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Test: The Mughal School of Miniature Painting- 2 - Humanities/Arts MCQ


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10 Questions MCQ Test Fine Art for Class 12 - Test: The Mughal School of Miniature Painting- 2

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Test: The Mughal School of Miniature Painting- 2 - Question 1

Who is attributed to the painting Noah’s Ark, from a dispersed Divan-i Hafiz painted manuscript of 1590?

Detailed Solution for Test: The Mughal School of Miniature Painting- 2 - Question 1

Noah’s Ark, from a dispersed Divan-i Hafiz painted manuscript of 1590, is an excellent painting in subdued colour palette and has been ascribed to Miskin, one of the masters at Akbar’s imperial atelier.

Test: The Mughal School of Miniature Painting- 2 - Question 2

Which gemstone was used to burnish the painting Noah’s Ark, from a dispersed Divan-i Hafiz painted manuscript of 1590?

Detailed Solution for Test: The Mughal School of Miniature Painting- 2 - Question 2

This painting lies in the collection of Freer Gallery of Art, Smithsonian Institution, Washington D.C., USA.

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Test: The Mughal School of Miniature Painting- 2 - Question 3

Who translated Harivamsa Purana, from which the painting Krishna Lifts Mount Govardhan is attributed to Miskin?

Detailed Solution for Test: The Mughal School of Miniature Painting- 2 - Question 3

Harivamsa Purana is one of the many Sanskrit manuscripts, which were translated into Persian by the Mughals. Badauni, a scholar noble in the court of Akbar, was assigned the job of translating this volume on Lord Krishna into Persian.

Test: The Mughal School of Miniature Painting- 2 - Question 4

Who presented Jahangir with paintings and decorative objects from Europe?

Detailed Solution for Test: The Mughal School of Miniature Painting- 2 - Question 4

European travelers who visited Jahangir’s court presented him with paintings and decorative objects from Europe.

Test: The Mughal School of Miniature Painting- 2 - Question 5

What did Jahangir do with the European art he received as gifts?

Detailed Solution for Test: The Mughal School of Miniature Painting- 2 - Question 5

Jahangir’s fascination for European art and theme prompted him to have more such works in his collection.

Test: The Mughal School of Miniature Painting- 2 - Question 6

Which of the following was not one of the styles assimilated by the Mughal Art School?

Detailed Solution for Test: The Mughal School of Miniature Painting- 2 - Question 6

The Mughal Art School creatively assimilated the three styles - indigenous, Persian, and European.

Test: The Mughal School of Miniature Painting- 2 - Question 7

Who is standing in attendance on the right side of Jahangir in the painting Jahangir in Darbar?

Detailed Solution for Test: The Mughal School of Miniature Painting- 2 - Question 7

Khurram stands in attendance with his hands folded, flanked by his son Shuja, son of Mumtaz Mahal, who was raised in the court by Nur Jahan.

Test: The Mughal School of Miniature Painting- 2 - Question 8

What is the title given to the painting Jahangir’s Dream (1618-22) by Abul Hasan?

Detailed Solution for Test: The Mughal School of Miniature Painting- 2 - Question 8

Jahangir’s Dream (1618-22) by Abul Hasan, given the title Nadir al Zaman, meaning the ‘Wonder of the Age’.

Test: The Mughal School of Miniature Painting- 2 - Question 9

What animals are depicted in Jahangir’s Dream?

Detailed Solution for Test: The Mughal School of Miniature Painting- 2 - Question 9

Two animals sleep quietly. However, the symbolism of their depiction does not escape the viewer. The powerful lion, on which Jahangir towers, and the docile sheep, on which the Persian Shah stands, sharing a magnificent resplendent golden halo of the Sun and Moon held by two winged angels indicate of being inspired by the incoming European art motifs and imageries in the Mughal court.

Test: The Mughal School of Miniature Painting- 2 - Question 10

Who succeeded the throne of Delhi after Jahangir’s son Khurram?

Detailed Solution for Test: The Mughal School of Miniature Painting- 2 - Question 10

Jahangir’s son Khurram succeeded the throne of Delhi by the name Shah Jahan (1628–1658).

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