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Directions: Passage For Question 10 to 15
The passage discusses the behavior and characteristics of the indigo bunting, a strongly territorial bird. The main mechanism for securing, defining, and defending a suitable breeding area in this species is through song. Only the strongest males can retain a good territory when population density is high, while the weakest males either do not breed or are forced onto poor or marginal territories. The male indigo bunting sings in his territory during the breeding season, producing melodic and rhythmic songs with distinct figures. These figures are reproduced consistently, with a limited variety despite the large frequency range and rapid changes in sound. The study found that male indigo buntings are capable of singing many more types of figures than they usually do, suggesting that they learn and copy figures from other buntings they hear. The ability to distinguish the songs of their own species from other species is important, as male indigo buntings did not respond to recordings of other bird species. Additionally, the passage explores the role of song figures in interspecies recognition and the importance of specific frequency ranges, duration limits, and intervals between figures. The passage concludes that there is a balance between song stability for species recognition and song variation for individual recognition.
Q. According to the passage, the authors played a normal indigo bunting song backwards inorder to determine which of the following?
  • a)
    What are the limits of the frequency range that will provide recognition by the indigo bunting.
  • b)
    What is the time duration necessary for recognition by the indigo bunting?
  • c)
    How specific must a figure shape be for it to be recognized by the indigo bunting?
  • d)
    How does variation in the pacing of song figures?
  • e)
    Is the indigo bunting responding to cues other than those in the song figures?
Correct answer is option 'C'. Can you explain this answer?
Most Upvoted Answer
Directions: Passage For Question 10 to 15The passage discusses the beh...
The passage states that playing a normal song backward changed the detailed forms of the figures without altering frequency ranges or gross temporal features. Since the male indigo buntings responded almost fully to the backward song, it suggests that a wide range of figure shapes can evoke positive responses. This implies that a specific configuration is not essential for interspecies recognition, highlighting the importance of frequency range, duration limits, and spacing intervals in recognizing the figures.
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Directions: Passage For Question 10 to 15The passage discusses the behavior and characteristics of the indigo bunting, a strongly territorial bird. The main mechanism for securing, defining, and defending a suitable breeding area in this species is through song. Only the strongest males can retain a good territory when population density is high, while the weakest males either do not breed or are forced onto poor or marginal territories. The male indigo bunting sings in his territory during the breeding season, producing melodic and rhythmic songs with distinct figures. These figures are reproduced consistently, with a limited variety despite the large frequency range and rapid changes in sound. The study found that male indigo buntings are capable of singing many more types of figures than they usually do, suggesting that they learn and copy figures from other buntings they hear. The ability to distinguish the songs of their own species from other species is important, as male indigo buntings did not respond to recordings of other bird species. Additionally, the passage explores the role of song figures in interspecies recognition and the importance of specific frequency ranges, duration limits, and intervals between figures. The passage concludes that there is a balance between song stability for species recognition and song variation for individual recognition.Q. According to the passage, the authors played a normal indigo bunting song backwards inorder to determine which of the following?a)What are the limits of the frequency range that will provide recognition by the indigo bunting.b)What is the time duration necessary for recognition by the indigo bunting?c)How specific must a figure shape be for it to be recognized by the indigo bunting?d)How does variation in the pacing of song figures?e)Is the indigo bunting responding to cues other than those in the song figures?Correct answer is option 'C'. Can you explain this answer? for MCAT 2025 is part of MCAT preparation. The Question and answers have been prepared according to the MCAT exam syllabus. Information about Directions: Passage For Question 10 to 15The passage discusses the behavior and characteristics of the indigo bunting, a strongly territorial bird. The main mechanism for securing, defining, and defending a suitable breeding area in this species is through song. Only the strongest males can retain a good territory when population density is high, while the weakest males either do not breed or are forced onto poor or marginal territories. The male indigo bunting sings in his territory during the breeding season, producing melodic and rhythmic songs with distinct figures. These figures are reproduced consistently, with a limited variety despite the large frequency range and rapid changes in sound. The study found that male indigo buntings are capable of singing many more types of figures than they usually do, suggesting that they learn and copy figures from other buntings they hear. The ability to distinguish the songs of their own species from other species is important, as male indigo buntings did not respond to recordings of other bird species. Additionally, the passage explores the role of song figures in interspecies recognition and the importance of specific frequency ranges, duration limits, and intervals between figures. The passage concludes that there is a balance between song stability for species recognition and song variation for individual recognition.Q. According to the passage, the authors played a normal indigo bunting song backwards inorder to determine which of the following?a)What are the limits of the frequency range that will provide recognition by the indigo bunting.b)What is the time duration necessary for recognition by the indigo bunting?c)How specific must a figure shape be for it to be recognized by the indigo bunting?d)How does variation in the pacing of song figures?e)Is the indigo bunting responding to cues other than those in the song figures?Correct answer is option 'C'. Can you explain this answer? covers all topics & solutions for MCAT 2025 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Directions: Passage For Question 10 to 15The passage discusses the behavior and characteristics of the indigo bunting, a strongly territorial bird. The main mechanism for securing, defining, and defending a suitable breeding area in this species is through song. Only the strongest males can retain a good territory when population density is high, while the weakest males either do not breed or are forced onto poor or marginal territories. The male indigo bunting sings in his territory during the breeding season, producing melodic and rhythmic songs with distinct figures. These figures are reproduced consistently, with a limited variety despite the large frequency range and rapid changes in sound. The study found that male indigo buntings are capable of singing many more types of figures than they usually do, suggesting that they learn and copy figures from other buntings they hear. The ability to distinguish the songs of their own species from other species is important, as male indigo buntings did not respond to recordings of other bird species. Additionally, the passage explores the role of song figures in interspecies recognition and the importance of specific frequency ranges, duration limits, and intervals between figures. The passage concludes that there is a balance between song stability for species recognition and song variation for individual recognition.Q. According to the passage, the authors played a normal indigo bunting song backwards inorder to determine which of the following?a)What are the limits of the frequency range that will provide recognition by the indigo bunting.b)What is the time duration necessary for recognition by the indigo bunting?c)How specific must a figure shape be for it to be recognized by the indigo bunting?d)How does variation in the pacing of song figures?e)Is the indigo bunting responding to cues other than those in the song figures?Correct answer is option 'C'. Can you explain this answer?.
Solutions for Directions: Passage For Question 10 to 15The passage discusses the behavior and characteristics of the indigo bunting, a strongly territorial bird. The main mechanism for securing, defining, and defending a suitable breeding area in this species is through song. Only the strongest males can retain a good territory when population density is high, while the weakest males either do not breed or are forced onto poor or marginal territories. The male indigo bunting sings in his territory during the breeding season, producing melodic and rhythmic songs with distinct figures. These figures are reproduced consistently, with a limited variety despite the large frequency range and rapid changes in sound. The study found that male indigo buntings are capable of singing many more types of figures than they usually do, suggesting that they learn and copy figures from other buntings they hear. The ability to distinguish the songs of their own species from other species is important, as male indigo buntings did not respond to recordings of other bird species. Additionally, the passage explores the role of song figures in interspecies recognition and the importance of specific frequency ranges, duration limits, and intervals between figures. The passage concludes that there is a balance between song stability for species recognition and song variation for individual recognition.Q. According to the passage, the authors played a normal indigo bunting song backwards inorder to determine which of the following?a)What are the limits of the frequency range that will provide recognition by the indigo bunting.b)What is the time duration necessary for recognition by the indigo bunting?c)How specific must a figure shape be for it to be recognized by the indigo bunting?d)How does variation in the pacing of song figures?e)Is the indigo bunting responding to cues other than those in the song figures?Correct answer is option 'C'. Can you explain this answer? in English & in Hindi are available as part of our courses for MCAT. Download more important topics, notes, lectures and mock test series for MCAT Exam by signing up for free.
Here you can find the meaning of Directions: Passage For Question 10 to 15The passage discusses the behavior and characteristics of the indigo bunting, a strongly territorial bird. The main mechanism for securing, defining, and defending a suitable breeding area in this species is through song. Only the strongest males can retain a good territory when population density is high, while the weakest males either do not breed or are forced onto poor or marginal territories. The male indigo bunting sings in his territory during the breeding season, producing melodic and rhythmic songs with distinct figures. These figures are reproduced consistently, with a limited variety despite the large frequency range and rapid changes in sound. The study found that male indigo buntings are capable of singing many more types of figures than they usually do, suggesting that they learn and copy figures from other buntings they hear. The ability to distinguish the songs of their own species from other species is important, as male indigo buntings did not respond to recordings of other bird species. Additionally, the passage explores the role of song figures in interspecies recognition and the importance of specific frequency ranges, duration limits, and intervals between figures. The passage concludes that there is a balance between song stability for species recognition and song variation for individual recognition.Q. According to the passage, the authors played a normal indigo bunting song backwards inorder to determine which of the following?a)What are the limits of the frequency range that will provide recognition by the indigo bunting.b)What is the time duration necessary for recognition by the indigo bunting?c)How specific must a figure shape be for it to be recognized by the indigo bunting?d)How does variation in the pacing of song figures?e)Is the indigo bunting responding to cues other than those in the song figures?Correct answer is option 'C'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of Directions: Passage For Question 10 to 15The passage discusses the behavior and characteristics of the indigo bunting, a strongly territorial bird. The main mechanism for securing, defining, and defending a suitable breeding area in this species is through song. Only the strongest males can retain a good territory when population density is high, while the weakest males either do not breed or are forced onto poor or marginal territories. The male indigo bunting sings in his territory during the breeding season, producing melodic and rhythmic songs with distinct figures. These figures are reproduced consistently, with a limited variety despite the large frequency range and rapid changes in sound. The study found that male indigo buntings are capable of singing many more types of figures than they usually do, suggesting that they learn and copy figures from other buntings they hear. The ability to distinguish the songs of their own species from other species is important, as male indigo buntings did not respond to recordings of other bird species. Additionally, the passage explores the role of song figures in interspecies recognition and the importance of specific frequency ranges, duration limits, and intervals between figures. The passage concludes that there is a balance between song stability for species recognition and song variation for individual recognition.Q. According to the passage, the authors played a normal indigo bunting song backwards inorder to determine which of the following?a)What are the limits of the frequency range that will provide recognition by the indigo bunting.b)What is the time duration necessary for recognition by the indigo bunting?c)How specific must a figure shape be for it to be recognized by the indigo bunting?d)How does variation in the pacing of song figures?e)Is the indigo bunting responding to cues other than those in the song figures?Correct answer is option 'C'. Can you explain this answer?, a detailed solution for Directions: Passage For Question 10 to 15The passage discusses the behavior and characteristics of the indigo bunting, a strongly territorial bird. The main mechanism for securing, defining, and defending a suitable breeding area in this species is through song. Only the strongest males can retain a good territory when population density is high, while the weakest males either do not breed or are forced onto poor or marginal territories. The male indigo bunting sings in his territory during the breeding season, producing melodic and rhythmic songs with distinct figures. These figures are reproduced consistently, with a limited variety despite the large frequency range and rapid changes in sound. The study found that male indigo buntings are capable of singing many more types of figures than they usually do, suggesting that they learn and copy figures from other buntings they hear. The ability to distinguish the songs of their own species from other species is important, as male indigo buntings did not respond to recordings of other bird species. Additionally, the passage explores the role of song figures in interspecies recognition and the importance of specific frequency ranges, duration limits, and intervals between figures. The passage concludes that there is a balance between song stability for species recognition and song variation for individual recognition.Q. According to the passage, the authors played a normal indigo bunting song backwards inorder to determine which of the following?a)What are the limits of the frequency range that will provide recognition by the indigo bunting.b)What is the time duration necessary for recognition by the indigo bunting?c)How specific must a figure shape be for it to be recognized by the indigo bunting?d)How does variation in the pacing of song figures?e)Is the indigo bunting responding to cues other than those in the song figures?Correct answer is option 'C'. Can you explain this answer? has been provided alongside types of Directions: Passage For Question 10 to 15The passage discusses the behavior and characteristics of the indigo bunting, a strongly territorial bird. The main mechanism for securing, defining, and defending a suitable breeding area in this species is through song. Only the strongest males can retain a good territory when population density is high, while the weakest males either do not breed or are forced onto poor or marginal territories. The male indigo bunting sings in his territory during the breeding season, producing melodic and rhythmic songs with distinct figures. These figures are reproduced consistently, with a limited variety despite the large frequency range and rapid changes in sound. The study found that male indigo buntings are capable of singing many more types of figures than they usually do, suggesting that they learn and copy figures from other buntings they hear. The ability to distinguish the songs of their own species from other species is important, as male indigo buntings did not respond to recordings of other bird species. Additionally, the passage explores the role of song figures in interspecies recognition and the importance of specific frequency ranges, duration limits, and intervals between figures. The passage concludes that there is a balance between song stability for species recognition and song variation for individual recognition.Q. According to the passage, the authors played a normal indigo bunting song backwards inorder to determine which of the following?a)What are the limits of the frequency range that will provide recognition by the indigo bunting.b)What is the time duration necessary for recognition by the indigo bunting?c)How specific must a figure shape be for it to be recognized by the indigo bunting?d)How does variation in the pacing of song figures?e)Is the indigo bunting responding to cues other than those in the song figures?Correct answer is option 'C'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice Directions: Passage For Question 10 to 15The passage discusses the behavior and characteristics of the indigo bunting, a strongly territorial bird. The main mechanism for securing, defining, and defending a suitable breeding area in this species is through song. Only the strongest males can retain a good territory when population density is high, while the weakest males either do not breed or are forced onto poor or marginal territories. The male indigo bunting sings in his territory during the breeding season, producing melodic and rhythmic songs with distinct figures. These figures are reproduced consistently, with a limited variety despite the large frequency range and rapid changes in sound. The study found that male indigo buntings are capable of singing many more types of figures than they usually do, suggesting that they learn and copy figures from other buntings they hear. The ability to distinguish the songs of their own species from other species is important, as male indigo buntings did not respond to recordings of other bird species. Additionally, the passage explores the role of song figures in interspecies recognition and the importance of specific frequency ranges, duration limits, and intervals between figures. The passage concludes that there is a balance between song stability for species recognition and song variation for individual recognition.Q. According to the passage, the authors played a normal indigo bunting song backwards inorder to determine which of the following?a)What are the limits of the frequency range that will provide recognition by the indigo bunting.b)What is the time duration necessary for recognition by the indigo bunting?c)How specific must a figure shape be for it to be recognized by the indigo bunting?d)How does variation in the pacing of song figures?e)Is the indigo bunting responding to cues other than those in the song figures?Correct answer is option 'C'. Can you explain this answer? tests, examples and also practice MCAT tests.
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