appear from time to time in the world, in order to destroy demons and evil.

FURTHER DISCUSSION

The Goddess as killer of the demon Mahisha

The 700 verses of the Durga-saptashati in the Markandeya Purana praise the goddess and narrate her many victories. In one place, the goddess is said to have briskly jumped onto the body of the buffalo demon Mahisha, pressed him down with one leg, and thrust her spear into his neck. In this aspect, she is known as Durga Mahishasuramardini (Durga, slayer of the demon Mahisha). The basic iconography of Durga Mahishasuramardini, which is in fact the most frequently depicted form of the goddess in sculpture, was fixed in the early centuries CE. However, within the broad iconographic parameters, ancient crafts people made choices in terms of detail and portrayal, and their individual creations often carried a distinctive stamp. Some of the most impressive sculptural representations of Durga Mahishasuramardini were made by sculptors of the early medieval period.

Sculptural depictions of the goddess show some variations on the basic theme. The number of arms varies; the lion sometimes appears as her mount, at other times by her side. In some places, the buffalo demon is shown as an animal, in others as part man, part animal. In some representations, the image of the goddess captures and conveys strength and vigour. At other places, the sculptor man aged to simultaneously convey gracefulness and femininity.

One of the most impressive representations of Durga Mahishasuramardini is located in a niche in the Virupaksha temple at Aihole. The carving is very deep, almost but not quite in the round, giving it a three-dimensional effect. The demon is depicted as a human with buffalo horns. His

head is pressed down under the the goddess’ left foot. Her arms are arranged in a rhythmic pattern. Her sword effortlessly cleaves the demon’s body. The sculptor managed to create an image that is at once exceptionally graceful, realistic, and powerful.

Architectural and sculptural remains from various parts of the subcontinent reflect the widespread worship of Durga, as well as the allied cults of the Matrikas (usually mentioned as seven or eight in number) and the Yoginis (Bhattacharyya, 1974: 100–05). The Matrikas were mentioned in (< />)Chapter 9. The Yoginis, eventually reckoned as 64 in number, are described in texts as attendants or manifestations of Durga in her battle against the demons Shumbha and Nishumbha. The principal Yoginis were identified with the Matrikas. Multi-armed Durga images of this period occur in large numbers, especially in eastern India. They also occur in the Tamil Nadu area, where an iconographic peculiarity is the association of the goddess with a stag. Representations of the goddess as Nishumbhamardini (slayer of the demon Nishumbha) occur among the reliefs at many temples belonging to the Chola period. The worship of the Sapta-Matrikas and Yoginis was also popular in eastern India. In Orissa, several Matrika images have been found in and near Jajpur (among other areas), and hypaethral (roofless) temples of the Yoginis occur at Ranipur Jharial and Hirapur.

The inscriptions of early medieval India refer to many local goddesses. For instance, those of Orissa mention Viraja and Stambheshvari, and those of Assam mention Kamakhya. The Puranic tradition wove the many goddess cults together by developing the idea that the various local goddesses were manifestations of one great goddess, the great Devi. Kunal Chakrabarti (2001) has demonstrated how in Bengal, the encounter between Brahmanism and a strong tradition of the worship of autonomous goddesses resulted in a regional cultural synthesis which gave primacy to goddess worship. The Matsya Purana gives a list of 108 names of the great goddess, while the Kurma Purana invokes her with 1,000 names.

The Kalika Purana is an important Shakta text belonging to the early medieval period (van Kooij, 1972). Composed in the area of Assam or in some adjoining part of Bengal, it reflects the diverse forms of the worship of Devi. The goddess is described as having both a benign and a terrifying form. In her shanta (calm) form, she has a strongly erotic character. In her raudra (fierce) manifestation, she is best worshipped in a cremation ground. The Kalika Purana describes the dakshina-bhava (the right method) and the vama-bhava (the left method) of worship. Although both have a Tantric imprint, it is stronger in the latter. The ‘right method’ consists of various regular rites and rituals which include animal and human sacrifice. The ‘left method’ includes rituals involving the use of alcohol, meat, and sexual rites. The Purana also contains details of the performance of the popular festival of Durga Puja.

YOGINI TEMPLE, DUDHAI, LALITPUR

CHAUNSAT YOGINI TEMPLE, KHAJURAHO

SAPTA-MATRIKA SCULPTURE (NATIONAL MUSEUM)

MAHISHASURAMARDINI: SIVADOL TEMPLE, SIBSAGAR

VIRUPAKSHA TEMPLE, PATTADAKAL

NATARAJA TEMPLE, CHIDAMBARAM

The Puranas mention various sacred places associated with the different manifestations of Devi (Sircar, 1973, Bhattacharyya, 1974). The Devi Bhagvata refers to such places as pithas. The Kalika

Purana mentions seven pithas, associated with places where the dismembered pieces of Sati’s body are supposed to have fallen. These were located at Purnagiri, Devikuta, Uddiyana, Kamagiri, the eastern point of Kamarupa, the western point of Kamarupa, and Jalandhar. The number of pithas increased subsequently and this reflects a dramatic expansion in the sacred geography associated with the goddess. The Kularnava Tantra mentions 18 pithas, while the Kubjika Tantra mentions 42. Pilgrimages to Shakta pithas were well established in the early medieval period.

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MAHISHASURAMARDINI SCULPTURES IN VARIOUS TEMPLES

SOUTH INDIAN BHAKTI : THE ALVARS AND NAYANMARS

In the early medieval period, the Alvar and Nayanmar (also known as Nayanar) saints of South India gave a new emphasis and expression to Vaishnava and Shaiva devotionalism, one that was deeply rooted in the Tamil land, language, and ethos. As mentioned in an earlier chapter, the Sanskrit word bhakti comes from the root bhaj, which means to share or participate. By extension, the bhakta is one who shares or participates in the divine. The Tamil word that is used by Alvars and Nayanmars to express their devotion to their god was anbu, which means love. The use of the term bhakti, or its Tamil version patti, is fairly late. The relationship between devotee and god was perceived as a reciprocal one, and the term used to refer to the love of the god for his devotee was arul.

The roots of South Indian bhakti can be traced to certain features in late Sangam poetry, as well as to certain elements in the Paripatal and Pattuppattu. For instance, a poem called the Tirumurukarruppatai (The Guide to Lord Murugan) in the latter text refers to the god Murugan by using epithets that encapsulate important episodes in his mythology. There is also a tendency to describe Murugan as living in specific places, the devotee being urged to visit the shrines there. Zvelebil (1977) has pointed out that from the point of view of formal structure, the ancestry of bhakti poetry can be traced to the tanippatal, the single bardic stanzas found among both akam and puram poems. We can also see links with one of the settings of the heroic poems, namely patan, which focuses on eulogizing the patron and asking him for gifts. Patan poems and bhakti songs both have an intense, personal tone. In the context of bhakti, however, the focus shifts from the king to the god, praising the latter and beseeching him to bestow deliverance on his devotee.

According to tradition, there were 12 Alvars and 63 Nayanmars. The hymns of these saints are still sung in temples. The saints themselves are worshipped, a practice that goes back to the Chola period. Images or paintings of the Nayanmars are usually found in the hall around the sanctum and are worshipped. Vishnu temples generally have a separate shrine for images of the Alvars. There is uncertainty about the historicity of some of the saints and it is often difficult to disentangle fact from myth in their hagiographies. The male saints were not recluses or ascetics. They lived their lives as a part of society and most of them were married. The case with the female saints was, as we shall see, different.

Alvar and Nayanmar poetry reflects a devotion that is at once intimate, intense, and ecstatic. The poets visualized their god in various ways—as friend, mother, father, master, teacher, and bridegroom. Many male saints took on the feminine voice of a lover or bride when expressing their longing for union with god. For instance, Manikkavachakar spoke of his lord as the eternal bridegroom. Nammalvar spoke of the lord having such an overwhelming maleness that the bhakta loses his own maleness. Apart from the fact that the objects of devotion were male, given prevailing gender roles, the female voice was probably considered especially appropriate for the expression of complete love and surrender. (There are a few instances of women saints assuming a male voice.)

Nayanmar is an honorific. The Shaiva saints did not refer to themselves by this name; they described themselves as atiyar (servant) or tontar (slave), indicating that they considered themselves servants or slaves of Shiva. Out of the 63 Nayanmars, 3 (known as the muvar, ‘three revered ones’)—Sambandar, Appar, and Sundarar—are considered especially important, and their images are sometimes housed in a special separate shrine in temples. They are occasionally accompanied by an image of Manikkavachakar.

The idea of a community of Shaiva poet-saints goes back to the early 8th century, when Sundarar wrote a poem titled Tiruttondar Tokai (Assembly of Sacred Slaves), which listed 62 Nayanmars. In the early 10th century, Nambi Andar Nambi wrote a work called the Tiruttondar Tiruvantai (Sacred Poem of the Holy Slaves), wherein he gave a short hagiography of these 62, adding Sundarar’s name to the list. He also collected the songs of the saints. In the mid-12th century, stories of the saints’ lives were put together in a work called the Periyapuranam. This forms the 12th and final book of the canon known as the Tirumurai. The collection of hymns known as the Tevaram is part of this larger work.

In Shaiva bhakti, the relationship between the god and his devotee was often expressed as analogous to that between master and slave. The poems of Manikkavachakar frequently refer to the experience of ‘melting’ before the lord. There is a deprecation of the body and the corporeal state. There are descriptions of ecstatic worship, where the devotee stammers, tears pour out, when he dances and feels as though he is melting. The tone is frenzied and the poet often reviles himself for his shortcomings. He also talks to the god in familiar tones. An example is Manikkavachakar’s song in which he threatens to revile the god Shiva as a madman (pitta) if he abandons him.

Alvar means ‘those who dive deep’ or ‘those who are absorbed in the divine’. The hymns of the 12 Alvars were collected in the 10th century by Nathamuni in the Nalayira Divya Prabandham (Four Thousand Holy Hymns), which constituted the Vaishnava canon. The first major hagiography of the Alvar saints was a 12th century work called the Divyasuricharitam by Garudavahana. In Alvar bhakti, the relationship between the devotee and Mayon or Mal (Krishna) was often expressed in terms of the lover–beloved relationship. In some instances, the mother–child relationship was also invoked. For a devotee of the lord, the performance of sacrifices or actions conventionally considered as marks of religious piety were meaningless. The focus was entirely and exclusively on love for the god.

PRIMARY SOURCES

Songs of the Nayanmar saint Appar

On Shiva bhakti:

Why bathe in Ganga or in Kaveri? or take a holy dip at Kumari?

Why bathe where mingle waters of the seas? One thing alone will to your rescue come— Seeing everywhere the Lord Supreme.

Why chant the Vedas, follow Vedic karma? Why preach day by day the books of dharma? Why the six Vedangas learn by rote? One thing alone will to your rescue come— thinking always of the Lord Supreme.

Why roam the forests, wander through the towns? perform strict tapas as in books laid down? why fast and starve, sit gazing at the blue? One thing alone will to your rescue come— faith in him, Lord of Wisdom True.

Fetching waters from a thousand tirthas of what avail such futile ritual act? Like it is to mindless fool who water brings and guards it safely in a leaking pot! One thing alone will to your rescue come— Loving at all times our gracious Lord.

Appar on the community of bhaktas:

Whoever they be wherever they be if they bow to Shiva

Shiva who carries

Ganga in his locks to me they are as gods— they may be lepers foul with rotting flesh or outcastes of the lowest breed they may even skin the cow and eat its flesh— if they but love Shiva to them

I bow to them

I offer worship.

SOURCE Tirumurai 5, Appar’s hymn 99, verses 2, 4, 6, 8, and 10; Dehejia, 1988: 13–14; Tirumurai 6, hymn 95, verse 10; Dehejia, 1988: 38

Friedhelm Hardy (1983) has analysed the mythological references in the Tiruvantatis, which represent the earliest stage of Alvar religiosity, and highlights the prominence of the Krishna avatara. Devotees are described as serving, worshipping, praising, and adorning the god, clearly indicating the ritual worship of the image of Krishna in a temple context. There are also references to the idea of the deity being immanent in the devotee. Hardy identifies a systematic shifting of the geographical context of Alvar activity from the Venkatam–Kanchi area to south Tamil Nadu and south Kerala on to a network of shrines extending all along the coast from Venkatam to Kottiyur, and eventually ending up in a concentration in Shrirangam. The external structure for this bhakti was provided by some 95 temples.

Nammalvar’s poems used the style of the older akam poems with a new symbolism, the relationship between devotee and deity being described as analogous to that between lover and beloved. The mythology of Krishna and his association with the gopis, including one named Pinnai, lent itself well to an emphasis that was at once emotional and erotic. The erotic element found its fullest expression in the poems of the woman-saint Kodai, who came to be known as Andal (literally, ‘one who rules’). Andal’s poems are laced with the pangs of separation and a longing for union with her lord.

The bhakti saints came from varied social backgrounds. A significant proportion (about two-thirds) were Brahmanas, as were some of the most important saints. But there were also people from other social backgrounds—kings, minor chieftains, civil and military officials, merchants, and landowners. The saints also included a cowherd, washerman, weaver, potter, toddy fermenter, hunter, fisherman, and highway robber.

Two saints—the Shaiva saint Nandanar and the Vaishnava saint Tiruppan Alvar—are described as ‘untouchables’. Nandanar earned his living by slaughtering animals for the leather used to make drums and gut for stringed musical instruments. According to his hagiography, Shiva ordered the priests of the Chidambaram temple to light a fire in front of the temple, through which Nandanar passed unscathed. His desire to see his lord being fulfilled, he is said to have disappeared under the foot of the dancing Shiva. Tiruppan Alvar longed to see lord Vishnu at Shrirangam. According to his hagiography, the god appeared to one of the Brahmana temple priests in a dream and instructed him to place Tiruppan on his shoulder and carry him into the inner sanctum. This is how the Alvar saint managed to enter the temple and see his lord. Having done so, he sang a song—his last one—and merged into the image of Vishnu. The stories of Nandanar and Tiruppan Alvar’s life can be read in two ways. On the one hand, they suggest that the path of the preeminent bhakta was open even to those whom society considered ‘untouchable’. On the other hand, it is a poignant fact that the entry of these saints into their god’s sanctum was not an easy one. It required divine intervention and resulted in death.

The implication of bhakti for women is a complex issue. Works such as the Shaiva Periyapuranam in places have a negative portrayal of women. There are very few women among the bhakti saints. Three women figure among the Nayanmars—Karaikkal Ammaiyar, Mangaiyarkkarasiyar, and Isainaniyar. Andal was the only woman Alvar. The fact that a few women figure among the bhakti saints is significant, but on the whole, the leadership was predominantly and

overwhelmingly male. As far as larger participation is concerned, it can be noted that the mathas did not admit women. And it was only during the time of Ramanuja (11th century) and with the increasing impact of the Virashaiva movement from the 12th century onwards, that women devotees were given a greater participatory role in Shaiva bhakti.

As noticed in earlier chapters, the relationship of women and salvation is problematic in all religious traditions. In the case of South Indian bhakti, Uma Chakravarti ([1989], 1999) has pointed out that the hagiographies and songs of the bhaktins indicate that there was a fundamental difference in the experience of bhakti for men and women. In the case of male saints, there was no contradiction between the life of a householder and devotion towards the god. However, the female body directly impinged on the path of the bhaktin. Youth and beauty were a burden, and the bhaktin could not combine marriage and family with devotion. Vijaya Ramaswamy (1997) has also underlined the fact that the claims of women to asceticism, priesthood, and indeed to salvation, have always been bitterly contested. Throughout history, women have usually responded to their spiritual calling only by breaking off ties with their family, and have risked being labelled as rebels and deviants.

BRONZE IMAGE OF MANIKKAVACHAKAR (NATIONAL MUSEUM)

In order to assess the social significance and impact of the bhakti tradition, it is necessary to look beyond the leadership. The ideas expressed in the bhakti songs and the extent to which bhakti expanded the social access to sacred space also need to be examined. Although its leadership was

dominated by elite groups, especially Brahmanas, and although it did not overturn existing social relations, bhakti did create a religious community within which traditional social distinctions could be transcended, at least with regard to the relationship between the bhakta and his/her god. Such an idea comes across very strongly in some of the songs of the saints, which recognized the community of bhaktas—bhakta kulam or tondai kulam.

PRIMARY SOURCES

Andal’s songs

[I]

The marriage tent is decorated

The podium is adorned with garlands of pearls

The golden purnakumba (auspicious pot) is ready

I see Madhava enter like a handsome young bull.

In the presence of gods he takes my hand And circumambulates the fire.

This dream, I saw, my friend.

[II]

How fortunate is the conch

which Kannan takes to his lips

Andal enquires of it how they taste

Does it have the flavour of camphor [Karpuram]?

The sweet smell of the lotus?

Does it taste sweet

that handsome mouth of coral hue?

I’m in dead earnest to know

how the mouth of Madhava

who broke the elephant tusk tastes and smells

O, thou, silvery conch of the sea.

SOURCE Varanamayiram, Nachchiyar Tirumozhi, Srivatsan, cited in Ramaswamy, 1997: 125; K. C. Kamalaiah, cited in Ramaswamy, 1997: 126

PRIMARY SOURCES

Karaikkal Ammaiyar—her life and songs

The hagiography of Karaikkal Ammaiyar tells the following story: Young Punitavati’s husband was shocked and terrified when he discovered her unusual powers, which were the result of her

extraordinary devotion to Shiva. He abandoned her and married another woman.

Punitavati prayed fervently to Shiva, telling him she did not need her beauty any longer. She beseeched him to transform her into an ugly demoness (pey). Shiva granted her desire and transformed her into an ugly, emaciated woman. Thereafter, she became known as Karaikkal Ammayaiyar. She embarked on a pilgrimage to Mount Kailasha. As she did not want to defile the path to Kailasha with her feet, she is said to have walked on her hands into the god’s presence. She was welcomed by Shiva, whom she addressed as appa (father).

Karaikkal Ammayaiyar also realized her dream of seeing Shiva perform the tandava dance in the banyan forest at Tiruvalankatu. This is how she described the scene in one of her songs.

Sagging breasts and swollen veins, protruding eyes, bare white teeth. Skeletal legs and knobbly knees has this female pey.

She lingers, weeps, and wails and wanders aimless in the forest— There, holding fire but cool of limbs with matted hair in all directions Shiva dances his cosmic dance— this forest this sacred Alankatu is the home of our supreme lord.

The songs of Karaikkal were not set to music nor sung in temples. Perhaps they were considered too dark and forbidding. Images of this Nayanmar saint appeared in temples only after the 12th century.

SOURCE Tiruvalankadu Mutha Tirupadikam, verse 1, Tirumurai 11; Dehejia, 1988: 118

Many years ago, D. D. Kosambi (1962: 31–32) suggested that bhakti, with its focus on devotion and loyalty, was an ideology well suited to the needs of the feudal state. This argument was extended subsequently by some historians who argued that the emergence of temples as landed magnates made them part of the entrenched feudal set-up. Because the bhakti movement was a temple-based movement, the feudal label was extended to it, and it was argued that the movement in fact not only reflected but legitimized feudal social relations (Jha, 1974; Narayanan and Veluthat, 1978). However, we have seen that there are a number of problems with the characterization of early medieval India in general and the role of temples in particular as ‘feudal’. Apart from this fact, it can also be noted that labelling bhakti as a feudal ideology conceals the fact that it did, at least to some extent, question prevailing social hierarchies, and it did expand the social contours of sacred space.

THE PHILOSOPHICAL UNDERPINNINGS OF SOUTH INDIAN BHAKTI AND LATER DEVELOPMENTS

The philosophical aspect of Alvar Vaishnava bhakti was enunciated by the Vaishnava acharyas. The first of these was Nathamuni, founder of the Shrivaishnava sect, who lived in the late 10th/early 11th century. He was born in Viranarayanapura and lived in Shrirangam. In his Nyayatattva, Nathamuni emphasized the idea of prapatti—complete surrender to the god. Other influential Srivaishnava acharyas were Yamunacharya (10th century), Ramanuja (11th–12th centuries), and Madhva (12th/13th century).

Ramanuja initially lived in Kanchipuram, but later settled down at Shrirangam. He is described as having been persecuted by a Chola king who was a devotee of Shiva, due to which he sought refuge in the court of the Hoysala king. Ramanuja wrote several works such as the Vedantasara, Vedarthasamgraha, and Vedantadipa. He also wrote commentaries on the Bhagavad Gita and the Brahmasutra. His philosophy, known as Vishishtadvaita (qualified non-dualism), combined Vaishnava bhakti with Upanishadic monism. In this doctrine, Brahman is sa-guna, i.e., possesses qualities. In his aspect as Ishvara, he can be invoked by his devotees through bhakti. The relationship between brahman and the individual selves (atman) is explained as similar to that between a rose and redness. Brahman cannot exist without the atman, just as a red rose cannot exist without redness. Atman and brahman are not different from each other, nor are they the same thing. They are distinct, but inseparable.

Madhva wrote commentaries on the Brahmasutra and Upanishads and also wrote a work called the Bharatatatparyanirnaya, based on the Puranas and epics. He rejected the idea that God was the material cause of the creation of the world. He considered God to be completely different from the individual soul and the world. He held that the individual soul is marked by many defects, but can attain near-perfection by serving and worshipping God. The relationship between God and the soul was likened to that between master and servant.

Shaiva Siddhanta (mentioned earlier) was another school of Shiavism that became popular in South India in early medieval times. This school gave an exposition of the philosphical and metaphysical aspects of Shaiva bhakti. The most important southern exponents of Shaiva Siddhanta were Meykandadeva, Arulnandi Shivacharya, Marai Jnana Sambandhar, and Umapati Shivacharya. The 13th century Shivajnanabodham by Meykanda contains the basic doctrine of the school.

The early medieval period saw the emergence and increasing popularity of the Virashaiva or Lingayat movement. This sect originated in north-western Karnataka in about the 12th century. Although its leadership was largely Brahmana, its main social base comprised artisans, traders, and farmers. It had an anti-caste and anti-Brahmanical orientation. It rejected the Vedic tradition, sacrifices, rituals, social customs, and superstitions. Although it espoused ahimsa, it critiqued Jainism, which was highly influential in the Karnataka area. The sect traced its lineage to five legendary teachers—Renuka, Daruka, Ghantakarna, Dhenukarna, and Vishvakarna. However, the great popularity it achieved in Karnataka was to a large extent the contribution of Basavanna. Akka-Mahadevi was a woman saint belonging to this tradition. From the Karnataka region, the Virashaiva movement spread to other parts of South India. Male as well as female members of this sect wear a linga called the ishta-linga on their body, and attach no importance to worshipping the god in temples. While loving kindness towards all was a feature of the teaching of some of the saints, the greatest emphasis was on devotion towards Shiva. The Virashaivas accepted many of the doctrines of other Shaiva schools, but its core ideas are encapsulated in free verse lyrics known as vachanas, composed by the saints.

The vachanas of Basavanna

The rich

will make temples for Shiva.

What shall I, a poor man, do

My legs are pillars, the body the shrine, the head a cupola of gold.

Listen, O lord of the meeting rivers,* things standing shall fall, but the moving ever shall stay.

Look here, dear fellow:

I wear these men’s clothes only for you.

Sometimes I am man, sometimes I am woman.

O lord of the meeting rivers

I’ll make war for you but I’ll be your devotees’ bride.

Don’t you take on this thing called bhakti:

like a saw

it cuts when it goes

and it cuts again when it comes.

If you risk your hand with a cobra in a pitcher** will it let you pass?

*Kudalasangamadeva (Lord of the meeting rivers) is a name with which Basavanna frequently invokes Shiva. Kudalasangama is a sacred place in north Karnataka, located at the meeting point of two rivers, a place where Basavanna is said to have attained enlightenment.

**

Putting the hand in a pitcher containing a snake, like drinking poison or walking on fire, is an ordeal to be performed when a person seeks to prove his/her innocence, chastity, etc.

SOURCE Basavanna 820, 703, and 212; Ramanujan, 1973: 88, 87, 79

PATRONAGE TO TEMPLES

The construction and embellishment of religious establishments was the result of patronage from diverse sources. Hermann Kulke ([1993], 2001) has pointed out that early medieval kings tried to buttress their authority by extending patronage to major pilgrimage places (tirthas), large-scale grants to temples, and the construction of imperial temples. Royal patronage was important in the case of specific shrines and reflected the close relationship that kings sought to establish with certain deities and temples. An example is the Brihadishvara temple at Tanjavur (Tanjore), already discussed in various contexts. Such temples were built at the direction of the king, and donations by the king and members of his family and court played an important role in their maintenance.

Orissa gives some instances of royally endowed temples. The largest temple at Bhubaneshwar is the Lingaraja temple. According to tradition, it took three generations of Somavamshi kings to complete the temple of Krittivasa (as the Lingaraja was then known). Till the 12th century, Orissa was a predominantly Shaiva area. Then, in the 12th century, the worship of the deity Purushottama (later known as Jagannatha) was raised to the status of an imperial cult with the construction of the Purushottama temple at Puri by the Ganga king Anantavarman Chodaganga. According to tradition, Anantavarman’s aim was to build a temple more magnificent than the Brihadishvara temple at Tanjavur. In 1230 CE, Anangabhima III dedicated his empire to Purushottama, describing himself as the deputy of the god. But apart from such notable examples, the trajectories of development in temple building and architecture in Orissa were more or less independent of the vicissitudes of political history and political patronage.

In South India, a large number of inscriptions record royal donations to temples, mostly of gold, land, and some of livestock and paddy. The number of such donations went up dramatically from the Pallava to the Chola periods. For instance, among the donative inscriptions at Tirupati, 11 belong to the Pallavas, and 31 to the Cholas. Royal land grants to temples were made in perpetuity and were asociated with several tax exemptions and privileges. Temples also leased land out to tenants. For example, an inscription belonging to the reign of Sundara Chola (957–73) states that the temple management gave out 124 veli (a land measure) of devadana land to a certain person, who was supposed to hand over 2,880 kalam (a grain measure) of rice every year to the temple at the rate of 120 kalam per veli.

Many temple establishments underwent a significant enlargement due to lavish royal patronage. The Mukteshvara temple, with 54 employees, was the largest Pallava temple. The Brihadishvara temple at Tanjavur had over 600 employees. These included dancing women, dancing teachers, drummers, tailors, goldsmiths, and accountants. Temple employees were generally paid in kind,

specifically in rice. In the Chola period, some of them were also paid in the form of revenue assignments.

LINGARAJA TEMPLE, BHUBANESHWAR (ORISSA)

Some scholars, for instance D. N. Jha (1974), argue that the emergence of temples as landed magnates in South India, and the increase in the number of pariharas, signify the increasing oppression of the peasantry and the growth of feudal agrarian relations. Jha further asserts that temples became centres of political power, leading to the decentralization of political power. However, it is abundantly clear that the relationship between kings and temples was not one of rivalry but alliance. Patronage to temples was a major means of acquiring, proclaiming, and maintaining political legitimacy.

Temple patrons included chieftains, landowners, merchants, villages, and town assemblies. Merchants generally donated money and livestock, sometimes gold and silver ornaments (Jha, 1976). Many of the gifts were made for the maintenance of perpetual lamps in temples. For example, a Tanjavur inscription records the gift of 30 kashu (these were probably copper coins) by a merchant’s wife for the maintenance of a perpetual lamp in a temple during the reign of Parantaka I. An inscription belonging to the reign of the same king records the gift of 90 sheep by a merchant to the Vedaranyam temple in Tanjavur district for the maintenance of a perpetual lamp. A 1055–56 CE inscription from Tiruchirapalli district records the installation of an image in a temple and the donation of two gold kalanju (a kalanju was either a gold coin or its equivalent in weight, about 32 ratis) for the maintenance of lamps by merchants. There are also some instances of merchants gifting land to temples. Some inscriptions mention the purchase of the land, prior to it being gifted.

Merchant guilds, too, made donations in the Chola period. For instance, there are inscriptions recording gifts made by the Manigramam of Kodambalur and the Dharmavaniyar and Valanjiyar of Tennilangai. There are also some instances of artisan groups getting involved in temple management. For instance, the Madras Museum plates of Uttama Chola (970–85 CE) indicate that the weavers of Kanchipuram were given the task of managing the financial and other affairs of the local temple.

JAGANNATHA TEMPLE, PURI (ORISSA)

From the point of view of social history, patterns of donations to religious establishments also tell us something about women’s participation in religious life. Leslie Orr (2000b) has analysed the epigraphic evidence of women’s patronage of Hinduism, Jainism, and Buddhism in Tamil Nadu between c. 700 and 1700. The evidence of Jaina and Buddhist establishments and inscriptions has to a large extent been erased due to the subsequent decline of these religions in this area; therefore, the amount of information pertaining to Hindu temples is comparatively much greater. Nevertheless, women appear as donors in all three religious traditions. The social background of women who made donations was more or less similar. Apart from ‘religious women’ (nuns, temple women, etc.), there were queens, women belonging to the family of chieftains, and wives of landowners, merchants, and Brahmanas. The donations were, for the most part, not so much channelized towards monasteries or mathas as towards supporting worship in shrines. They were for the construction of temples, making images, provision of lamps, flowers, and food for the deity, and providing for those associated with temple services. Orr emphasizes that instead of looking for female counterparts of priests, ascetics, and monks (the very roles from which they tended to be excluded), it is necessary to recognize the importance of gift giving as a religious activity. If this is done, the abundance of evidence of women donors in various religious traditions gives a picture of active participation, rather than total marginalization.

NEW DIRECTIONS IN RESEARCH

Temple women in Chola inscriptions

Leslie Orr’s study shows that the ‘temple women’ of the Chola period were very different from the devadasis of the 20th century. In fact, although there are a few earlier occurences, the term devadasi seems to have really come into vogue only in the early 20th century.

The words used for temple women in the Chola period incriptions were tevaratiyar (devotee of god), tevanar makal (daughter of god), and taliyilar or patiyilar (woman of the temple). The identity of these women was not based on birth, caste, professional skill, or ritual function. It was based on their connection with a temple, deity, or place.

These women were not generally connected with performing rituals or management roles in the temple. There are a few instances of their performing minor, sometimes menial services, for the temple. There is also an increasing number of temple women who were slaves functioning within the temple context. But by and large, temple women were connected to temples, especially those located in their native villages or towns, through their donations. They appear prominently in this capacity in inscriptions, especially in the 12th and 13th centuries, more so in the northernmost and southernmost parts of Tamil Nadu. Temple women were distributed all over Tamil Nadu, and although they were closely associated with certain towns such as Kanchipuram, they were more often associated with small temple establishments. In the late Chola period, these women acquired certain privileges and honours in exchange for their donations. These included, for instance, the honour of being given a place close to the deity in a procession or the right to sing a certain part of a hymn before the deity. Such honours seem to have gradually become hereditary. Temple women of the Chola period do not seem to have been married.

In the early Chola period, temple women mostly made gifts to defray the cost of maintaining perpetual lamps. In the late Chola period, they also made gifts to support services in the temple on a daily basis or on festive occasions, to support temple personnel, build temples, or make and install images. In these respects, their gifts were similar to those made by other categories of donors, male or female.

Inscriptions indicate that women in the Chola period had access to and control over economic resources of their households. Orr suggests that while women in general become less visible as donors in Chola inscriptions, temple women remain constantly visible.

The modern devadasi phenomenon is marked by hereditary transmission, professional skill, and temple dedication. None of these were operative in the case of the temple women of the Chola period. These women were neither temple dancers nor prostitutes. They were not married to the god, nor is there any indication that their sexual activity was exploited or confined to the temple context. Their history in the Chola period cannot be seen as a story of degeneration or decline— in fact their position got strengthened and well-established over time.

SOURCE Orr, 2000a

The Architecture and Sculpture of Early Medieval India

THE NAGARA, DRAVIDA, AND VESARA STYLES OF TEMPLE ARCHITECTURE

The early medieval period was marked by remarkable developments in the spheres of art and architecture. Distinct regional architectural and sculptural styles emerged in different areas,

including Kashmir, Rajasthan, and Orissa. In peninsular India, major edifices were built through the patronage of the Rashtrakutas, early Western Chalukyas, Pallavas, Hoysalas, and Cholas. In contrast to previous centuries, when a great proportion of the major architectural remains were Buddhist, in this period, the remains are dominated by Hindu temples.

A number of architectural texts known as the Shilpashastras were written in early medieval times. (For an interesting discussion of the relationship between shastra [text] and prayoga [practice] with special reference to three types of entryways—the pratoli, gopura, and torana— in ancient and early medieval structures, see Pandya Dhar [2006].) These refer to three major styles of temple architecture—Nagara, Dravida, and Vesara. The Nagara style is associated with the land between the Himalayas and Vindhyas, the Dravida style with the land between the Krishna and Kaveri rivers, while the Vesara style is sometimes associated with the area between the Vindhyas and the Krishna river. Temple styles are actually best studied on the basis of extant temple remains. Hardy (1995: 7– 9) points out that Nagara and Dravida should be understood as architectural languages, in the sense that they provide a vocabulary, a range of elements, and a family of forms which can be put together in different ways. He also suggests that the term ‘Karnata-Dravida’ is a better term than ‘Vesara’ for the Chalukya temples of the Deccan.

NAGARA STYLE SHIKHARA, LINGARAJA TEMPLE, BHUBANESHWAR

DRAVIDA STYLE SHIKHARA, BRIHADISHVARA TEMPLE, TANJAVUR

The basic plan of the Nagara temple is square, with a number of projections in the middle of each side, giving it a cruciform shape. The temple’s elevation is marked by a conical or convex shikhara or temple tower, consisting of several layers of carved courses, usually crowned by an amalaka (notched ring stone). These two features—the cruciform plan and curvilinear shikhara—are visible in northern temples from the 6th century CE (the ‘late Gupta’ period), for example in the Dashavatara temple at Deogarh and the brick temple at Bhitargaon (both in UP). The beginnings of the typical Nagara shikhara can be seen in the Mahadeva temple at Nachna Kuthara (7th century) and the brick Lakshmana temple at Sirpur (both in MP). The fully developed Nagara style is evident by the 8th century.

The most striking feature of the Dravida temple is its pyramidal shikhara, which consists of progressively smaller and smaller storeys, culminating in a slender pinnacle surmounted by a small dome (stupika). In a later stage, South Indian temples came to be marked by huge gateways known as gopurams and by pillared halls and corridors. The earliest traces of such features go back to the Gupta period and are not restricted to the far south—e.g., they occur in northern and central India and the Deccan. They can be seen in the Parvati temple at Nachna Kuthara and the Lad Khan, Kont Gudi, and Meguti temples at Aihole. In temples built in the Dravida style, the square inner sanctum is set within a large covered enclosure. The external walls are divided into niches by pilasters.

The Vesara style is a hybrid style (vesara literally means ‘mule’) that borrowed from the northern and southern styles. It is difficult to define, as the mixture of northern and southern elements may vary. Temples built in the Deccan under the later Chalukyas of Kalyani and Hoysalas are considered

examples of this style. However, looking at the temple architecture of the Deccan simply as a combination of northern and southern elements means missing out on its distinctiveness and variations.

Due to constraints of space, it is not possible to give a comprehensive account of the architectural and sculptural traditions and remains of all the parts of the subcontinent (for a comprehensive discussion, see Huntington, 1985: Chapters 11–22). Therefore, the following sections offer a brief sampling, consisting of an overview of Indian temple architecture in the Deccan and the far south, and the metal sculpture of the Chola period.

KHAJURAHO TEMPLE

TREFOILED ARCHES OF THE MARTANDA TEMPLE, KASHMIR

KAILASHANATHA TEMPLE, ELLORA

WESTERN INDIA AND THE DECCAN

The caves at Ellora (7th–8th centuries) represent the last phase of Buddhist cave architecture in western India (Huntington, 1985: 268–81). Their architecture and sculpture shows some continuities with earlier centuries (e.g., with Ajanta, Bagh, and Kanheri), but there are also some changes. These include an increase in the size of the side shrines and a double row of stone benches (in Cave 5). Other distinctive features are the larger scale and the richness of sculpture, reflected, for instance, in Cave 12, known as Tin Thal. This consists of three storeys, and represents the climax and the end of the cave excavations at Ellora. The sculptural programme of the Buddhist caves at Ellora includes arrays of Buddhas and bodhisattvas. A group of eight bodhisattvas are sometimes arranged together in a mandala formation (for instance, in Cave 12).

ELLORA: KAILASHANATHA TEMPLE, RAVANA LIFTING MOUNT KAILASHA

ORNAMENTAL PILLAR

JAINA TIRTHANKARA

GODDESS GANGA

CAVE INTERIOR AND SHRINE

MANUSHI BUDDHAS, TIN THAL CAVE

Apart from its magnificent Buddhist and Jaina caves, Ellora is also known for the spectacular Kailashanatha temple. This Shiva temple was excavated out of the rocky hillside in the late 8th century under the patronage of the Rashtrakutas. The temple is actually a complex, comprising a main shrine consisting of a lower and an upper storey, a Nandi pavilion, subsidiary shrines, wall, gateway, and cloisters. The superstructure of the temple corresponds to the Dravida style. Practically all the surfaces of the temple complex are richly ornamented with bold, dramatic, and exceptionally fine sculptures. Most of them are Shaiva, but there are also representations of Vishnu. In fact, the sculptures to the left of the entrance are mostly Shaiva, while those to the right are mostly Vaishnava. A similar logic of sculptural arrangement is found along the back wall of the gallery surrounding the temple. The sculptures include representations of Shiva, Shiva and Parvati, Ravana shaking Mount Kailasha, Durga, the Sapta-Matrikas, Ganesha, and the goddesses Ganga, Yamuna, and Sarasvati. The Kailashanatha temple marks the highest point of rock-cut temple architecture in the subcontinent.

In the Deccan, major examples of early medieval rock-cut shrines and structural shrines are found at several places in Karnataka. The early architectural phase (6th–early 8th centuries) is represented at Badami and Aihole. This was followed by the later and grander 8th century temples located at Pattadakal. Badami represents the site of Vatapi, capital of the early Western Chalukyas. The temple architecture of the Deccan shows an amalgam of northern and southern features, but attained a distinctive identity of its own during these centuries.

There are two notable cave shrines at Aihole, one Shaiva and the other Jaina, both with heavily ornamented interiors. The Shaiva cave, known as the Ravanaphadi cave, consists of a central hall, two side shrine sections, and a garbhagriha with a linga at the back. There are sculptures on the walls and on part of the ceiling as well. These include representations of Shiva as Nataraja and of the Sapta-Matrikas. Compared to the figures at Ellora and Badami, the figures are more slender and have tall crowns. Outside the entrance of the cave, there are carvings of dwarfs and doorkeepers wearing Scythian-type attire.

BADAMI: CAVE EXTERIOR

CEILING BRACKET MITHUNA FIGURES

BADAMI: CAVE INTERIOR

DANCING SHIVA

The rock-cut caves at Badami are carved into the red sandstone hillside overlooking a tank. Of the three major caves, the largest one is Vaishnava, while the others are Shaiva and Jaina in affiliation. The caves have a simple plan, consisting of a verandah and a pillared hall leading into a small square sanctum in the back wall. The walls and ceilings are decorated with carvings. Cave 3 has huge, impressive relief sculptures of the various Vishnu incarnations, including Varaha (boar), Narasimha (lion), and Vamana (dwarf). It may be noted that the boar was also the symbol of the Western Chalukyas. The bracket figures in Cave 3, mostly consisting of mithuna figures (amorous couples), are exceptional in their variety and finesse.

The structural temples of the period were for the most part built out of large blocks of stone, without the use of mortar. The inner walls and ceilings have sculptural ornamentation. Many of the major temples are located at Aihole. Mention was made earlier of the Meguti temple, which has the famous inscription of Pulakeshin II. Most of the Aihole temples are Hindu shrines and show considerable variation in plan. These include the apsidal ‘Durga temple’, mentioned earlier. The Lad Khan temple, on the other hand, has a pillared porch, a large square hall with pillars arranged in two concentric squares, at the end of which is a small shrine area. At Mahakuta, not far from Badami, there are some 20 temples belonging to the early Western Chalukya period, almost all of them with northern style curvilinear shikharas.

Pattadakal is situated some 16 km from Badami. The temples at this place reflect a further development of the Deccan traditions of temple architecture and sculpture. Mention was made at the beginning of this chapter to the Virupaksha temple, the largest and most profusely sculpted shrine at Pattadakal. This was dedicated to Shiva and built at the instance of Lokamahadevi, chief queen of the Chalukya king Vikramaditya II. Similar to temples made in the Dravida style, it consists of a complex of shrines, including a Nandi shrine, within a rectangular walled enclosure. The main temple consists of a pillared hall with three porch extensions, an antechamber, and sanctum with an enclosed passage for circumambulation (this is known as the sandhara style). The shikhara is in the Dravida style. Niches in the outer walls have fine, deep carvings, mostly of Shiva. The temple’s interior is also ornamented with sculptures. The exceptional carving of Durga in one of the niche shrines has been mentioned in an earlier section. The doorway leading into the sanctum which enshrines a linga is elaborately carved with dvarapalas and other figures.

SEE (< />)P. 616 FOR A PHOTOGRAPH OF DURGA IN THE VIRUPAKSHA TEMPLE

PATTADAKAL: VIRUPAKSHA TEMPLE

PAPANATHA TEMPLE: ENTRANCE

GAJA-LAKSHMI ON CEILING

RAMA, SITA, AND LAKSHMANA ON OUTER WALL

VIEW OF TEMPLE

RECENT DISCOVERIES

The discovery of an early medieval quarry site near Pattadakal

Recently, a team of archaeologists led by S. V. Venkateshaiah, Superintending Archaeologist of the Archaeological Survey of India, Dharwad Circle, made an exciting discovery—the site

where the stone for the spectacular temples at Pattadakal was quarried.

The quarry site is located about 5 km north of Pattadakal, in hilly sandstone outcrops rising to over 300 ft, locally known as Motara Maradi and Shankaralingana Gundu. Terraces made due to systematic and planned quarrying are clearly visible, as are abandoned rocks and blocks of stone that were not considered fit to use. There are standard-sized wedge marks in regular alignments made by masons to mark the outlines of the stone that was to be cut, blocks of stone in regular dimensions, irregular blocks of different shapes and sizes, and tools used for the activity. The shape and dimensions of some of the stone blocks worked into regular shapes match those of slabs used to make the Pattadakal temples. Some of the blocks were piled up neatly, no doubt ready to be transported to the temple site. There are also engravings and label inscriptions which can be dated palaeographically to the mid-8th century CE.

The temples of Aihole, Pattadakal, and Badami give the names of guilds of architects and sculptors, and the individual craftspeople who worked at these sites. The quarry site gives names of people who may have been involved in the quarrying activity. Most of the inscriptions are on the surface of rocks from where blocks were removed. It is possible that these mark the spots where artisans rested in between or after their hard labour.

One of the inscriptions consists of three lines engraved below a rough carving of the god Ganapati, flanked by what looks like a camel to its right and a peacock on the lower left. Preliminary readings suggest that it refers to two persons named Dharmma Papaka and Anjuva, members of a guild (sanghata) of quarrymen, who were devotees of the god Shiva. The other inscriptions are shorter, and seem to record the names of persons named Bhribhrigu, Srinidhi Purusha, Sri Ovajarasa, and Vira Vidyadhara.

A number of masons’ marks were also found. The exact implications of these marks are not clear. Some of them, such as the conch and trishula, may have been the identification marks of specific craftspeople or guilds. Other marks such as a plus mark inside a circle, and circles with vertical or horizontal lines radiating from them, may indicate the specific architectural feature—pillar, capital, beam, etc.—the block had been earmarked for. A few similar marks have been located in some of the Pattadakal temples.

There is also the interesting occurrence of rows of short, thick strokes, both vertical as well as horizontal, ranging from about 2.5 to 3.5 cm. Strokes of this sort have also been noted in the Badami caves and at Aihole. But at this quarry site, at the end of the line of strokes, there is a symbol that may perhaps represent a total number or the initial of the craftsperson. Interestingly, these strokes occur in clusters consisting of multiples of seven, perhaps pointing to a seven-day working week. These have been tentatively dentified as ‘attendance marks’, notched by the artisans who worked at the site, no doubt taken into account when it was payment time.

At various places on the rock face, there are rough drawings in varying sizes of Ganesha, Mahishasuramardini, Shiva lingas, and Nandi bulls. Stylized carvings of animals such as the lion, peacock, and what may be a camel, have also been identified. Some broad similarities can

be seen between the themes of these carvings and those on the Pattadakal temples, with the difference that what we have at the quarrying site is clearly ‘rough work’, which does not match the finished excellence visible at the temple site. There are also engravings of architectural members such as chaitya arches, pillars, and various sculptural motifs such as purna-ghatas, conches, a svastika, and tridents.

Equally significant is the discovery of steel tools, which must have been used by the artisans who worked here hundreds of years ago. These include a truncated triangular wedge and a hammer or pitcher gun. These were found buried in debris containing waste flakes and humus, about 15–20 cm from the surface. The size of the wedge of this tool matches exactly with the size of the wedge marks found at the site. Small trough-shaped stone objects found nearby may have been used to rapidly cool the heated wedges for tempering.

SOURCE Venkateshaiah, forthcoming

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PHOTOGRAPHS OF BADAMI, PATTADAKAL, HALEBID, AND BELUR

A later, major phase of temple architecture in the Deccan is associated with the Hoysala dynasty which ruled over southern Karnataka from its capital at Dorasamudra (modern Halebid). Remains of temples of this period are found at Halebid, Belur, and Somnathpur. These are noted for their extremely fine, delicate, and detailed carvings executed on smooth chlorite schist on walls and ceilings. The most imposing shrine at Halebid is the 12th century Hoysaleshvara temple. This consists of two separate shrines with a cruciform plan, resting on cruciform-shaped plinths. The two shrines are almost identical to each other and are joined together with a covered passage. Both of them are preceded by a Nandi pavilion, containing profusely ornamented but sympathetically and realistically carved sculptures of Nandi bulls. The shikharas of the two temples are missing. The Keshava temple at Belur consists of a complex of shrines in a large courtyard. The main shrine was built in the early 12th century. The pillared mandapa is cruciform in plan and rests on a plinth of the

same shape. The shikhara of the shrine is no longer extant. The intricate carvings on the outer and inner walls, pillars, screens, and bracket figures are remarkable for their finesse.

The 13th century Keshava temple at Somnathpur represents the high point of temple architecture and sculpture of the Hoysala period. The temple’s plan is more complex than that of earlier ones. It is a triple shrine, with the three shrines consisting of star-shaped projections on three sides, the shape of the plinth following the intricate outline of the shrine. The shikhara is of moderate height, and stands stylistically midway between the Nagara and Dravida temple towers. The walls and ceilings of the temple are richly carved in the manner of other Hoysala temples, including, however, a number of erotic themes. The three images housed in the three shrines are Keshava (the main image), Krishna as Venugopala (playing the flute), and Janardhana Vishnu.

HOYSALESHVARA TEMPLE, HALEBID: EASTERN ENTRANCE

ORNAMENTAL PILLAR

HOYSALESHVARA TEMPLE, HALEBID: NANDI

GANESHA

KESHAVA TEMPLE, BELUR: HUNTRESS

SHIVA AND PARVATI

RAVANA LIFTING KAILASHA

HANUMANA

FIGURE 10.1 ; PLAN OF KESHAVA TEMPLE, BELUR

THE PALLAVA KINGDOM

Apart from a few earlier specimens, the history of stone architecture in South India begins in the 7th century and can be connected with the increasing popularity of the bhakti cults. The Pallava kings, especially Mahendravarman I (600–625 CE), Narasimhavarman I (625–670 CE), and Narasimhavarman II Rajasimha (700–728 CE), were great patrons of the arts. The remains of the architecture of the Pallava period are mostly found at Mamallapuram and Kanchipuram (see Meister and Dhaky, 1983: 23–80). They comprise cave temples, monolithic temples, and structural temples. Pallava sculpture has a distinctive style that is different from the Gupta period sculptures of north India. The faces of the human figures are oval with high cheekbones, and the bodies slender with tapering limbs.

Pallava cave shrines are smaller and less complex in plan than those at Ajanta and Ellora. The relatively plain caves are represented by the Lakshitayatana temple at Mandgappattu, Lalitankura’s cave at Tiruchirapalli, and some of those at Mamallapuram (also known as Mahabalipuram). The massive pillars in these caves are square at the bottom and top, and chamfered into an octagonal shape in between. The cave façade is generally plain, dvarapalas usually marking the two ends. The larger caves have columns inside as well, leading into a sanctum guarded by dvarapalas and dvarapalikas. The sanctum contains a linga or images of Shiva, Vishnu, or Brahma. Representations of these and other deities are also carved on the walls of the hall. Some of the relief carving, for instance the scene of Shiva receiving Ganga on his head in the Tiruchirapalli cave, is exceptionally fine.

The more elaborate Pallava period caves are located at the port city of Mamal-lapuram, named after the Pallava king Narasimha I, also known as Mahamalla (great hero). The columns in these caves are comparatively slender. Their shaft is multi-faceted, sometimes fluted or round, with cushion-shaped capitals and seated lions at the base. Some of the caves, such as the Adi-Varaha cave, are preceded by a tank. The rock-cut caves at Mamallapuram contain many striking mythological scenes carved in relief. These include Vishnu rescuing the earth, Vishnu taking three strides, Gaja-Lakshmi and Durga (in the Adi-Varaha cave), Mahishasuramardini in the Durga cave, and Krishna lifting Govardhana mountain (in the Pancha-Pandava cave). The relief carving of the Pallava cave shrines is generally shallower than that in the Deccan. The main figures are slender, delicate, and elegant. Their headdresses and crowns are quite plain, and they wear little or no jewellery.

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PHOTOGRAPHS OF MAMALLAPURAM CAVE SCULPTURES

However, the most dramatic of all the reliefs of this period is the gigantic open-air relief at Mamallapuram carved across two boulders, about 15 m high and 30 m long. On the rock face are a profusion of figures— people, animals including elephants—all in near life-size dimensions. On special occasions, water probably flowed from a cistern on the summit into the natural cleft between the two rocks, in which are carved a naga and a nagini figure. The scene represented in this relief has been interpreted in two different ways—as the descent of the Ganga or as Arjuna’s penance. The penance is part of a story in the Mahabharata and forms the theme of the Kiratarjuniya. In this story, Arjuna performs a penance to obtain Shiva’s weapons. A boar is sent by some asuras to kill him. Shiva intervenes to protect Arjuna, disguised as a kirata (hunter). Both claim to have shot the boar, and a conflict erupts. Shiva wins and reveals his true self to Arjuna.

VISHNU RESTING ON SHESHANAGA, MAMALLAPURAM CAVE

MAMALLAPURAM: OPEN-AIR RELIEF

DETAILS OF ASCETIC

ELEPHANTS

MONKEY PAIR NEAR RELIEF

MAMALLAPURAM RATHAS: DHARMARAJA

BHIMA

ARJUNA AND DRAUPADI

NAKULA–SAHADEVA

The other group of architectural remains at Mamallapuram are nine rock-cut temples, of which five are clustered together. The name of the great Pallava builder king Mamalla was in later times misunderstood as referring to the five Pandava heroes, and the five temples at Mamallapuram came to be known after the legendary Pandavas and their wife Draupadi. The shrines are often referred to as the five rathas. Ratha means a chariot and the reference to temples as rathas may have been based on the idea that they were representations of the celestial chariots that the deities were supposed to move around in. The rathas are known as the Dharmaraja, Bhima, Draupadi, Arjuna, and Sahadeva rathas. It is interesting to note that although located in close proximity to each other, these shrines display very different architectural features.

The Dharmaraja ratha is square in plan. It has open porches and a terraced pyramidal tower. Its pillar shafts are supported by seated lions. The Bhima ratha is longitudinal in shape with a barrel-vaulted roof. The Draupadi ratha is a very small square structure with a curvilinear roof shaped like the thatched roof of a hut. The Arjuna ratha is incomplete; it may have been abandoned due to the rock not being able to withstand the pressure of carving. The Sahadeva ratha too is incomplete. The outer walls of the Mamallapuram temples are decorated with scenes from Hindu mythology. The south face of the Dharmaraja ratha has a portrait which an inscription identifies as king Narasimhavarman Mamalla I.

During the reign of Narasimhavarman II Rajasimha, the rock-cut technique of temple building was replaced by structural temples. The Shore temple at Mamallapuram is assigned to the reign of Rajasimha, but additions may have been made in later times. This has three shrine areas containing a stone Shiva linga, Somaskanda (Shiva with Uma and Skanda, a popular theme in the Pallava period), and Vishnu resting on the serpent Ananta. The two shikharas are terraced and slender. The relief sculptures of the temple are very eroded due to the effects of the sea breeze and sand.

The Rajasimheshvara or Kailashanatha temple at Kanchipuram is also assigned to the reign of Narasimhavarman II Rajasimha. Within a large rectangular enclosure is a complex consisting of a main shrine and over 50 subsidiary shrines. The main temple consists of a square sanctum enshrining a linga, with an enclosed circumambulatory passage. It is surrounded by nine small shrines. The shikhara is in the typical southern style. The pillared hall and verandah preceding the shrine may have been added later. The enclosure walls of the complex have gopuras. The Kailashanatha temple is more heavily ornamented with sculptures than other structures of the Pallava period. Representations of Somaskanda are very frequent, and lions are a recurring motif on the enclosure wall. This temple marks an important stage in the evolution of the South Indian temple.

SHORE TEMPLE, MAMALLAPURAM

THE CHOLA TEMPLES

While Pallava temples are mostly located in and around Kanchipuram, Chola temples are concentrated further south, around Tanjore (Huntington, 1985: 509–39; Meister and Dhaky, 1983: 223–64, 289–330). They do not show a simple or straightforward evolution from the earlier Pallava temples and in fact reflect certain new features. Inscriptions indicate that many brick temples of Pallava times were rebuilt in stone during this period. The temple architecture of the Chola period can be divided into at least two phases on the basis of dynastic markers—the early phase (mid-9th to the early 11th centuries) and the late phase (early 11th to the 13th centuries). Some art historians suggest a division into three phases—early (850–985), middle (985–1070), and late (1070–1270)— and divide these into further sub-phases.

The earliest phase is represented by the Shiva temple at Narttamalai, built by the Chola king Vijayalaya or by a Muttarayar chief in the mid-9th century. It consists of a vimana (this term refers to the sanctum and its superstructure) joined to an ardhamandapa (the hall preceding the sanctum), which has two rows of three pillars. The main shrine is surrounded by six subsidiary shrines (there may originally have been eight) known as parivaralayas. The sanctum is circular and contains a linga and yoni. The outer walls have relatively little sculptural ornamentation, but two dvarapalas flank the western entrance. The walls have pilasters, but there are no niches containing images of deities, as is common in later Chola temples.

The next phase is represented by temples built during the reigns of Aditya I (871– 907 CE) and Parantaka I (907–55 CE), for instance the Brahmapureshvara temple at Pullamangai, the Nageshvarasvami temple at Kumbakonam, and the Koranganatha temple at Srinivasanallur. The Brahmapureshvara temple consists of an ardhamandapa joined to the vimana. A mukhamandapa (porch) was added subsequently. The temple was built in a shallow stone-lined pit that was once probably filled with water. This ties in with the fact that inverted lotuses are carved along the lower part of the outer walls. The frieze of lions along the base of the temple is a typical feature of Chola temples. Pilasters divide the outer walls into niches known as devakoshthas, which contain images of various deities including Ganesha, Durga Mahishasuramardini, and Brahma. The figures are natural and slender, with high headdresses. Representations of deities and mythological scenes, including those from the Ramayana, appear on the outer walls.

The original structure of the Nageshvarasvami temple consists of a joined ardhamandapa and vimana. Deeply carved representations of deities appear in the pilastered niches. The Koranganatha temple is similar in basic structure, except for the addition of an antarala (vestibule or antechamber) between the vimana and ardhamandapa. The frieze along the outer base consists of rows of inverted lotuses, and there are also rows of lions and elephants. The sculpted figures are more heavily ornamented than in other temples of this period.

FIGURE 10.2 PLANS OF SHIVA TEMPLE, NARTTAMALAI (TOP LEFT); BRAHMAPURESHVARA TEMPLE, PULLAMANGAI (TOP RIGHT); NAGESHVARASVAMI TEMPLE, KUMBAKONAM (BOTTOM) (AFTER HUNTINGTON, 1985)

BRIHADISHVARA TEMPLE, TANJAVUR: VIEW OF TEMPLE

The third phase of Chola temple architecture is associated with Shembiyan Mahadevi, a queen who was a major patron of temple building during the reigns of her husband Gandaraditya (949–57 CE), her son Uttama I (969–85 CE), and in the early part of Rajaraja I’s reign. A large number of older brick temples were rebuilt in stone during this period. A major change is noticeable in the nature of sculpted figures, which appear rather stiff and lifeless. An example of a temple built at the instance of Shembiyan Mahadevi is the Agastyeshvara temple at Anangapur.

The culmination of Chola temple architecture is represented by the Brihadishvara (also known as the Rajarajeshvara) temple at Tanjavur. With an approximately 60 m tall vimana and a towering, pyramidal shikhara, this Shiva temple was one of the largest and most grand structures of its age, displaying certain new architectural features compared to earlier temples. The main shrine consists of a pillared porch, a pillared mukhamandapa and ardhamandapa, an antarala, and the sanctum. The ornamentation of the outer walls is much more profuse than in earlier shrines. The niches are deep and projecting, and the figures they frame are carved in the round. The lower niches mostly contain representations of Shiva in his various manifestations, including Nataraja. One of the upper levels has 30 representations of Shiva as Tripurantaka, destroyer of three cities. Three huge Shiva sculptures and many paintings are located in the circumambulatory passage around the sanctum. In front of the temple is an almost 6 m long Nandi bull carved out of a single stone, later enclosed in a pavilion. The temple stands within a huge rectangular enclosure. On the east are two imposing temple gateways (gopuras), the lower part of which is made of stone, the upper storeys of brick. The figures carved on the gopuras are more heavy and ornamented than in earlier temples.

SCULPTURAL DETAIL

BRIHADISHVARA TEMPLE, TANJAVUR: GOPURA

SCULPTURAL DETAIL

FIGURE 10.3 PLAN OF BRIHADISHVARA TEMPLE

RELIEF PANELS, BRIHADISHVARA TEMPLE, TANJAVUR

Rajendra I (Rajaraja’s son) built a temple called Brihadishvara in his new capital Gangaikondacholapuram. It was not completed and lies in a ruinous state, but enough survives to show the uneven quality of its workmanship and the fact that it did not compare well with its namesake in Tanjore. The Gangaikondacholapuram temple has a lower vimana, its shikhara is curved inwards, and its walls are more heavily embellished with sculptures.

The last phase of Chola temple architecture belongs to the 12th–13th centuries. During this period, the gopura became more dominant than the vimana. This is evident in the Shiva temple at Chidambaram, which was mostly built during the reigns of Kulottunga I (1070–1122 CE) and his successors. Wheels and horses were added to the outer walls of the temple, to give it the appearance of a chariot.

CHOLA METAL SCULPTURE

The Chola period is well known for the aesthetic and technical finesse of its metal sculpture. Tanjavur was a major centre of the production of such images. The metal images of north India tend to be hollow, while those of South India were solid. Both were, however, made through the lost wax method. Traditionally, the northern images are supposed to be made out of an alloy of eight metals (gold, silver, tin, lead, iron, mercury, zinc, and copper) while the southern ones are supposed to be made of an alloy of five metals (copper, silver, gold, tin, and lead). The analysis of actual images indicates that these formulae were not always followed. The iconography and style of metal images were similar to those of their stone counterparts. The images were clothed and ornamented and formed part of temple rituals and ceremonials. Many of the southern images were carried about in processions. The images of Shiva as Nataraja, i.e., Lord of the Dance, appear frequently among Chola metal sculpture. (See Sivaramamurti [1974], 1994) for a detailed discussion of Nataraja in

Indian art and literature.) Other themes include Krishna and the Alvar and Nayanmar saints. There are a few Buddhist images as well.

Many Shiva temples of South India have a separate natana-sabha, where the image of Nataraja is placed. This can be seen, for instance, in the temple at Chidambaram. The dancing Shiva was of two types—angry and pacific. Shiva’s cosmic dance symbolizes the cyclical creation and destruction of the universe, and its elements have been interpreted in various ways. In his ‘dance of bliss’ (ananda tandava), Shiva usually has four arms. He wears a snake as an ornament. His front left arm is in a pose referred to as danda-hasta (staff hand) or gaja-hasta (elephant hand). In his rear left hand, he holds a flame, in his rear right hand a drum; his front right hand is in the release-granting abhaya pose. The drum symbolizes creation, the fire symbolizes destruction. The hand of the gaja-hasta points to his lifted foot, which is the refuge of the world. Shiva’s left leg is thrust out across his body. He usually dances on a dwarf, Muyalaka, who signifies ignorance or evil. The god’s locks of hair, which cradle the goddess Ganga, radiate out into the surrounding rim of flames. The attributes of the Natarajas of South India are different from the equally impressive images of the dancing Shiva found in other parts of the subcontinent such as at Ellora or Badami. There are differences in the expression, ornamentation, the number of arms, and in the attendant figures.

NEW DIRECTIONS IN RESEARCH

Archaeometric analysis of Nataraja images

Ancient Hindu metal images rarely have inscriptions, and scholars tend to date them in relation to the stone sculptures found in temples with datable inscriptions. The oldest three-dimensional stone Nataraja figures are found in temples built by the Chola queen Sembiyan Mahadevi, for instance the image in the mid-10th century Kailasanathaswami temple. According to some scholars, the bronze Natarajas also emerged during this period. However, Sharada Srinivasan’s analysis of the archaeometric, iconographic, and literary evidence shows that bronze representations of Shiva’s ananda-tandava first appeared in the Pallava period, between the 7th and mid-9th centuries.

There is no foolproof method for dating solid metal artefacts. However, lead isotope ratio analysis and trace element analysis can be used to identify similar or different sources of the metals. This can be combined with an analysis of style to indicate which images constitute a group. Srinivasan’s analysis of 130 metal images revealed that the metal artefacts of the Pallava and Chola periods show different archaeometric results. On this basis, she argues that two Nataraja bronzes—one found at Kunniyar in Tanjavur district and another currently housed in the British Museum—that have traditionally been described as ‘Chola bronzes’ were in fact in all likelihood made during the Pallava period.

The early Pallava bronze representations of Nataraja are metal translations of wooden images. The limbs are close set, the sash hangs downwards, and the rim of fire is elliptical. Later, in the Chola period, craftspeople recognized the greater tensile strength of metal in comparison with wood. In the Chola bronzes, the limbs, sash, and locks flare out towards a circular rim.

According to Srinivasan, well-rounded stone Natarajas came to the fore during the reign of Sembiyan Mahadevi, several centuries after the earliest metal images of the Pallava period. This may have been due to the poor tensile strength of stone in comparison to metal, which initially made it difficult, for instance, for stone carvers to carve the raised left leg of the dancing Shiva.

Sculptors rendered Shiva’s ecstatic and powerful dance in stone and bronze, while poets described it in words of wonder. For instance, Manikkavachakar’s Tiruvachakam says ‘Let us praise the Dancer who in good Tillai’s hall dances with fire, who sports, creating, destroying, this heaven and earth and all else.’

SOURCE Srinivasan, 2004

CHOLA NATARAJA BRONZE

The political history of the early medieval period was marked by a proliferation and expansion of states in various parts of the subcontinent. Land grants to Brahmanas played an important role in the legitimation of political power and had a significant impact on agrarian relations. There was agrarian expansion in various parts of the subcontinent and rural societies became increasingly stratified. This was not a period of urban decay. This is most evident from South India, where urban crafts, cities, trade, and trade guilds flourished. Trade links between the subcontinent, China, and Southeast Asia expanded significantly. Devotional worship was a marked feature of religious thought and practice. Temples functioned not only as sacred spaces, but also as the core of urban centres and as political symbols. The patronage they attracted made them points of convergence of the activities and aspirations of diverse social groups. Significant developments in the cultural sphere included the production of a wide range of texts in Sanskrit and vernacular languages. There was an efflorescence and refinement in temple architecture and sculpture, and distinct regional styles became apparent. During c. 600–1200 CE, the developments at the political, social, economic, and cultural levels crystallized into distinct regional formations and patterns.

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