Ableton Live Ultimate Course 24 - Analog Part 2 Video Lecture | Become the Master of Music Production: Ableton (English)

as up guys we are back in analog and I'm
going to show you some neat little
things we can do with it still so what
I'm going to do is I'm going to reset
the amplifier envelope by clicking here
let's give it a listen alright so I have
my sound here and then what I want to do
is I want to add a sub oscillator
traditionally this is the frequency of
the original oscillator split in half so
we're an octave down
whoops with that we play on both right
and there's that which is really fun
alright so what I want to do is I want
to route this one this oscillator to
filter one which dartie is I'm going to
add a bit of irn stuff
there's that right so we have some
residents going on
I want to route this gentleman to filter
2 which is down here and I'll have to
turn the our turn our amplifier
you have a separate kind of amplifier
down here as opposed to this one they're
two different ones these are kind of
default mixer section alright so what I
want to do is I want to
oh yeah I'll just bring that down boost
it up now all right so we got yeah we'll
go 24 DB so playing both
so we have what you would call I don't
know a analog e sound it's great another
one just for funsies alright so I'm
going to have two two saws
and a half them is separated at birth
separate this one
point to detune one of them wait I'm
going to yet set this there we have two
saws going on at once I'm going to
detune one of them
there's a bit of movement now going to
pan them left and right
so you have 80s stuff going on we can
modulate a lot of different modulations
for each one all right we'll do that
so for what I'm gonna do with LFO one
yeah let's let's map this to our D tune
here
that's slightly like that LFO to this
right so LFO one can only modulate
oscillator one an LFO 2 can only
modulate oscillator 2
got some weird movement type stuff there
yeah we can go even crazier actually
yeah I'll just turn the elbows off as we
get into our voicing section which is
about here and this is vibrato
give the amount and the rate so as will
go 10 10 times per second it'll vibrate
that what I want to do now is show you
yeah that's that's more of a an analogue
type thing so you'd have a very slight
amount of vibrato and you know a slow
our rate and that would emulate
oscillator drift and stuff like that so
you get an analogue sound much like we
already have all right so we want to
beef this sound up and that is done with
unison so unison is it splits the synth
up into parts or effectively doubling
this so where we have our saw wave 1 and
saw wave 2 one is detuned from another
right so if we double this up twice and
we detuned that instance we would be
getting unison in the detune amount is
here we effectively have four saw waves
going on at once we can adjust the
voices here to four voices right unison
four voices so each kind of section each
module has its own context-sensitive
option here so now we have effectively
eight saw waves going on a ones
clapping but it's only for funsies so
effectively now we have trance if that's
what you're into I'll just grab another
one here
we're going to have a glide mode and
what this does is it sets it to we have
one voice now
legato one boys yeah what happens is is
we when we go up from one note to
another the pitch tracking takes a while
to keep up
back is going on here working
oh I have to set it to mono sorry
episode the voices to mono
this is the amount the time it takes for
the pitch attracting door no very slow
or very fast my apologies that is an
epic fail so you have to select voices
voice count is how many notes you can
play simultaneously and you can have two
which is like a duophonic
so let's turn that off only play it to
it once two voices at once we can have
up to 32 voices at once so generally
you're kind of it's limitless and when
we have mono we cannot have when we're
mono or two voices we can't have unison
but we can once we get up and all that
fun stuff
we can globally detune the entire
instance which could be useful if you're
going for that analog kind of feel we
have a tuning error which emulates
oscillator drift
right here that it just kind of goes on
it's like a synthesizer that needs to be
you know serviced we can you know
transpose the the full instance by
octave and semitone we have pitch Bend
range from you know zero to two so
that's your pitch Bend that's the range
um and yes we have vibrato we can change
the vibrato section alright so you have
quick routing here now this is just a
quick way to route it I prefer to route
things manually but you can change if
you want 50/50 both going into filter
one both going into filter two we can
have like different kind of things here
and it's just a quick routing menu and
you can just kind of go through I like
to do things manually I'm a fan of that
and there's that I think that's
basically everything so basically you
have your sound generators on the left
and then those go into filter either
feather 1 or filter 2 we're both or each
one going into the separate one at the
same time reason for that is you can
have two resonance points and mix and
match residents so you get an
interesting sound with even more
harmonics you have get your filter
section which then goes into your
amplifier section and you have a lot of
stuff here and you have your modulation
section to to LFOs which can be mapped
to a lot of things to volume or
amplitude level to resonance to your
frequency of your filters to your pitch
to your pulse width and yeah there's
that uh and your volume with your quick
routing and detune capabilities so
generally yeah it's a it's a two-two
oscillator synth two filters synth two
amplifiers and two lfos and that's
basically
what it is plus a noise generator but
it's a really nice sense to get into and
remember you go left or right
alright I hope you learned a lot of
stuff and we're gonna be back with some
more stuff all right have a good one