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Test: CLAT Mock Test - 6 - CLAT MCQ


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30 Questions MCQ Test CLAT Mock Test Series 2026 - Test: CLAT Mock Test - 6

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Test: CLAT Mock Test - 6 - Question 1

Directions: Kindly read the passage carefully and answer the questions given beside.

Philosophy is dead, Stephen Hawking once declared, because it ‘has not kept up with modern developments in science, particularly physics! It is scientists, not philosophers, who are now ‘the bearers of the torch of discovery in our quest for knowledge’. The response from some philosophers was to accuse Hawking of ‘scientism’. The charge of ‘scientism is meant to convey disapproval of anyone who values scientific disciplines, such as physics, over non-scientific disciplines, such as philosophy. The philosopher Tom Sorell writes that scientism is ‘a matter of putting too high a value on science in comparison with other branches of learning or culture’. But what's wrong with putting a higher value on science compared with other academic disciplines? What is so bad about scientism? If physics is in fact a better torch in the quest for knowledge than philosophy, as Hawking claimed, then perhaps it should be valued over philosophy and other non-scientific fields of enquiry.

Before we can address these questions, however, we need to get our definitions straight. For, much like other philosophical isms, ‘scientism’ means different things to different philosophers. Now, the question of whether science is the only way of knowing about reality, or at least better than non- scientific ways of knowing, is an epistemological question. Construed as an epistemological thesis, then, scientism can be broadly understood as either the view that scientific knowledge is the only form of knowledge we have, or the view that scientific knowledge is the best form of knowledge we have. But scientism comes in other varieties as well, including methodological and metaphysical ones. As a methodological thesis, scientism is either the view that scientific methods are the only. ways of knowing about reality we have, or the view that scientific methods are the best ways of knowing about reality we have. And, construed as a metaphysical thesis, scientism is either the view that science is our only guide to what exists, or the view that science is our best guide to what exists.

Without a clear understanding of the aforementioned varieties of scientism, philosophical parties to the scientism debate are at risk of merely talking past each other. That is, some defenders of scientism might be arguing for weaker varieties of scientism, in terms of scientific knowledge or methods being the best ones, while their opponents interpret them as arguing for stronger varieties of scientism, in terms of scientific knowledge or methods being the only ones. My own position, for example, is a weak variety of scientism. In my paper ‘What's So Bad about Scientism?” (2017), defend scientism as an epistemological thesis, which I call ‘Weak Scientism’. This is the view that scientific knowledge i the best form of knowledge we have (as opposed to ‘Strong Scientist, which is the view that scientific knowledge is the only knowledge we have).

Q. What does the term "scientism" primarily refer to in the passage?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 1

The passage defines scientism as the view that scientific knowledge is either the only form of knowledge or the best form of knowledge. This aligns with option A.

Test: CLAT Mock Test - 6 - Question 2

Directions: Kindly read the passage carefully and answer the questions given beside.

Philosophy is dead, Stephen Hawking once declared, because it ‘has not kept up with modern developments in science, particularly physics! It is scientists, not philosophers, who are now ‘the bearers of the torch of discovery in our quest for knowledge’. The response from some philosophers was to accuse Hawking of ‘scientism’. The charge of ‘scientism is meant to convey disapproval of anyone who values scientific disciplines, such as physics, over non-scientific disciplines, such as philosophy. The philosopher Tom Sorell writes that scientism is ‘a matter of putting too high a value on science in comparison with other branches of learning or culture’. But what's wrong with putting a higher value on science compared with other academic disciplines? What is so bad about scientism? If physics is in fact a better torch in the quest for knowledge than philosophy, as Hawking claimed, then perhaps it should be valued over philosophy and other non-scientific fields of enquiry.

Before we can address these questions, however, we need to get our definitions straight. For, much like other philosophical isms, ‘scientism’ means different things to different philosophers. Now, the question of whether science is the only way of knowing about reality, or at least better than non- scientific ways of knowing, is an epistemological question. Construed as an epistemological thesis, then, scientism can be broadly understood as either the view that scientific knowledge is the only form of knowledge we have, or the view that scientific knowledge is the best form of knowledge we have. But scientism comes in other varieties as well, including methodological and metaphysical ones. As a methodological thesis, scientism is either the view that scientific methods are the only. ways of knowing about reality we have, or the view that scientific methods are the best ways of knowing about reality we have. And, construed as a metaphysical thesis, scientism is either the view that science is our only guide to what exists, or the view that science is our best guide to what exists.

Without a clear understanding of the aforementioned varieties of scientism, philosophical parties to the scientism debate are at risk of merely talking past each other. That is, some defenders of scientism might be arguing for weaker varieties of scientism, in terms of scientific knowledge or methods being the best ones, while their opponents interpret them as arguing for stronger varieties of scientism, in terms of scientific knowledge or methods being the only ones. My own position, for example, is a weak variety of scientism. In my paper ‘What's So Bad about Scientism?” (2017), defend scientism as an epistemological thesis, which I call ‘Weak Scientism’. This is the view that scientific knowledge i the best form of knowledge we have (as opposed to ‘Strong Scientist, which is the view that scientific knowledge is the only knowledge we have).

Q. What is the primary reason some philosophers accused Stephen Hawking of 'scientism'?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 2

The passage mentions that some philosophers accused Hawking of 'scientism' because he praised scientific disciplines like physics over non-scientific disciplines like philosophy.

Test: CLAT Mock Test - 6 - Question 3

Directions: Kindly read the passage carefully and answer the questions given beside.

Philosophy is dead, Stephen Hawking once declared, because it ‘has not kept up with modern developments in science, particularly physics! It is scientists, not philosophers, who are now ‘the bearers of the torch of discovery in our quest for knowledge’. The response from some philosophers was to accuse Hawking of ‘scientism’. The charge of ‘scientism is meant to convey disapproval of anyone who values scientific disciplines, such as physics, over non-scientific disciplines, such as philosophy. The philosopher Tom Sorell writes that scientism is ‘a matter of putting too high a value on science in comparison with other branches of learning or culture’. But what's wrong with putting a higher value on science compared with other academic disciplines? What is so bad about scientism? If physics is in fact a better torch in the quest for knowledge than philosophy, as Hawking claimed, then perhaps it should be valued over philosophy and other non-scientific fields of enquiry.

Before we can address these questions, however, we need to get our definitions straight. For, much like other philosophical isms, ‘scientism’ means different things to different philosophers. Now, the question of whether science is the only way of knowing about reality, or at least better than non- scientific ways of knowing, is an epistemological question. Construed as an epistemological thesis, then, scientism can be broadly understood as either the view that scientific knowledge is the only form of knowledge we have, or the view that scientific knowledge is the best form of knowledge we have. But scientism comes in other varieties as well, including methodological and metaphysical ones. As a methodological thesis, scientism is either the view that scientific methods are the only. ways of knowing about reality we have, or the view that scientific methods are the best ways of knowing about reality we have. And, construed as a metaphysical thesis, scientism is either the view that science is our only guide to what exists, or the view that science is our best guide to what exists.

Without a clear understanding of the aforementioned varieties of scientism, philosophical parties to the scientism debate are at risk of merely talking past each other. That is, some defenders of scientism might be arguing for weaker varieties of scientism, in terms of scientific knowledge or methods being the best ones, while their opponents interpret them as arguing for stronger varieties of scientism, in terms of scientific knowledge or methods being the only ones. My own position, for example, is a weak variety of scientism. In my paper ‘What's So Bad about Scientism?” (2017), defend scientism as an epistemological thesis, which I call ‘Weak Scientism’. This is the view that scientific knowledge i the best form of knowledge we have (as opposed to ‘Strong Scientist, which is the view that scientific knowledge is the only knowledge we have).

Q. Which of the following statements most accurately encapsulates the author's stance regarding scientism?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 3

The author's stance on scientism can be described as advocating for weak scientism. In this context, the author supports the idea that scientific knowledge is superior to other forms of knowledge, without asserting it as the exclusive form of knowledge. The author makes a clear distinction between weak scientism and strong scientism, with the latter claiming that only scientific knowledge is valid. The passage underscores the author's endorsement of giving significant importance to scientific knowledge while recognizing the presence of other types of knowledge.

Therefore, option B is the accurate choice.

Test: CLAT Mock Test - 6 - Question 4

Directions: Kindly read the passage carefully and answer the questions given beside.

Philosophy is dead, Stephen Hawking once declared, because it ‘has not kept up with modern developments in science, particularly physics! It is scientists, not philosophers, who are now ‘the bearers of the torch of discovery in our quest for knowledge’. The response from some philosophers was to accuse Hawking of ‘scientism’. The charge of ‘scientism is meant to convey disapproval of anyone who values scientific disciplines, such as physics, over non-scientific disciplines, such as philosophy. The philosopher Tom Sorell writes that scientism is ‘a matter of putting too high a value on science in comparison with other branches of learning or culture’. But what's wrong with putting a higher value on science compared with other academic disciplines? What is so bad about scientism? If physics is in fact a better torch in the quest for knowledge than philosophy, as Hawking claimed, then perhaps it should be valued over philosophy and other non-scientific fields of enquiry.

Before we can address these questions, however, we need to get our definitions straight. For, much like other philosophical isms, ‘scientism’ means different things to different philosophers. Now, the question of whether science is the only way of knowing about reality, or at least better than non- scientific ways of knowing, is an epistemological question. Construed as an epistemological thesis, then, scientism can be broadly understood as either the view that scientific knowledge is the only form of knowledge we have, or the view that scientific knowledge is the best form of knowledge we have. But scientism comes in other varieties as well, including methodological and metaphysical ones. As a methodological thesis, scientism is either the view that scientific methods are the only. ways of knowing about reality we have, or the view that scientific methods are the best ways of knowing about reality we have. And, construed as a metaphysical thesis, scientism is either the view that science is our only guide to what exists, or the view that science is our best guide to what exists.

Without a clear understanding of the aforementioned varieties of scientism, philosophical parties to the scientism debate are at risk of merely talking past each other. That is, some defenders of scientism might be arguing for weaker varieties of scientism, in terms of scientific knowledge or methods being the best ones, while their opponents interpret them as arguing for stronger varieties of scientism, in terms of scientific knowledge or methods being the only ones. My own position, for example, is a weak variety of scientism. In my paper ‘What's So Bad about Scientism?” (2017), defend scientism as an epistemological thesis, which I call ‘Weak Scientism’. This is the view that scientific knowledge i the best form of knowledge we have (as opposed to ‘Strong Scientist, which is the view that scientific knowledge is the only knowledge we have).

Q. Which of the following titles best captures the essence of the passage?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 4

The central focus of the passage is an examination of scientism and its diverse conceptions. The author delves into the ways scientism can be comprehended through the lenses of epistemology, methodology, and metaphysics. The passage underscores the necessity for a precise comprehension of the various facets of scientism to prevent misunderstandings and miscommunications during debates about this topic.

Therefore, option B is the appropriate choice.

Test: CLAT Mock Test - 6 - Question 5

Directions: Kindly read the passage carefully and answer the questions given beside.

Philosophy is dead, Stephen Hawking once declared, because it ‘has not kept up with modern developments in science, particularly physics! It is scientists, not philosophers, who are now ‘the bearers of the torch of discovery in our quest for knowledge’. The response from some philosophers was to accuse Hawking of ‘scientism’. The charge of ‘scientism is meant to convey disapproval of anyone who values scientific disciplines, such as physics, over non-scientific disciplines, such as philosophy. The philosopher Tom Sorell writes that scientism is ‘a matter of putting too high a value on science in comparison with other branches of learning or culture’. But what's wrong with putting a higher value on science compared with other academic disciplines? What is so bad about scientism? If physics is in fact a better torch in the quest for knowledge than philosophy, as Hawking claimed, then perhaps it should be valued over philosophy and other non-scientific fields of enquiry.

Before we can address these questions, however, we need to get our definitions straight. For, much like other philosophical isms, ‘scientism’ means different things to different philosophers. Now, the question of whether science is the only way of knowing about reality, or at least better than non- scientific ways of knowing, is an epistemological question. Construed as an epistemological thesis, then, scientism can be broadly understood as either the view that scientific knowledge is the only form of knowledge we have, or the view that scientific knowledge is the best form of knowledge we have. But scientism comes in other varieties as well, including methodological and metaphysical ones. As a methodological thesis, scientism is either the view that scientific methods are the only. ways of knowing about reality we have, or the view that scientific methods are the best ways of knowing about reality we have. And, construed as a metaphysical thesis, scientism is either the view that science is our only guide to what exists, or the view that science is our best guide to what exists.

Without a clear understanding of the aforementioned varieties of scientism, philosophical parties to the scientism debate are at risk of merely talking past each other. That is, some defenders of scientism might be arguing for weaker varieties of scientism, in terms of scientific knowledge or methods being the best ones, while their opponents interpret them as arguing for stronger varieties of scientism, in terms of scientific knowledge or methods being the only ones. My own position, for example, is a weak variety of scientism. In my paper ‘What's So Bad about Scientism?” (2017), defend scientism as an epistemological thesis, which I call ‘Weak Scientism’. This is the view that scientific knowledge i the best form of knowledge we have (as opposed to ‘Strong Scientist, which is the view that scientific knowledge is the only knowledge we have).

Q. How does the author perceive the worth of science in relation to other academic disciplines?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 5

The author's attitude towards the value of science compared to other academic disciplines is supportive. This can be inferred from the statement that scientists, not philosophers, are now seen as "the bearers of the torch of discovery in our quest for knowledge." The author also questions the criticism of scientism and asks what is wrong with valuing science more than other academic disciplines.

Hence, option A is the correct answer.

Test: CLAT Mock Test - 6 - Question 6

Directions: Kindly read the passage carefully and answer the questions given beside.

Bengaluru is blushing all over. A serial bloomer, the city unfurls its flora one after the other, bud by bud, carpeting its roads with petals now shocking pink, now golden yellow, all year round. As trees burst into every colour possible and flowers overtake trunks, the air smells like spilt perfume. These overlapping flowering seasons are no coincidence, but the result of careful botanical planning.

Bengaluru is reaping what it sowed. When a city is in the news for its flowers, flooding social media with photos taken from home or moving vehicle, it is time to give horticulture its due. Let’s address all flowers formally and respectfully by their baptised name instead of silly pet names.

Kigelia Africana (sausage tree), Neolamarckia cadamba (burflower-tree), Pongamia pinnata (beech tree), Spathodea (African tulips). . . . And Tabebuia rosea – rosy trumpet tree or pink poui – that writer Shobhaa De on a recent visit to the city said sounds like a skin condition.

Tabebuia rosea staged an overnight coup this year too, re-activating the fingers of Bengalureans into pointing to the tree here, there and everywhere. An utter amnesia overtook us on the garbage and gutter situation. All we could look at, talk about and click profusely was the rosy trumpet tree along our path. With their flamboyant rosy exuberance, the trees struck a pose where they stood – in the middle of the road, right outside your window, en route to wherever you are going. The usual flower thieves in apartment blocks forgot their sly plucking, shamed by this plenitude.

Purple jacaranda, red or white hibiscus and roses in every hue. Orange crossandra or white jasmine gajras in the hair. Fern in the forests around the city. Lilies, orchids and sunflowers perched pricy in the florist’s window. And still Bengaluru mourns the imminent departure of the Tabebuia rosea. Alas, the trees are already starting to shed their ornamental look, baring the twigs beneath. And even though other flowers will take over the floral relay race, we will miss the trees that crowded the skyline with their stunning pinkness like flower arrangements in huge celestial vases.

Mysore ruler Hyder Ali gave us a 240-acre garden named Lalbagh, while German botanist-gardener Gustav Hermann Krumbiegel and then forest official SG Neginhal worked their own magic just so Bengaluru could call itself Garden City. But all it takes is a Tabebuia rosea to make the a Bengorelan happy.

Q. What is the meaning of "flamboyant" as used in the passage?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 6

In the passage, the word "flamboyant" is used to describe the rosy trumpet trees, indicating that they are showy or extravagant in appearance.

Test: CLAT Mock Test - 6 - Question 7

Directions: Kindly read the passage carefully and answer the questions given beside.

Bengaluru is blushing all over. A serial bloomer, the city unfurls its flora one after the other, bud by bud, carpeting its roads with petals now shocking pink, now golden yellow, all year round. As trees burst into every colour possible and flowers overtake trunks, the air smells like spilt perfume. These overlapping flowering seasons are no coincidence, but the result of careful botanical planning.

Bengaluru is reaping what it sowed. When a city is in the news for its flowers, flooding social media with photos taken from home or moving vehicle, it is time to give horticulture its due. Let’s address all flowers formally and respectfully by their baptised name instead of silly pet names.

Kigelia Africana (sausage tree), Neolamarckia cadamba (burflower-tree), Pongamia pinnata (beech tree), Spathodea (African tulips). . . . And Tabebuia rosea – rosy trumpet tree or pink poui – that writer Shobhaa De on a recent visit to the city said sounds like a skin condition.

Tabebuia rosea staged an overnight coup this year too, re-activating the fingers of Bengalureans into pointing to the tree here, there and everywhere. An utter amnesia overtook us on the garbage and gutter situation. All we could look at, talk about and click profusely was the rosy trumpet tree along our path. With their flamboyant rosy exuberance, the trees struck a pose where they stood – in the middle of the road, right outside your window, en route to wherever you are going. The usual flower thieves in apartment blocks forgot their sly plucking, shamed by this plenitude.

Purple jacaranda, red or white hibiscus and roses in every hue. Orange crossandra or white jasmine gajras in the hair. Fern in the forests around the city. Lilies, orchids and sunflowers perched pricy in the florist’s window. And still Bengaluru mourns the imminent departure of the Tabebuia rosea. Alas, the trees are already starting to shed their ornamental look, baring the twigs beneath. And even though other flowers will take over the floral relay race, we will miss the trees that crowded the skyline with their stunning pinkness like flower arrangements in huge celestial vases.

Mysore ruler Hyder Ali gave us a 240-acre garden named Lalbagh, while German botanist-gardener Gustav Hermann Krumbiegel and then forest official SG Neginhal worked their own magic just so Bengaluru could call itself Garden City. But all it takes is a Tabebuia rosea to make the a Bengorelan happy.

Q. Which statement accurately describes Bengaluru?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 7

The passage indicates that the presence of overlapping flowering seasons in Bengaluru is a direct outcome of meticulous botanical planning, confirming the accuracy of option C.

Therefore, Option C stands as the accurate response.

Test: CLAT Mock Test - 6 - Question 8

Directions: Kindly read the passage carefully and answer the questions given beside.

Bengaluru is blushing all over. A serial bloomer, the city unfurls its flora one after the other, bud by bud, carpeting its roads with petals now shocking pink, now golden yellow, all year round. As trees burst into every colour possible and flowers overtake trunks, the air smells like spilt perfume. These overlapping flowering seasons are no coincidence, but the result of careful botanical planning.

Bengaluru is reaping what it sowed. When a city is in the news for its flowers, flooding social media with photos taken from home or moving vehicle, it is time to give horticulture its due. Let’s address all flowers formally and respectfully by their baptised name instead of silly pet names.

Kigelia Africana (sausage tree), Neolamarckia cadamba (burflower-tree), Pongamia pinnata (beech tree), Spathodea (African tulips). . . . And Tabebuia rosea – rosy trumpet tree or pink poui – that writer Shobhaa De on a recent visit to the city said sounds like a skin condition.

Tabebuia rosea staged an overnight coup this year too, re-activating the fingers of Bengalureans into pointing to the tree here, there and everywhere. An utter amnesia overtook us on the garbage and gutter situation. All we could look at, talk about and click profusely was the rosy trumpet tree along our path. With their flamboyant rosy exuberance, the trees struck a pose where they stood – in the middle of the road, right outside your window, en route to wherever you are going. The usual flower thieves in apartment blocks forgot their sly plucking, shamed by this plenitude.

Purple jacaranda, red or white hibiscus and roses in every hue. Orange crossandra or white jasmine gajras in the hair. Fern in the forests around the city. Lilies, orchids and sunflowers perched pricy in the florist’s window. And still Bengaluru mourns the imminent departure of the Tabebuia rosea. Alas, the trees are already starting to shed their ornamental look, baring the twigs beneath. And even though other flowers will take over the floral relay race, we will miss the trees that crowded the skyline with their stunning pinkness like flower arrangements in huge celestial vases.

Mysore ruler Hyder Ali gave us a 240-acre garden named Lalbagh, while German botanist-gardener Gustav Hermann Krumbiegel and then forest official SG Neginhal worked their own magic just so Bengaluru could call itself Garden City. But all it takes is a Tabebuia rosea to make the a Bengorelan happy.

Q. Which of the following statements is a piece of information explicitly stated in the passage?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 8

The passage notes that the Tabebuia rosea trees are beginning to lose their decorative appearance, confirming the accuracy of option D.

Therefore, Option D is the correct choice.

Test: CLAT Mock Test - 6 - Question 9

Directions: Kindly read the passage carefully and answer the questions given beside.

Bengaluru is blushing all over. A serial bloomer, the city unfurls its flora one after the other, bud by bud, carpeting its roads with petals now shocking pink, now golden yellow, all year round. As trees burst into every colour possible and flowers overtake trunks, the air smells like spilt perfume. These overlapping flowering seasons are no coincidence, but the result of careful botanical planning.

Bengaluru is reaping what it sowed. When a city is in the news for its flowers, flooding social media with photos taken from home or moving vehicle, it is time to give horticulture its due. Let’s address all flowers formally and respectfully by their baptised name instead of silly pet names.

Kigelia Africana (sausage tree), Neolamarckia cadamba (burflower-tree), Pongamia pinnata (beech tree), Spathodea (African tulips). . . . And Tabebuia rosea – rosy trumpet tree or pink poui – that writer Shobhaa De on a recent visit to the city said sounds like a skin condition.

Tabebuia rosea staged an overnight coup this year too, re-activating the fingers of Bengalureans into pointing to the tree here, there and everywhere. An utter amnesia overtook us on the garbage and gutter situation. All we could look at, talk about and click profusely was the rosy trumpet tree along our path. With their flamboyant rosy exuberance, the trees struck a pose where they stood – in the middle of the road, right outside your window, en route to wherever you are going. The usual flower thieves in apartment blocks forgot their sly plucking, shamed by this plenitude.

Purple jacaranda, red or white hibiscus and roses in every hue. Orange crossandra or white jasmine gajras in the hair. Fern in the forests around the city. Lilies, orchids and sunflowers perched pricy in the florist’s window. And still Bengaluru mourns the imminent departure of the Tabebuia rosea. Alas, the trees are already starting to shed their ornamental look, baring the twigs beneath. And even though other flowers will take over the floral relay race, we will miss the trees that crowded the skyline with their stunning pinkness like flower arrangements in huge celestial vases.

Mysore ruler Hyder Ali gave us a 240-acre garden named Lalbagh, while German botanist-gardener Gustav Hermann Krumbiegel and then forest official SG Neginhal worked their own magic just so Bengaluru could call itself Garden City. But all it takes is a Tabebuia rosea to make the a Bengorelan happy.

Q. Which of the following options characterizes the writing style employed in the passage most accurately?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 9

The passage uses vivid and descriptive language to convey the beauty and impact of the flowers in Bengaluru. Therefore, option B is the correct answer.

Test: CLAT Mock Test - 6 - Question 10

Directions: Kindly read the passage carefully and answer the questions given beside.

Bengaluru is blushing all over. A serial bloomer, the city unfurls its flora one after the other, bud by bud, carpeting its roads with petals now shocking pink, now golden yellow, all year round. As trees burst into every colour possible and flowers overtake trunks, the air smells like spilt perfume. These overlapping flowering seasons are no coincidence, but the result of careful botanical planning.

Bengaluru is reaping what it sowed. When a city is in the news for its flowers, flooding social media with photos taken from home or moving vehicle, it is time to give horticulture its due. Let’s address all flowers formally and respectfully by their baptised name instead of silly pet names.

Kigelia Africana (sausage tree), Neolamarckia cadamba (burflower-tree), Pongamia pinnata (beech tree), Spathodea (African tulips). . . . And Tabebuia rosea – rosy trumpet tree or pink poui – that writer Shobhaa De on a recent visit to the city said sounds like a skin condition.

Tabebuia rosea staged an overnight coup this year too, re-activating the fingers of Bengalureans into pointing to the tree here, there and everywhere. An utter amnesia overtook us on the garbage and gutter situation. All we could look at, talk about and click profusely was the rosy trumpet tree along our path. With their flamboyant rosy exuberance, the trees struck a pose where they stood – in the middle of the road, right outside your window, en route to wherever you are going. The usual flower thieves in apartment blocks forgot their sly plucking, shamed by this plenitude.

Purple jacaranda, red or white hibiscus and roses in every hue. Orange crossandra or white jasmine gajras in the hair. Fern in the forests around the city. Lilies, orchids and sunflowers perched pricy in the florist’s window. And still Bengaluru mourns the imminent departure of the Tabebuia rosea. Alas, the trees are already starting to shed their ornamental look, baring the twigs beneath. And even though other flowers will take over the floral relay race, we will miss the trees that crowded the skyline with their stunning pinkness like flower arrangements in huge celestial vases.

Mysore ruler Hyder Ali gave us a 240-acre garden named Lalbagh, while German botanist-gardener Gustav Hermann Krumbiegel and then forest official SG Neginhal worked their own magic just so Bengaluru could call itself Garden City. But all it takes is a Tabebuia rosea to make the a Bengorelan happy.

Q. What did the passage imply about Bengaluru's nickname "Garden City"?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 10

The passage suggests that while Bengaluru was known as the "Garden City" due to efforts by individuals like Gustav Hermann Krumbiegel, the presence of Tabebuia rosea has had a significant impact on the city's perception, indicating that the nickname may no longer be as relevant.

Test: CLAT Mock Test - 6 - Question 11

Directions: Kindly read the passage carefully and answer the questions given beside.

A gaggle of magpie geese float across a bright, almost blinding yellow fabric suspended from ceiling-high spokes, among all the neatly-stacked Kanjeevarams in Kingsley. The fabric is one of many brightly-hued pieces with abundant and unusual motifs that remain as centerpieces in the building known for its arched windows, checkered floors and colonial character. Chennai is perhaps unfamiliar with the stories behind the pieces, for they come all the way from the First Nations cultures of Australia: the first peoples of Australia, who have existed for thousands of years prior to colonisation.

The magpie geese or murnubbarr karrolka as they call it, fly long distances in the wet seasons, and are characteristic of the Kakadu and Western Arnhem Land where they are often found. For Dora Daiguma, an aboriginal artist hailing from Arnhem, they signify her land, surroundings and childhood memories. Suspended adjacently is another piece that carries an earthy red hue, dotted by amorphous, rather fibrous shapes — Bah-je by Linda Guruwana. Bah-je translates to hunting bag in Djinang, one of more than 250 indigenous languages in Australia.

The well-displayed installation titled Jarrachara is an invitation to simply absorb the stories of First Nations’ cultures as told through a medium as intimate as textile. Jarrachara is a distinctive cool wind that blows across Arnhem Land in Australia’s far north in the dry season. It signifies ‘ceremonial coming together’. The installation has 24 screen-printed textiles created by 15 female First Nations artists, all part of Babbara Women’s Centre (set up in 1987) based in Maningrida — a regional community in the Northern territory of Australia. They are punctuated by a few framed, wood-cut prints done in collaboration with Tharangini Studio in Bengaluru.

The earliest forms of Aboriginal art were rock carvings and paintings, body painting and ground designs. Sarah Kirlew, Australian Consul-General for South India says, “There are engravings on cave walls in Arnhem Land dating back 60,000 years. Placing the art on canvas and board began about 50 years ago. Today Aboriginal art is done in an expanding range of mediums, including, as in this exhibition, textiles.”

Most of the artworks and allied motifs share knowledge about, simply, their life: traditional bush foods, and harvest such as cheeky yam, long yam, dugong (marine mammal), barramundi (Asian sea bass) and long-necked turtles make appearances. Jessica continues, “Traditional life in saltwater and freshwater country is explored in the medium. Dilly bags and woven fish traps and other objects traditionally made by women to collect food and carry children are depicted. The stories also include creation spirits — [that appear in creation stories] such as mimihs, yawkyawk (mermaid spirits), djomi (mermaid) and other women’s creation stories specific to this region in Arnhem Land. The designs share the plants and animals unique to this region.”

Q. What is the main theme of the passage?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 11

The passage primarily focuses on the significance of textiles in First Nations cultures, particularly those from Australia.

Test: CLAT Mock Test - 6 - Question 12

Directions: Kindly read the passage carefully and answer the questions given beside.

A gaggle of magpie geese float across a bright, almost blinding yellow fabric suspended from ceiling-high spokes, among all the neatly-stacked Kanjeevarams in Kingsley. The fabric is one of many brightly-hued pieces with abundant and unusual motifs that remain as centerpieces in the building known for its arched windows, checkered floors and colonial character. Chennai is perhaps unfamiliar with the stories behind the pieces, for they come all the way from the First Nations cultures of Australia: the first peoples of Australia, who have existed for thousands of years prior to colonisation.

The magpie geese or murnubbarr karrolka as they call it, fly long distances in the wet seasons, and are characteristic of the Kakadu and Western Arnhem Land where they are often found. For Dora Daiguma, an aboriginal artist hailing from Arnhem, they signify her land, surroundings and childhood memories. Suspended adjacently is another piece that carries an earthy red hue, dotted by amorphous, rather fibrous shapes — Bah-je by Linda Guruwana. Bah-je translates to hunting bag in Djinang, one of more than 250 indigenous languages in Australia.

The well-displayed installation titled Jarrachara is an invitation to simply absorb the stories of First Nations’ cultures as told through a medium as intimate as textile. Jarrachara is a distinctive cool wind that blows across Arnhem Land in Australia’s far north in the dry season. It signifies ‘ceremonial coming together’. The installation has 24 screen-printed textiles created by 15 female First Nations artists, all part of Babbara Women’s Centre (set up in 1987) based in Maningrida — a regional community in the Northern territory of Australia. They are punctuated by a few framed, wood-cut prints done in collaboration with Tharangini Studio in Bengaluru.

The earliest forms of Aboriginal art were rock carvings and paintings, body painting and ground designs. Sarah Kirlew, Australian Consul-General for South India says, “There are engravings on cave walls in Arnhem Land dating back 60,000 years. Placing the art on canvas and board began about 50 years ago. Today Aboriginal art is done in an expanding range of mediums, including, as in this exhibition, textiles.”

Most of the artworks and allied motifs share knowledge about, simply, their life: traditional bush foods, and harvest such as cheeky yam, long yam, dugong (marine mammal), barramundi (Asian sea bass) and long-necked turtles make appearances. Jessica continues, “Traditional life in saltwater and freshwater country is explored in the medium. Dilly bags and woven fish traps and other objects traditionally made by women to collect food and carry children are depicted. The stories also include creation spirits — [that appear in creation stories] such as mimihs, yawkyawk (mermaid spirits), djomi (mermaid) and other women’s creation stories specific to this region in Arnhem Land. The designs share the plants and animals unique to this region.”

Q. According to the passage, what does the term "Jarrachara" signify in Aboriginal culture?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 12

The passage mentions that "Jarrachara" signifies a distinctive cool wind that blows across Arnhem Land in Australia's far north during the dry season.

Test: CLAT Mock Test - 6 - Question 13

Directions: Kindly read the passage carefully and answer the questions given beside.

A gaggle of magpie geese float across a bright, almost blinding yellow fabric suspended from ceiling-high spokes, among all the neatly-stacked Kanjeevarams in Kingsley. The fabric is one of many brightly-hued pieces with abundant and unusual motifs that remain as centerpieces in the building known for its arched windows, checkered floors and colonial character. Chennai is perhaps unfamiliar with the stories behind the pieces, for they come all the way from the First Nations cultures of Australia: the first peoples of Australia, who have existed for thousands of years prior to colonisation.

The magpie geese or murnubbarr karrolka as they call it, fly long distances in the wet seasons, and are characteristic of the Kakadu and Western Arnhem Land where they are often found. For Dora Daiguma, an aboriginal artist hailing from Arnhem, they signify her land, surroundings and childhood memories. Suspended adjacently is another piece that carries an earthy red hue, dotted by amorphous, rather fibrous shapes — Bah-je by Linda Guruwana. Bah-je translates to hunting bag in Djinang, one of more than 250 indigenous languages in Australia.

The well-displayed installation titled Jarrachara is an invitation to simply absorb the stories of First Nations’ cultures as told through a medium as intimate as textile. Jarrachara is a distinctive cool wind that blows across Arnhem Land in Australia’s far north in the dry season. It signifies ‘ceremonial coming together’. The installation has 24 screen-printed textiles created by 15 female First Nations artists, all part of Babbara Women’s Centre (set up in 1987) based in Maningrida — a regional community in the Northern territory of Australia. They are punctuated by a few framed, wood-cut prints done in collaboration with Tharangini Studio in Bengaluru.

The earliest forms of Aboriginal art were rock carvings and paintings, body painting and ground designs. Sarah Kirlew, Australian Consul-General for South India says, “There are engravings on cave walls in Arnhem Land dating back 60,000 years. Placing the art on canvas and board began about 50 years ago. Today Aboriginal art is done in an expanding range of mediums, including, as in this exhibition, textiles.”

Most of the artworks and allied motifs share knowledge about, simply, their life: traditional bush foods, and harvest such as cheeky yam, long yam, dugong (marine mammal), barramundi (Asian sea bass) and long-necked turtles make appearances. Jessica continues, “Traditional life in saltwater and freshwater country is explored in the medium. Dilly bags and woven fish traps and other objects traditionally made by women to collect food and carry children are depicted. The stories also include creation spirits — [that appear in creation stories] such as mimihs, yawkyawk (mermaid spirits), djomi (mermaid) and other women’s creation stories specific to this region in Arnhem Land. The designs share the plants and animals unique to this region.”

Q. What does the expression "bright, almost blinding yellow fabric" in the passage suggest?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 13

The expression "bright, almost blinding yellow fabric" employs hyperbole, a figure of speech that employs exaggeration for emphasis or effect. In this context, the hyperbole is utilized to underscore the fabric's brilliance and its profound impression on the observer.

Therefore, Option B is the accurate response.

Test: CLAT Mock Test - 6 - Question 14

Directions: Kindly read the passage carefully and answer the questions given beside.

A gaggle of magpie geese float across a bright, almost blinding yellow fabric suspended from ceiling-high spokes, among all the neatly-stacked Kanjeevarams in Kingsley. The fabric is one of many brightly-hued pieces with abundant and unusual motifs that remain as centerpieces in the building known for its arched windows, checkered floors and colonial character. Chennai is perhaps unfamiliar with the stories behind the pieces, for they come all the way from the First Nations cultures of Australia: the first peoples of Australia, who have existed for thousands of years prior to colonisation.

The magpie geese or murnubbarr karrolka as they call it, fly long distances in the wet seasons, and are characteristic of the Kakadu and Western Arnhem Land where they are often found. For Dora Daiguma, an aboriginal artist hailing from Arnhem, they signify her land, surroundings and childhood memories. Suspended adjacently is another piece that carries an earthy red hue, dotted by amorphous, rather fibrous shapes — Bah-je by Linda Guruwana. Bah-je translates to hunting bag in Djinang, one of more than 250 indigenous languages in Australia.

The well-displayed installation titled Jarrachara is an invitation to simply absorb the stories of First Nations’ cultures as told through a medium as intimate as textile. Jarrachara is a distinctive cool wind that blows across Arnhem Land in Australia’s far north in the dry season. It signifies ‘ceremonial coming together’. The installation has 24 screen-printed textiles created by 15 female First Nations artists, all part of Babbara Women’s Centre (set up in 1987) based in Maningrida — a regional community in the Northern territory of Australia. They are punctuated by a few framed, wood-cut prints done in collaboration with Tharangini Studio in Bengaluru.

The earliest forms of Aboriginal art were rock carvings and paintings, body painting and ground designs. Sarah Kirlew, Australian Consul-General for South India says, “There are engravings on cave walls in Arnhem Land dating back 60,000 years. Placing the art on canvas and board began about 50 years ago. Today Aboriginal art is done in an expanding range of mediums, including, as in this exhibition, textiles.”

Most of the artworks and allied motifs share knowledge about, simply, their life: traditional bush foods, and harvest such as cheeky yam, long yam, dugong (marine mammal), barramundi (Asian sea bass) and long-necked turtles make appearances. Jessica continues, “Traditional life in saltwater and freshwater country is explored in the medium. Dilly bags and woven fish traps and other objects traditionally made by women to collect food and carry children are depicted. The stories also include creation spirits — [that appear in creation stories] such as mimihs, yawkyawk (mermaid spirits), djomi (mermaid) and other women’s creation stories specific to this region in Arnhem Land. The designs share the plants and animals unique to this region.”

Q. According to the passage, what types of subjects are depicted in Aboriginal art?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 14

The passage mentions that Aboriginal art often depicts traditional subjects such as bush foods and harvest, including cheeky yam, long yam, dugong, barramundi, and long-necked turtles, among others.

Test: CLAT Mock Test - 6 - Question 15

Directions: Kindly read the passage carefully and answer the questions given beside.

A gaggle of magpie geese float across a bright, almost blinding yellow fabric suspended from ceiling-high spokes, among all the neatly-stacked Kanjeevarams in Kingsley. The fabric is one of many brightly-hued pieces with abundant and unusual motifs that remain as centerpieces in the building known for its arched windows, checkered floors and colonial character. Chennai is perhaps unfamiliar with the stories behind the pieces, for they come all the way from the First Nations cultures of Australia: the first peoples of Australia, who have existed for thousands of years prior to colonisation.

The magpie geese or murnubbarr karrolka as they call it, fly long distances in the wet seasons, and are characteristic of the Kakadu and Western Arnhem Land where they are often found. For Dora Daiguma, an aboriginal artist hailing from Arnhem, they signify her land, surroundings and childhood memories. Suspended adjacently is another piece that carries an earthy red hue, dotted by amorphous, rather fibrous shapes — Bah-je by Linda Guruwana. Bah-je translates to hunting bag in Djinang, one of more than 250 indigenous languages in Australia.

The well-displayed installation titled Jarrachara is an invitation to simply absorb the stories of First Nations’ cultures as told through a medium as intimate as textile. Jarrachara is a distinctive cool wind that blows across Arnhem Land in Australia’s far north in the dry season. It signifies ‘ceremonial coming together’. The installation has 24 screen-printed textiles created by 15 female First Nations artists, all part of Babbara Women’s Centre (set up in 1987) based in Maningrida — a regional community in the Northern territory of Australia. They are punctuated by a few framed, wood-cut prints done in collaboration with Tharangini Studio in Bengaluru.

The earliest forms of Aboriginal art were rock carvings and paintings, body painting and ground designs. Sarah Kirlew, Australian Consul-General for South India says, “There are engravings on cave walls in Arnhem Land dating back 60,000 years. Placing the art on canvas and board began about 50 years ago. Today Aboriginal art is done in an expanding range of mediums, including, as in this exhibition, textiles.”

Most of the artworks and allied motifs share knowledge about, simply, their life: traditional bush foods, and harvest such as cheeky yam, long yam, dugong (marine mammal), barramundi (Asian sea bass) and long-necked turtles make appearances. Jessica continues, “Traditional life in saltwater and freshwater country is explored in the medium. Dilly bags and woven fish traps and other objects traditionally made by women to collect food and carry children are depicted. The stories also include creation spirits — [that appear in creation stories] such as mimihs, yawkyawk (mermaid spirits), djomi (mermaid) and other women’s creation stories specific to this region in Arnhem Land. The designs share the plants and animals unique to this region.”

Q. When did the practice of placing Aboriginal art on canvas and board begin?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 15

The practice of placing Aboriginal art on canvas and board began approximately 50 years ago, signifying a notable departure from traditional artistic mediums that had roots dating back 60,000 years. While ancient engravings adorned cave walls in Arnhem Land, the more recent transition to canvas and board marked a significant shift in the way Aboriginal art was presented. Prior to this evolution, Aboriginal art primarily manifested through traditional forms, including rock carvings, paintings, body painting, and ground designs. These art forms conveyed knowledge about their traditional lifestyles, featuring elements such as bush foods, harvest, and the unique natural world of their regions. This transition allowed for exploration of new artistic mediums, broadening the horizons of Aboriginal artistic expression.

Test: CLAT Mock Test - 6 - Question 16

Directions: Read the given passage and answer the question that follows.

It was the biggest decision of her life, the one for which she is most remembered, but Freda Bedi didn't tell her children that she was being ordained as a Buddhist nun. There was no family council, no private conversation, not even, it seems, a letter to announce her intention.
"There was this terrible feeling of betrayal," Kabir Bedi recalls. It was 1966 and the height of the Delhi summer. Kabir was 20, a student at one of India's most prestigious university colleges, St Stephen's, and still recovering from a broken back. He understood that Buddhism loomed increasingly large in his mother's life, but hadn't been prepared for her ordination as a nun.
He was angry and said so. Why? he demanded of his mother; why now? He still remembers her response. "It is something I felt I had to do and I knew if I started discussing it with everybody, God knows what might have happened." Kabir was seven when his mother found Buddhism while on a United Nations mission to Burma (now Myanmar). He had accompanied her back there when she studied meditation, and had himself enrolled briefly as a novitiate. He had worn the robes and shaved off his hair—in much the same manner as his mother had now done. He had spent time with his mother at the camps in Assam set up for the Tibetans who fled across the mountains to escape Chinese rule—that's where she first became immersed in Tibetan belief and culture. He had taught at the Young Lamas' Home School she established. It had felt like a shared journey. Now Freda, Sister Palmo as she became known, had decided to press on alone. "I raised all the silly arguments I could think of: Your daughter's still in college, she's not married, how's she going to manage? All silly things. But basically, I was angry because I felt betrayed. There was a terrible sense of loss. It's like, you've lost your mother."
A few days after the ceremony, still at Rumtek, Freda received what was clearly an anguished letter from Kabir. Manorma Dewan was part of the extended family—her husband's flat was the venue of Kabir's meeting with his newly-robed mother—and remembers the central message of that letter: "You have become very selfish." Manorma agreed with that view. Freda replied immediately by telegram, and followed that up with a three-page handwritten missive to her 'darling son'. Kabir still has that letter. "I have been in a maze of pain, feeling your and Guli's," she wrote. "You all knew one day this step would be taken; we even joked about my losing my hair! Somehow, now had to be the time."
[Extracted with edits and revisions from The Lives Of Freda: The Political, Spiritual and Personal Journeys by Andrew Whitehead from Speaking Tiger]

Q. How did Freda Bedi respond to Kabir's anguished letter following her ordination as a nun?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 16

Freda Bedi responded to Kabir's anguished letter following her ordination as a nun by writing a heartfelt three-page letter to her 'darling son.' In this letter, she explained her reasons for the decision, acknowledging that it might have been unexpected but emphasizing that it had to be the right time for her to take this step. Her response shows her attempt to bridge the emotional gap and communicate her perspective to her son, even in the face of his initial anger and sense of betrayal.

Test: CLAT Mock Test - 6 - Question 17

How does congestion pricing benefit the environment?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 17

Congestion pricing leads to reduced pollution and carbon emissions, as seen in cities like London and Milan.

Test: CLAT Mock Test - 6 - Question 18

What percentage reduction in carbon emissions has Milan achieved since implementing congestion pricing?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 18

Milan has reported a 30% reduction in carbon emissions.

Test: CLAT Mock Test - 6 - Question 19

What is the primary finding of the study ‘400 Million Dreams!’ by the EAC-PM?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 19

The study highlights a decline of 5.4 million rural-to-urban migrants, which is a reduction of 11.8% compared to 2011.

Test: CLAT Mock Test - 6 - Question 20

What has been the migration rate in India in 2023 as per the study?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 20

The migration rate in 2023 has dropped to 28.9%, as mentioned in the passage.

Test: CLAT Mock Test - 6 - Question 21

Which of the following factors is claimed to have contributed to the decline in migration?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 21

The passage attributes the decline to improved rural government services such as education, health, infrastructure, and connectivity.

Test: CLAT Mock Test - 6 - Question 22

What trend is observed in railway and bus travel data post-pandemic?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 22

The passage notes a 6.7% decline in railway passenger numbers during peak months, and a 16% decline in bus travel since FY11.

Test: CLAT Mock Test - 6 - Question 23

What does a high SA/CA ratio in rural areas indicate?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 23

The passage explains that a high SA/CA ratio reflects lower economic activity and outbound migration in rural areas like Bihar.

Test: CLAT Mock Test - 6 - Question 24

What is the primary objective of Chhattisgarh's Green GDP initiative?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 24

The passage mentions that Chhattisgarh's Green GDP initiative aims to enhance budget planning, create sustainable policies, and recognise the economic value of forest ecosystem services.

Test: CLAT Mock Test - 6 - Question 25

What does Green GDP measure that traditional GDP does not?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 25

Green GDP considers natural resource depletion and ecological degradation, unlike traditional GDP, which focuses solely on economic output.

Test: CLAT Mock Test - 6 - Question 26

Which of the following ecosystem services are quantified under Chhattisgarh’s Green GDP initiative?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 26

The passage specifies that CO2 absorption, water conservation, and biodiversity contributions are among the ecosystem services evaluated under the initiative.

Test: CLAT Mock Test - 6 - Question 27

Which countries have adopted Green GDP principles as part of their development models?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 27

The passage notes that China, Bhutan, and European Union countries have integrated Green GDP principles into their policies.

Test: CLAT Mock Test - 6 - Question 28

What are some challenges in implementing Green GDP?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 28

The passage outlines challenges such as the complex valuation of natural resources, data limitations, and the need for standardisation across regions.

Test: CLAT Mock Test - 6 - Question 29

On which date is Shaurya Din, or Valour Day, celebrated annually?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 29

The passage states that Shaurya Din is observed annually on January 1, commemorating the Battle of Koregaon Bhima.

Test: CLAT Mock Test - 6 - Question 30

What does the Koregaon Bhima Vijaystambh, or Victory Pillar, symbolize?

Detailed Solution for Test: CLAT Mock Test - 6 - Question 30

The passage explains that the Victory Pillar was erected by the British to commemorate the bravery of the Mahar soldiers in the battle.

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