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All questions of The Modern Indian Art for Humanities/Arts Exam

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Who among the following artists developed a unique style of sketching and painting that captured their immediate environment, flora and fauna, and those who lived there?
  • a)
    Gaganendranath Tagore
  • b)
    Nandalal Bose
  • c)
    Ramkinker Baij
  • d)
    Benode Behari Mukherjee
Correct answer is option 'C'. Can you explain this answer?

Hansa Sharma answered
Nandalal Bose's most creative students, Benode Behari Mukherjee and Ramkinker Baij, developed their own unique style of sketching and painting that could capture their immediate environment, flora and fauna, and those who lived there. Ramkinker Baij's art reflects his everyday experiences and is given to the celebration of nature.

What themes did new media artists in India explore in the 1990s?
  • a)
    Landscape and nature
  • b)
    Migration, displacement, gender, and sexuality
  • c)
    Traditional art techniques and materials
  • d)
    Political leaders and historical events
Correct answer is option 'B'. Can you explain this answer?

Rajesh Gupta answered
New media artists in India during the 1990s explored themes such as migration, displacement, gender, and sexuality, as well as the potential of technology in their art. They were also interested in critiquing society and exploring political conflicts through their installations.

What material is used to create Mrinalini Mukherjee's "Vanshri" sculpture?
  • a)
    Bronze
  • b)
    Hemp-fibre
  • c)
    Copper
  • d)
    Cement mixed with pebbles
Correct answer is option 'B'. Can you explain this answer?

Hansa Sharma answered
The intricate way in which the artist has knotted and woven the complex shape out of jute fibre is the result of years of handling the new material.

Who made the "Cries Un-Heard" bronze sculpture?
  • a)
    Debi Prasad Roy Chowdhury
  • b)
    Amarnath Sahgal
  • c)
    Ramkinker Baij
  • d)
    Laxma Goud
Correct answer is option 'B'. Can you explain this answer?

Gaurav Kumar answered
The bronze sculpture shows three figures flinging their arms above and crying out for help in vain, representing the destitute families in need of help whose cries fall on deaf ears.

What is the significance of installation art in the 1990s in India?
  • a)
    It combined painting, sculpture, photography, video, and even television in one space.
  • b)
    It provided a way for artists to explore traditional Indian art forms.
  • c)
    It focused on depicting social problems in India.
  • d)
    It was confined to art galleries and did not have much impact on public spaces.
Correct answer is option 'A'. Can you explain this answer?

Anaya Patel answered
Installation art in the 1990s in India provided a way for artists to combine different mediums like painting, sculpture, photography, video, and even television in one space. This medium, which could spread out into a whole hall, could fully grab the attention from all sides, providing an immersive experience.

Which artist uses light and shadow in her work to create the illusion of movement and to convey a sense of time?
  • a)
    Nalini Malani
  • b)
    Shilpa Gupta
  • c)
    K. G. Subramanyan
  • d)
    Bhupen Khakar
Correct answer is option 'A'. Can you explain this answer?

Gaurav Kumar answered
Nalini Malani is one of India's leading contemporary artists who uses light and shadow in her work to create the illusion of movement and to convey a sense of time. Her work is a powerful critique of the patriarchal society that she grew up in.

What was the inspiration for the New Figurative Art in India?
  • a)
    Old miniature paintings and popular art forms.
  • b)
    Geometrical designs seen in traditional diagrams for meditation or yantras.
  • c)
    Italian painters like the Lorenzetti brothers.
  • d)
    Technology and globalisation.
Correct answer is option 'A'. Can you explain this answer?

Anaya Patel answered
The New Figurative Art in India drew inspiration from old miniature paintings and popular art forms like calendars and folk art. Artists like K. G. Subramanyan, Gulam Mohammed Sheikh, and Bhupen Khakar in Baroda and Jogen Chowdhury, Bikash Bhattacharjee, and Ganesh Pyne in West Bengal started using storytelling in their paintings to depict the social problems that disturbed them.

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