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Adapted from “The Fear of the Past” in What’s Wrong with the World by G.K. Chesterton (1910)The last few decades have marked by a special cultivation of the romance of the future. We seem to have made up our minds to misunderstand what has happened; and we turn, with a sort of relief, to stating what will happen—which is (apparently) more easy. The modern man no longer presents the memoirs of his great grandfather; but is engaged in writing a detailed and authoritative biography of his great-grandson. Instead of trembling before the specters of the dead, we shudder abject under the shadow of the babe unborn. This spirit is apparent everywhere, even to the creation of a form of futurist romance. Sir Walter Scott stands at the dawn of the nineteenth century for the novel of the past; Mr. H. G. Wells stands at the beginning of the twentieth century for the novel of the future. The old story, we know, was supposed to begin: "Late on a winters evening two horsemen might have been seen . . ." The new story has to begin: "Late on a winters evening two aviators will be seen . . ." The movement is not without its elements of charm; theres something spirited, if eccentric, in the sight of so many people fighting over again the fights that have not yet happened; of people still aglow with the memory of tomorrow morning. A man in advance of the age is a familiar phrase enough. An age in advance of the age is really rather odd.Which of the following is the best form of the underlined selection, "The movement is not without its elements of charm"?a)The movements are not without its elements of charmb)NO CHANGEc)The movement is not without its elements of charmd)The movement is not without its element of charmCorrect answer is option 'B'. Can you explain this answer? for ACT 2025 is part of ACT preparation. The Question and answers have been prepared
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the ACT exam syllabus. Information about Adapted from “The Fear of the Past” in What’s Wrong with the World by G.K. Chesterton (1910)The last few decades have marked by a special cultivation of the romance of the future. We seem to have made up our minds to misunderstand what has happened; and we turn, with a sort of relief, to stating what will happen—which is (apparently) more easy. The modern man no longer presents the memoirs of his great grandfather; but is engaged in writing a detailed and authoritative biography of his great-grandson. Instead of trembling before the specters of the dead, we shudder abject under the shadow of the babe unborn. This spirit is apparent everywhere, even to the creation of a form of futurist romance. Sir Walter Scott stands at the dawn of the nineteenth century for the novel of the past; Mr. H. G. Wells stands at the beginning of the twentieth century for the novel of the future. The old story, we know, was supposed to begin: "Late on a winters evening two horsemen might have been seen . . ." The new story has to begin: "Late on a winters evening two aviators will be seen . . ." The movement is not without its elements of charm; theres something spirited, if eccentric, in the sight of so many people fighting over again the fights that have not yet happened; of people still aglow with the memory of tomorrow morning. A man in advance of the age is a familiar phrase enough. An age in advance of the age is really rather odd.Which of the following is the best form of the underlined selection, "The movement is not without its elements of charm"?a)The movements are not without its elements of charmb)NO CHANGEc)The movement is not without its elements of charmd)The movement is not without its element of charmCorrect answer is option 'B'. Can you explain this answer? covers all topics & solutions for ACT 2025 Exam.
Find important definitions, questions, meanings, examples, exercises and tests below for Adapted from “The Fear of the Past” in What’s Wrong with the World by G.K. Chesterton (1910)The last few decades have marked by a special cultivation of the romance of the future. We seem to have made up our minds to misunderstand what has happened; and we turn, with a sort of relief, to stating what will happen—which is (apparently) more easy. The modern man no longer presents the memoirs of his great grandfather; but is engaged in writing a detailed and authoritative biography of his great-grandson. Instead of trembling before the specters of the dead, we shudder abject under the shadow of the babe unborn. This spirit is apparent everywhere, even to the creation of a form of futurist romance. Sir Walter Scott stands at the dawn of the nineteenth century for the novel of the past; Mr. H. G. Wells stands at the beginning of the twentieth century for the novel of the future. The old story, we know, was supposed to begin: "Late on a winters evening two horsemen might have been seen . . ." The new story has to begin: "Late on a winters evening two aviators will be seen . . ." The movement is not without its elements of charm; theres something spirited, if eccentric, in the sight of so many people fighting over again the fights that have not yet happened; of people still aglow with the memory of tomorrow morning. A man in advance of the age is a familiar phrase enough. An age in advance of the age is really rather odd.Which of the following is the best form of the underlined selection, "The movement is not without its elements of charm"?a)The movements are not without its elements of charmb)NO CHANGEc)The movement is not without its elements of charmd)The movement is not without its element of charmCorrect answer is option 'B'. Can you explain this answer?.
Solutions for Adapted from “The Fear of the Past” in What’s Wrong with the World by G.K. Chesterton (1910)The last few decades have marked by a special cultivation of the romance of the future. We seem to have made up our minds to misunderstand what has happened; and we turn, with a sort of relief, to stating what will happen—which is (apparently) more easy. The modern man no longer presents the memoirs of his great grandfather; but is engaged in writing a detailed and authoritative biography of his great-grandson. Instead of trembling before the specters of the dead, we shudder abject under the shadow of the babe unborn. This spirit is apparent everywhere, even to the creation of a form of futurist romance. Sir Walter Scott stands at the dawn of the nineteenth century for the novel of the past; Mr. H. G. Wells stands at the beginning of the twentieth century for the novel of the future. The old story, we know, was supposed to begin: "Late on a winters evening two horsemen might have been seen . . ." The new story has to begin: "Late on a winters evening two aviators will be seen . . ." The movement is not without its elements of charm; theres something spirited, if eccentric, in the sight of so many people fighting over again the fights that have not yet happened; of people still aglow with the memory of tomorrow morning. A man in advance of the age is a familiar phrase enough. An age in advance of the age is really rather odd.Which of the following is the best form of the underlined selection, "The movement is not without its elements of charm"?a)The movements are not without its elements of charmb)NO CHANGEc)The movement is not without its elements of charmd)The movement is not without its element of charmCorrect answer is option 'B'. Can you explain this answer? in English & in Hindi are available as part of our courses for ACT.
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Here you can find the meaning of Adapted from “The Fear of the Past” in What’s Wrong with the World by G.K. Chesterton (1910)The last few decades have marked by a special cultivation of the romance of the future. We seem to have made up our minds to misunderstand what has happened; and we turn, with a sort of relief, to stating what will happen—which is (apparently) more easy. The modern man no longer presents the memoirs of his great grandfather; but is engaged in writing a detailed and authoritative biography of his great-grandson. Instead of trembling before the specters of the dead, we shudder abject under the shadow of the babe unborn. This spirit is apparent everywhere, even to the creation of a form of futurist romance. Sir Walter Scott stands at the dawn of the nineteenth century for the novel of the past; Mr. H. G. Wells stands at the beginning of the twentieth century for the novel of the future. The old story, we know, was supposed to begin: "Late on a winters evening two horsemen might have been seen . . ." The new story has to begin: "Late on a winters evening two aviators will be seen . . ." The movement is not without its elements of charm; theres something spirited, if eccentric, in the sight of so many people fighting over again the fights that have not yet happened; of people still aglow with the memory of tomorrow morning. A man in advance of the age is a familiar phrase enough. An age in advance of the age is really rather odd.Which of the following is the best form of the underlined selection, "The movement is not without its elements of charm"?a)The movements are not without its elements of charmb)NO CHANGEc)The movement is not without its elements of charmd)The movement is not without its element of charmCorrect answer is option 'B'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of
Adapted from “The Fear of the Past” in What’s Wrong with the World by G.K. Chesterton (1910)The last few decades have marked by a special cultivation of the romance of the future. We seem to have made up our minds to misunderstand what has happened; and we turn, with a sort of relief, to stating what will happen—which is (apparently) more easy. The modern man no longer presents the memoirs of his great grandfather; but is engaged in writing a detailed and authoritative biography of his great-grandson. Instead of trembling before the specters of the dead, we shudder abject under the shadow of the babe unborn. This spirit is apparent everywhere, even to the creation of a form of futurist romance. Sir Walter Scott stands at the dawn of the nineteenth century for the novel of the past; Mr. H. G. Wells stands at the beginning of the twentieth century for the novel of the future. The old story, we know, was supposed to begin: "Late on a winters evening two horsemen might have been seen . . ." The new story has to begin: "Late on a winters evening two aviators will be seen . . ." The movement is not without its elements of charm; theres something spirited, if eccentric, in the sight of so many people fighting over again the fights that have not yet happened; of people still aglow with the memory of tomorrow morning. A man in advance of the age is a familiar phrase enough. An age in advance of the age is really rather odd.Which of the following is the best form of the underlined selection, "The movement is not without its elements of charm"?a)The movements are not without its elements of charmb)NO CHANGEc)The movement is not without its elements of charmd)The movement is not without its element of charmCorrect answer is option 'B'. Can you explain this answer?, a detailed solution for Adapted from “The Fear of the Past” in What’s Wrong with the World by G.K. Chesterton (1910)The last few decades have marked by a special cultivation of the romance of the future. We seem to have made up our minds to misunderstand what has happened; and we turn, with a sort of relief, to stating what will happen—which is (apparently) more easy. The modern man no longer presents the memoirs of his great grandfather; but is engaged in writing a detailed and authoritative biography of his great-grandson. Instead of trembling before the specters of the dead, we shudder abject under the shadow of the babe unborn. This spirit is apparent everywhere, even to the creation of a form of futurist romance. Sir Walter Scott stands at the dawn of the nineteenth century for the novel of the past; Mr. H. G. Wells stands at the beginning of the twentieth century for the novel of the future. The old story, we know, was supposed to begin: "Late on a winters evening two horsemen might have been seen . . ." The new story has to begin: "Late on a winters evening two aviators will be seen . . ." The movement is not without its elements of charm; theres something spirited, if eccentric, in the sight of so many people fighting over again the fights that have not yet happened; of people still aglow with the memory of tomorrow morning. A man in advance of the age is a familiar phrase enough. An age in advance of the age is really rather odd.Which of the following is the best form of the underlined selection, "The movement is not without its elements of charm"?a)The movements are not without its elements of charmb)NO CHANGEc)The movement is not without its elements of charmd)The movement is not without its element of charmCorrect answer is option 'B'. Can you explain this answer? has been provided alongside types of Adapted from “The Fear of the Past” in What’s Wrong with the World by G.K. Chesterton (1910)The last few decades have marked by a special cultivation of the romance of the future. We seem to have made up our minds to misunderstand what has happened; and we turn, with a sort of relief, to stating what will happen—which is (apparently) more easy. The modern man no longer presents the memoirs of his great grandfather; but is engaged in writing a detailed and authoritative biography of his great-grandson. Instead of trembling before the specters of the dead, we shudder abject under the shadow of the babe unborn. This spirit is apparent everywhere, even to the creation of a form of futurist romance. Sir Walter Scott stands at the dawn of the nineteenth century for the novel of the past; Mr. H. G. Wells stands at the beginning of the twentieth century for the novel of the future. The old story, we know, was supposed to begin: "Late on a winters evening two horsemen might have been seen . . ." The new story has to begin: "Late on a winters evening two aviators will be seen . . ." The movement is not without its elements of charm; theres something spirited, if eccentric, in the sight of so many people fighting over again the fights that have not yet happened; of people still aglow with the memory of tomorrow morning. A man in advance of the age is a familiar phrase enough. An age in advance of the age is really rather odd.Which of the following is the best form of the underlined selection, "The movement is not without its elements of charm"?a)The movements are not without its elements of charmb)NO CHANGEc)The movement is not without its elements of charmd)The movement is not without its element of charmCorrect answer is option 'B'. Can you explain this answer? theory, EduRev gives you an
ample number of questions to practice Adapted from “The Fear of the Past” in What’s Wrong with the World by G.K. Chesterton (1910)The last few decades have marked by a special cultivation of the romance of the future. We seem to have made up our minds to misunderstand what has happened; and we turn, with a sort of relief, to stating what will happen—which is (apparently) more easy. The modern man no longer presents the memoirs of his great grandfather; but is engaged in writing a detailed and authoritative biography of his great-grandson. Instead of trembling before the specters of the dead, we shudder abject under the shadow of the babe unborn. This spirit is apparent everywhere, even to the creation of a form of futurist romance. Sir Walter Scott stands at the dawn of the nineteenth century for the novel of the past; Mr. H. G. Wells stands at the beginning of the twentieth century for the novel of the future. The old story, we know, was supposed to begin: "Late on a winters evening two horsemen might have been seen . . ." The new story has to begin: "Late on a winters evening two aviators will be seen . . ." The movement is not without its elements of charm; theres something spirited, if eccentric, in the sight of so many people fighting over again the fights that have not yet happened; of people still aglow with the memory of tomorrow morning. A man in advance of the age is a familiar phrase enough. An age in advance of the age is really rather odd.Which of the following is the best form of the underlined selection, "The movement is not without its elements of charm"?a)The movements are not without its elements of charmb)NO CHANGEc)The movement is not without its elements of charmd)The movement is not without its element of charmCorrect answer is option 'B'. Can you explain this answer? tests, examples and also practice ACT tests.