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Hurry up! We ____________ for you. (wait)
Correct answer is 'are waiting'. Can you explain this answer?
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Hurry up! We ____________ for you. (wait)Correct answer is 'are waitin...
Explanation:

In this sentence, the verb "wait" is in the present continuous tense, indicating an action that is happening at the moment of speaking. The subject of the sentence is "we," which is a plural pronoun. Therefore, the correct form of the verb "wait" for this subject in the present continuous tense is "are waiting."

Subject-Verb Agreement:

The subject and verb in a sentence must agree in person and number. In this sentence, the subject "we" is a plural pronoun, so the verb "wait" must also be in the plural form. The present continuous tense for the plural form of the verb "wait" is "are waiting."

Present Continuous Tense:

The present continuous tense is used to describe actions that are happening at the moment of speaking. It is formed with the present tense of the verb "to be" (am, is, are) and the present participle (-ing form) of the main verb. In this sentence, the present continuous tense is used to describe the action of waiting that is happening at the moment of speaking.

Conclusion:

Therefore, the correct answer to the sentence "Hurry up! We ____________ for you. (wait)" is "are waiting." This is because the subject "we" is plural, and the present continuous tense is used to describe an action that is happening at the moment of speaking.
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Four sentences are given below. These sentences, when rearranged in proper order, form a logical and meaningful paragraph. Rearrange the sentences and enter the correct order as the answer. If the transmigration of souls is a fact, this animal was certainly qualifying most rapidly for a Christian, for her vanity was only second to her love of drink. She would hang about for hours outside the cellar door for the purpose of sneaking in on the first opportunity and lapping up the drippings from the beer-cask. Whenever she caught a particularly big rat, she would bring it up into the room where we were all sitting, lay the corpse down in the midst of us, and wait to be praised. I do not mention this habit of hers in praise of the species, but merely to show how almost human some of them are. Correct answer is '2413'. Can you explain this answer?

DIRECTIONSfor the question:Read the passage and answer the question based on it.I don’t know how to write. Which is unfortunate, as I do it for a living. Mind you, I don’t know how to live either. Writers are asked, particularly when we’ve got a book coming out, to write about writing. To give interviews and explain how we did this thing that we appear to have done. We even teach, as I have recently, students who want to know how to approach the peculiar occupation of fiction writing. I tell them at the beginning—I’ve got nothing for you. I don’t know. Don’t look at me.I’ve written six books now, but instead of making it easier, it has complicated matters to the point of absurdity. I have no idea what I’m doing. All the decisions I appear to have made—about plots and characters and where to start and when to stop—are not decisions at all. They are compromises. A book is whittled down from hope, and when I start to cut my fingers I push it away from me to see what others make of it. And I wait in terror for the judgements of those others—judgements that seem, whether positive or negative, unjust, because they are about something that I didn’t really do. They are about something that happened to me. It’s a little like crawling from a car crash to be greeted by a panel of strangers holding up score cards.Something, obviously, is going on. I manage, every few years, to generate a book. And of course, there are things that I know. I know how to wait until the last minute before putting anything on paper. I mean the last minute before the thought leaves me forever. I know how to leave out anything that looks to me—after a while—forced, deliberate, or fake. I know that I need to put myself in the story. I don’t mean literally. I mean emotionally. I need to care about what I’m writing—whether about the characters, or about what they’re getting up to, or about the way they feel or experience their world. I know that my job is to create a perspective. And to impose it on the reader. And I know that in order to do that with any success at all I must in some mysterious way risk everything. If I don’t break my own heart in the writing of a book then I know I’ve done it wrong. I’m not entirely sure what that means. But I know what it feels like.I do no research. Given that I’ve just written a book that revolves around two London Met police detectives, this might seem a little foolhardy. I have no real idea what detectives do with their days. So I made some guesses. I suppose that they must investigate things. I tried to imagine what that might be like. I’ve seen the same films and TV shows that you have. I’ve read the same sorts of cheap thrillers. And I know that everything is fiction. Absolutely everything. Research is its own slow fiction, a process of reassurance for the author. I don’t want reassurance. I like writing out of confusion, panic, a sense of everything being perilously close to collapse. So I try to embrace the fiction of all things.And I mean that—everything is fiction. When you tell yourself the story of your life, the story of your day, you edit and rewrite and weave a narrative out of a collection of random experiences and events. Your conversations are fiction. Your friends and loved ones—they are characters you have created. And your arguments with them are like meetings with an editor—please, they beseech you, you beseech them, rewrite me. You have a perception of the way things are, and you impose it on your memory, and in this way you think, in the same way that I think, that you are living something that is describable. When of course, what we actually live, what we actually experience—with our senses and our nerves—is a vast, absurd, beautiful, ridiculous chaos.So I love hearing from people who have no time for fiction. Who read only biographies and popular science. I love hearing about the death of the novel. I love getting lectures about the triviality of fiction, the triviality of making things up. As if that wasn’t what all of us do, all day long, all life long. Fiction gives us everything. It gives us our memories, our understanding, our insight, our lives. We use it to invent ourselves and others. We use it to feel change and sadness and hope and love and to tell each other about ourselves. And we all, it turns out, know how to do it.Q.An apt title for the passage is

DIRECTIONS for questions: The sentences given in each of the following questions, when properly sequenced, form a coherent paragraph. Each sentence is labelled with a number. Decide on the proper order for the sentences and key in the sequence of five numbers as your answer, in the input box given below the question.1. Texting has habituated us to receiving a much quicker response.2. An appropriate time frame varies from person to person, but it can be anywhere from 10 minutes to an hour to even immediately, depending on the previous communication.3. Texting is a medium that conditions our minds in a distinctive way, and we expect our exchanges to work differently with messages than they did with phone calls.4. Before everyone had a cell phone, people could usually wait a while – up to a few days, even – to call back before reaching the point where the other person would get concerned.5. When we don’t get the quick response, our mind freaks out.

Directions:Read the following passage carefully and answer the given question.Your memory isnt a video camera, recording a constant stream of every sight and sound youre exposed to — you can only capture and retain what you pay attention to. And since you cant pay attention to everything, youll be able to remember some aspects of what is happening before you but not others.Think about the vast amount of information that your senses are exposed to in any given day. If youre awake for 16 hours today, your senses are open for business for 57,600 seconds. Thats a lot of data. But you simply cant — and wont — remember most of what was available to your eyes, ears, nose and brain today.The number-one reason for forgetting what you just heard, a persons name, where you put your phone, or whether you locked the front door or not is lack of attention. You cant later remember what is right in front of you if you dont pay attention to it. So if we want to remember something, we just have to pay attention to it.Unfortunately, this isnt so simple. Even if we didnt live in such a highly distractible time, paying attention isnt easy for our brains. We tend to pay attention to — and therefore remember — what we find interesting, meaningful, new, surprising, significant, emotional and consequential. Our brains capture those details. We ignore, and fail to remember, the rest.Paying attention requires conscious effort. Your default brain activity is not attentive. Your inattentive brain is zoned out, daydreaming, on autopilot, and full of constant background, repetitive thinking. You cant create a new memory in this state. If you want to remember something, you have to turn your brain on, wake up, become consciously aware and pay attention.Because we remember what we pay attention to, we might want to be mindful about what we focus on. Optimists pay attention to positive experiences, so these events are consolidated into their memories. If you look for magic every day, if you pay attention to the moments of joy and awe, you can then capture these moments and consolidate them into memory. Over time, your lifes narrative will be populated with memories that make you smile.If you want to improve your memory, try minimising or removing things that distract you. Getting enough sleep, meditating and a little caffeine (not too much and none 12 hours before be d) are other powerful distraction fighters and can enhance your ability to pay attention and establish long-term memories.So the next time you cant find your car, pause. And before you accuse your memory of failing, before you panic and worry that you have Alzheimers, think: Did I pay attention to where I parked my car to begin with?Q.Which of the following statements is the author of the passage most likely to agree with?

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Hurry up! We ____________ for you. (wait)Correct answer is 'are waiting'. Can you explain this answer?
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