Much of the tragical lore of the infant mortality, the malnutrition, and the five-in-a-room morality of the citys poor is written in statistics, and thestatistical path to the heart is more figurative than literal. Gertie Slayback was statistically down as a woman wage-earner; a sorry case among the thousands of the Borough of Manhattan; and her twice-a-day share in the Subway fares collected in the present year. She was a very atomic one of the citys four millions. But after all, what are the kings and peasants, poets and draymen, but great, greater, or greatest, less, lesser, or least atoms of us? If not of the least, Gertie Slayback was of the very lesser. When she unlocked the front door to her rooming-house of evenings, there was no one to expect her, except on Tuesdays, which evening it so happened her week was up. And when she left of mornings with her breakfast crumblessly cleared up and the box of biscuit and condensed-milk can tucked unsuspectedly behind her camisole in the top drawer there was no one to regret her. There are some who call this freedom. Again there are those for whom one spark of home fire burning would light the world.Gertie Slayback was one of those. Half a life-time of opening her door upon this or that desert-aisle of hall bedroom had not taught her heart how not to sink or the feel of daily rising in one such room to seem less like a damp bathing-suit, donned at dawn. The only picture which adorned Miss Slaybacks dun-colored walls was a passe-partout snowscape, night closing in, and pink cottage windows peering out from under eaves. She could visualize that interior as if she had only to turn the frame for the smell of wood fire and the snap of pine logs and for the scene of two high-back chairs and the wooden crib between. What a fragile, gracile thing is the mind that can leap thus from nine bargain basement hours of hairpins and darning-balls to the downy business of lining a crib in Never-Never Land and warming No Mans slippers before the fire of imagination. There was that picture so acidly etched into Miss Slaybacks brain that she had only to close her eyes in the slit-like sanctity of her room and in the brief moment of courting sleep feel the pink penumbra of her vision begin to glow.Q. If you were to interview the author, what would be your follow up question to this passage?a)What were Gertie Slaybacks feelings towards her living conditions?b)Did Gertie Slaybacks work affect her perception of the picture on her wall?c)What role did imagination play in Gertie Slaybacks daily life?d)Did Gertie Slayback take any actions to better her situation?Correct answer is option 'D'. Can you explain this answer?

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Much of the tragical lore of the infant mortality, the malnutrition, and the five-in-a-room morality of the city's poor is written in statistics, and the statistical path to the heart is more figurative than literal. Gertie Slayback was statistically down as a woman wage-earner; a sorry case among the thousands of the Borough of Manhattan; and her twice-a-day share in the Subway fares collected in the present year. She was a very atomic one of the city's four millions. But after all, what are the kings and peasants, poets and draymen, but great, greater, or greatest, less, lesser, or least atoms of us? If not of the least, Gertie Slayback was of the very lesser. When she unlocked the front door to her rooming-house of evenings, there was no one to expect her, except on Tuesdays, which evening it so happened her week was up. And when she left of mornings with her breakfast crumblessly cleared up and the box of biscuit and condensed-milk can tucked unsuspectedly behind her camisole in the top drawer there was no one to regret her. There are some who call this freedom. Again there are those for whom one spark of home fire burning would light the world.
Gertie Slayback was one of those. Half a life-time of opening her door upon this or that desert-aisle of hall bedroom had not taught her heart how not to sink or the feel of daily rising in one such room to seem less like a damp bathing-suit, donned at dawn. The only picture which adorned Miss Slayback's dun-colored walls was a passe-partout snowscape, night closing in, and pink cottage windows peering out from under eaves. She could visualize that interior as if she had only to turn the frame for the smell of wood fire and the snap of pine logs and for the scene of two high-back chairs and the wooden crib between. What a fragile, gracile thing is the mind that can leap thus from nine bargain basement hours of hairpins and darning-balls to the downy business of lining a crib in Never-Never Land and warming No Man's slippers before the fire of imagination. There was that picture so acidly etched into Miss Slayback's brain that she had only to close her eyes in the slit-like sanctity of her room and in the brief moment of courting sleep feel the pink penumbra of her vision begin to glow.

Q. If you were to interview the author, what would be your follow up question to this passage?

a)
What were Gertie Slayback's feelings towards her living conditions?
b)
Did Gertie Slayback's work affect her perception of the picture on her wall?
c)
What role did imagination play in Gertie Slayback's daily life?
d)
Did Gertie Slayback take any actions to better her situation?

Correct answer is option 'D'. Can you explain this answer?

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Much of the tragical lore of the infant mortality, the malnutrition, a...

The passage centers on Gertie Slayback's feelings towards her life and the role that imagination played in helping her cope with the monotony of her routine. The passage describes her unhappiness but mentions how Gertie Slayback would follow her routine disregarding the same. This is indicated in “When she unlocked the front door to her rooming-house of evenings, there was no one to expect her, except on Tuesdays, which evening it so happened her week was up.”. However, the paragraph does not tell us if Gertie Slayback took any steps to change the status quo of her life. This vindicates option 4.
The question put forth by option 1 is answered in “Half a life-time of opening her door upon this ... had not taught her heart how not to sink or the feel of daily rising in one such room to seem less like a damp bathing-suit, donned at dawn.”.
The passage mentions that Gertie Slayback's perception was not affected by the nature of her work in “... the mind that can leap thus from nine bargain basement hours of hairpins and darning- balls to the downy business of lining a crib in Never-Never Land and warming No Man's slippers before the fire of imagination.”. Eliminate option 2.
According to the passage, “There was that picture so acidly etched into Miss Slayback's brain that she had only to close her eyes in the slit-like sanctity of her room and in the brief moment of courting sleep feel the pink penumbra of her vision begin to glow.”. This tells us how imagination helped Gertie Slayback cope with her routine. Eliminate option 3.
Hence, the correct answer is option 4.

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Read the passage given below and answer the questions that follow.“When you’re dead, you’re dead,” I’d always told myself. “You’re childless, so what difference does it make who gets the money, if there’s any left, or the sentimental treasures?” By which I mean my mother’s “sterling” silver, which turned out to be plate, and my flea market discoveries.But my 10-year-old standard poodle was another story. Unmentioned in the existing document, Henry would be left alone after I died: unfed, unwalked, unloved. Would he die, too, only to be discovered by a neighbor when he started to stink up the joint? I owed him better.My elder care lawyer raised a skeptical eyebrow when I explained that the inspiration to update everything was my dog. I might as well review all the paperwork, I told him: the power of attorney, the health care proxy, the living will, a codicil here and there, the list offriends’ children who had always been my beneficiaries. But a full year went by while I looked guiltily at the file folder on my desk marked “new will.” That took me by surprise, as I’m not a procrastinator. Remember the hated kid in high school who always had her papers done way in advance and went to the movies while everyone else was pulling an all-nighter? That was me.But my lawyer, Gregg M. Weiss, was used to people starting the process and then disappearing. “That’s the No. 1 bane of my existence,” he said when I finally resurfaced, all papers ready to be signed.“Whatever is on anyone’s to-do pile, this typically goes to the bottom. It’s avoidance, not facing the reality of death. The 80-year- olds we see are different. They don’t dillydally.” My mother had needed no admonitions about such things and had her affairs in order before she was out of her 50s, most likely because my father’s sudden death had left her with a mess to clean up when one least needs to be cleaning up messes. My new will splits the difference between being smart and being stubborn. Friends’ children remain the main beneficiaries, along with charities. My health care proxy remains a sensible, loving and brave friend who says that she has no problem pulling the plug under the right circumstances. Another friend replaces the former No. 2 for reasons of geography: A health care proxy who lives 3,000 miles away is not very likely to be available when you need her. My brother is grateful, as he always has been, to be spared that task. He wants me to have the kind of death I choose, but not to be in charge of it. Custody of Henry, my dog, goes to his walker, who loves him so much (and vice vers

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Group QuestionThe passage given below is followed by a set of questions. Choose the most appropriate answer to each question.Much of the tragical lore of the infant mortality, the malnutrition, and the five-in-a-room morality of the citys poor is written in statistics, and thestatistical path to the heart is more figurative than literal. Gertie Slayback was statistically down as a woman wage-earner; a sorry case among the thousands of the Borough of Manhattan; and her twice-a-day share in the Subway fares collected in the present year. She was a very atomic one of the citys four millions. But after all, what are the kings and peasants, poets and draymen, but great, greater, or greatest, less, lesser, or least atoms of us? If not of the least, Gertie Slayback was of the very lesser. When she unlocked the front door to her rooming-house of evenings, there was no one to expect her, except on Tuesdays, which evening it so happened her week was up. And when she left of mornings with her breakfast crumblessly cleared up and the box of biscuit and condensed-milk can tucked unsuspectedly behind her camisole in the top drawer there was no one to regret her. There are some who call this freedom. Again there are those for whom one spark of home fire burning would light the world.Gertie Slayback was one of those. Half a life-time of opening her door upon this or that desert-aisle of hall bedroom had not taught her heart how not to sink or the feel of daily rising in one such room to seem less like a damp bathing-suit, donned at dawn. The only picture which adorned Miss Slaybacks dun-colored walls was a passe-partout snowscape, night closing in, and pink cottage windows peering out from under eaves. She could visualize that interior as if she had only to turn the frame for the smell of wood fire and the snap of pine logs and for the scene of two high-back chairs and the wooden crib between. What a fragile, gracile thing is the mind that can leap thus from nine bargain basement hours of hairpins and darning-balls to the downy business of lining a crib in Never-Never Land and warming No Mans slippers before the fire of imagination. There was that picture so acidly etched into Miss Slaybacks brain that she had only to close her eyes in the slit-like sanctity of her room and in the brief moment of courting sleep feel the pink penumbra of her vision begin to glow.Q. Among the following options, the author of the passage is likely to disagree with which of the following?

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Much of the tragical lore of the infant mortality, the malnutrition, and the five-in-a-room morality of the citys poor is written in statistics, and thestatistical path to the heart is more figurative than literal. Gertie Slayback was statistically down as a woman wage-earner; a sorry case among the thousands of the Borough of Manhattan; and her twice-a-day share in the Subway fares collected in the present year. She was a very atomic one of the citys four millions. But after all, what are the kings and peasants, poets and draymen, but great, greater, or greatest, less, lesser, or least atoms of us? If not of the least, Gertie Slayback was of the very lesser. When she unlocked the front door to her rooming-house of evenings, there was no one to expect her, except on Tuesdays, which evening it so happened her week was up. And when she left of mornings with her breakfast crumblessly cleared up and the box of biscuit and condensed-milk can tucked unsuspectedly behind her camisole in the top drawer there was no one to regret her. There are some who call this freedom. Again there are those for whom one spark of home fire burning would light the world.Gertie Slayback was one of those. Half a life-time of opening her door upon this or that desert-aisle of hall bedroom had not taught her heart how not to sink or the feel of daily rising in one such room to seem less like a damp bathing-suit, donned at dawn. The only picture which adorned Miss Slaybacks dun-colored walls was a passe-partout snowscape, night closing in, and pink cottage windows peering out from under eaves. She could visualize that interior as if she had only to turn the frame for the smell of wood fire and the snap of pine logs and for the scene of two high-back chairs and the wooden crib between. What a fragile, gracile thing is the mind that can leap thus from nine bargain basement hours of hairpins and darning-balls to the downy business of lining a crib in Never-Never Land and warming No Mans slippers before the fire of imagination. There was that picture so acidly etched into Miss Slaybacks brain that she had only to close her eyes in the slit-like sanctity of her room and in the brief moment of courting sleep feel the pink penumbra of her vision begin to glow.Q. Which of the following is untrue with regard to Gertie Slaybacks perception of the picture on her wall?

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Much of the tragical lore of the infant mortality, the malnutrition, and the five-in-a-room morality of the citys poor is written in statistics, and thestatistical path to the heart is more figurative than literal. Gertie Slayback was statistically down as a woman wage-earner; a sorry case among the thousands of the Borough of Manhattan; and her twice-a-day share in the Subway fares collected in the present year. She was a very atomic one of the citys four millions. But after all, what are the kings and peasants, poets and draymen, but great, greater, or greatest, less, lesser, or least atoms of us? If not of the least, Gertie Slayback was of the very lesser. When she unlocked the front door to her rooming-house of evenings, there was no one to expect her, except on Tuesdays, which evening it so happened her week was up. And when she left of mornings with her breakfast crumblessly cleared up and the box of biscuit and condensed-milk can tucked unsuspectedly behind her camisole in the top drawer there was no one to regret her. There are some who call this freedom. Again there are those for whom one spark of home fire burning would light the world.Gertie Slayback was one of those. Half a life-time of opening her door upon this or that desert-aisle of hall bedroom had not taught her heart how not to sink or the feel of daily rising in one such room to seem less like a damp bathing-suit, donned at dawn. The only picture which adorned Miss Slaybacks dun-colored walls was a passe-partout snowscape, night closing in, and pink cottage windows peering out from under eaves. She could visualize that interior as if she had only to turn the frame for the smell of wood fire and the snap of pine logs and for the scene of two high-back chairs and the wooden crib between. What a fragile, gracile thing is the mind that can leap thus from nine bargain basement hours of hairpins and darning-balls to the downy business of lining a crib in Never-Never Land and warming No Mans slippers before the fire of imagination. There was that picture so acidly etched into Miss Slaybacks brain that she had only to close her eyes in the slit-like sanctity of her room and in the brief moment of courting sleep feel the pink penumbra of her vision begin to glow.Q. Why did the author give Henrys custody to his brothers walker?

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Much of the tragical lore of the infant mortality, the malnutrition, and the five-in-a-room morality of the citys poor is written in statistics, and thestatistical path to the heart is more figurative than literal. Gertie Slayback was statistically down as a woman wage-earner; a sorry case among the thousands of the Borough of Manhattan; and her twice-a-day share in the Subway fares collected in the present year. She was a very atomic one of the citys four millions. But after all, what are the kings and peasants, poets and draymen, but great, greater, or greatest, less, lesser, or least atoms of us? If not of the least, Gertie Slayback was of the very lesser. When she unlocked the front door to her rooming-house of evenings, there was no one to expect her, except on Tuesdays, which evening it so happened her week was up. And when she left of mornings with her breakfast crumblessly cleared up and the box of biscuit and condensed-milk can tucked unsuspectedly behind her camisole in the top drawer there was no one to regret her. There are some who call this freedom. Again there are those for whom one spark of home fire burning would light the world.Gertie Slayback was one of those. Half a life-time of opening her door upon this or that desert-aisle of hall bedroom had not taught her heart how not to sink or the feel of daily rising in one such room to seem less like a damp bathing-suit, donned at dawn. The only picture which adorned Miss Slaybacks dun-colored walls was a passe-partout snowscape, night closing in, and pink cottage windows peering out from under eaves. She could visualize that interior as if she had only to turn the frame for the smell of wood fire and the snap of pine logs and for the scene of two high-back chairs and the wooden crib between. What a fragile, gracile thing is the mind that can leap thus from nine bargain basement hours of hairpins and darning-balls to the downy business of lining a crib in Never-Never Land and warming No Mans slippers before the fire of imagination. There was that picture so acidly etched into Miss Slaybacks brain that she had only to close her eyes in the slit-like sanctity of her room and in the brief moment of courting sleep feel the pink penumbra of her vision begin to glow.Q. If you were to interview the author, what would be your follow up question to this passage?a)What were Gertie Slaybacks feelings towards her living conditions?b)Did Gertie Slaybacks work affect her perception of the picture on her wall?c)What role did imagination play in Gertie Slaybacks daily life?d)Did Gertie Slayback take any actions to better her situation?Correct answer is option 'D'. Can you explain this answer?

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Much of the tragical lore of the infant mortality, the malnutrition, and the five-in-a-room morality of the citys poor is written in statistics, and thestatistical path to the heart is more figurative than literal. Gertie Slayback was statistically down as a woman wage-earner; a sorry case among the thousands of the Borough of Manhattan; and her twice-a-day share in the Subway fares collected in the present year. She was a very atomic one of the citys four millions. But after all, what are the kings and peasants, poets and draymen, but great, greater, or greatest, less, lesser, or least atoms of us? If not of the least, Gertie Slayback was of the very lesser. When she unlocked the front door to her rooming-house of evenings, there was no one to expect her, except on Tuesdays, which evening it so happened her week was up. And when she left of mornings with her breakfast crumblessly cleared up and the box of biscuit and condensed-milk can tucked unsuspectedly behind her camisole in the top drawer there was no one to regret her. There are some who call this freedom. Again there are those for whom one spark of home fire burning would light the world.Gertie Slayback was one of those. Half a life-time of opening her door upon this or that desert-aisle of hall bedroom had not taught her heart how not to sink or the feel of daily rising in one such room to seem less like a damp bathing-suit, donned at dawn. The only picture which adorned Miss Slaybacks dun-colored walls was a passe-partout snowscape, night closing in, and pink cottage windows peering out from under eaves. She could visualize that interior as if she had only to turn the frame for the smell of wood fire and the snap of pine logs and for the scene of two high-back chairs and the wooden crib between. What a fragile, gracile thing is the mind that can leap thus from nine bargain basement hours of hairpins and darning-balls to the downy business of lining a crib in Never-Never Land and warming No Mans slippers before the fire of imagination. There was that picture so acidly etched into Miss Slaybacks brain that she had only to close her eyes in the slit-like sanctity of her room and in the brief moment of courting sleep feel the pink penumbra of her vision begin to glow.Q. If you were to interview the author, what would be your follow up question to this passage?a)What were Gertie Slaybacks feelings towards her living conditions?b)Did Gertie Slaybacks work affect her perception of the picture on her wall?c)What role did imagination play in Gertie Slaybacks daily life?d)Did Gertie Slayback take any actions to better her situation?Correct answer is option 'D'. Can you explain this answer? for CAT 2025 is part of CAT preparation. The Question and answers have been prepared according to the CAT exam syllabus. Information about Much of the tragical lore of the infant mortality, the malnutrition, and the five-in-a-room morality of the citys poor is written in statistics, and thestatistical path to the heart is more figurative than literal. Gertie Slayback was statistically down as a woman wage-earner; a sorry case among the thousands of the Borough of Manhattan; and her twice-a-day share in the Subway fares collected in the present year. She was a very atomic one of the citys four millions. But after all, what are the kings and peasants, poets and draymen, but great, greater, or greatest, less, lesser, or least atoms of us? If not of the least, Gertie Slayback was of the very lesser. When she unlocked the front door to her rooming-house of evenings, there was no one to expect her, except on Tuesdays, which evening it so happened her week was up. And when she left of mornings with her breakfast crumblessly cleared up and the box of biscuit and condensed-milk can tucked unsuspectedly behind her camisole in the top drawer there was no one to regret her. There are some who call this freedom. Again there are those for whom one spark of home fire burning would light the world.Gertie Slayback was one of those. Half a life-time of opening her door upon this or that desert-aisle of hall bedroom had not taught her heart how not to sink or the feel of daily rising in one such room to seem less like a damp bathing-suit, donned at dawn. The only picture which adorned Miss Slaybacks dun-colored walls was a passe-partout snowscape, night closing in, and pink cottage windows peering out from under eaves. She could visualize that interior as if she had only to turn the frame for the smell of wood fire and the snap of pine logs and for the scene of two high-back chairs and the wooden crib between. What a fragile, gracile thing is the mind that can leap thus from nine bargain basement hours of hairpins and darning-balls to the downy business of lining a crib in Never-Never Land and warming No Mans slippers before the fire of imagination. There was that picture so acidly etched into Miss Slaybacks brain that she had only to close her eyes in the slit-like sanctity of her room and in the brief moment of courting sleep feel the pink penumbra of her vision begin to glow.Q. If you were to interview the author, what would be your follow up question to this passage?a)What were Gertie Slaybacks feelings towards her living conditions?b)Did Gertie Slaybacks work affect her perception of the picture on her wall?c)What role did imagination play in Gertie Slaybacks daily life?d)Did Gertie Slayback take any actions to better her situation?Correct answer is option 'D'. Can you explain this answer? covers all topics & solutions for CAT 2025 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Much of the tragical lore of the infant mortality, the malnutrition, and the five-in-a-room morality of the citys poor is written in statistics, and thestatistical path to the heart is more figurative than literal. Gertie Slayback was statistically down as a woman wage-earner; a sorry case among the thousands of the Borough of Manhattan; and her twice-a-day share in the Subway fares collected in the present year. She was a very atomic one of the citys four millions. But after all, what are the kings and peasants, poets and draymen, but great, greater, or greatest, less, lesser, or least atoms of us? If not of the least, Gertie Slayback was of the very lesser. When she unlocked the front door to her rooming-house of evenings, there was no one to expect her, except on Tuesdays, which evening it so happened her week was up. And when she left of mornings with her breakfast crumblessly cleared up and the box of biscuit and condensed-milk can tucked unsuspectedly behind her camisole in the top drawer there was no one to regret her. There are some who call this freedom. Again there are those for whom one spark of home fire burning would light the world.Gertie Slayback was one of those. Half a life-time of opening her door upon this or that desert-aisle of hall bedroom had not taught her heart how not to sink or the feel of daily rising in one such room to seem less like a damp bathing-suit, donned at dawn. The only picture which adorned Miss Slaybacks dun-colored walls was a passe-partout snowscape, night closing in, and pink cottage windows peering out from under eaves. She could visualize that interior as if she had only to turn the frame for the smell of wood fire and the snap of pine logs and for the scene of two high-back chairs and the wooden crib between. What a fragile, gracile thing is the mind that can leap thus from nine bargain basement hours of hairpins and darning-balls to the downy business of lining a crib in Never-Never Land and warming No Mans slippers before the fire of imagination. There was that picture so acidly etched into Miss Slaybacks brain that she had only to close her eyes in the slit-like sanctity of her room and in the brief moment of courting sleep feel the pink penumbra of her vision begin to glow.Q. If you were to interview the author, what would be your follow up question to this passage?a)What were Gertie Slaybacks feelings towards her living conditions?b)Did Gertie Slaybacks work affect her perception of the picture on her wall?c)What role did imagination play in Gertie Slaybacks daily life?d)Did Gertie Slayback take any actions to better her situation?Correct answer is option 'D'. Can you explain this answer?.

Solutions for Much of the tragical lore of the infant mortality, the malnutrition, and the five-in-a-room morality of the citys poor is written in statistics, and thestatistical path to the heart is more figurative than literal. Gertie Slayback was statistically down as a woman wage-earner; a sorry case among the thousands of the Borough of Manhattan; and her twice-a-day share in the Subway fares collected in the present year. She was a very atomic one of the citys four millions. But after all, what are the kings and peasants, poets and draymen, but great, greater, or greatest, less, lesser, or least atoms of us? If not of the least, Gertie Slayback was of the very lesser. When she unlocked the front door to her rooming-house of evenings, there was no one to expect her, except on Tuesdays, which evening it so happened her week was up. And when she left of mornings with her breakfast crumblessly cleared up and the box of biscuit and condensed-milk can tucked unsuspectedly behind her camisole in the top drawer there was no one to regret her. There are some who call this freedom. Again there are those for whom one spark of home fire burning would light the world.Gertie Slayback was one of those. Half a life-time of opening her door upon this or that desert-aisle of hall bedroom had not taught her heart how not to sink or the feel of daily rising in one such room to seem less like a damp bathing-suit, donned at dawn. The only picture which adorned Miss Slaybacks dun-colored walls was a passe-partout snowscape, night closing in, and pink cottage windows peering out from under eaves. She could visualize that interior as if she had only to turn the frame for the smell of wood fire and the snap of pine logs and for the scene of two high-back chairs and the wooden crib between. What a fragile, gracile thing is the mind that can leap thus from nine bargain basement hours of hairpins and darning-balls to the downy business of lining a crib in Never-Never Land and warming No Mans slippers before the fire of imagination. There was that picture so acidly etched into Miss Slaybacks brain that she had only to close her eyes in the slit-like sanctity of her room and in the brief moment of courting sleep feel the pink penumbra of her vision begin to glow.Q. If you were to interview the author, what would be your follow up question to this passage?a)What were Gertie Slaybacks feelings towards her living conditions?b)Did Gertie Slaybacks work affect her perception of the picture on her wall?c)What role did imagination play in Gertie Slaybacks daily life?d)Did Gertie Slayback take any actions to better her situation?Correct answer is option 'D'. Can you explain this answer? in English & in Hindi are available as part of our courses for CAT. Download more important topics, notes, lectures and mock test series for CAT Exam by signing up for free.

Here you can find the meaning of Much of the tragical lore of the infant mortality, the malnutrition, and the five-in-a-room morality of the citys poor is written in statistics, and thestatistical path to the heart is more figurative than literal. Gertie Slayback was statistically down as a woman wage-earner; a sorry case among the thousands of the Borough of Manhattan; and her twice-a-day share in the Subway fares collected in the present year. She was a very atomic one of the citys four millions. But after all, what are the kings and peasants, poets and draymen, but great, greater, or greatest, less, lesser, or least atoms of us? If not of the least, Gertie Slayback was of the very lesser. When she unlocked the front door to her rooming-house of evenings, there was no one to expect her, except on Tuesdays, which evening it so happened her week was up. And when she left of mornings with her breakfast crumblessly cleared up and the box of biscuit and condensed-milk can tucked unsuspectedly behind her camisole in the top drawer there was no one to regret her. There are some who call this freedom. Again there are those for whom one spark of home fire burning would light the world.Gertie Slayback was one of those. Half a life-time of opening her door upon this or that desert-aisle of hall bedroom had not taught her heart how not to sink or the feel of daily rising in one such room to seem less like a damp bathing-suit, donned at dawn. The only picture which adorned Miss Slaybacks dun-colored walls was a passe-partout snowscape, night closing in, and pink cottage windows peering out from under eaves. She could visualize that interior as if she had only to turn the frame for the smell of wood fire and the snap of pine logs and for the scene of two high-back chairs and the wooden crib between. What a fragile, gracile thing is the mind that can leap thus from nine bargain basement hours of hairpins and darning-balls to the downy business of lining a crib in Never-Never Land and warming No Mans slippers before the fire of imagination. There was that picture so acidly etched into Miss Slaybacks brain that she had only to close her eyes in the slit-like sanctity of her room and in the brief moment of courting sleep feel the pink penumbra of her vision begin to glow.Q. If you were to interview the author, what would be your follow up question to this passage?a)What were Gertie Slaybacks feelings towards her living conditions?b)Did Gertie Slaybacks work affect her perception of the picture on her wall?c)What role did imagination play in Gertie Slaybacks daily life?d)Did Gertie Slayback take any actions to better her situation?Correct answer is option 'D'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of Much of the tragical lore of the infant mortality, the malnutrition, and the five-in-a-room morality of the citys poor is written in statistics, and thestatistical path to the heart is more figurative than literal. Gertie Slayback was statistically down as a woman wage-earner; a sorry case among the thousands of the Borough of Manhattan; and her twice-a-day share in the Subway fares collected in the present year. She was a very atomic one of the citys four millions. But after all, what are the kings and peasants, poets and draymen, but great, greater, or greatest, less, lesser, or least atoms of us? If not of the least, Gertie Slayback was of the very lesser. When she unlocked the front door to her rooming-house of evenings, there was no one to expect her, except on Tuesdays, which evening it so happened her week was up. And when she left of mornings with her breakfast crumblessly cleared up and the box of biscuit and condensed-milk can tucked unsuspectedly behind her camisole in the top drawer there was no one to regret her. There are some who call this freedom. Again there are those for whom one spark of home fire burning would light the world.Gertie Slayback was one of those. Half a life-time of opening her door upon this or that desert-aisle of hall bedroom had not taught her heart how not to sink or the feel of daily rising in one such room to seem less like a damp bathing-suit, donned at dawn. The only picture which adorned Miss Slaybacks dun-colored walls was a passe-partout snowscape, night closing in, and pink cottage windows peering out from under eaves. She could visualize that interior as if she had only to turn the frame for the smell of wood fire and the snap of pine logs and for the scene of two high-back chairs and the wooden crib between. What a fragile, gracile thing is the mind that can leap thus from nine bargain basement hours of hairpins and darning-balls to the downy business of lining a crib in Never-Never Land and warming No Mans slippers before the fire of imagination. There was that picture so acidly etched into Miss Slaybacks brain that she had only to close her eyes in the slit-like sanctity of her room and in the brief moment of courting sleep feel the pink penumbra of her vision begin to glow.Q. If you were to interview the author, what would be your follow up question to this passage?a)What were Gertie Slaybacks feelings towards her living conditions?b)Did Gertie Slaybacks work affect her perception of the picture on her wall?c)What role did imagination play in Gertie Slaybacks daily life?d)Did Gertie Slayback take any actions to better her situation?Correct answer is option 'D'. Can you explain this answer?, a detailed solution for Much of the tragical lore of the infant mortality, the malnutrition, and the five-in-a-room morality of the citys poor is written in statistics, and thestatistical path to the heart is more figurative than literal. Gertie Slayback was statistically down as a woman wage-earner; a sorry case among the thousands of the Borough of Manhattan; and her twice-a-day share in the Subway fares collected in the present year. She was a very atomic one of the citys four millions. But after all, what are the kings and peasants, poets and draymen, but great, greater, or greatest, less, lesser, or least atoms of us? If not of the least, Gertie Slayback was of the very lesser. When she unlocked the front door to her rooming-house of evenings, there was no one to expect her, except on Tuesdays, which evening it so happened her week was up. And when she left of mornings with her breakfast crumblessly cleared up and the box of biscuit and condensed-milk can tucked unsuspectedly behind her camisole in the top drawer there was no one to regret her. There are some who call this freedom. Again there are those for whom one spark of home fire burning would light the world.Gertie Slayback was one of those. Half a life-time of opening her door upon this or that desert-aisle of hall bedroom had not taught her heart how not to sink or the feel of daily rising in one such room to seem less like a damp bathing-suit, donned at dawn. The only picture which adorned Miss Slaybacks dun-colored walls was a passe-partout snowscape, night closing in, and pink cottage windows peering out from under eaves. She could visualize that interior as if she had only to turn the frame for the smell of wood fire and the snap of pine logs and for the scene of two high-back chairs and the wooden crib between. What a fragile, gracile thing is the mind that can leap thus from nine bargain basement hours of hairpins and darning-balls to the downy business of lining a crib in Never-Never Land and warming No Mans slippers before the fire of imagination. There was that picture so acidly etched into Miss Slaybacks brain that she had only to close her eyes in the slit-like sanctity of her room and in the brief moment of courting sleep feel the pink penumbra of her vision begin to glow.Q. If you were to interview the author, what would be your follow up question to this passage?a)What were Gertie Slaybacks feelings towards her living conditions?b)Did Gertie Slaybacks work affect her perception of the picture on her wall?c)What role did imagination play in Gertie Slaybacks daily life?d)Did Gertie Slayback take any actions to better her situation?Correct answer is option 'D'. Can you explain this answer? has been provided alongside types of Much of the tragical lore of the infant mortality, the malnutrition, and the five-in-a-room morality of the citys poor is written in statistics, and thestatistical path to the heart is more figurative than literal. Gertie Slayback was statistically down as a woman wage-earner; a sorry case among the thousands of the Borough of Manhattan; and her twice-a-day share in the Subway fares collected in the present year. She was a very atomic one of the citys four millions. But after all, what are the kings and peasants, poets and draymen, but great, greater, or greatest, less, lesser, or least atoms of us? If not of the least, Gertie Slayback was of the very lesser. When she unlocked the front door to her rooming-house of evenings, there was no one to expect her, except on Tuesdays, which evening it so happened her week was up. And when she left of mornings with her breakfast crumblessly cleared up and the box of biscuit and condensed-milk can tucked unsuspectedly behind her camisole in the top drawer there was no one to regret her. There are some who call this freedom. Again there are those for whom one spark of home fire burning would light the world.Gertie Slayback was one of those. Half a life-time of opening her door upon this or that desert-aisle of hall bedroom had not taught her heart how not to sink or the feel of daily rising in one such room to seem less like a damp bathing-suit, donned at dawn. The only picture which adorned Miss Slaybacks dun-colored walls was a passe-partout snowscape, night closing in, and pink cottage windows peering out from under eaves. She could visualize that interior as if she had only to turn the frame for the smell of wood fire and the snap of pine logs and for the scene of two high-back chairs and the wooden crib between. What a fragile, gracile thing is the mind that can leap thus from nine bargain basement hours of hairpins and darning-balls to the downy business of lining a crib in Never-Never Land and warming No Mans slippers before the fire of imagination. There was that picture so acidly etched into Miss Slaybacks brain that she had only to close her eyes in the slit-like sanctity of her room and in the brief moment of courting sleep feel the pink penumbra of her vision begin to glow.Q. If you were to interview the author, what would be your follow up question to this passage?a)What were Gertie Slaybacks feelings towards her living conditions?b)Did Gertie Slaybacks work affect her perception of the picture on her wall?c)What role did imagination play in Gertie Slaybacks daily life?d)Did Gertie Slayback take any actions to better her situation?Correct answer is option 'D'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice Much of the tragical lore of the infant mortality, the malnutrition, and the five-in-a-room morality of the citys poor is written in statistics, and thestatistical path to the heart is more figurative than literal. Gertie Slayback was statistically down as a woman wage-earner; a sorry case among the thousands of the Borough of Manhattan; and her twice-a-day share in the Subway fares collected in the present year. She was a very atomic one of the citys four millions. But after all, what are the kings and peasants, poets and draymen, but great, greater, or greatest, less, lesser, or least atoms of us? If not of the least, Gertie Slayback was of the very lesser. When she unlocked the front door to her rooming-house of evenings, there was no one to expect her, except on Tuesdays, which evening it so happened her week was up. And when she left of mornings with her breakfast crumblessly cleared up and the box of biscuit and condensed-milk can tucked unsuspectedly behind her camisole in the top drawer there was no one to regret her. There are some who call this freedom. Again there are those for whom one spark of home fire burning would light the world.Gertie Slayback was one of those. Half a life-time of opening her door upon this or that desert-aisle of hall bedroom had not taught her heart how not to sink or the feel of daily rising in one such room to seem less like a damp bathing-suit, donned at dawn. The only picture which adorned Miss Slaybacks dun-colored walls was a passe-partout snowscape, night closing in, and pink cottage windows peering out from under eaves. She could visualize that interior as if she had only to turn the frame for the smell of wood fire and the snap of pine logs and for the scene of two high-back chairs and the wooden crib between. What a fragile, gracile thing is the mind that can leap thus from nine bargain basement hours of hairpins and darning-balls to the downy business of lining a crib in Never-Never Land and warming No Mans slippers before the fire of imagination. There was that picture so acidly etched into Miss Slaybacks brain that she had only to close her eyes in the slit-like sanctity of her room and in the brief moment of courting sleep feel the pink penumbra of her vision begin to glow.Q. If you were to interview the author, what would be your follow up question to this passage?a)What were Gertie Slaybacks feelings towards her living conditions?b)Did Gertie Slaybacks work affect her perception of the picture on her wall?c)What role did imagination play in Gertie Slaybacks daily life?d)Did Gertie Slayback take any actions to better her situation?Correct answer is option 'D'. Can you explain this answer? tests, examples and also practice CAT tests.

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