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Although the journal Social Text was never at the forefront of publishing articles on feminism and never debated whether capitalism was the source of women’s oppression in 1970s or whether male supremacy was itself a systematic form of domination, it is not clear whether social feminist’s classification of the journal as the one run by “boy’s club” could have been completely justified till recently. There could have been many reasons that the journal’s mission statement as set out in its first prospectus in 1979 did not take notice of the burning issues feminists were then discussing. May be triumvirate of founding editors were too focused on Marxist high theory to consider gender alongside economic class as an important mode of social organization and oppression, or on the other hand they may have simply chosen on purpose to not include feminism specifically in its charter.
The recent paper by Rosa Luxemburg suggests that the first prospectus contained the seeds of its own feminist undoing. The founders demarcated fields of focus for the journal that could hardly be explored without attention to gender, sexuality, and the historical experiences of women. They were rather interested in “everyday life,” “mass culture,” and “consumer society”. Hence, the little feminist work that appears in Social Text is in the realm of cultural analysis not revolutionary praxis and is often buried in the back of the journal in “Unequal Developments,” the section that offers reviews and experimental writing.
 
For example, in the second edition of the journal in the section Unequal Developments, Christine Holmland performs a thorough feminist dissection of the then-current Disney film ‘The North Avenue Irregulars’, showing how this comedy about a group of church ladies who take on the local mafia superficially celebrates, but finally deflates the idea of women’s activism, and along the way reinforces gendered roles at every level of social life.
Why does the author cite Christine Holmland’s example to?
  • a)
    Illustrate the non-revolutionary nature of work related to women published by the Social Text.
  • b)
    Argue that while not on the forefront of feminism, the journal still did some important investigative reports.
  • c)
    Prove that while the feminist work might not have hogged the limelight of the cover page, it was nevertheless given enough space to be expressed completely.
  • d)
    Demonstrate that the prospectus provided enough freedom to the members of the journal to publish articles on issues that they deemed important.
  • e)
    Compare and contrast the work done by Social Text with that done by other journals in that era .
Correct answer is option 'A'. Can you explain this answer?
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Although the journal Social Text was never at the forefront of publish...
The sentence preceding the example (last sentence in the preceding paragraph) itself states the reason for citing the example.
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Although the journal Social Text was never at the forefront of publish...
Illustrating the non-revolutionary nature of work related to women published by the Social Text
- The author cites Christine Holmland's example to illustrate the non-revolutionary nature of the work related to women published by Social Text.
- The example of Holmland's analysis of the Disney film highlights how the journal focused on cultural analysis rather than revolutionary praxis in relation to feminist issues.
- The analysis shows how Social Text's coverage of feminist topics was often relegated to the back of the journal in a section dedicated to reviews and experimental writing, indicating a lack of emphasis on feminist activism.
- By showcasing a critique of a mainstream film through a feminist lens, the author is emphasizing the limited scope and impact of feminist discussions within Social Text's overall content.
- This example suggests that while the journal may have touched on feminist issues, its approach was more academic and cultural rather than transformative or revolutionary in nature.
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Although the journal Social Text was never at the forefront of publishing articles on feminism and never debated whether capitalism was the source of womens oppression in 1970s or whether male supremacy was itself a systematic form of domination, it is not clear whether social feminists classification of the journal as the one run by boys club could have been completely justified till recently. There could have been many reasons that the journals mission statement as set out in its first prospectus in 1979 did not take notice of the burning issues feminists were then discussing. May be triumvirate of founding editors were too focused on Marxist high theory to consider gender alongside economic class as an important mode of social organization and oppression, or on the other hand they may have simply chosen on purpose to not include feminism specifically in its charter.The recent paper by Rosa Luxemburg suggests that the first prospectus contained the seeds of its own feminist undoing. The founders demarcated fields of focus for the journal that could hardly be explored without attention to gender, sexuality, and the historical experiences of women. They were rather interested in everyday life, mass culture, and consumer society. Hence, the little feminist work that appears in Social Text is in the realm of cultural analysis not revolutionary praxis and is often buried in the back of the journal in Unequal Developments, the section that offers reviews and experimental writing.For example, in the second edition of the journal in the section Unequal Developments, Christine Holmland performs a thorough feminist dissection of the then-current Disney film The North Avenue Irregulars, showing how this comedy about a group of church ladies who take on the local mafia superficially celebrates, but finally deflates the idea of womens activism, and along the way reinforces gendered roles at every level of social life.What does the author imply when he states May be triumvirate of founding editors were too focused on Marxist high theory to consider gender alongside economic class as an important mode of social organization and oppression?

Although the journal Social Text was never at the forefront of publishing articles on feminism and never debated whether capitalism was the source of womens oppression in 1970s or whether male supremacy was itself a systematic form of domination, it is not clear whether social feminists classification of the journal as the one run by boys club could have been completely justified till recently. There could have been many reasons that the journals mission statement as set out in its first prospectus in 1979 did not take notice of the burning issues feminists were then discussing. May be triumvirate of founding editors were too focused on Marxist high theory to consider gender alongside economic class as an important mode of social organization and oppression, or on the other hand they may have simply chosen on purpose to not include feminism specifically in its charter.The recent paper by Rosa Luxemburg suggests that the first prospectus contained the seeds of its own feminist undoing. The founders demarcated fields of focus for the journal that could hardly be explored without attention to gender, sexuality, and the historical experiences of women. They were rather interested in everyday life, mass culture, and consumer society. Hence, the little feminist work that appears in Social Text is in the realm of cultural analysis not revolutionary praxis and is often buried in the back of the journal in Unequal Developments, the section that offers reviews and experimental writing.For example, in the second edition of the journal in the section Unequal Developments, Christine Holmland performs a thorough feminist dissection of the then-current Disney film The North Avenue Irregulars, showing how this comedy about a group of church ladies who take on the local mafia superficially celebrates, but finally deflates the idea of womens activism, and along the way reinforces gendered roles at every level of social life.What does the passage suggest about the kind of articles published by Social Text journal in relation to feminism?

Although the journal Social Text was never at the forefront of publishing articles on feminism and never debated whether capitalism was the source of womens oppression in 1970s or whether male supremacy was itself a systematic form of domination, it is not clear whether social feminists classification of the journal as the one run by boys club could have been completely justified till recently. There could have been many reasons that the journals mission statement as set out in its first prospectus in 1979 did not take notice of the burning issues feminists were then discussing. May be triumvirate of founding editors were too focused on Marxist high theory to consider gender alongside economic class as an important mode of social organization and oppression, or on the other hand they may have simply chosen on purpose to not include feminism specifically in its charter.The recent paper by Rosa Luxemburg suggests that the first prospectus contained the seeds of its own feminist undoing. The founders demarcated fields of focus for the journal that could hardly be explored without attention to gender, sexuality, and the historical experiences of women. They were rather interested in everyday life, mass culture, and consumer society. Hence, the little feminist work that appears in Social Text is in the realm of cultural analysis not revolutionary praxis and is often buried in the back of the journal in Unequal Developments, the section that offers reviews and experimental writing.For example, in the second edition of the journal in the section Unequal Developments, Christine Holmland performs a thorough feminist dissection of the then-current Disney film The North Avenue Irregulars, showing how this comedy about a group of church ladies who take on the local mafia superficially celebrates, but finally deflates the idea of womens activism, and along the way reinforces gendered roles at every level of social life.The passage suggested that while drafting the first prospectus, the editors

The recruitment and development of talent is a growing priority for many organizations, and is increasingly regarded as an important competitive advantage. One example of this emphasis on talent development is the creation of so-called ‘C’ level executive roles—Chief Talent or Personnel Officer—that represent the interests of the Human Resources department. This is a significant change from past years, during which Human Resources was generally considered a lower priority, even a necessary evil, and a destination for executives that did not thrive in other departments.This change has had an important beneficiary—women.An extraordinarily high proportion of Human Resources departments are run by women, reflecting the composition of the departments themselves. For better or worse, Human Resources positions have long been perceived as natural roles for women, as women are generally regarded as more nurturing and service-oriented than their male counterparts. As these traits are considered core to the functioning of effective Human Resources personnel, the advancement of women within HR departments has been routine and that, in turn, has attracted more women. Additionally, the lifestyle of workers in the Human Resources department is often not as demanding in terms of hours and weekends worked as it is for workers in other departments; many women with children find this appealing.The preponderance of female heads of Human Resources departments and the higher prioritization of talent development have combined to give many female executives increased authority and influence. Many women, after performing well in a Human Resources capacity, have been given additional responsibilities in other departments. Also, more female executives have been asked to represent their organizations at industry conferences, further increasing their visibility.Q.The passage implies that an organization with a Chief Talent Officer

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Although the journal Social Text was never at the forefront of publishing articles on feminism and never debated whether capitalism was the source of womens oppression in 1970s or whether male supremacy was itself a systematic form of domination, it is not clear whether social feminists classification of the journal as the one run by boys club could have been completely justified till recently. There could have been many reasons that the journals mission statement as set out in its first prospectus in 1979 did not take notice of the burning issues feminists were then discussing. May be triumvirate of founding editors were too focused on Marxist high theory to consider gender alongside economic class as an important mode of social organization and oppression, or on the other hand they may have simply chosen on purpose to not include feminism specifically in its charter.The recent paper by Rosa Luxemburg suggests that the first prospectus contained the seeds of its own feminist undoing. The founders demarcated fields of focus for the journal that could hardly be explored without attention to gender, sexuality, and the historical experiences of women. They were rather interested in everyday life, mass culture, and consumer society. Hence, the little feminist work that appears in Social Text is in the realm of cultural analysis not revolutionary praxis and is often buried in the back of the journal in Unequal Developments, the section that offers reviews and experimental writing.For example, in the second edition of the journal in the section Unequal Developments, Christine Holmland performs a thorough feminist dissection of the then-current Disney film The North Avenue Irregulars, showing how this comedy about a group of church ladies who take on the local mafia superficially celebrates, but finally deflates the idea of womens activism, and along the way reinforces gendered roles at every level of social life.Why does the author cite Christine Holmlands example to?a)Illustrate the non-revolutionary nature of work related to women published by the Social Text.b)Argue that while not on the forefront of feminism, the journal still did some important investigative reports.c)Prove that while the feminist work might not have hogged the limelight of the cover page, it was nevertheless given enough space to be expressed completely.d)Demonstrate that the prospectus provided enough freedom to the members of the journal to publish articles on issues that they deemed important.e)Compare and contrast the work done by Social Text with that done by other journals in that era .Correct answer is option 'A'. Can you explain this answer?
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Although the journal Social Text was never at the forefront of publishing articles on feminism and never debated whether capitalism was the source of womens oppression in 1970s or whether male supremacy was itself a systematic form of domination, it is not clear whether social feminists classification of the journal as the one run by boys club could have been completely justified till recently. There could have been many reasons that the journals mission statement as set out in its first prospectus in 1979 did not take notice of the burning issues feminists were then discussing. May be triumvirate of founding editors were too focused on Marxist high theory to consider gender alongside economic class as an important mode of social organization and oppression, or on the other hand they may have simply chosen on purpose to not include feminism specifically in its charter.The recent paper by Rosa Luxemburg suggests that the first prospectus contained the seeds of its own feminist undoing. The founders demarcated fields of focus for the journal that could hardly be explored without attention to gender, sexuality, and the historical experiences of women. They were rather interested in everyday life, mass culture, and consumer society. Hence, the little feminist work that appears in Social Text is in the realm of cultural analysis not revolutionary praxis and is often buried in the back of the journal in Unequal Developments, the section that offers reviews and experimental writing.For example, in the second edition of the journal in the section Unequal Developments, Christine Holmland performs a thorough feminist dissection of the then-current Disney film The North Avenue Irregulars, showing how this comedy about a group of church ladies who take on the local mafia superficially celebrates, but finally deflates the idea of womens activism, and along the way reinforces gendered roles at every level of social life.Why does the author cite Christine Holmlands example to?a)Illustrate the non-revolutionary nature of work related to women published by the Social Text.b)Argue that while not on the forefront of feminism, the journal still did some important investigative reports.c)Prove that while the feminist work might not have hogged the limelight of the cover page, it was nevertheless given enough space to be expressed completely.d)Demonstrate that the prospectus provided enough freedom to the members of the journal to publish articles on issues that they deemed important.e)Compare and contrast the work done by Social Text with that done by other journals in that era .Correct answer is option 'A'. Can you explain this answer? for GMAT 2025 is part of GMAT preparation. The Question and answers have been prepared according to the GMAT exam syllabus. Information about Although the journal Social Text was never at the forefront of publishing articles on feminism and never debated whether capitalism was the source of womens oppression in 1970s or whether male supremacy was itself a systematic form of domination, it is not clear whether social feminists classification of the journal as the one run by boys club could have been completely justified till recently. There could have been many reasons that the journals mission statement as set out in its first prospectus in 1979 did not take notice of the burning issues feminists were then discussing. May be triumvirate of founding editors were too focused on Marxist high theory to consider gender alongside economic class as an important mode of social organization and oppression, or on the other hand they may have simply chosen on purpose to not include feminism specifically in its charter.The recent paper by Rosa Luxemburg suggests that the first prospectus contained the seeds of its own feminist undoing. The founders demarcated fields of focus for the journal that could hardly be explored without attention to gender, sexuality, and the historical experiences of women. They were rather interested in everyday life, mass culture, and consumer society. Hence, the little feminist work that appears in Social Text is in the realm of cultural analysis not revolutionary praxis and is often buried in the back of the journal in Unequal Developments, the section that offers reviews and experimental writing.For example, in the second edition of the journal in the section Unequal Developments, Christine Holmland performs a thorough feminist dissection of the then-current Disney film The North Avenue Irregulars, showing how this comedy about a group of church ladies who take on the local mafia superficially celebrates, but finally deflates the idea of womens activism, and along the way reinforces gendered roles at every level of social life.Why does the author cite Christine Holmlands example to?a)Illustrate the non-revolutionary nature of work related to women published by the Social Text.b)Argue that while not on the forefront of feminism, the journal still did some important investigative reports.c)Prove that while the feminist work might not have hogged the limelight of the cover page, it was nevertheless given enough space to be expressed completely.d)Demonstrate that the prospectus provided enough freedom to the members of the journal to publish articles on issues that they deemed important.e)Compare and contrast the work done by Social Text with that done by other journals in that era .Correct answer is option 'A'. Can you explain this answer? covers all topics & solutions for GMAT 2025 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Although the journal Social Text was never at the forefront of publishing articles on feminism and never debated whether capitalism was the source of womens oppression in 1970s or whether male supremacy was itself a systematic form of domination, it is not clear whether social feminists classification of the journal as the one run by boys club could have been completely justified till recently. There could have been many reasons that the journals mission statement as set out in its first prospectus in 1979 did not take notice of the burning issues feminists were then discussing. May be triumvirate of founding editors were too focused on Marxist high theory to consider gender alongside economic class as an important mode of social organization and oppression, or on the other hand they may have simply chosen on purpose to not include feminism specifically in its charter.The recent paper by Rosa Luxemburg suggests that the first prospectus contained the seeds of its own feminist undoing. The founders demarcated fields of focus for the journal that could hardly be explored without attention to gender, sexuality, and the historical experiences of women. They were rather interested in everyday life, mass culture, and consumer society. Hence, the little feminist work that appears in Social Text is in the realm of cultural analysis not revolutionary praxis and is often buried in the back of the journal in Unequal Developments, the section that offers reviews and experimental writing.For example, in the second edition of the journal in the section Unequal Developments, Christine Holmland performs a thorough feminist dissection of the then-current Disney film The North Avenue Irregulars, showing how this comedy about a group of church ladies who take on the local mafia superficially celebrates, but finally deflates the idea of womens activism, and along the way reinforces gendered roles at every level of social life.Why does the author cite Christine Holmlands example to?a)Illustrate the non-revolutionary nature of work related to women published by the Social Text.b)Argue that while not on the forefront of feminism, the journal still did some important investigative reports.c)Prove that while the feminist work might not have hogged the limelight of the cover page, it was nevertheless given enough space to be expressed completely.d)Demonstrate that the prospectus provided enough freedom to the members of the journal to publish articles on issues that they deemed important.e)Compare and contrast the work done by Social Text with that done by other journals in that era .Correct answer is option 'A'. Can you explain this answer?.
Solutions for Although the journal Social Text was never at the forefront of publishing articles on feminism and never debated whether capitalism was the source of womens oppression in 1970s or whether male supremacy was itself a systematic form of domination, it is not clear whether social feminists classification of the journal as the one run by boys club could have been completely justified till recently. There could have been many reasons that the journals mission statement as set out in its first prospectus in 1979 did not take notice of the burning issues feminists were then discussing. May be triumvirate of founding editors were too focused on Marxist high theory to consider gender alongside economic class as an important mode of social organization and oppression, or on the other hand they may have simply chosen on purpose to not include feminism specifically in its charter.The recent paper by Rosa Luxemburg suggests that the first prospectus contained the seeds of its own feminist undoing. The founders demarcated fields of focus for the journal that could hardly be explored without attention to gender, sexuality, and the historical experiences of women. They were rather interested in everyday life, mass culture, and consumer society. Hence, the little feminist work that appears in Social Text is in the realm of cultural analysis not revolutionary praxis and is often buried in the back of the journal in Unequal Developments, the section that offers reviews and experimental writing.For example, in the second edition of the journal in the section Unequal Developments, Christine Holmland performs a thorough feminist dissection of the then-current Disney film The North Avenue Irregulars, showing how this comedy about a group of church ladies who take on the local mafia superficially celebrates, but finally deflates the idea of womens activism, and along the way reinforces gendered roles at every level of social life.Why does the author cite Christine Holmlands example to?a)Illustrate the non-revolutionary nature of work related to women published by the Social Text.b)Argue that while not on the forefront of feminism, the journal still did some important investigative reports.c)Prove that while the feminist work might not have hogged the limelight of the cover page, it was nevertheless given enough space to be expressed completely.d)Demonstrate that the prospectus provided enough freedom to the members of the journal to publish articles on issues that they deemed important.e)Compare and contrast the work done by Social Text with that done by other journals in that era .Correct answer is option 'A'. Can you explain this answer? in English & in Hindi are available as part of our courses for GMAT. Download more important topics, notes, lectures and mock test series for GMAT Exam by signing up for free.
Here you can find the meaning of Although the journal Social Text was never at the forefront of publishing articles on feminism and never debated whether capitalism was the source of womens oppression in 1970s or whether male supremacy was itself a systematic form of domination, it is not clear whether social feminists classification of the journal as the one run by boys club could have been completely justified till recently. There could have been many reasons that the journals mission statement as set out in its first prospectus in 1979 did not take notice of the burning issues feminists were then discussing. May be triumvirate of founding editors were too focused on Marxist high theory to consider gender alongside economic class as an important mode of social organization and oppression, or on the other hand they may have simply chosen on purpose to not include feminism specifically in its charter.The recent paper by Rosa Luxemburg suggests that the first prospectus contained the seeds of its own feminist undoing. The founders demarcated fields of focus for the journal that could hardly be explored without attention to gender, sexuality, and the historical experiences of women. They were rather interested in everyday life, mass culture, and consumer society. Hence, the little feminist work that appears in Social Text is in the realm of cultural analysis not revolutionary praxis and is often buried in the back of the journal in Unequal Developments, the section that offers reviews and experimental writing.For example, in the second edition of the journal in the section Unequal Developments, Christine Holmland performs a thorough feminist dissection of the then-current Disney film The North Avenue Irregulars, showing how this comedy about a group of church ladies who take on the local mafia superficially celebrates, but finally deflates the idea of womens activism, and along the way reinforces gendered roles at every level of social life.Why does the author cite Christine Holmlands example to?a)Illustrate the non-revolutionary nature of work related to women published by the Social Text.b)Argue that while not on the forefront of feminism, the journal still did some important investigative reports.c)Prove that while the feminist work might not have hogged the limelight of the cover page, it was nevertheless given enough space to be expressed completely.d)Demonstrate that the prospectus provided enough freedom to the members of the journal to publish articles on issues that they deemed important.e)Compare and contrast the work done by Social Text with that done by other journals in that era .Correct answer is option 'A'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of Although the journal Social Text was never at the forefront of publishing articles on feminism and never debated whether capitalism was the source of womens oppression in 1970s or whether male supremacy was itself a systematic form of domination, it is not clear whether social feminists classification of the journal as the one run by boys club could have been completely justified till recently. There could have been many reasons that the journals mission statement as set out in its first prospectus in 1979 did not take notice of the burning issues feminists were then discussing. May be triumvirate of founding editors were too focused on Marxist high theory to consider gender alongside economic class as an important mode of social organization and oppression, or on the other hand they may have simply chosen on purpose to not include feminism specifically in its charter.The recent paper by Rosa Luxemburg suggests that the first prospectus contained the seeds of its own feminist undoing. The founders demarcated fields of focus for the journal that could hardly be explored without attention to gender, sexuality, and the historical experiences of women. They were rather interested in everyday life, mass culture, and consumer society. Hence, the little feminist work that appears in Social Text is in the realm of cultural analysis not revolutionary praxis and is often buried in the back of the journal in Unequal Developments, the section that offers reviews and experimental writing.For example, in the second edition of the journal in the section Unequal Developments, Christine Holmland performs a thorough feminist dissection of the then-current Disney film The North Avenue Irregulars, showing how this comedy about a group of church ladies who take on the local mafia superficially celebrates, but finally deflates the idea of womens activism, and along the way reinforces gendered roles at every level of social life.Why does the author cite Christine Holmlands example to?a)Illustrate the non-revolutionary nature of work related to women published by the Social Text.b)Argue that while not on the forefront of feminism, the journal still did some important investigative reports.c)Prove that while the feminist work might not have hogged the limelight of the cover page, it was nevertheless given enough space to be expressed completely.d)Demonstrate that the prospectus provided enough freedom to the members of the journal to publish articles on issues that they deemed important.e)Compare and contrast the work done by Social Text with that done by other journals in that era .Correct answer is option 'A'. Can you explain this answer?, a detailed solution for Although the journal Social Text was never at the forefront of publishing articles on feminism and never debated whether capitalism was the source of womens oppression in 1970s or whether male supremacy was itself a systematic form of domination, it is not clear whether social feminists classification of the journal as the one run by boys club could have been completely justified till recently. There could have been many reasons that the journals mission statement as set out in its first prospectus in 1979 did not take notice of the burning issues feminists were then discussing. May be triumvirate of founding editors were too focused on Marxist high theory to consider gender alongside economic class as an important mode of social organization and oppression, or on the other hand they may have simply chosen on purpose to not include feminism specifically in its charter.The recent paper by Rosa Luxemburg suggests that the first prospectus contained the seeds of its own feminist undoing. The founders demarcated fields of focus for the journal that could hardly be explored without attention to gender, sexuality, and the historical experiences of women. They were rather interested in everyday life, mass culture, and consumer society. Hence, the little feminist work that appears in Social Text is in the realm of cultural analysis not revolutionary praxis and is often buried in the back of the journal in Unequal Developments, the section that offers reviews and experimental writing.For example, in the second edition of the journal in the section Unequal Developments, Christine Holmland performs a thorough feminist dissection of the then-current Disney film The North Avenue Irregulars, showing how this comedy about a group of church ladies who take on the local mafia superficially celebrates, but finally deflates the idea of womens activism, and along the way reinforces gendered roles at every level of social life.Why does the author cite Christine Holmlands example to?a)Illustrate the non-revolutionary nature of work related to women published by the Social Text.b)Argue that while not on the forefront of feminism, the journal still did some important investigative reports.c)Prove that while the feminist work might not have hogged the limelight of the cover page, it was nevertheless given enough space to be expressed completely.d)Demonstrate that the prospectus provided enough freedom to the members of the journal to publish articles on issues that they deemed important.e)Compare and contrast the work done by Social Text with that done by other journals in that era .Correct answer is option 'A'. Can you explain this answer? has been provided alongside types of Although the journal Social Text was never at the forefront of publishing articles on feminism and never debated whether capitalism was the source of womens oppression in 1970s or whether male supremacy was itself a systematic form of domination, it is not clear whether social feminists classification of the journal as the one run by boys club could have been completely justified till recently. There could have been many reasons that the journals mission statement as set out in its first prospectus in 1979 did not take notice of the burning issues feminists were then discussing. May be triumvirate of founding editors were too focused on Marxist high theory to consider gender alongside economic class as an important mode of social organization and oppression, or on the other hand they may have simply chosen on purpose to not include feminism specifically in its charter.The recent paper by Rosa Luxemburg suggests that the first prospectus contained the seeds of its own feminist undoing. The founders demarcated fields of focus for the journal that could hardly be explored without attention to gender, sexuality, and the historical experiences of women. They were rather interested in everyday life, mass culture, and consumer society. Hence, the little feminist work that appears in Social Text is in the realm of cultural analysis not revolutionary praxis and is often buried in the back of the journal in Unequal Developments, the section that offers reviews and experimental writing.For example, in the second edition of the journal in the section Unequal Developments, Christine Holmland performs a thorough feminist dissection of the then-current Disney film The North Avenue Irregulars, showing how this comedy about a group of church ladies who take on the local mafia superficially celebrates, but finally deflates the idea of womens activism, and along the way reinforces gendered roles at every level of social life.Why does the author cite Christine Holmlands example to?a)Illustrate the non-revolutionary nature of work related to women published by the Social Text.b)Argue that while not on the forefront of feminism, the journal still did some important investigative reports.c)Prove that while the feminist work might not have hogged the limelight of the cover page, it was nevertheless given enough space to be expressed completely.d)Demonstrate that the prospectus provided enough freedom to the members of the journal to publish articles on issues that they deemed important.e)Compare and contrast the work done by Social Text with that done by other journals in that era .Correct answer is option 'A'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice Although the journal Social Text was never at the forefront of publishing articles on feminism and never debated whether capitalism was the source of womens oppression in 1970s or whether male supremacy was itself a systematic form of domination, it is not clear whether social feminists classification of the journal as the one run by boys club could have been completely justified till recently. There could have been many reasons that the journals mission statement as set out in its first prospectus in 1979 did not take notice of the burning issues feminists were then discussing. May be triumvirate of founding editors were too focused on Marxist high theory to consider gender alongside economic class as an important mode of social organization and oppression, or on the other hand they may have simply chosen on purpose to not include feminism specifically in its charter.The recent paper by Rosa Luxemburg suggests that the first prospectus contained the seeds of its own feminist undoing. The founders demarcated fields of focus for the journal that could hardly be explored without attention to gender, sexuality, and the historical experiences of women. They were rather interested in everyday life, mass culture, and consumer society. Hence, the little feminist work that appears in Social Text is in the realm of cultural analysis not revolutionary praxis and is often buried in the back of the journal in Unequal Developments, the section that offers reviews and experimental writing.For example, in the second edition of the journal in the section Unequal Developments, Christine Holmland performs a thorough feminist dissection of the then-current Disney film The North Avenue Irregulars, showing how this comedy about a group of church ladies who take on the local mafia superficially celebrates, but finally deflates the idea of womens activism, and along the way reinforces gendered roles at every level of social life.Why does the author cite Christine Holmlands example to?a)Illustrate the non-revolutionary nature of work related to women published by the Social Text.b)Argue that while not on the forefront of feminism, the journal still did some important investigative reports.c)Prove that while the feminist work might not have hogged the limelight of the cover page, it was nevertheless given enough space to be expressed completely.d)Demonstrate that the prospectus provided enough freedom to the members of the journal to publish articles on issues that they deemed important.e)Compare and contrast the work done by Social Text with that done by other journals in that era .Correct answer is option 'A'. 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