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Directions: Read the given passage carefully and answer the question as follow.
I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: “King Lear,” “Romeo and Juliet,” “Hamlet” and “Macbeth,” not only did I feel no delight, but I also felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection by the whole of the civilized world to be trivial and positively bad, or whether the significance which this civilized world attributes to the works of Shakespeare was itself senseless. My consternation was increased by the fact that I always keenly felt the beauties of poetry in every form; then why should artistic works recognized by the whole world as those of a genius not just fail to please me, but in fact be disagreeable to me?
For a long time I could not believe in myself, and during fifty years, in order to test myself, I several times recommenced reading Shakespeare in every possible form, in Russian, in English, in German and in Schlegel’s translation, as I was advised. Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the “Henrys,” “Troilus and Cressida,” the “Tempest,” “Cymbeline,” and I have felt, with even greater force, the same feelings, this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.
Although I know that the majority of people so firmly believe in the greatness of Shakespeare that in reading this judgment of mine they will not admit even to the possibility of its justice, and will not give it the slightest attention, nevertheless I will endeavour, as well as I can, to show why I believe that Shakespeare cannot be recognized either as a great genius, or even as an average author.
Q. From the information in the passage, which of the following can most reasonably be inferred about the author of the passage?
  • a)
    The author probably knew several languages.
  • b)
    The author was most likely biased against Shakespeare.
  • c)
    The author was scared of publicly criticising Shakespeare’s works.
  • d)
    The author believed that Shakespeare’s works were actually evil.
  • e)
    As the author read more of Shakespeare’s works, his dislike of the same somewhat diminished.
Correct answer is option 'A'. Can you explain this answer?
Verified Answer
Directions: Read the given passage carefully and answer the question a...
The author states that he has read Shakespeare’s works in several languages including English, Russian, and German so it can be reasonably inferred that the author knew several languages, that is, (A) should be the correct answer.
(B) The passage never implies that the author was biased.
(C) The author eventually does publicly criticize Shakespeare even though he believes most people will not even read his views.
(D) Distortion. The author states that it is evil to try to find nonexistent merits in Shakespeare’s works.
(E) Opposite. As the author read more of Shakespeare’s works, his dislike for Shakespeare actually increased.
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Most Upvoted Answer
Directions: Read the given passage carefully and answer the question a...
The author states that he has read Shakespeare’s works in several languages including English, Russian, and German so it can be reasonably inferred that the author knew several languages, that is, (A) should be the correct answer.
(B) The passage never implies that the author was biased.
(C) The author eventually does publicly criticize Shakespeare even though he believes most people will not even read his views.
(D) Distortion. The author states that it is evil to try to find nonexistent merits in Shakespeare’s works.
(E) Opposite. As the author read more of Shakespeare’s works, his dislike for Shakespeare actually increased.
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Directions: Read the given passage carefully and answer the question as follow.I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: “King Lear,” “Romeo and Juliet,” “Hamlet” and “Macbeth,” not only did I feel no delight, but I also felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection by the whole of the civilized world to be trivial and positively bad, or whether the significance which this civilized world attributes to the works of Shakespeare was itself senseless. My consternation was increased by the fact that I always keenly felt the beauties of poetry in every form; then why should artistic works recognized by the whole world as those of a genius not just fail to please me, but in fact be disagreeable to me?For a long time I could not believe in myself, and during fifty years, in order to test myself, I several times recommenced reading Shakespeare in every possible form, in Russian, in English, in German and in Schlegel’s translation, as I was advised. Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the “Henrys,” “Troilus and Cressida,” the “Tempest,” “Cymbeline,” and I have felt, with even greater force, the same feelings, this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.Although I know that the majority of people so firmly believe in the greatness of Shakespeare that in reading this judgment of mine they will not admit even to the possibility of its justice, and will not give it the slightest attention, nevertheless I will endeavour, as well as I can, to show why I believe that Shakespeare cannot be recognized either as a great genius, or even as an average author.Q.Each of the following can be inferred about Shakespeare from the passage EXCEPT

Directions: Read the given passage carefully and answer the question as follow.I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: “King Lear,” “Romeo and Juliet,” “Hamlet” and “Macbeth,” not only did I feel no delight, but I also felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection by the whole of the civilized world to be trivial and positively bad, or whether the significance which this civilized world attributes to the works of Shakespeare was itself senseless. My consternation was increased by the fact that I always keenly felt the beauties of poetry in every form; then why should artistic works recognized by the whole world as those of a genius not just fail to please me, but in fact be disagreeable to me?For a long time I could not believe in myself, and during fifty years, in order to test myself, I several times recommenced reading Shakespeare in every possible form, in Russian, in English, in German and in Schlegel’s translation, as I was advised. Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the “Henrys,” “Troilus and Cressida,” the “Tempest,” “Cymbeline,” and I have felt, with even greater force, the same feelings, this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.Although I know that the majority of people so firmly believe in the greatness of Shakespeare that in reading this judgment of mine they will not admit even to the possibility of its justice, and will not give it the slightest attention, nevertheless I will endeavour, as well as I can, to show why I believe that Shakespeare cannot be recognized either as a great genius, or even as an average author.Q.In context of the passage, what does the line—‘artistic works recognized by the whole world as those of a genius’—refer to?

Directions: Read the given passage carefully and answer the question as follow.I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: “King Lear,” “Romeo and Juliet,” “Hamlet” and “Macbeth,” not only did I feel no delight, but I also felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection by the whole of the civilized world to be trivial and positively bad, or whether the significance which this civilized world attributes to the works of Shakespeare was itself senseless. My consternation was increased by the fact that I always keenly felt the beauties of poetry in every form; then why should artistic works recognized by the whole world as those of a genius not just fail to please me, but in fact be disagreeable to me?For a long time I could not believe in myself, and during fifty years, in order to test myself, I several times recommenced reading Shakespeare in every possible form, in Russian, in English, in German and in Schlegel’s translation, as I was advised. Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the “Henrys,” “Troilus and Cressida,” the “Tempest,” “Cymbeline,” and I have felt, with even greater force, the same feelings, this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.Although I know that the majority of people so firmly believe in the greatness of Shakespeare that in reading this judgment of mine they will not admit even to the possibility of its justice, and will not give it the slightest attention, nevertheless I will endeavour, as well as I can, to show why I believe that Shakespeare cannot be recognized either as a great genius, or even as an average author.Q.What is the meaning of the word ‘consternation’ in the context of the passage?

Directions: Read the Passage carefully and answer the question as follow.I have seldom felt so proud of being a representative of the people as now, when it gives me an opportunity to advocate a cause which cannot be represented or defended in this chamber by those directly and particularly affected by it, owing to the leven of prejudice that the beliefs and ideas of the past have left in the mind of modern man. The cause of female suffrage is one sure to strike a sympathetic chord in every unprejudiced man, because it represents the cause of a set of people who, deprived of the means to defend themselves, are compelled to throw themselves upon the mercy of another set of people.But it is not on this account alone that this cause has my sympathy and appeals to me. It also has the irresistible attraction of truth and justice, which no open and liberal mind can deny. If our action as legislators must be inspired by the eternal sources of right, if the laws passed here must comply with the divine precept to give everybody his due, then we cannot deny women the right to vote, because to do so would be to prove false all the precepts and achievements of democracy and liberty which have made this century what may be properly called the century of vindication.Female suffrage is a reform demanded by the social conditions of our times, by the high culture of woman, and by the aspiration of all classes of society to organize and work for the interests they have in common. We cannot detain the celestial bodies in their course; neither can we check any of those moral movements that gravitate with irresistible force towards their center of attraction: Justice. The moral world is governed by the same laws as the physical world, and all the power of man being impotent to suppress a single molecule of the spaces required for the gravitation of the universe, it is still less able to prevent the generation of the ideas that take shape in the mind and strive to attain to fruition in the field of life and reality.Q.Which of the following, does the passage imply, could be a characteristic of a liberal mind?

Directions: Read the Passage carefully and answer the question as follow.I have seldom felt so proud of being a representative of the people as now, when it gives me an opportunity to advocate a cause which cannot be represented or defended in this chamber by those directly and particularly affected by it, owing to the leven of prejudice that the beliefs and ideas of the past have left in the mind of modern man. The cause of female suffrage is one sure to strike a sympathetic chord in every unprejudiced man, because it represents the cause of a set of people who, deprived of the means to defend themselves, are compelled to throw themselves upon the mercy of another set of people.But it is not on this account alone that this cause has my sympathy and appeals to me. It also has the irresistible attraction of truth and justice, which no open and liberal mind can deny. If our action as legislators must be inspired by the eternal sources of right, if the laws passed here must comply with the divine precept to give everybody his due, then we cannot deny women the right to vote, because to do so would be to prove false all the precepts and achievements of democracy and liberty which have made this century what may be properly called the century of vindication.Female suffrage is a reform demanded by the social conditions of our times, by the high culture of woman, and by the aspiration of all classes of society to organize and work for the interests they have in common. We cannot detain the celestial bodies in their course; neither can we check any of those moral movements that gravitate with irresistible force towards their center of attraction: Justice. The moral world is governed by the same laws as the physical world, and all the power of man being impotent to suppress a single molecule of the spaces required for the gravitation of the universe, it is still less able to prevent the generation of the ideas that take shape in the mind and strive to attain to fruition in the field of life and reality.Q.What is the passage primarily concerned with?

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Directions: Read the given passage carefully and answer the question as follow.I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: “King Lear,” “Romeo and Juliet,” “Hamlet” and “Macbeth,” not only did I feel no delight, but I also felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection by the whole of the civilized world to be trivial and positively bad, or whether the significance which this civilized world attributes to the works of Shakespeare was itself senseless. My consternation was increased by the fact that I always keenly felt the beauties of poetry in every form; then why should artistic works recognized by the whole world as those of a genius not just fail to please me, but in fact be disagreeable to me?For a long time I could not believe in myself, and during fifty years, in order to test myself, I several times recommenced reading Shakespeare in every possible form, in Russian, in English, in German and in Schlegel’s translation, as I was advised. Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the “Henrys,” “Troilus and Cressida,” the “Tempest,” “Cymbeline,” and I have felt, with even greater force, the same feelings, this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.Although I know that the majority of people so firmly believe in the greatness of Shakespeare that in reading this judgment of mine they will not admit even to the possibility of its justice, and will not give it the slightest attention, nevertheless I will endeavour, as well as I can, to show why I believe that Shakespeare cannot be recognized either as a great genius, or even as an average author.Q.From the information in the passage, which of the following can most reasonably be inferred about the author of the passage?a)The author probably knew several languages.b)The author was most likely biased against Shakespeare.c)The author was scared of publicly criticising Shakespeare’s works.d)The author believed that Shakespeare’s works were actually evil.e)As the author read more of Shakespeare’s works, his dislike of the same somewhat diminished.Correct answer is option 'A'. Can you explain this answer?
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Directions: Read the given passage carefully and answer the question as follow.I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: “King Lear,” “Romeo and Juliet,” “Hamlet” and “Macbeth,” not only did I feel no delight, but I also felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection by the whole of the civilized world to be trivial and positively bad, or whether the significance which this civilized world attributes to the works of Shakespeare was itself senseless. My consternation was increased by the fact that I always keenly felt the beauties of poetry in every form; then why should artistic works recognized by the whole world as those of a genius not just fail to please me, but in fact be disagreeable to me?For a long time I could not believe in myself, and during fifty years, in order to test myself, I several times recommenced reading Shakespeare in every possible form, in Russian, in English, in German and in Schlegel’s translation, as I was advised. Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the “Henrys,” “Troilus and Cressida,” the “Tempest,” “Cymbeline,” and I have felt, with even greater force, the same feelings, this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.Although I know that the majority of people so firmly believe in the greatness of Shakespeare that in reading this judgment of mine they will not admit even to the possibility of its justice, and will not give it the slightest attention, nevertheless I will endeavour, as well as I can, to show why I believe that Shakespeare cannot be recognized either as a great genius, or even as an average author.Q.From the information in the passage, which of the following can most reasonably be inferred about the author of the passage?a)The author probably knew several languages.b)The author was most likely biased against Shakespeare.c)The author was scared of publicly criticising Shakespeare’s works.d)The author believed that Shakespeare’s works were actually evil.e)As the author read more of Shakespeare’s works, his dislike of the same somewhat diminished.Correct answer is option 'A'. Can you explain this answer? for GMAT 2024 is part of GMAT preparation. The Question and answers have been prepared according to the GMAT exam syllabus. Information about Directions: Read the given passage carefully and answer the question as follow.I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: “King Lear,” “Romeo and Juliet,” “Hamlet” and “Macbeth,” not only did I feel no delight, but I also felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection by the whole of the civilized world to be trivial and positively bad, or whether the significance which this civilized world attributes to the works of Shakespeare was itself senseless. My consternation was increased by the fact that I always keenly felt the beauties of poetry in every form; then why should artistic works recognized by the whole world as those of a genius not just fail to please me, but in fact be disagreeable to me?For a long time I could not believe in myself, and during fifty years, in order to test myself, I several times recommenced reading Shakespeare in every possible form, in Russian, in English, in German and in Schlegel’s translation, as I was advised. Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the “Henrys,” “Troilus and Cressida,” the “Tempest,” “Cymbeline,” and I have felt, with even greater force, the same feelings, this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.Although I know that the majority of people so firmly believe in the greatness of Shakespeare that in reading this judgment of mine they will not admit even to the possibility of its justice, and will not give it the slightest attention, nevertheless I will endeavour, as well as I can, to show why I believe that Shakespeare cannot be recognized either as a great genius, or even as an average author.Q.From the information in the passage, which of the following can most reasonably be inferred about the author of the passage?a)The author probably knew several languages.b)The author was most likely biased against Shakespeare.c)The author was scared of publicly criticising Shakespeare’s works.d)The author believed that Shakespeare’s works were actually evil.e)As the author read more of Shakespeare’s works, his dislike of the same somewhat diminished.Correct answer is option 'A'. Can you explain this answer? covers all topics & solutions for GMAT 2024 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Directions: Read the given passage carefully and answer the question as follow.I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: “King Lear,” “Romeo and Juliet,” “Hamlet” and “Macbeth,” not only did I feel no delight, but I also felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection by the whole of the civilized world to be trivial and positively bad, or whether the significance which this civilized world attributes to the works of Shakespeare was itself senseless. My consternation was increased by the fact that I always keenly felt the beauties of poetry in every form; then why should artistic works recognized by the whole world as those of a genius not just fail to please me, but in fact be disagreeable to me?For a long time I could not believe in myself, and during fifty years, in order to test myself, I several times recommenced reading Shakespeare in every possible form, in Russian, in English, in German and in Schlegel’s translation, as I was advised. Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the “Henrys,” “Troilus and Cressida,” the “Tempest,” “Cymbeline,” and I have felt, with even greater force, the same feelings, this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.Although I know that the majority of people so firmly believe in the greatness of Shakespeare that in reading this judgment of mine they will not admit even to the possibility of its justice, and will not give it the slightest attention, nevertheless I will endeavour, as well as I can, to show why I believe that Shakespeare cannot be recognized either as a great genius, or even as an average author.Q.From the information in the passage, which of the following can most reasonably be inferred about the author of the passage?a)The author probably knew several languages.b)The author was most likely biased against Shakespeare.c)The author was scared of publicly criticising Shakespeare’s works.d)The author believed that Shakespeare’s works were actually evil.e)As the author read more of Shakespeare’s works, his dislike of the same somewhat diminished.Correct answer is option 'A'. Can you explain this answer?.
Solutions for Directions: Read the given passage carefully and answer the question as follow.I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: “King Lear,” “Romeo and Juliet,” “Hamlet” and “Macbeth,” not only did I feel no delight, but I also felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection by the whole of the civilized world to be trivial and positively bad, or whether the significance which this civilized world attributes to the works of Shakespeare was itself senseless. My consternation was increased by the fact that I always keenly felt the beauties of poetry in every form; then why should artistic works recognized by the whole world as those of a genius not just fail to please me, but in fact be disagreeable to me?For a long time I could not believe in myself, and during fifty years, in order to test myself, I several times recommenced reading Shakespeare in every possible form, in Russian, in English, in German and in Schlegel’s translation, as I was advised. Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the “Henrys,” “Troilus and Cressida,” the “Tempest,” “Cymbeline,” and I have felt, with even greater force, the same feelings, this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.Although I know that the majority of people so firmly believe in the greatness of Shakespeare that in reading this judgment of mine they will not admit even to the possibility of its justice, and will not give it the slightest attention, nevertheless I will endeavour, as well as I can, to show why I believe that Shakespeare cannot be recognized either as a great genius, or even as an average author.Q.From the information in the passage, which of the following can most reasonably be inferred about the author of the passage?a)The author probably knew several languages.b)The author was most likely biased against Shakespeare.c)The author was scared of publicly criticising Shakespeare’s works.d)The author believed that Shakespeare’s works were actually evil.e)As the author read more of Shakespeare’s works, his dislike of the same somewhat diminished.Correct answer is option 'A'. Can you explain this answer? in English & in Hindi are available as part of our courses for GMAT. Download more important topics, notes, lectures and mock test series for GMAT Exam by signing up for free.
Here you can find the meaning of Directions: Read the given passage carefully and answer the question as follow.I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: “King Lear,” “Romeo and Juliet,” “Hamlet” and “Macbeth,” not only did I feel no delight, but I also felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection by the whole of the civilized world to be trivial and positively bad, or whether the significance which this civilized world attributes to the works of Shakespeare was itself senseless. My consternation was increased by the fact that I always keenly felt the beauties of poetry in every form; then why should artistic works recognized by the whole world as those of a genius not just fail to please me, but in fact be disagreeable to me?For a long time I could not believe in myself, and during fifty years, in order to test myself, I several times recommenced reading Shakespeare in every possible form, in Russian, in English, in German and in Schlegel’s translation, as I was advised. Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the “Henrys,” “Troilus and Cressida,” the “Tempest,” “Cymbeline,” and I have felt, with even greater force, the same feelings, this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.Although I know that the majority of people so firmly believe in the greatness of Shakespeare that in reading this judgment of mine they will not admit even to the possibility of its justice, and will not give it the slightest attention, nevertheless I will endeavour, as well as I can, to show why I believe that Shakespeare cannot be recognized either as a great genius, or even as an average author.Q.From the information in the passage, which of the following can most reasonably be inferred about the author of the passage?a)The author probably knew several languages.b)The author was most likely biased against Shakespeare.c)The author was scared of publicly criticising Shakespeare’s works.d)The author believed that Shakespeare’s works were actually evil.e)As the author read more of Shakespeare’s works, his dislike of the same somewhat diminished.Correct answer is option 'A'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of Directions: Read the given passage carefully and answer the question as follow.I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: “King Lear,” “Romeo and Juliet,” “Hamlet” and “Macbeth,” not only did I feel no delight, but I also felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection by the whole of the civilized world to be trivial and positively bad, or whether the significance which this civilized world attributes to the works of Shakespeare was itself senseless. My consternation was increased by the fact that I always keenly felt the beauties of poetry in every form; then why should artistic works recognized by the whole world as those of a genius not just fail to please me, but in fact be disagreeable to me?For a long time I could not believe in myself, and during fifty years, in order to test myself, I several times recommenced reading Shakespeare in every possible form, in Russian, in English, in German and in Schlegel’s translation, as I was advised. Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the “Henrys,” “Troilus and Cressida,” the “Tempest,” “Cymbeline,” and I have felt, with even greater force, the same feelings, this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.Although I know that the majority of people so firmly believe in the greatness of Shakespeare that in reading this judgment of mine they will not admit even to the possibility of its justice, and will not give it the slightest attention, nevertheless I will endeavour, as well as I can, to show why I believe that Shakespeare cannot be recognized either as a great genius, or even as an average author.Q.From the information in the passage, which of the following can most reasonably be inferred about the author of the passage?a)The author probably knew several languages.b)The author was most likely biased against Shakespeare.c)The author was scared of publicly criticising Shakespeare’s works.d)The author believed that Shakespeare’s works were actually evil.e)As the author read more of Shakespeare’s works, his dislike of the same somewhat diminished.Correct answer is option 'A'. Can you explain this answer?, a detailed solution for Directions: Read the given passage carefully and answer the question as follow.I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: “King Lear,” “Romeo and Juliet,” “Hamlet” and “Macbeth,” not only did I feel no delight, but I also felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection by the whole of the civilized world to be trivial and positively bad, or whether the significance which this civilized world attributes to the works of Shakespeare was itself senseless. My consternation was increased by the fact that I always keenly felt the beauties of poetry in every form; then why should artistic works recognized by the whole world as those of a genius not just fail to please me, but in fact be disagreeable to me?For a long time I could not believe in myself, and during fifty years, in order to test myself, I several times recommenced reading Shakespeare in every possible form, in Russian, in English, in German and in Schlegel’s translation, as I was advised. Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the “Henrys,” “Troilus and Cressida,” the “Tempest,” “Cymbeline,” and I have felt, with even greater force, the same feelings, this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.Although I know that the majority of people so firmly believe in the greatness of Shakespeare that in reading this judgment of mine they will not admit even to the possibility of its justice, and will not give it the slightest attention, nevertheless I will endeavour, as well as I can, to show why I believe that Shakespeare cannot be recognized either as a great genius, or even as an average author.Q.From the information in the passage, which of the following can most reasonably be inferred about the author of the passage?a)The author probably knew several languages.b)The author was most likely biased against Shakespeare.c)The author was scared of publicly criticising Shakespeare’s works.d)The author believed that Shakespeare’s works were actually evil.e)As the author read more of Shakespeare’s works, his dislike of the same somewhat diminished.Correct answer is option 'A'. Can you explain this answer? has been provided alongside types of Directions: Read the given passage carefully and answer the question as follow.I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: “King Lear,” “Romeo and Juliet,” “Hamlet” and “Macbeth,” not only did I feel no delight, but I also felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection by the whole of the civilized world to be trivial and positively bad, or whether the significance which this civilized world attributes to the works of Shakespeare was itself senseless. My consternation was increased by the fact that I always keenly felt the beauties of poetry in every form; then why should artistic works recognized by the whole world as those of a genius not just fail to please me, but in fact be disagreeable to me?For a long time I could not believe in myself, and during fifty years, in order to test myself, I several times recommenced reading Shakespeare in every possible form, in Russian, in English, in German and in Schlegel’s translation, as I was advised. Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the “Henrys,” “Troilus and Cressida,” the “Tempest,” “Cymbeline,” and I have felt, with even greater force, the same feelings, this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.Although I know that the majority of people so firmly believe in the greatness of Shakespeare that in reading this judgment of mine they will not admit even to the possibility of its justice, and will not give it the slightest attention, nevertheless I will endeavour, as well as I can, to show why I believe that Shakespeare cannot be recognized either as a great genius, or even as an average author.Q.From the information in the passage, which of the following can most reasonably be inferred about the author of the passage?a)The author probably knew several languages.b)The author was most likely biased against Shakespeare.c)The author was scared of publicly criticising Shakespeare’s works.d)The author believed that Shakespeare’s works were actually evil.e)As the author read more of Shakespeare’s works, his dislike of the same somewhat diminished.Correct answer is option 'A'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice Directions: Read the given passage carefully and answer the question as follow.I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: “King Lear,” “Romeo and Juliet,” “Hamlet” and “Macbeth,” not only did I feel no delight, but I also felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection by the whole of the civilized world to be trivial and positively bad, or whether the significance which this civilized world attributes to the works of Shakespeare was itself senseless. My consternation was increased by the fact that I always keenly felt the beauties of poetry in every form; then why should artistic works recognized by the whole world as those of a genius not just fail to please me, but in fact be disagreeable to me?For a long time I could not believe in myself, and during fifty years, in order to test myself, I several times recommenced reading Shakespeare in every possible form, in Russian, in English, in German and in Schlegel’s translation, as I was advised. Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the “Henrys,” “Troilus and Cressida,” the “Tempest,” “Cymbeline,” and I have felt, with even greater force, the same feelings, this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.Although I know that the majority of people so firmly believe in the greatness of Shakespeare that in reading this judgment of mine they will not admit even to the possibility of its justice, and will not give it the slightest attention, nevertheless I will endeavour, as well as I can, to show why I believe that Shakespeare cannot be recognized either as a great genius, or even as an average author.Q.From the information in the passage, which of the following can most reasonably be inferred about the author of the passage?a)The author probably knew several languages.b)The author was most likely biased against Shakespeare.c)The author was scared of publicly criticising Shakespeare’s works.d)The author believed that Shakespeare’s works were actually evil.e)As the author read more of Shakespeare’s works, his dislike of the same somewhat diminished.Correct answer is option 'A'. 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