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What are the differences between myth and historical account?
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What are the differences between myth and historical account?
Mythology - Before defining the term "mythology" one needs to define the meaning of the word "myth". The word itself comes from the Greek "mythos" which originally meant "speech" or "discourse" but which later came to mean "fable" or "legend". The word "myth" is defined as a story of forgotten or vague origin, basically religious or supernatural in nature, which seeks to explain or rationalize one or more aspects of the world or a society.

All myths are, at some stage, actually believed to be true by the peoples of the societies that used or originated the myth. Some myths describe some actual historical event, but have been embellished and refashioned by various story tellers over time so that it is impossible to tell what really happened. In this last aspect myths have a legendary and historical nature.



History - is a narrative i.e.recording or presenting of facts as they are.

late 14c, "relation of incidents" (true or false), from Old French estoire, estorie "story; chronicle, history" (12c., Modern French histoire), from Latinhistoria "narrative of past events, account, tale, story," from Greek historia "a learning or knowing by inquiry; an account of one's inquiries, history, record, narrative," from historein "inquire," from histor "wise man, judge," from PIE *wid-tor-, from root *weid- "to know," literally "to see"

Related to Greek idein "to see," and to eidenai "to know." In Middle English, not differentiated from story (n.1); sense of "narrative record of past events" probably first attested late 15c. Meaning "the recorded events of the past" is from late 15c. As a branch of knowledge, from late 15c.
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What are the differences between myth and historical account?
Myth vs. Historical Account
Myth
- Cultural Significance: Myths are traditional stories that often have religious or cultural significance.
- Symbolism: Myths tend to be symbolic in nature, conveying deeper meanings and truths.
- Exaggeration: Myths may contain fantastical elements and supernatural beings.
- Oral Tradition: Myths are often passed down orally through generations, leading to variations in the narrative over time.
- Mystery: Myths may involve mysterious or unexplained events that defy logical explanation.
Historical Account
- Factual Accuracy: Historical accounts strive to present factual information about past events.
- Evidence: Historical accounts are based on evidence such as written records, artifacts, and archaeological findings.
- Chronology: Historical accounts are typically organized in a chronological order to provide a coherent timeline of events.
- Interpretation: Historical accounts may involve interpretations and analysis of the available evidence to construct a narrative.
- Verification: Historical accounts can be verified and cross-referenced with other sources to establish their credibility.
In conclusion, myths and historical accounts serve different purposes and have distinct characteristics. While myths often focus on symbolism and cultural significance, historical accounts aim to provide accurate and verifiable information about past events. It is important to consider these differences when examining and interpreting various narratives from the past.
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Film is an inherently illusionist and enormously powerful medium, one that even acknowledged masters of the form claim not to fully understand. Film may be the most pervasive and influential art form of the twentieth century, changing our culture and our perception of it, especially since television was introduced and the public began spending 40 percent of its free time watching. For many people, knowledge of a particular place, culture or historical event is likely to have been gleaned only from the movies. There are three principle influences on film: art, business and technology. Ideally, the artist would create films unencumbered by the other two, but the high costs and extreme technical demands of filmmaking ensure that every movie is inevitably the result of a collaboration or compromise between these three elements.As literature has its own language and grammar, so does film, and the setup for a simple idea such as the opening of a horror film involves a complicated series of ingredients - long shots, closeups, lighting effects, set decoration, music, camera movement, and every one of these demands the involvement of several artists and technicians. Movies are invaluable reflectors of twentieth century culture, not only from filmic commentary by intelligent and socially aware filmmakers, but often inadvertently; the escapist musical Top Hat (1935) tells us something about the grim realities of the Depression. Movies will often shape themselves to appeal to perceived cultural attitudes, and as a result they will not only reflect their culture but actively influence it. This penchant for distorting a reflected vision of reality can often lead movies to create myths, with the heroic leads of action melodramas and presentations of historical characters that succeed more by their emotional resonance than their accuracy. A continuing question of the movies is whether or not they can ever fully be welcomed into the arts and accorded the same degree of respect that has long been given to other, older forms and mediums; universities were slow to offer courses in cinema, and indeed the avalanche of formula films makes it difficult to find the quality buried in the schlock. Mostly it seems to depend on the difference between art and entertainment, which several filmmakers and critics have offered opinions on.Q. What is the necessary element of compromise in every movie?

What are the differences between myth and historical account?
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