The house stood, at the bottom of a hill, making it hard to see from the street. The owner wants it that way, as he had no use for any of his neighbors. andldquo;Nosy sneaks and cheatsandrdquo; he would to say to his son. Not that his son ever really listening. The old man did not see him very much, either at his home or going anywhere else. Every time he did see him, his son would just complain about how his house was dark musty, and filthy. The old man did not need such criticism, especially from only his blood relative. He had lived in that house for fifty years, and planned to live there as long as he possibly could. While he lived there, his neighbors would never see him or his house if he could help it. He could take care of him, and steadfastly refused to allow anyone to help. In his tiny house, at the bottom of the hill, the old man was content to be alone, and believed he was living perfect.Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose andquot;NO CHANGE.andquot;a)from his blood only relativeb)NO CHANGEc)from his only blood relatived)only from his blood relativeCorrect answer is option 'C'. Can you explain this answer?

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The house stood, at the bottom of a hill, making it hard to see from the street. The owner wants it that way, as he had no use for any of his neighbors. “Nosy sneaks and cheats” he would to say to his son. Not that his son ever really listening. The old man did not see him very much, either at his home or going anywhere else. Every time he did see him, his son would just complain about how his house was dark musty, and filthy. The old man did not need such criticism, especially from only his blood relative. He had lived in that house for fifty years, and planned to live there as long as he possibly could. While he lived there, his neighbors would never see him or his house if he could help it. He could take care of him, and steadfastly refused to allow anyone to help. In his tiny house, at the bottom of the hill, the old man was content to be alone, and believed he was living perfect.

Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."

a)
from his blood only relative
b)
NO CHANGE
c)
from his only blood relative
d)
only from his blood relative

Correct answer is option 'C'. Can you explain this answer?

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The house stood, at the bottom of a hill, making it hard to see from t...

The word order in this sentence is awkward and creates confusion. The placement of "only" makes it seem that just his "blood relative" would complain, which is not the intended meaning of the statement. The word order that shows the son is the old man's single remaining "blood relative" is "from his only blood relative."

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Directions:Read the passages and choose the best answer to each question.PassageHUMANITIES: Colorful Reflections on Fairfield PorterMy first encounter with the international artistand art critic Fairfield Porter was actually through thepoetry of his wife, Anne (Channing) Porter. Whileboth grew to become quite celebrated in their crafts,(5) Fairfield’s story is unique.Born into an affluent, artistic family in 1907, theboy who was to one day become a renowned artistand respected art critic showed a comparative lack ofartistic ability when seen next to his siblings. While(10) his older brother Eliot took to photography, FairfieldPorter, despite being remarkably intelligent, appearedto be lacking any natural artistic talents. It seemedthat, although a member of a family full of artists, histrue skill lay in the critiquing of others’ artistry. This(15) was evidenced in his second year at Harvard by Fair-field’s decision to pursue art history as his major field ofstudy. After studying at Harvard under Arthur Pope andthen traveling briefly through Europe, Fairfield cameback to the United States to further his education at(20) the Art Students League in New York City. There hebecame acquainted with the famed photographer AlfredStieglitz—the work of whom is said to have positivelyinfluenced Fairfield’s paintings to some degree.Between the years 1931 and 1932, Fairfield spent(25) the majority of his time in Italy learning to appreci-ate and critique the works of the great Renaissancepainters. His training came from both direct studyunder world-famous art historian Bernard Berenson,and from countless hours spent in museums and(30) galleries observing the greatest pieces of Italian art.Following his marriage to Anne upon his returnfrom Italy, Fairfield spent the better part of the next twodecades developing his skills as a painter while caringfor his autistic son. During this period his meetings with(35) the French Intimist painter Willem De Kooning wouldprove to have a profound effect on his later works.Porter was the first to publicly acclaim the work ofKooning.In fact, what made Porter so famous was his knack(40) for responding directly to an artist’s work. He foundfault with the common “talk based” criticism that spoketo art only in reference to its past or to some vague the-oretical framework; such criticism attempted to shapethe future of art and was far too biased for Porter.(45) His time as an art critic for such publications as ArtNews and The Nation ended, however, in 1961 whenhe decided to pursue a full-time painting career.The other side of his fame, his uncommonapproach to painting, is just as important to the(50) understanding of Fairfield Porter’s contributions to theworld of art. His personal philosophy comes from ablending of two views; art should be personal, emo-tional, and representative of its subject, while at thesame time be boldly colorful, expressive, and gener-(55) ally abstract. Drawing on his vast knowledge of arthistory, especially the styles of French Intimism, Porterfused these two feelings to create a powerful, emotivecollection of paintings about families, individuals, andthe home, as well as moving nature scenes such as(60) The Door to the Woods (1971) and Maine - Toward theHarbor (1967).When he died in 1975, on a morning walk alongthe ocean, he left the world as one of the most respectedart critics in the past century. On top of that, his work(65) as a painter is still viewed within the art communityas amazingly distinctive and especially representativeof his life. It is sad to say that now, however, somethirty years after his death, he is still virtually unknownoutside of art circles. This remarkably insightful, artic-(70) ulate, creative individual needs to be discovered by thecommon man and revered for his continuing influenceon the artists of today. The words of this intellectualwere some of the best and most honest critiques of artever spoken.Q.In line 11, the statement “despite being remarkably intelligent” is intended to

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Directions:Read the passages and choose the best answer to each question.PassageHUMANITIES: Colorful Reflections on Fairfield PorterMy first encounter with the international artistand art critic Fairfield Porter was actually through thepoetry of his wife, Anne (Channing) Porter. Whileboth grew to become quite celebrated in their crafts,(5) Fairfield’s story is unique.Born into an affluent, artistic family in 1907, theboy who was to one day become a renowned artistand respected art critic showed a comparative lack ofartistic ability when seen next to his siblings. While(10) his older brother Eliot took to photography, FairfieldPorter, despite being remarkably intelligent, appearedto be lacking any natural artistic talents. It seemedthat, although a member of a family full of artists, histrue skill lay in the critiquing of others’ artistry. This(15) was evidenced in his second year at Harvard by Fair-field’s decision to pursue art history as his major field ofstudy. After studying at Harvard under Arthur Pope andthen traveling briefly through Europe, Fairfield cameback to the United States to further his education at(20) the Art Students League in New York City. There hebecame acquainted with the famed photographer AlfredStieglitz—the work of whom is said to have positivelyinfluenced Fairfield’s paintings to some degree.Between the years 1931 and 1932, Fairfield spent(25) the majority of his time in Italy learning to appreci-ate and critique the works of the great Renaissancepainters. His training came from both direct studyunder world-famous art historian Bernard Berenson,and from countless hours spent in museums and(30) galleries observing the greatest pieces of Italian art.Following his marriage to Anne upon his returnfrom Italy, Fairfield spent the better part of the next twodecades developing his skills as a painter while caringfor his autistic son. During this period his meetings with(35) the French Intimist painter Willem De Kooning wouldprove to have a profound effect on his later works.Porter was the first to publicly acclaim the work ofKooning.In fact, what made Porter so famous was his knack(40) for responding directly to an artist’s work. He foundfault with the common “talk based” criticism that spoketo art only in reference to its past or to some vague the-oretical framework; such criticism attempted to shapethe future of art and was far too biased for Porter.(45) His time as an art critic for such publications as ArtNews and The Nation ended, however, in 1961 whenhe decided to pursue a full-time painting career.The other side of his fame, his uncommonapproach to painting, is just as important to the(50) understanding of Fairfield Porter’s contributions to theworld of art. His personal philosophy comes from ablending of two views; art should be personal, emo-tional, and representative of its subject, while at thesame time be boldly colorful, expressive, and gener-(55) ally abstract. Drawing on his vast knowledge of arthistory, especially the styles of French Intimism, Porterfused these two feelings to create a powerful, emotivecollection of paintings about families, individuals, andthe home, as well as moving nature scenes such as(60) The Door to the Woods (1971) and Maine - Toward theHarbor (1967).When he died in 1975, on a morning walk alongthe ocean, he left the world as one of the most respectedart critics in the past century. On top of that, his work(65) as a painter is still viewed within the art communityas amazingly distinctive and especially representativeof his life. It is sad to say that now, however, somethirty years after his death, he is still virtually unknownoutside of art circles. This remarkably insightful, artic-(70) ulate, creative individual needs to be discovered by thecommon man and revered for his continuing influenceon the artists of today. The words of this intellectualwere some of the best and most honest critiques of artever spoken.Q.According to the passage, when did Fairﬁeld Porter become serious about becoming an artist?

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Directions:Read the passages and choose the best answer to each question.PassageHUMANITIES: Colorful Reflections on Fairfield PorterMy first encounter with the international artistand art critic Fairfield Porter was actually through thepoetry of his wife, Anne (Channing) Porter. Whileboth grew to become quite celebrated in their crafts,(5) Fairfield’s story is unique.Born into an affluent, artistic family in 1907, theboy who was to one day become a renowned artistand respected art critic showed a comparative lack ofartistic ability when seen next to his siblings. While(10) his older brother Eliot took to photography, FairfieldPorter, despite being remarkably intelligent, appearedto be lacking any natural artistic talents. It seemedthat, although a member of a family full of artists, histrue skill lay in the critiquing of others’ artistry. This(15) was evidenced in his second year at Harvard by Fair-field’s decision to pursue art history as his major field ofstudy. After studying at Harvard under Arthur Pope andthen traveling briefly through Europe, Fairfield cameback to the United States to further his education at(20) the Art Students League in New York City. There hebecame acquainted with the famed photographer AlfredStieglitz—the work of whom is said to have positivelyinfluenced Fairfield’s paintings to some degree.Between the years 1931 and 1932, Fairfield spent(25) the majority of his time in Italy learning to appreci-ate and critique the works of the great Renaissancepainters. His training came from both direct studyunder world-famous art historian Bernard Berenson,and from countless hours spent in museums and(30) galleries observing the greatest pieces of Italian art.Following his marriage to Anne upon his returnfrom Italy, Fairfield spent the better part of the next twodecades developing his skills as a painter while caringfor his autistic son. During this period his meetings with(35) the French Intimist painter Willem De Kooning wouldprove to have a profound effect on his later works.Porter was the first to publicly acclaim the work ofKooning.In fact, what made Porter so famous was his knack(40) for responding directly to an artist’s work. He foundfault with the common “talk based” criticism that spoketo art only in reference to its past or to some vague the-oretical framework; such criticism attempted to shapethe future of art and was far too biased for Porter.(45) His time as an art critic for such publications as ArtNews and The Nation ended, however, in 1961 whenhe decided to pursue a full-time painting career.The other side of his fame, his uncommonapproach to painting, is just as important to the(50) understanding of Fairfield Porter’s contributions to theworld of art. His personal philosophy comes from ablending of two views; art should be personal, emo-tional, and representative of its subject, while at thesame time be boldly colorful, expressive, and gener-(55) ally abstract. Drawing on his vast knowledge of arthistory, especially the styles of French Intimism, Porterfused these two feelings to create a powerful, emotivecollection of paintings about families, individuals, andthe home, as well as moving nature scenes such as(60) The Door to the Woods (1971) and Maine - Toward theHarbor (1967).When he died in 1975, on a morning walk alongthe ocean, he left the world as one of the most respectedart critics in the past century. On top of that, his work(65) as a painter is still viewed within the art communityas amazingly distinctive and especially representativeof his life. It is sad to say that now, however, somethirty years after his death, he is still virtually unknownoutside of art circles. This remarkably insightful, artic-(70) ulate, creative individual needs to be discovered by thecommon man and revered for his continuing influenceon the artists of today. The words of this intellectualwere some of the best and most honest critiques of artever spoken.Q.As described in the passage, Porter’s method of criticizing art can best be summarized by which of the following statements?

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The house stood, at the bottom of a hill, making it hard to see from the street. The owner wants it that way, as he had no use for any of his neighbors. “Nosy sneaks and cheats” he would to say to his son. Not that his son ever really listening. The old man did not see him very much, either at his home or going anywhere else. Every time he did see him, his son would just complain about how his house was dark musty, and filthy. The old man did not need such criticism, especially from only his blood relative. He had lived in that house for fifty years, and planned to live there as long as he possibly could. While he lived there, his neighbors would never see him or his house if he could help it. He could take care of him, and steadfastly refused to allow anyone to help. In his tiny house, at the bottom of the hill, the old man was content to be alone, and believed he was living perfect.Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."a)from his blood only relativeb)NO CHANGEc)from his only blood relatived)only from his blood relativeCorrect answer is option 'C'. Can you explain this answer? for ACT 2025 is part of ACT preparation. The Question and answers have been prepared according to the ACT exam syllabus. Information about The house stood, at the bottom of a hill, making it hard to see from the street. The owner wants it that way, as he had no use for any of his neighbors. “Nosy sneaks and cheats” he would to say to his son. Not that his son ever really listening. The old man did not see him very much, either at his home or going anywhere else. Every time he did see him, his son would just complain about how his house was dark musty, and filthy. The old man did not need such criticism, especially from only his blood relative. He had lived in that house for fifty years, and planned to live there as long as he possibly could. While he lived there, his neighbors would never see him or his house if he could help it. He could take care of him, and steadfastly refused to allow anyone to help. In his tiny house, at the bottom of the hill, the old man was content to be alone, and believed he was living perfect.Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."a)from his blood only relativeb)NO CHANGEc)from his only blood relatived)only from his blood relativeCorrect answer is option 'C'. Can you explain this answer? covers all topics & solutions for ACT 2025 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for The house stood, at the bottom of a hill, making it hard to see from the street. The owner wants it that way, as he had no use for any of his neighbors. “Nosy sneaks and cheats” he would to say to his son. Not that his son ever really listening. The old man did not see him very much, either at his home or going anywhere else. Every time he did see him, his son would just complain about how his house was dark musty, and filthy. The old man did not need such criticism, especially from only his blood relative. He had lived in that house for fifty years, and planned to live there as long as he possibly could. While he lived there, his neighbors would never see him or his house if he could help it. He could take care of him, and steadfastly refused to allow anyone to help. In his tiny house, at the bottom of the hill, the old man was content to be alone, and believed he was living perfect.Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."a)from his blood only relativeb)NO CHANGEc)from his only blood relatived)only from his blood relativeCorrect answer is option 'C'. Can you explain this answer?.

Solutions for The house stood, at the bottom of a hill, making it hard to see from the street. The owner wants it that way, as he had no use for any of his neighbors. “Nosy sneaks and cheats” he would to say to his son. Not that his son ever really listening. The old man did not see him very much, either at his home or going anywhere else. Every time he did see him, his son would just complain about how his house was dark musty, and filthy. The old man did not need such criticism, especially from only his blood relative. He had lived in that house for fifty years, and planned to live there as long as he possibly could. While he lived there, his neighbors would never see him or his house if he could help it. He could take care of him, and steadfastly refused to allow anyone to help. In his tiny house, at the bottom of the hill, the old man was content to be alone, and believed he was living perfect.Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."a)from his blood only relativeb)NO CHANGEc)from his only blood relatived)only from his blood relativeCorrect answer is option 'C'. Can you explain this answer? in English & in Hindi are available as part of our courses for ACT. Download more important topics, notes, lectures and mock test series for ACT Exam by signing up for free.

Here you can find the meaning of The house stood, at the bottom of a hill, making it hard to see from the street. The owner wants it that way, as he had no use for any of his neighbors. “Nosy sneaks and cheats” he would to say to his son. Not that his son ever really listening. The old man did not see him very much, either at his home or going anywhere else. Every time he did see him, his son would just complain about how his house was dark musty, and filthy. The old man did not need such criticism, especially from only his blood relative. He had lived in that house for fifty years, and planned to live there as long as he possibly could. While he lived there, his neighbors would never see him or his house if he could help it. He could take care of him, and steadfastly refused to allow anyone to help. In his tiny house, at the bottom of the hill, the old man was content to be alone, and believed he was living perfect.Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."a)from his blood only relativeb)NO CHANGEc)from his only blood relatived)only from his blood relativeCorrect answer is option 'C'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of The house stood, at the bottom of a hill, making it hard to see from the street. The owner wants it that way, as he had no use for any of his neighbors. “Nosy sneaks and cheats” he would to say to his son. Not that his son ever really listening. The old man did not see him very much, either at his home or going anywhere else. Every time he did see him, his son would just complain about how his house was dark musty, and filthy. The old man did not need such criticism, especially from only his blood relative. He had lived in that house for fifty years, and planned to live there as long as he possibly could. While he lived there, his neighbors would never see him or his house if he could help it. He could take care of him, and steadfastly refused to allow anyone to help. In his tiny house, at the bottom of the hill, the old man was content to be alone, and believed he was living perfect.Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."a)from his blood only relativeb)NO CHANGEc)from his only blood relatived)only from his blood relativeCorrect answer is option 'C'. Can you explain this answer?, a detailed solution for The house stood, at the bottom of a hill, making it hard to see from the street. The owner wants it that way, as he had no use for any of his neighbors. “Nosy sneaks and cheats” he would to say to his son. Not that his son ever really listening. The old man did not see him very much, either at his home or going anywhere else. Every time he did see him, his son would just complain about how his house was dark musty, and filthy. The old man did not need such criticism, especially from only his blood relative. He had lived in that house for fifty years, and planned to live there as long as he possibly could. While he lived there, his neighbors would never see him or his house if he could help it. He could take care of him, and steadfastly refused to allow anyone to help. In his tiny house, at the bottom of the hill, the old man was content to be alone, and believed he was living perfect.Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."a)from his blood only relativeb)NO CHANGEc)from his only blood relatived)only from his blood relativeCorrect answer is option 'C'. Can you explain this answer? has been provided alongside types of The house stood, at the bottom of a hill, making it hard to see from the street. The owner wants it that way, as he had no use for any of his neighbors. “Nosy sneaks and cheats” he would to say to his son. Not that his son ever really listening. The old man did not see him very much, either at his home or going anywhere else. Every time he did see him, his son would just complain about how his house was dark musty, and filthy. The old man did not need such criticism, especially from only his blood relative. He had lived in that house for fifty years, and planned to live there as long as he possibly could. While he lived there, his neighbors would never see him or his house if he could help it. He could take care of him, and steadfastly refused to allow anyone to help. In his tiny house, at the bottom of the hill, the old man was content to be alone, and believed he was living perfect.Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."a)from his blood only relativeb)NO CHANGEc)from his only blood relatived)only from his blood relativeCorrect answer is option 'C'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice The house stood, at the bottom of a hill, making it hard to see from the street. The owner wants it that way, as he had no use for any of his neighbors. “Nosy sneaks and cheats” he would to say to his son. Not that his son ever really listening. The old man did not see him very much, either at his home or going anywhere else. Every time he did see him, his son would just complain about how his house was dark musty, and filthy. The old man did not need such criticism, especially from only his blood relative. He had lived in that house for fifty years, and planned to live there as long as he possibly could. While he lived there, his neighbors would never see him or his house if he could help it. He could take care of him, and steadfastly refused to allow anyone to help. In his tiny house, at the bottom of the hill, the old man was content to be alone, and believed he was living perfect.Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."a)from his blood only relativeb)NO CHANGEc)from his only blood relatived)only from his blood relativeCorrect answer is option 'C'. Can you explain this answer? tests, examples and also practice ACT tests.

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