InstructionsFor the following questions answer them individuallyThe passage given below is followed by four summaries. Choose the option that best captures the authorandrsquo;s position.The conceptualization of landscape as a geometric object first occurred in Europe and is historically related to the European conceptualization of the organism, particularly the human body, as a geometric object with parts having a rational, three-dimensional organization and integration. The European idea of landscape appeared before the science of landscape emerged, and it is no coincidence that Renaissance artists such as Leonardo da Vinci, who studied the structure of the human body, also facilitated an understanding of the structure of landscape. Landscape which had been a subordinate background to religious or historical narratives, became an independent genre or subject of art by the end of sixteenth century or the beginning of the seventeenth century.a)The three-dimensional understanding of the organism in Europe led to a similar approach towards the understanding of landscapeb)Landscape became a major subject of art at the turn of the sixteenth centuryc)The study of landscape as an independent genre was aided by the Renaissance artistsd)The Renaissance artists were responsible for the study of landscape as a subject of artCorrect answer is option 'C'. Can you explain this answer?

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For the following questions answer them individually
The passage given below is followed by four summaries. Choose the option that best captures the author’s position.
The conceptualization of landscape as a geometric object first occurred in Europe and is historically related to the European conceptualization of the organism, particularly the human body, as a geometric object with parts having a rational, three-dimensional organization and integration. The European idea of landscape appeared before the science of landscape emerged, and it is no coincidence that Renaissance artists such as Leonardo da Vinci, who studied the structure of the human body, also facilitated an understanding of the structure of landscape. Landscape which had been a subordinate background to religious or historical narratives, became an independent genre or subject of art by the end of sixteenth century or the beginning of the seventeenth century.

a)
The three-dimensional understanding of the organism in Europe led to a similar approach towards the understanding of landscape
b)
Landscape became a major subject of art at the turn of the sixteenth century
c)
The study of landscape as an independent genre was aided by the Renaissance artists
d)
The Renaissance artists were responsible for the study of landscape as a subject of art

Correct answer is option 'C'. Can you explain this answer?

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InstructionsFor the following questions answer them individuallyThe pa...

Let us note down the main points of the given paragraph:
The given paragraph describes how the study of landscape gained prominence and became an independent genre.
Renaissance artists facilitated the development of the field as an independent genre.
Let us evaluate the options one by one.
Option A states that understanding of the organism in Europe led to a similar approach towards the understanding of landscape. Though this option is true, it fails to capture the fact that the field evolved as an independent genre with the help of Renaissance artists.
Option B states that Landscape became a major subject of art at the turn of the sixteenth century. Again, option B fails to capture the role played by the Renaissance artists.
Option D states that Renaissance artists were responsible for the study of landscape as a subject of art. The paragraph mentions that the artists facilitated in the transformation of the field into an independent genre. Option D establishes a strong relationship and holds Renaissance artists 'responsible' for the study of landscape 'as a subject of art'. The parts within the quotes disregard the fact that the artists just aided the process. They were not solely responsible for the development. Therefore, we can eliminate option D.
Only option C captures the fact that the renaissance artists 'aided' in the development of the study of landscape as an independent genre and hence, option C is the right answer.

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The passage given below is followed by four summaries. Choose the option that best captures the author’s position.The conceptualization of landscape as a geometric object first occurred in Europe and is historically related to the European conceptualization of the organism, particularly the human body, as a geometric object with parts having a rational, three-dimensional organization and integration. The European idea of landscape appeared before the science of landscape emerged, and it is no coincidence that Renaissance artists such as Leonardo da Vinci, who studied the structure of the human body, also facilitated an understanding of the structure of landscape. Landscape which had been a subordinate background to religious or historical narratives, became an independent genre or subject of art by the end of sixteenth century or the beginning of the seventeenth century.

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DIRECTIONS for the question : Identify the most appropriate summary for the paragraph.(2018)The conceptualization of landscape as a geometric object first occurred in Europe and is historically related to the European conceptualization of the organism, particularly the human body, as a geometric object with parts having a rational, three-dimensional organization and integration. The European idea of landscape appeared before the science of landscape emerged, and it is no coincidence that Renaissance artists such as Leonardo da Vinci, who studied the structure of the human body, also facilitated an understanding of the structure of landscape. Landscape which had been a subordinate background to religious or historical narratives, became an independent genre or subject of art by the end of sixteenth century or the beginning of the seventeenth century.

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Read the passage carefully and answer within the context.There are two major systems of criminal procedure in the modern world—the adversarial and the inquisitorial. Both systems were historically preceded by the system of private vengeance in which the victim of a crime fashioned a remedy and administered it privately, either personally or through an agent.The modern adversarial system is only one historical step removed from the private vengeance system and still retains some of its characteristic features. For example, even though the right to initiate legal action against a criminal has now been extended to all members of society (as represented by the office of the public prosecutor), and even though the police department has effectively assumed the pretrial investigative functions on behalf of the prosecution, the adversarial system still leaves the defendant to conduct his or her own pretrial investigation. The trial is viewed as a forensic duel between two adversaries, presided over by a judge who, at the start, has no knowledge of the investigative background of the case. In the final analysis the adversarial system of criminal procedure symbolizes and regularizes punitive combat.By contrast, the inquisitorial system begins historically where the adversarial system stopped its development. It is two historical steps removed from the system of private vengeance.From the standpoint of legal anthropology, then, it is historically superior to the adversarial system. Under the inquisitorial system, the public prosecutor has the duty to investigate not just on behalf of society but also on behalf of the defendant. Additionally, the public prosecutor has the duty to present the court not only evidence that would convict the defendant, but also evidence that could prove the defendant’s innocence. The system mandates that both parties permit full pretrial discovery of the evidence in their possession. Finally, an aspect of the system that makes the trial less like a duel between two adversarial parties is that the inquisitorial system mandates that the judge take an active part in the conduct of the trial, with a role that is both directive and protective. Fact-finding is at the heart of the inquisitorial system. This system operates on the philosophical premise that in a criminal action the crucial factor is the body of facts, not the legal rule (in contrast to the adversarial system), and the goal of the entire procedure is to attempt to recreate, in the mind of the court, the commission of the alleged crime.Because of the inquisitorial system’s thoroughness in conducting its pretrial investigation, it can be concluded that, if given the choice, a defendant who is innocent would prefer to be tried under the inquisitorial system, whereas a defendant who is guilty would prefer to be tried under the adversarial system.Q.The author’s attitude toward the inquisitorial system can best be described as

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Read the passage carefully and answer within the context.There are two major systems of criminal procedure in the modern world—the adversarial and the inquisitorial. Both systems were historically preceded by the system of private vengeance in which the victim of a crime fashioned a remedy and administered it privately, either personally or through an agent.The modern adversarial system is only one historical step removed from the private vengeance system and still retains some of its characteristic features. For example, even though the right to initiate legal action against a criminal has now been extended to all members of society (as represented by the office of the public prosecutor), and even though the police department has effectively assumed the pretrial investigative functions on behalf of the prosecution, the adversarial system still leaves the defendant to conduct his or her own pretrial investigation. The trial is viewed as a forensic duel between two adversaries, presided over by a judge who, at the start, has no knowledge of the investigative background of the case. In the final analysis the adversarial system of criminal procedure symbolizes and regularizes punitive combat.By contrast, the inquisitorial system begins historically where the adversarial system stopped its development. It is two historical steps removed from the system of private vengeance.From the standpoint of legal anthropology, then, it is historically superior to the adversarial system. Under the inquisitorial system, the public prosecutor has the duty to investigate not just on behalf of society but also on behalf of the defendant. Additionally, the public prosecutor has the duty to present the court not only evidence that would convict the defendant, but also evidence that could prove the defendant’s innocence. The system mandates that both parties permit full pretrial discovery of the evidence in their possession. Finally, an aspect of the system that makes the trial less like a duel between two adversarial parties is that the inquisitorial system mandates that the judge take an active part in the conduct of the trial, with a role that is both directive and protective. Fact-finding is at the heart of the inquisitorial system. This system operates on the philosophical premise that in a criminal action the crucial factor is the body of facts, not the legal rule (in contrast to the adversarial system), and the goal of the entire procedure is to attempt to recreate, in the mind of the court, the commission of the alleged crime.Because of the inquisitorial system’s thoroughness in conducting its pretrial investigation, it can be concluded that, if given the choice, a defendant who is innocent would prefer to be tried under the inquisitorial system, whereas a defendant who is guilty would prefer to be tried under the adversarial system.Q.The author sees the judge’s primary role in a trial under the inquisitorial system as that of

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Read the passage carefully and answer within the context.There are two major systems of criminal procedure in the modern world—the adversarial and the inquisitorial. Both systems were historically preceded by the system of private vengeance in which the victim of a crime fashioned a remedy and administered it privately, either personally or through an agent.The modern adversarial system is only one historical step removed from the private vengeance system and still retains some of its characteristic features. For example, even though the right to initiate legal action against a criminal has now been extended to all members of society (as represented by the office of the public prosecutor), and even though the police department has effectively assumed the pretrial investigative functions on behalf of the prosecution, the adversarial system still leaves the defendant to conduct his or her own pretrial investigation. The trial is viewed as a forensic duel between two adversaries, presided over by a judge who, at the start, has no knowledge of the investigative background of the case. In the final analysis the adversarial system of criminal procedure symbolizes and regularizes punitive combat.By contrast, the inquisitorial system begins historically where the adversarial system stopped its development. It is two historical steps removed from the system of private vengeance.From the standpoint of legal anthropology, then, it is historically superior to the adversarial system. Under the inquisitorial system, the public prosecutor has the duty to investigate not just on behalf of society but also on behalf of the defendant. Additionally, the public prosecutor has the duty to present the court not only evidence that would convict the defendant, but also evidence that could prove the defendant’s innocence. The system mandates that both parties permit full pretrial discovery of the evidence in their possession. Finally, an aspect of the system that makes the trial less like a duel between two adversarial parties is that the inquisitorial system mandates that the judge take an active part in the conduct of the trial, with a role that is both directive and protective. Fact-finding is at the heart of the inquisitorial system. This system operates on the philosophical premise that in a criminal action the crucial factor is the body of facts, not the legal rule (in contrast to the adversarial system), and the goal of the entire procedure is to attempt to recreate, in the mind of the court, the commission of the alleged crime.Because of the inquisitorial system’s thoroughness in conducting its pretrial investigation, it can be concluded that, if given the choice, a defendant who is innocent would prefer to be tried under the inquisitorial system, whereas a defendant who is guilty would prefer to be tried under the adversarial system.Q.According to the passage, a central distinction between the system of private vengeance and the two modern criminal procedure systems was the shift in responsibility for initiating legal action against a criminal from the

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InstructionsFor the following questions answer them individuallyThe passage given below is followed by four summaries. Choose the option that best captures the author’s position.The conceptualization of landscape as a geometric object first occurred in Europe and is historically related to the European conceptualization of the organism, particularly the human body, as a geometric object with parts having a rational, three-dimensional organization and integration. The European idea of landscape appeared before the science of landscape emerged, and it is no coincidence that Renaissance artists such as Leonardo da Vinci, who studied the structure of the human body, also facilitated an understanding of the structure of landscape. Landscape which had been a subordinate background to religious or historical narratives, became an independent genre or subject of art by the end of sixteenth century or the beginning of the seventeenth century.a)The three-dimensional understanding of the organism in Europe led to a similar approach towards the understanding of landscapeb)Landscape became a major subject of art at the turn of the sixteenth centuryc)The study of landscape as an independent genre was aided by the Renaissance artistsd)The Renaissance artists were responsible for the study of landscape as a subject of artCorrect answer is option 'C'. Can you explain this answer?

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InstructionsFor the following questions answer them individuallyThe passage given below is followed by four summaries. Choose the option that best captures the author’s position.The conceptualization of landscape as a geometric object first occurred in Europe and is historically related to the European conceptualization of the organism, particularly the human body, as a geometric object with parts having a rational, three-dimensional organization and integration. The European idea of landscape appeared before the science of landscape emerged, and it is no coincidence that Renaissance artists such as Leonardo da Vinci, who studied the structure of the human body, also facilitated an understanding of the structure of landscape. Landscape which had been a subordinate background to religious or historical narratives, became an independent genre or subject of art by the end of sixteenth century or the beginning of the seventeenth century.a)The three-dimensional understanding of the organism in Europe led to a similar approach towards the understanding of landscapeb)Landscape became a major subject of art at the turn of the sixteenth centuryc)The study of landscape as an independent genre was aided by the Renaissance artistsd)The Renaissance artists were responsible for the study of landscape as a subject of artCorrect answer is option 'C'. Can you explain this answer? for CAT 2025 is part of CAT preparation. The Question and answers have been prepared according to the CAT exam syllabus. Information about InstructionsFor the following questions answer them individuallyThe passage given below is followed by four summaries. Choose the option that best captures the author’s position.The conceptualization of landscape as a geometric object first occurred in Europe and is historically related to the European conceptualization of the organism, particularly the human body, as a geometric object with parts having a rational, three-dimensional organization and integration. The European idea of landscape appeared before the science of landscape emerged, and it is no coincidence that Renaissance artists such as Leonardo da Vinci, who studied the structure of the human body, also facilitated an understanding of the structure of landscape. Landscape which had been a subordinate background to religious or historical narratives, became an independent genre or subject of art by the end of sixteenth century or the beginning of the seventeenth century.a)The three-dimensional understanding of the organism in Europe led to a similar approach towards the understanding of landscapeb)Landscape became a major subject of art at the turn of the sixteenth centuryc)The study of landscape as an independent genre was aided by the Renaissance artistsd)The Renaissance artists were responsible for the study of landscape as a subject of artCorrect answer is option 'C'. Can you explain this answer? covers all topics & solutions for CAT 2025 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for InstructionsFor the following questions answer them individuallyThe passage given below is followed by four summaries. Choose the option that best captures the author’s position.The conceptualization of landscape as a geometric object first occurred in Europe and is historically related to the European conceptualization of the organism, particularly the human body, as a geometric object with parts having a rational, three-dimensional organization and integration. The European idea of landscape appeared before the science of landscape emerged, and it is no coincidence that Renaissance artists such as Leonardo da Vinci, who studied the structure of the human body, also facilitated an understanding of the structure of landscape. Landscape which had been a subordinate background to religious or historical narratives, became an independent genre or subject of art by the end of sixteenth century or the beginning of the seventeenth century.a)The three-dimensional understanding of the organism in Europe led to a similar approach towards the understanding of landscapeb)Landscape became a major subject of art at the turn of the sixteenth centuryc)The study of landscape as an independent genre was aided by the Renaissance artistsd)The Renaissance artists were responsible for the study of landscape as a subject of artCorrect answer is option 'C'. Can you explain this answer?.

Solutions for InstructionsFor the following questions answer them individuallyThe passage given below is followed by four summaries. Choose the option that best captures the author’s position.The conceptualization of landscape as a geometric object first occurred in Europe and is historically related to the European conceptualization of the organism, particularly the human body, as a geometric object with parts having a rational, three-dimensional organization and integration. The European idea of landscape appeared before the science of landscape emerged, and it is no coincidence that Renaissance artists such as Leonardo da Vinci, who studied the structure of the human body, also facilitated an understanding of the structure of landscape. Landscape which had been a subordinate background to religious or historical narratives, became an independent genre or subject of art by the end of sixteenth century or the beginning of the seventeenth century.a)The three-dimensional understanding of the organism in Europe led to a similar approach towards the understanding of landscapeb)Landscape became a major subject of art at the turn of the sixteenth centuryc)The study of landscape as an independent genre was aided by the Renaissance artistsd)The Renaissance artists were responsible for the study of landscape as a subject of artCorrect answer is option 'C'. Can you explain this answer? in English & in Hindi are available as part of our courses for CAT. Download more important topics, notes, lectures and mock test series for CAT Exam by signing up for free.

Here you can find the meaning of InstructionsFor the following questions answer them individuallyThe passage given below is followed by four summaries. Choose the option that best captures the author’s position.The conceptualization of landscape as a geometric object first occurred in Europe and is historically related to the European conceptualization of the organism, particularly the human body, as a geometric object with parts having a rational, three-dimensional organization and integration. The European idea of landscape appeared before the science of landscape emerged, and it is no coincidence that Renaissance artists such as Leonardo da Vinci, who studied the structure of the human body, also facilitated an understanding of the structure of landscape. Landscape which had been a subordinate background to religious or historical narratives, became an independent genre or subject of art by the end of sixteenth century or the beginning of the seventeenth century.a)The three-dimensional understanding of the organism in Europe led to a similar approach towards the understanding of landscapeb)Landscape became a major subject of art at the turn of the sixteenth centuryc)The study of landscape as an independent genre was aided by the Renaissance artistsd)The Renaissance artists were responsible for the study of landscape as a subject of artCorrect answer is option 'C'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of InstructionsFor the following questions answer them individuallyThe passage given below is followed by four summaries. Choose the option that best captures the author’s position.The conceptualization of landscape as a geometric object first occurred in Europe and is historically related to the European conceptualization of the organism, particularly the human body, as a geometric object with parts having a rational, three-dimensional organization and integration. The European idea of landscape appeared before the science of landscape emerged, and it is no coincidence that Renaissance artists such as Leonardo da Vinci, who studied the structure of the human body, also facilitated an understanding of the structure of landscape. Landscape which had been a subordinate background to religious or historical narratives, became an independent genre or subject of art by the end of sixteenth century or the beginning of the seventeenth century.a)The three-dimensional understanding of the organism in Europe led to a similar approach towards the understanding of landscapeb)Landscape became a major subject of art at the turn of the sixteenth centuryc)The study of landscape as an independent genre was aided by the Renaissance artistsd)The Renaissance artists were responsible for the study of landscape as a subject of artCorrect answer is option 'C'. Can you explain this answer?, a detailed solution for InstructionsFor the following questions answer them individuallyThe passage given below is followed by four summaries. Choose the option that best captures the author’s position.The conceptualization of landscape as a geometric object first occurred in Europe and is historically related to the European conceptualization of the organism, particularly the human body, as a geometric object with parts having a rational, three-dimensional organization and integration. The European idea of landscape appeared before the science of landscape emerged, and it is no coincidence that Renaissance artists such as Leonardo da Vinci, who studied the structure of the human body, also facilitated an understanding of the structure of landscape. Landscape which had been a subordinate background to religious or historical narratives, became an independent genre or subject of art by the end of sixteenth century or the beginning of the seventeenth century.a)The three-dimensional understanding of the organism in Europe led to a similar approach towards the understanding of landscapeb)Landscape became a major subject of art at the turn of the sixteenth centuryc)The study of landscape as an independent genre was aided by the Renaissance artistsd)The Renaissance artists were responsible for the study of landscape as a subject of artCorrect answer is option 'C'. Can you explain this answer? has been provided alongside types of InstructionsFor the following questions answer them individuallyThe passage given below is followed by four summaries. Choose the option that best captures the author’s position.The conceptualization of landscape as a geometric object first occurred in Europe and is historically related to the European conceptualization of the organism, particularly the human body, as a geometric object with parts having a rational, three-dimensional organization and integration. The European idea of landscape appeared before the science of landscape emerged, and it is no coincidence that Renaissance artists such as Leonardo da Vinci, who studied the structure of the human body, also facilitated an understanding of the structure of landscape. Landscape which had been a subordinate background to religious or historical narratives, became an independent genre or subject of art by the end of sixteenth century or the beginning of the seventeenth century.a)The three-dimensional understanding of the organism in Europe led to a similar approach towards the understanding of landscapeb)Landscape became a major subject of art at the turn of the sixteenth centuryc)The study of landscape as an independent genre was aided by the Renaissance artistsd)The Renaissance artists were responsible for the study of landscape as a subject of artCorrect answer is option 'C'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice InstructionsFor the following questions answer them individuallyThe passage given below is followed by four summaries. Choose the option that best captures the author’s position.The conceptualization of landscape as a geometric object first occurred in Europe and is historically related to the European conceptualization of the organism, particularly the human body, as a geometric object with parts having a rational, three-dimensional organization and integration. The European idea of landscape appeared before the science of landscape emerged, and it is no coincidence that Renaissance artists such as Leonardo da Vinci, who studied the structure of the human body, also facilitated an understanding of the structure of landscape. Landscape which had been a subordinate background to religious or historical narratives, became an independent genre or subject of art by the end of sixteenth century or the beginning of the seventeenth century.a)The three-dimensional understanding of the organism in Europe led to a similar approach towards the understanding of landscapeb)Landscape became a major subject of art at the turn of the sixteenth centuryc)The study of landscape as an independent genre was aided by the Renaissance artistsd)The Renaissance artists were responsible for the study of landscape as a subject of artCorrect answer is option 'C'. Can you explain this answer? tests, examples and also practice CAT tests.

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