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We  ____________ (look)  for her ring for two hours and then we found it in the bathroom.
Correct answer is 'had been looking'. Can you explain this answer?
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We ____________ (look) for her ring for two hours and then we found it...
 
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We ____________ (look) for her ring for two hours and then we found it...



Explanation:

Had been looking:
  • The past perfect progressive tense "had been looking" is used in this sentence to indicate an action that was ongoing in the past before another action took place.
  • In this case, the action of looking for the ring started in the past and continued for a period of time until it was found.
  • By using "had been looking," we understand that the search for the ring had already been in progress before the ring was found.



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Read the passage carefully and answer the following questions NOT everything looks lovelier the longer and closer its inspection. But Saturn does. It is gorgeous through Earthly telescopes. However, the 13 years of close observation provided by Cassini, an American spacecraft, showed the planet, its moons and its remarkable rings off better and better, revealing finer structures, striking novelties and greater drama. . . .By and large the big things in the solar system—planets and moons—are thought of as having been around since the beginning. The suggestion that rings and moons are new is, though, made even more interesting by the fact that one of those moons, Enceladus, is widely considered the most promising site in the solar system on which to look for alien life. If Enceladus is both young and bears life, that life must have come into being quickly. This is also believed to have been the case on Earth. Were it true on Enceladus, that would encourage the idea that life evolves easily when conditions are right.One reason for thinking Saturn’s rings are young is that they are bright. The solar system is suffused with comet dust, and comet dust is dark. Leaving Saturn’s ring system (which Cassini has shown to be more than 90% water ic e) out in such a mist is like leaving laundry hanging on a line downwind from a smokestack: it will get dirty. The lighter the rings are, the faster this will happen, for the less mass they contain, the less celestial pollution they can absorb before they start to discolour. . . . Jeff Cuzzi, a scientist at America’s space agency, NASA, who helped run Cassini, told the Lunar and Planetary Science Conference in Houston that combining the mass estimates with Cassini’s measurements of the density of comet-dust near Saturn suggests the rings are no older than the first dinosaurs, nor younger than the last of them—that is, they are somewhere between 200m and 70m years old.That timing fits well with a theory put forward in 2016, by Matija Cuk of the SETI Institute, in California and his colleagues. They suggest that at around the same time as the rings came into being an old set of moons orbiting Saturn destroyed themselves, and from their remains emerged not only the rings but also the planet’s current suite of inner moons—Rhea, Dione, Tethys, Enceladus and Mimas. . . .Dr Cuk and his colleagues used computer simulations of Saturn’s moons’ orbits as a sort of time machine. Looking at the rate at which tidal friction is causing these orbits to lengthen they extrapolated backwards to find out what those orbits would have looked like in the past. They discovered that about 100m years ago the orbits of two of them, Tethys and Dione, would have interacted in a way that left the planes in which they orbit markedly tilted. But their orbits are untitled. The obvious, if unsettling, conclusion was that this interaction never happened—and thus that at the time when it should have happened, Dione and Tethys were simply not there. They must have come into being later. . . .Q. Based on information provided in the passage, we can conclude all of the following EXCEPT

Since the publication of The Lord of the Rings by J. R. R. Tolkien, a wealth of secondary literature has been published discussing the literary themes and archetypes present in the story. Tolkien also wrote about the themes of his book in letters to friends, family and fans, and also in the book itself. In his Foreword to the Second Edition, Tolkien said that he disliked allegory in all its forms (using the word applicability instea d), and told those claiming the story was a metaphorfor World War II to remember that he had lost all but one of his close friends in World War I. No careful reader of Tolkiens fiction can fail to be aware of the polarities that give it form and fiction, writes Verlyn Flieger. Tolkiens extensive use of duality and parallelism, contrast and opposition is found throughout the novel, in hope and despair, ignorance and enlightenment, death and immortality, fate and free will. One famous example is the often criticized polarity between Evil and Good in Tolkien. Ores, the most maligned of races, are a corruption of the mystically exalted race of the Elves. Minas Morgul, the Tower of Sorcery, home of the Lord of the NazgOI, the most corrupted Kings of Men, directly opposes Minas Tirith, the Tower of Guard and the capital of Gondor, the last visible remnant of the ancient kingdom of Men in the Third Age.The antitheses, though pronounced and prolific, are sometimes seen to be too polarizing, but they have also been argued to be at the heart of the structure of the entire story. Tolkiens technique has been seen to confer literality on what would in the primary world be called metaphor and then to illustrate [in his secondary world] the process by which the literal becomes metaphoric. A famous description of this device is Verlyn Fliegers Splintered Light where the mythology of the Elves described in The Silmarillion is seen not only to be the story of the fall of the Elves from grace (a Fall akin to the Fall of Satan or Adam and Ev e) due to the hubris of Feanor in his deadly oath regarding the Silmarils and all that follows as a result of it, but also a story built on a simultaneous splintering of light from the light of creation and the splintering of Elvish language from the word of creation, Ea. Although, these arguments are more readily seen in The Silmarillion, which contains the Creation Myth of the Elves, similar observations can and have also been made regarding The Lord of the Rings.The theme of power in The Lord of the Rings centres around the corrupting influence of the One Ring. This theme is discussed at length by Tom Shippey in chapter III of J. R. R. Tolkien: Author of the Century. In this chapter, titled, The Lord of the Rings: Concepts of Evil, Shippey notes that what lies at the heart of the story is the assertions made by Gandalf about the power and influence of the One Ring, and the corrupting influence it has on its bearers. Gandalf rejects the Ring after Frodo offers it to him, and this view of the nature of the Ring is reinforced as Elrond and Galadriel in their turn, also reject the Ring.This is, according to Shippey, a very modern, 20th-century theme, since in earlier, medieval times, power was considered to reveal character, not alter it. Shippey mentions Lord Actons famous statement in 1887, that Power tends to corrupt, and absolute power corrupts absolutely. Great men are almost always bad men... He then goes on to point outauthors that were dealing in the same themes of power and corruption at around the same time as Tolkien wrote his work. These authors include George Orwell with Animal Farm (1945), William Golding with The Lord of the Flies (1954) and The Inheritors (1955), and T. H. White with The Once and Future King (1958).Q.What do J.R.R Tolkien and T.H.White not have in common?

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We ____________ (look) for her ring for two hours and then we found it in the bathroom.Correct answer is 'had been looking'. Can you explain this answer?
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