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Directions: In the passages that follow, some words and phrases are underlined and numbered. In the answer column, you will find alternatives for the words and phrases that are underlined. If you think that the original version is best, choose “NO CHANGE,”. You will also find questions about a particular section of the passage, or about the entire passage. These questions will be identified either by an underlined portion or by a number in a box. Look for the answer that clearly expresses the idea, is consistent with the style and tone of the passage, and makes the correct use of standard written English. Read the passage through once before answering the questions. For some questions, you should read beyond the indicated portion before you answer.
Passage
English Art

Our Advanced English (1) teacher Mr. Peale; decided to end the semester with a unique and unexpected challenge. He
wanted each of us to find a picture of a famous oil (2) painting that we especially liked and bring it to school. We were certain he was going to have us write something about our pictures, so we all happily (3) shared: our Picassos, Van Goghs, and Cezannes in class the next day. Then the surprise announcement came. We were each to attempt to copy our picture onto a full-sized canvas using real oil paints and brushes. (4) The brushes were not real boar bristles, but Mr. Peale said they would work just as well.
I will never forget how terribly insecure I felt as I began my painting. As I secretly glanced looking at others around me, my anxiety and self-doubt only seemed to grow. It appears to me that my peers were not only brilliant English students but accomplished artists as well! Mr. Peale walked around the classroom and suddenly became an art instructor as he loudly proclaimed to the other students what an excellent job they were doing. I felt quite tentative and barely had a mark on my own canvas. I was way out of my element!
1. Mr. Peale finally walked over to me and I silently gulped.
2. He said very little about my attempts, which was both a blessing and a curse.
3. His lack of comment kept me from turning beet red, yet his quiet demeanor clearly told me that he was unimpressed with my torturous efforts.
4. He continued past me to the next student, which, to me, was an obvious message that I was completely hopeless as an artist.
5. I had been so reluctant to begin my painting, despite my love for the artist’s rendering of a beautiful bronze, pink, and yellow sunset and a single leafless tree in the foreground.
6. Something snapped inside me as Mr. Peale announced that we were done for the day, and we would continue this week-long project the tomorrow.
7. I could hardly wait to get back there and work on my masterpiece.
By the end of this odd assignment, I was actually thrilled with that being which I had reproduced. While my painting wasn’t as dramatic as many of my classmates’, and it didn’t look exactly like its original, I did feel I had captured its essence. 
The painting is actually hanging on my wall for years afterwards. I had moved past my fears and lack of self-confidence and allowed myself to explore the space of the canvas, the enticing oil colors, and a variety of brush strokes. I actually felt that somewhat inside of me there was an artist.
To this day, I have no idea what Mr. Peale’s intention was when he asked his English students to reproduce a famous oil painting. Was he merely trying to fill up the end of the semester by keeping us preoccupied with busy work while he sat at his desk and red-lined the novelettes we had written earlier in the semester? Or was he challenging our self-importance as Advanced English students, trying to knock us down a peg or two? I do know what I will still think about what that assignment taught me about myself: the absolute beauty of surrendering to the possibilities in life, and that for a small moment, I too was an artist.
Q. (4)
  • a)
    No change
  • b)
    Did I mention this wasn’t an art class?
  • c)
    I had chosen a French impressionist.
  • d)
    DELETE the underlined portion.
Correct answer is option 'D'. Can you explain this answer?
Most Upvoted Answer
Directions:In the passages that follow, some words and phrases are und...
The topic of this paragraph is to introduce a day when the writer had to reproduce a famous painting in her English class. Answer choices A and C provide specific details that are not followed up in the next paragraph. Therefore, they are off topic and should be eliminated. Answer choice B does not have the right tone and is also off topic. The best choice is to delete the sentence altogether because it is irrelevant.
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Directions:In the passages that follow, some words and phrases are underlined and numbered. In the answer column, you will find alternatives for the words and phrases that are underlined. If you think that the original version is best, choose “NO CHANGE,”. You will also find questions about a particular section of the passage, or about the entire passage. These questions will be identified either by an underlined portion or by a number in a box. Look for the answer that clearly expresses the idea, is consistent with the style and tone of the passage, and makes the correct use of standard written English. Read the passage through once before answering the questions. For some questions, you should read beyond the indicated portion before you answer.PassageEnglish ArtOur Advanced English (1) teacher Mr. Peale; decided to end the semester with a unique and unexpected challenge. Hewanted each of us to find a picture of a famous oil (2) painting that we especially liked and bring it to school. We were certain he was going to have us write something about our pictures, so we all happily (3) shared: our Picassos, Van Goghs, and Cezannes in class the next day. Then the surprise announcement came. We were each to attempt to copy our picture onto a full-sized canvas using real oil paints and brushes. (4) The brushes were not real boar bristles, but Mr. Peale said they would work just as well.I will never forget how terribly insecure I felt as I began my painting. As I secretly glanced looking at others around me, my anxiety and self-doubt only seemed to grow. It appears to me that my peers were not only brilliant English students but accomplished artists as well! Mr. Peale walked around the classroom and suddenly became an art instructor as he loudly proclaimed to the other students what an excellent job they were doing. I felt quite tentative and barely had a mark on my own canvas. I was way out of my element!1. Mr. Peale finally walked over to me and I silently gulped.2. He said very little about my attempts, which was both a blessing and a curse.3. His lack of comment kept me from turning beet red, yet his quietdemeanor clearly told me that he was unimpressed with my torturous efforts.4. He continued past me to the next student, which, to me, was an obvious message that I was completely hopeless as an artist.5. I had been so reluctant to begin my painting, despite my love for the artist’s rendering of a beautiful bronze, pink, and yellow sunset and a single leafless tree in the foreground.6. Something snapped inside me as Mr. Peale announced that we were done for the day, and we would continue this week-long project the tomorrow.7. I could hardly wait to get back there and work on my masterpiece.By the end of this odd assignment, I was actually thrilled with that being which I had reproduced. While my painting wasn’t as dramatic as many of my classmates’, and it didn’t look exactly like its original, I did feel I had captured its essence.The painting is actually hanging on my wall for years afterwards. I had moved past my fears and lack of self-confidence and allowed myself to explore the space of the canvas, the enticing oil colors, and a variety of brush strokes. I actually felt that somewhat inside of me there was an artist.To this day, I have no idea what Mr. Peale’s intention was when he asked his English students to reproduce a famous oil painting. Was he merely trying to fill up the end of the semester by keeping us preoccupied with busy work while he sat at his desk and red-lined the novelettes we had written earlier in the semester? Or was he challenging our self-importance as Advanced English students, trying to knock us down a peg or two? I do know what I will still think about what that assignment taught me about myself: the absolute beauty of surrendering to the possibilities in life, and that for a small moment, I too was an artist.Q. (8)If the writer were to delete the phrase “which was both a blessing and a curse” from the preceding sentence (ending the sentence with attempts), the essay would primarily lose

Directions:In the passages that follow, some words and phrases are underlined and numbered. In the answer column, you will find alternatives for the words and phrases that are underlined. If you think that the original version is best, choose “NO CHANGE,”. You will also find questions about a particular section of the passage, or about the entire passage. These questions will be identified either by an underlined portion or by a number in a box. Look for the answer that clearly expresses the idea, is consistent with the style and tone of the passage, and makes the correct use of standard written English. Read the passage through once before answering the questions. For some questions, you should read beyond the indicated portion before you answer.PassageEnglish ArtOur Advanced English (1) teacher Mr. Peale; decided to end the semester with a unique and unexpected challenge. Hewanted each of us to find a picture of a famous oil (2) painting that we especially liked and bring it to school. We were certain he was going to have us write something about our pictures, so we all happily (3) shared: our Picassos, Van Goghs, and Cezannes in class the next day. Then the surprise announcement came. We were each to attempt to copy our picture onto a full-sized canvas using real oil paints and brushes. (4) The brushes were not real boar bristles, but Mr. Peale said they would work just as well.I will never forget how terribly insecure I felt as I began my painting. As I secretly glanced looking at others around me, my anxiety and self-doubt only seemed to grow. It appears to me that my peers were not only brilliant English students but accomplished artists as well! Mr. Peale walked around the classroom and suddenly became an art instructor as he loudly proclaimed to the other students what an excellent job they were doing. I felt quite tentative and barely had a mark on my own canvas. I was way out of my element!1. Mr. Peale finally walked over to me and I silently gulped.2. He said very little about my attempts, which was both a blessing and a curse.3. His lack of comment kept me from turning beet red, yet his quietdemeanor clearly told me that he was unimpressed with my torturous efforts.4. He continued past me to the next student, which, to me, was an obvious message that I was completely hopeless as an artist.5. I had been so reluctant to begin my painting, despite my love for the artist’s rendering of a beautiful bronze, pink, and yellow sunset and a single leafless tree in the foreground.6. Something snapped inside me as Mr. Peale announced that we were done for the day, and we would continue this week-long project the tomorrow.7. I could hardly wait to get back there and work on my masterpiece.By the end of this odd assignment, I was actually thrilled with that being which I had reproduced. While my painting wasn’t as dramatic as many of my classmates’, and it didn’t look exactly like its original, I did feel I had captured its essence.The painting is actually hanging on my wall for years afterwards. I had moved past my fears and lack of self-confidence and allowed myself to explore the space of the canvas, the enticing oil colors, and a variety of brush strokes. I actually felt that somewhat inside of me there was an artist.To this day, I have no idea what Mr. Peale’s intention was when he asked his English students to reproduce a famous oil painting. Was he merely trying to fill up the end of the semester by keeping us preoccupied with busy work while he sat at his desk and red-lined the novelettes we had written earlier in the semester? Or was he challenging our self-importance as Advanced English students, trying to knock us down a peg or two? I do know what I will still think about what that assignment taught me about myself: the absolute beauty of surrendering to the possibilities in life, and that for a small moment, I too was an artist.Q. (7)Which of the following alternatives to the underlined portion would be LEAST acceptable?

Directions:In the passages that follow, some words and phrases are underlined and numbered. In the answer column, you will find alternatives for the words and phrases that are underlined. If you think that the original version is best, choose “NO CHANGE,”. You will also find questions about a particular section of the passage, or about the entire passage. These questions will be identified either by an underlined portion or by a number in a box. Look for the answer that clearly expresses the idea, is consistent with the style and tone of the passage, and makes the correct use of standard written English. Read the passage through once before answering the questions. For some questions, you should read beyond the indicated portion before you answer.PassageEnglish ArtOur Advanced English (1) teacher Mr. Peale; decided to end the semester with a unique and unexpected challenge. Hewanted each of us to find a picture of a famous oil (2) painting that we especially liked and bring it to school. We were certain he was going to have us write something about our pictures, so we all happily (3) shared: our Picassos, Van Goghs, and Cezannes in class the next day. Then the surprise announcement came. We were each to attempt to copy our picture onto a full-sized canvas using real oil paints and brushes. (4) The brushes were not real boar bristles, but Mr. Peale said they would work just as well.I will never forget how terribly insecure I felt as I began my painting. As I secretly glanced looking at others around me, my anxiety and self-doubt only seemed to grow. It appears to me that my peers were not only brilliant English students but accomplished artists as well! Mr. Peale walked around the classroom and suddenly became an art instructor as he loudly proclaimed to the other students what an excellent job they were doing. I felt quite tentative and barely had a mark on my own canvas. I was way out of my element!1. Mr. Peale finally walked over to me and I silently gulped.2. He said very little about my attempts, which was both a blessing and a curse.3. His lack of comment kept me from turning beet red, yet his quietdemeanor clearly told me that he was unimpressed with my torturous efforts.4. He continued past me to the next student, which, to me, was an obvious message that I was completely hopeless as an artist.5. I had been so reluctant to begin my painting, despite my love for the artist’s rendering of a beautiful bronze, pink, and yellow sunset and a single leafless tree in the foreground.6. Something snapped inside me as Mr. Peale announced that we were done for the day, and we would continue this week-long project the tomorrow.7. I could hardly wait to get back there and work on my masterpiece.By the end of this odd assignment, I was actually thrilled with that being which I had reproduced. While my painting wasn’t as dramatic as many of my classmates’, and it didn’t look exactly like its original, I did feel I had captured its essence.The painting is actually hanging on my wall for years afterwards. I had moved past my fears and lack of self-confidence and allowed myself to explore the space of the canvas, the enticing oil colors, and a variety of brush strokes. I actually felt that somewhat inside of me there was an artist.To this day, I have no idea what Mr. Peale’s intention was when he asked his English students to reproduce a famous oil painting. Was he merely trying to fill up the end of the semester by keeping us preoccupied with busy work while he sat at his desk and red-lined the novelettes we had written earlier in the semester? Or was he challenging our self-importance as Advanced English students, trying to knock us down a peg or two? I do know what I will still think about what that assignment taught me about myself: the absolute beauty of surrendering to the possibilities in life, and that for a small moment, I too was an artist.Q. (14)

Directions:In the passages that follow, some words and phrases are underlined and numbered. In the answer column, you will find alternatives for the words and phrases that are underlined. If you think that the original version is best, choose “NO CHANGE,”. You will also find questions about a particular section of the passage, or about the entire passage. These questions will be identified either by an underlined portion or by a number in a box. Look for the answer that clearly expresses the idea, is consistent with the style and tone of the passage, and makes the correct use of standard written English. Read the passage through once before answering the questions. For some questions, you should read beyond the indicated portion before you answer.PassageEnglish ArtOur Advanced English (1) teacher Mr. Peale; decided to end the semester with a unique and unexpected challenge. Hewanted each of us to find a picture of a famous oil (2) painting that we especially liked and bring it to school. We were certain he was going to have us write something about our pictures, so we all happily (3) shared: our Picassos, Van Goghs, and Cezannes in class the next day. Then the surprise announcement came. We were each to attempt to copy our picture onto a full-sized canvas using real oil paints and brushes. (4) The brushes were not real boar bristles, but Mr. Peale said they would work just as well.I will never forget how terribly insecure I felt as I began my painting. As I secretly glanced looking at others around me, my anxiety and self-doubt only seemed to grow. It appears to me that my peers were not only brilliant English students but accomplished artists as well! Mr. Peale walked around the classroom and suddenly became an art instructor as he loudly proclaimed to the other students what an excellent job they were doing. I felt quite tentative and barely had a mark on my own canvas. I was way out of my element!1. Mr. Peale finally walked over to me and I silently gulped.2. He said very little about my attempts, which was both a blessing and a curse.3. His lack of comment kept me from turning beet red, yet his quietdemeanor clearly told me that he was unimpressed with my torturous efforts.4. He continued past me to the next student, which, to me, was an obvious message that I was completely hopeless as an artist.5. I had been so reluctant to begin my painting, despite my love for the artist’s rendering of a beautiful bronze, pink, and yellow sunset and a single leafless tree in the foreground.6. Something snapped inside me as Mr. Peale announced that we were done for the day, and we would continue this week-long project the tomorrow.7. I could hardly wait to get back there and work on my masterpiece.By the end of this odd assignment, I was actually thrilled with that being which I had reproduced. While my painting wasn’t as dramatic as many of my classmates’, and it didn’t look exactly like its original, I did feel I had captured its essence.The painting is actually hanging on my wall for years afterwards. I had moved past my fears and lack of self-confidence and allowed myself to explore the space of the canvas, the enticing oil colors, and a variety of brush strokes. I actually felt that somewhat inside of me there was an artist.To this day, I have no idea what Mr. Peale’s intention was when he asked his English students to reproduce a famous oil painting. Was he merely trying to fill up the end of the semester by keeping us preoccupied with busy work while he sat at his desk and red-lined the novelettes we had written earlier in the semester? Or was he challenging our self-importance as Advanced English students, trying to knock us down a peg or two? I do know what I will still think about what that assignment taught me about myself: the absolute beauty of surrendering to the possibilities in life, and that for a small moment, I too was an artist.Q. (2)

Direction: Read the passages and choose the best answer to each question.PassageHUMANITIES: Artistic Styles ExploredMany of us have looked at a great work of artand wondered how a person is able to paint or drawsomething so lifelike and emotive. We see the mas-terpieces of painters such as Monet or Picasso and(5)wonder what stirred these men to put brush to canvasso delicately. Most of an artist’s greatness lies in his orher natural ability and practice of technique, but otherfactors affect the work an artist produces. The trainedeye knows that even the smallest of details can have a(10)powerful impact on the meaning of an artist’s work.A formal style is among the most apparent traits ofa work of art. One of the first popular styles was knownas Realism. Paintings from this school focused ondepicting real life unembellished with fanciful notions(15)or feelings. Realism traces its roots to ancient Rome,where artists attempted to depict their leaders in waysthat did not glamorize or gloss over unattractive phys-ical attributes. This approach became unpopular aftera while for many different reasons, but was revived(20)during the Renaissance. For the next several centuries,Western artists attempted to portray life as realisticallyas possible.In the late 19th century, a rebellion against Real-ism arose in response to the rigidity and staleness some(25)saw in the style. As a result, many artists began paint-ing in the Impressionist style, which allowed for morecreativity. Monet and Manet, two prominent painters,used this style of painting, characterized by its subtleuse of light and color to create a dreamlike quality in(30)scenes of the natural world.Impressionist painters use small brush strokeswith unmixed primary colors to simulate reflected light.The result is a picture that appears hazy, leaving a general “impression” upon the viewer. The large number(35)of young painters who took up Impressionism resultedin it being a very vigorous and contentious school ofthought. Impressionistic style is still popular with bothart collectors and museum-goers.Several new styles grew out of the Impressionist(40)movement that actually rejected all or some of thebeliefs held by Impressionists. Some of these stylesbecame schools of thought in their own right, whileothers simply existed as one artist’s trademark way ofpainting. Post-Impressionism is one example of a style(45)that grew out of the naturalistic form of Impression-ism. Post-impressionism uses form and color to reflectart in a more personal and subjective way than did itspredecessor.Another style that grew out of Impressionism was(50)Pointillism. Georges Seurat led this movement, whichemphasized the application of paint in small dots andbrush strokes to create the effect of blending andluminosity.Vincent Van Gogh, a well-known artist, adapted(55)Impressionism to his own unique method. Although areal school of thought never followed his style of paint-ing, he is nonetheless regarded as a brilliant painter forhis use of bold, bright colors and even larger and bolderbrush strokes.(60)Many other styles of painting evolved from thefirst descendants of Impressionism. Cubism, AbstractArt, Expressionism, Abstract Expressionism, Mod-ernism, and a host of other styles have all expandedthe range of acceptable artistic expression and allowed(65)artists to explore new and creative ways in which toexpress themselves and their points of view. Each stylehas distinct ways of interpreting the world and depict-ing it in art. Although some have similarities, they allare unique and distinguishable from one another. For(70)example, one tableau may reflect the world throughrigid geometric figures while another may show life insmooth black curves.One consequence of the spread of different artisticstyles is the wide variety of art people enjoy today.(75)While some favor one style over another, it is importantthat these styles coexist, because a variety of techniquesand opinions is the ideal environment for the evolutionof art.Q.Which of the following best states the main point of the passage?

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Directions:In the passages that follow, some words and phrases are underlined and numbered. In the answer column, you will find alternatives for the words and phrases that are underlined. If you think that the original version is best, choose “NO CHANGE,”. You will also find questions about a particular section of the passage, or about the entire passage. These questions will be identified either by an underlined portion or by a number in a box. Look for the answer that clearly expresses the idea, is consistent with the style and tone of the passage, and makes the correct use of standard written English. Read the passage through once before answering the questions. For some questions, you should read beyond the indicated portion before you answer.PassageEnglish ArtOur Advanced English (1) teacher Mr. Peale; decided to end the semester with a unique and unexpected challenge. Hewanted each of us to find a picture of a famous oil (2) painting that we especially liked and bring it to school. We were certain he was going to have us write something about our pictures, so we all happily (3) shared: our Picassos, Van Goghs, and Cezannes in class the next day. Then the surprise announcement came. We were each to attempt to copy our picture onto a full-sized canvas using real oil paints and brushes. (4) The brushes were not real boar bristles, but Mr. Peale said they would work just as well.I will never forget how terribly insecure I felt as I began my painting. As I secretly glanced looking at others around me, my anxiety and self-doubt only seemed to grow. It appears to me that my peers were not only brilliant English students but accomplished artists as well! Mr. Peale walked around the classroom and suddenly became an art instructor as he loudly proclaimed to the other students what an excellent job they were doing. I felt quite tentative and barely had a mark on my own canvas. I was way out of my element!1. Mr. Peale finally walked over to me and I silently gulped.2. He said very little about my attempts, which was both a blessing and a curse.3. His lack of comment kept me from turning beet red, yet his quietdemeanor clearly told me that he was unimpressed with my torturous efforts.4. He continued past me to the next student, which, to me, was an obvious message that I was completely hopeless as an artist.5. I had been so reluctant to begin my painting, despite my love for the artist’s rendering of a beautiful bronze, pink, and yellow sunset and a single leafless tree in the foreground.6. Something snapped inside me as Mr. Peale announced that we were done for the day, and we would continue this week-long project the tomorrow.7. I could hardly wait to get back there and work on my masterpiece.By the end of this odd assignment, I was actually thrilled with that being which I had reproduced. While my painting wasn’t as dramatic as many of my classmates’, and it didn’t look exactly like its original, I did feel I had captured its essence.The painting is actually hanging on my wall for years afterwards. I had moved past my fears and lack of self-confidence and allowed myself to explore the space of the canvas, the enticing oil colors, and a variety of brush strokes. I actually felt that somewhat inside of me there was an artist.To this day, I have no idea what Mr. Peale’s intention was when he asked his English students to reproduce a famous oil painting. Was he merely trying to fill up the end of the semester by keeping us preoccupied with busy work while he sat at his desk and red-lined the novelettes we had written earlier in the semester? Or was he challenging our self-importance as Advanced English students, trying to knock us down a peg or two? I do know what I will still think about what that assignment taught me about myself: the absolute beauty of surrendering to the possibilities in life, and that for a small moment, I too was an artist.Q. (4)a)No changeb)Did I mention this wasn’t an art class?c)I had chosen a French impressionist.d)DELETE the underlined portion.Correct answer is option 'D'. Can you explain this answer?
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Directions:In the passages that follow, some words and phrases are underlined and numbered. In the answer column, you will find alternatives for the words and phrases that are underlined. If you think that the original version is best, choose “NO CHANGE,”. You will also find questions about a particular section of the passage, or about the entire passage. These questions will be identified either by an underlined portion or by a number in a box. Look for the answer that clearly expresses the idea, is consistent with the style and tone of the passage, and makes the correct use of standard written English. Read the passage through once before answering the questions. For some questions, you should read beyond the indicated portion before you answer.PassageEnglish ArtOur Advanced English (1) teacher Mr. Peale; decided to end the semester with a unique and unexpected challenge. Hewanted each of us to find a picture of a famous oil (2) painting that we especially liked and bring it to school. We were certain he was going to have us write something about our pictures, so we all happily (3) shared: our Picassos, Van Goghs, and Cezannes in class the next day. Then the surprise announcement came. We were each to attempt to copy our picture onto a full-sized canvas using real oil paints and brushes. (4) The brushes were not real boar bristles, but Mr. Peale said they would work just as well.I will never forget how terribly insecure I felt as I began my painting. As I secretly glanced looking at others around me, my anxiety and self-doubt only seemed to grow. It appears to me that my peers were not only brilliant English students but accomplished artists as well! Mr. Peale walked around the classroom and suddenly became an art instructor as he loudly proclaimed to the other students what an excellent job they were doing. I felt quite tentative and barely had a mark on my own canvas. I was way out of my element!1. Mr. Peale finally walked over to me and I silently gulped.2. He said very little about my attempts, which was both a blessing and a curse.3. His lack of comment kept me from turning beet red, yet his quietdemeanor clearly told me that he was unimpressed with my torturous efforts.4. He continued past me to the next student, which, to me, was an obvious message that I was completely hopeless as an artist.5. I had been so reluctant to begin my painting, despite my love for the artist’s rendering of a beautiful bronze, pink, and yellow sunset and a single leafless tree in the foreground.6. Something snapped inside me as Mr. Peale announced that we were done for the day, and we would continue this week-long project the tomorrow.7. I could hardly wait to get back there and work on my masterpiece.By the end of this odd assignment, I was actually thrilled with that being which I had reproduced. While my painting wasn’t as dramatic as many of my classmates’, and it didn’t look exactly like its original, I did feel I had captured its essence.The painting is actually hanging on my wall for years afterwards. I had moved past my fears and lack of self-confidence and allowed myself to explore the space of the canvas, the enticing oil colors, and a variety of brush strokes. I actually felt that somewhat inside of me there was an artist.To this day, I have no idea what Mr. Peale’s intention was when he asked his English students to reproduce a famous oil painting. Was he merely trying to fill up the end of the semester by keeping us preoccupied with busy work while he sat at his desk and red-lined the novelettes we had written earlier in the semester? Or was he challenging our self-importance as Advanced English students, trying to knock us down a peg or two? I do know what I will still think about what that assignment taught me about myself: the absolute beauty of surrendering to the possibilities in life, and that for a small moment, I too was an artist.Q. (4)a)No changeb)Did I mention this wasn’t an art class?c)I had chosen a French impressionist.d)DELETE the underlined portion.Correct answer is option 'D'. Can you explain this answer? for ACT 2025 is part of ACT preparation. The Question and answers have been prepared according to the ACT exam syllabus. Information about Directions:In the passages that follow, some words and phrases are underlined and numbered. In the answer column, you will find alternatives for the words and phrases that are underlined. If you think that the original version is best, choose “NO CHANGE,”. You will also find questions about a particular section of the passage, or about the entire passage. These questions will be identified either by an underlined portion or by a number in a box. Look for the answer that clearly expresses the idea, is consistent with the style and tone of the passage, and makes the correct use of standard written English. Read the passage through once before answering the questions. For some questions, you should read beyond the indicated portion before you answer.PassageEnglish ArtOur Advanced English (1) teacher Mr. Peale; decided to end the semester with a unique and unexpected challenge. Hewanted each of us to find a picture of a famous oil (2) painting that we especially liked and bring it to school. We were certain he was going to have us write something about our pictures, so we all happily (3) shared: our Picassos, Van Goghs, and Cezannes in class the next day. Then the surprise announcement came. We were each to attempt to copy our picture onto a full-sized canvas using real oil paints and brushes. (4) The brushes were not real boar bristles, but Mr. Peale said they would work just as well.I will never forget how terribly insecure I felt as I began my painting. As I secretly glanced looking at others around me, my anxiety and self-doubt only seemed to grow. It appears to me that my peers were not only brilliant English students but accomplished artists as well! Mr. Peale walked around the classroom and suddenly became an art instructor as he loudly proclaimed to the other students what an excellent job they were doing. I felt quite tentative and barely had a mark on my own canvas. I was way out of my element!1. Mr. Peale finally walked over to me and I silently gulped.2. He said very little about my attempts, which was both a blessing and a curse.3. His lack of comment kept me from turning beet red, yet his quietdemeanor clearly told me that he was unimpressed with my torturous efforts.4. He continued past me to the next student, which, to me, was an obvious message that I was completely hopeless as an artist.5. I had been so reluctant to begin my painting, despite my love for the artist’s rendering of a beautiful bronze, pink, and yellow sunset and a single leafless tree in the foreground.6. Something snapped inside me as Mr. Peale announced that we were done for the day, and we would continue this week-long project the tomorrow.7. I could hardly wait to get back there and work on my masterpiece.By the end of this odd assignment, I was actually thrilled with that being which I had reproduced. While my painting wasn’t as dramatic as many of my classmates’, and it didn’t look exactly like its original, I did feel I had captured its essence.The painting is actually hanging on my wall for years afterwards. I had moved past my fears and lack of self-confidence and allowed myself to explore the space of the canvas, the enticing oil colors, and a variety of brush strokes. I actually felt that somewhat inside of me there was an artist.To this day, I have no idea what Mr. Peale’s intention was when he asked his English students to reproduce a famous oil painting. Was he merely trying to fill up the end of the semester by keeping us preoccupied with busy work while he sat at his desk and red-lined the novelettes we had written earlier in the semester? Or was he challenging our self-importance as Advanced English students, trying to knock us down a peg or two? I do know what I will still think about what that assignment taught me about myself: the absolute beauty of surrendering to the possibilities in life, and that for a small moment, I too was an artist.Q. (4)a)No changeb)Did I mention this wasn’t an art class?c)I had chosen a French impressionist.d)DELETE the underlined portion.Correct answer is option 'D'. Can you explain this answer? covers all topics & solutions for ACT 2025 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Directions:In the passages that follow, some words and phrases are underlined and numbered. In the answer column, you will find alternatives for the words and phrases that are underlined. If you think that the original version is best, choose “NO CHANGE,”. You will also find questions about a particular section of the passage, or about the entire passage. These questions will be identified either by an underlined portion or by a number in a box. Look for the answer that clearly expresses the idea, is consistent with the style and tone of the passage, and makes the correct use of standard written English. Read the passage through once before answering the questions. For some questions, you should read beyond the indicated portion before you answer.PassageEnglish ArtOur Advanced English (1) teacher Mr. Peale; decided to end the semester with a unique and unexpected challenge. Hewanted each of us to find a picture of a famous oil (2) painting that we especially liked and bring it to school. We were certain he was going to have us write something about our pictures, so we all happily (3) shared: our Picassos, Van Goghs, and Cezannes in class the next day. Then the surprise announcement came. We were each to attempt to copy our picture onto a full-sized canvas using real oil paints and brushes. (4) The brushes were not real boar bristles, but Mr. Peale said they would work just as well.I will never forget how terribly insecure I felt as I began my painting. As I secretly glanced looking at others around me, my anxiety and self-doubt only seemed to grow. It appears to me that my peers were not only brilliant English students but accomplished artists as well! Mr. Peale walked around the classroom and suddenly became an art instructor as he loudly proclaimed to the other students what an excellent job they were doing. I felt quite tentative and barely had a mark on my own canvas. I was way out of my element!1. Mr. Peale finally walked over to me and I silently gulped.2. He said very little about my attempts, which was both a blessing and a curse.3. His lack of comment kept me from turning beet red, yet his quietdemeanor clearly told me that he was unimpressed with my torturous efforts.4. He continued past me to the next student, which, to me, was an obvious message that I was completely hopeless as an artist.5. I had been so reluctant to begin my painting, despite my love for the artist’s rendering of a beautiful bronze, pink, and yellow sunset and a single leafless tree in the foreground.6. Something snapped inside me as Mr. Peale announced that we were done for the day, and we would continue this week-long project the tomorrow.7. I could hardly wait to get back there and work on my masterpiece.By the end of this odd assignment, I was actually thrilled with that being which I had reproduced. While my painting wasn’t as dramatic as many of my classmates’, and it didn’t look exactly like its original, I did feel I had captured its essence.The painting is actually hanging on my wall for years afterwards. I had moved past my fears and lack of self-confidence and allowed myself to explore the space of the canvas, the enticing oil colors, and a variety of brush strokes. I actually felt that somewhat inside of me there was an artist.To this day, I have no idea what Mr. Peale’s intention was when he asked his English students to reproduce a famous oil painting. Was he merely trying to fill up the end of the semester by keeping us preoccupied with busy work while he sat at his desk and red-lined the novelettes we had written earlier in the semester? Or was he challenging our self-importance as Advanced English students, trying to knock us down a peg or two? I do know what I will still think about what that assignment taught me about myself: the absolute beauty of surrendering to the possibilities in life, and that for a small moment, I too was an artist.Q. (4)a)No changeb)Did I mention this wasn’t an art class?c)I had chosen a French impressionist.d)DELETE the underlined portion.Correct answer is option 'D'. Can you explain this answer?.
Solutions for Directions:In the passages that follow, some words and phrases are underlined and numbered. In the answer column, you will find alternatives for the words and phrases that are underlined. If you think that the original version is best, choose “NO CHANGE,”. You will also find questions about a particular section of the passage, or about the entire passage. These questions will be identified either by an underlined portion or by a number in a box. Look for the answer that clearly expresses the idea, is consistent with the style and tone of the passage, and makes the correct use of standard written English. Read the passage through once before answering the questions. For some questions, you should read beyond the indicated portion before you answer.PassageEnglish ArtOur Advanced English (1) teacher Mr. Peale; decided to end the semester with a unique and unexpected challenge. Hewanted each of us to find a picture of a famous oil (2) painting that we especially liked and bring it to school. We were certain he was going to have us write something about our pictures, so we all happily (3) shared: our Picassos, Van Goghs, and Cezannes in class the next day. Then the surprise announcement came. We were each to attempt to copy our picture onto a full-sized canvas using real oil paints and brushes. (4) The brushes were not real boar bristles, but Mr. Peale said they would work just as well.I will never forget how terribly insecure I felt as I began my painting. As I secretly glanced looking at others around me, my anxiety and self-doubt only seemed to grow. It appears to me that my peers were not only brilliant English students but accomplished artists as well! Mr. Peale walked around the classroom and suddenly became an art instructor as he loudly proclaimed to the other students what an excellent job they were doing. I felt quite tentative and barely had a mark on my own canvas. I was way out of my element!1. Mr. Peale finally walked over to me and I silently gulped.2. He said very little about my attempts, which was both a blessing and a curse.3. His lack of comment kept me from turning beet red, yet his quietdemeanor clearly told me that he was unimpressed with my torturous efforts.4. He continued past me to the next student, which, to me, was an obvious message that I was completely hopeless as an artist.5. I had been so reluctant to begin my painting, despite my love for the artist’s rendering of a beautiful bronze, pink, and yellow sunset and a single leafless tree in the foreground.6. Something snapped inside me as Mr. Peale announced that we were done for the day, and we would continue this week-long project the tomorrow.7. I could hardly wait to get back there and work on my masterpiece.By the end of this odd assignment, I was actually thrilled with that being which I had reproduced. While my painting wasn’t as dramatic as many of my classmates’, and it didn’t look exactly like its original, I did feel I had captured its essence.The painting is actually hanging on my wall for years afterwards. I had moved past my fears and lack of self-confidence and allowed myself to explore the space of the canvas, the enticing oil colors, and a variety of brush strokes. I actually felt that somewhat inside of me there was an artist.To this day, I have no idea what Mr. Peale’s intention was when he asked his English students to reproduce a famous oil painting. Was he merely trying to fill up the end of the semester by keeping us preoccupied with busy work while he sat at his desk and red-lined the novelettes we had written earlier in the semester? Or was he challenging our self-importance as Advanced English students, trying to knock us down a peg or two? I do know what I will still think about what that assignment taught me about myself: the absolute beauty of surrendering to the possibilities in life, and that for a small moment, I too was an artist.Q. (4)a)No changeb)Did I mention this wasn’t an art class?c)I had chosen a French impressionist.d)DELETE the underlined portion.Correct answer is option 'D'. Can you explain this answer? in English & in Hindi are available as part of our courses for ACT. Download more important topics, notes, lectures and mock test series for ACT Exam by signing up for free.
Here you can find the meaning of Directions:In the passages that follow, some words and phrases are underlined and numbered. In the answer column, you will find alternatives for the words and phrases that are underlined. If you think that the original version is best, choose “NO CHANGE,”. You will also find questions about a particular section of the passage, or about the entire passage. These questions will be identified either by an underlined portion or by a number in a box. Look for the answer that clearly expresses the idea, is consistent with the style and tone of the passage, and makes the correct use of standard written English. Read the passage through once before answering the questions. For some questions, you should read beyond the indicated portion before you answer.PassageEnglish ArtOur Advanced English (1) teacher Mr. Peale; decided to end the semester with a unique and unexpected challenge. Hewanted each of us to find a picture of a famous oil (2) painting that we especially liked and bring it to school. We were certain he was going to have us write something about our pictures, so we all happily (3) shared: our Picassos, Van Goghs, and Cezannes in class the next day. Then the surprise announcement came. We were each to attempt to copy our picture onto a full-sized canvas using real oil paints and brushes. (4) The brushes were not real boar bristles, but Mr. Peale said they would work just as well.I will never forget how terribly insecure I felt as I began my painting. As I secretly glanced looking at others around me, my anxiety and self-doubt only seemed to grow. It appears to me that my peers were not only brilliant English students but accomplished artists as well! Mr. Peale walked around the classroom and suddenly became an art instructor as he loudly proclaimed to the other students what an excellent job they were doing. I felt quite tentative and barely had a mark on my own canvas. I was way out of my element!1. Mr. Peale finally walked over to me and I silently gulped.2. He said very little about my attempts, which was both a blessing and a curse.3. His lack of comment kept me from turning beet red, yet his quietdemeanor clearly told me that he was unimpressed with my torturous efforts.4. He continued past me to the next student, which, to me, was an obvious message that I was completely hopeless as an artist.5. I had been so reluctant to begin my painting, despite my love for the artist’s rendering of a beautiful bronze, pink, and yellow sunset and a single leafless tree in the foreground.6. Something snapped inside me as Mr. Peale announced that we were done for the day, and we would continue this week-long project the tomorrow.7. I could hardly wait to get back there and work on my masterpiece.By the end of this odd assignment, I was actually thrilled with that being which I had reproduced. While my painting wasn’t as dramatic as many of my classmates’, and it didn’t look exactly like its original, I did feel I had captured its essence.The painting is actually hanging on my wall for years afterwards. I had moved past my fears and lack of self-confidence and allowed myself to explore the space of the canvas, the enticing oil colors, and a variety of brush strokes. I actually felt that somewhat inside of me there was an artist.To this day, I have no idea what Mr. Peale’s intention was when he asked his English students to reproduce a famous oil painting. Was he merely trying to fill up the end of the semester by keeping us preoccupied with busy work while he sat at his desk and red-lined the novelettes we had written earlier in the semester? Or was he challenging our self-importance as Advanced English students, trying to knock us down a peg or two? I do know what I will still think about what that assignment taught me about myself: the absolute beauty of surrendering to the possibilities in life, and that for a small moment, I too was an artist.Q. (4)a)No changeb)Did I mention this wasn’t an art class?c)I had chosen a French impressionist.d)DELETE the underlined portion.Correct answer is option 'D'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of Directions:In the passages that follow, some words and phrases are underlined and numbered. In the answer column, you will find alternatives for the words and phrases that are underlined. If you think that the original version is best, choose “NO CHANGE,”. You will also find questions about a particular section of the passage, or about the entire passage. These questions will be identified either by an underlined portion or by a number in a box. Look for the answer that clearly expresses the idea, is consistent with the style and tone of the passage, and makes the correct use of standard written English. Read the passage through once before answering the questions. For some questions, you should read beyond the indicated portion before you answer.PassageEnglish ArtOur Advanced English (1) teacher Mr. Peale; decided to end the semester with a unique and unexpected challenge. Hewanted each of us to find a picture of a famous oil (2) painting that we especially liked and bring it to school. We were certain he was going to have us write something about our pictures, so we all happily (3) shared: our Picassos, Van Goghs, and Cezannes in class the next day. Then the surprise announcement came. We were each to attempt to copy our picture onto a full-sized canvas using real oil paints and brushes. (4) The brushes were not real boar bristles, but Mr. Peale said they would work just as well.I will never forget how terribly insecure I felt as I began my painting. As I secretly glanced looking at others around me, my anxiety and self-doubt only seemed to grow. It appears to me that my peers were not only brilliant English students but accomplished artists as well! Mr. Peale walked around the classroom and suddenly became an art instructor as he loudly proclaimed to the other students what an excellent job they were doing. I felt quite tentative and barely had a mark on my own canvas. I was way out of my element!1. Mr. Peale finally walked over to me and I silently gulped.2. He said very little about my attempts, which was both a blessing and a curse.3. His lack of comment kept me from turning beet red, yet his quietdemeanor clearly told me that he was unimpressed with my torturous efforts.4. He continued past me to the next student, which, to me, was an obvious message that I was completely hopeless as an artist.5. I had been so reluctant to begin my painting, despite my love for the artist’s rendering of a beautiful bronze, pink, and yellow sunset and a single leafless tree in the foreground.6. Something snapped inside me as Mr. Peale announced that we were done for the day, and we would continue this week-long project the tomorrow.7. I could hardly wait to get back there and work on my masterpiece.By the end of this odd assignment, I was actually thrilled with that being which I had reproduced. While my painting wasn’t as dramatic as many of my classmates’, and it didn’t look exactly like its original, I did feel I had captured its essence.The painting is actually hanging on my wall for years afterwards. I had moved past my fears and lack of self-confidence and allowed myself to explore the space of the canvas, the enticing oil colors, and a variety of brush strokes. I actually felt that somewhat inside of me there was an artist.To this day, I have no idea what Mr. Peale’s intention was when he asked his English students to reproduce a famous oil painting. Was he merely trying to fill up the end of the semester by keeping us preoccupied with busy work while he sat at his desk and red-lined the novelettes we had written earlier in the semester? Or was he challenging our self-importance as Advanced English students, trying to knock us down a peg or two? I do know what I will still think about what that assignment taught me about myself: the absolute beauty of surrendering to the possibilities in life, and that for a small moment, I too was an artist.Q. (4)a)No changeb)Did I mention this wasn’t an art class?c)I had chosen a French impressionist.d)DELETE the underlined portion.Correct answer is option 'D'. Can you explain this answer?, a detailed solution for Directions:In the passages that follow, some words and phrases are underlined and numbered. In the answer column, you will find alternatives for the words and phrases that are underlined. If you think that the original version is best, choose “NO CHANGE,”. You will also find questions about a particular section of the passage, or about the entire passage. These questions will be identified either by an underlined portion or by a number in a box. Look for the answer that clearly expresses the idea, is consistent with the style and tone of the passage, and makes the correct use of standard written English. Read the passage through once before answering the questions. For some questions, you should read beyond the indicated portion before you answer.PassageEnglish ArtOur Advanced English (1) teacher Mr. Peale; decided to end the semester with a unique and unexpected challenge. Hewanted each of us to find a picture of a famous oil (2) painting that we especially liked and bring it to school. We were certain he was going to have us write something about our pictures, so we all happily (3) shared: our Picassos, Van Goghs, and Cezannes in class the next day. Then the surprise announcement came. We were each to attempt to copy our picture onto a full-sized canvas using real oil paints and brushes. (4) The brushes were not real boar bristles, but Mr. Peale said they would work just as well.I will never forget how terribly insecure I felt as I began my painting. As I secretly glanced looking at others around me, my anxiety and self-doubt only seemed to grow. It appears to me that my peers were not only brilliant English students but accomplished artists as well! Mr. Peale walked around the classroom and suddenly became an art instructor as he loudly proclaimed to the other students what an excellent job they were doing. I felt quite tentative and barely had a mark on my own canvas. I was way out of my element!1. Mr. Peale finally walked over to me and I silently gulped.2. He said very little about my attempts, which was both a blessing and a curse.3. His lack of comment kept me from turning beet red, yet his quietdemeanor clearly told me that he was unimpressed with my torturous efforts.4. He continued past me to the next student, which, to me, was an obvious message that I was completely hopeless as an artist.5. I had been so reluctant to begin my painting, despite my love for the artist’s rendering of a beautiful bronze, pink, and yellow sunset and a single leafless tree in the foreground.6. Something snapped inside me as Mr. Peale announced that we were done for the day, and we would continue this week-long project the tomorrow.7. I could hardly wait to get back there and work on my masterpiece.By the end of this odd assignment, I was actually thrilled with that being which I had reproduced. While my painting wasn’t as dramatic as many of my classmates’, and it didn’t look exactly like its original, I did feel I had captured its essence.The painting is actually hanging on my wall for years afterwards. I had moved past my fears and lack of self-confidence and allowed myself to explore the space of the canvas, the enticing oil colors, and a variety of brush strokes. I actually felt that somewhat inside of me there was an artist.To this day, I have no idea what Mr. Peale’s intention was when he asked his English students to reproduce a famous oil painting. Was he merely trying to fill up the end of the semester by keeping us preoccupied with busy work while he sat at his desk and red-lined the novelettes we had written earlier in the semester? Or was he challenging our self-importance as Advanced English students, trying to knock us down a peg or two? I do know what I will still think about what that assignment taught me about myself: the absolute beauty of surrendering to the possibilities in life, and that for a small moment, I too was an artist.Q. (4)a)No changeb)Did I mention this wasn’t an art class?c)I had chosen a French impressionist.d)DELETE the underlined portion.Correct answer is option 'D'. Can you explain this answer? has been provided alongside types of Directions:In the passages that follow, some words and phrases are underlined and numbered. In the answer column, you will find alternatives for the words and phrases that are underlined. If you think that the original version is best, choose “NO CHANGE,”. You will also find questions about a particular section of the passage, or about the entire passage. These questions will be identified either by an underlined portion or by a number in a box. Look for the answer that clearly expresses the idea, is consistent with the style and tone of the passage, and makes the correct use of standard written English. Read the passage through once before answering the questions. For some questions, you should read beyond the indicated portion before you answer.PassageEnglish ArtOur Advanced English (1) teacher Mr. Peale; decided to end the semester with a unique and unexpected challenge. Hewanted each of us to find a picture of a famous oil (2) painting that we especially liked and bring it to school. We were certain he was going to have us write something about our pictures, so we all happily (3) shared: our Picassos, Van Goghs, and Cezannes in class the next day. Then the surprise announcement came. We were each to attempt to copy our picture onto a full-sized canvas using real oil paints and brushes. (4) The brushes were not real boar bristles, but Mr. Peale said they would work just as well.I will never forget how terribly insecure I felt as I began my painting. As I secretly glanced looking at others around me, my anxiety and self-doubt only seemed to grow. It appears to me that my peers were not only brilliant English students but accomplished artists as well! Mr. Peale walked around the classroom and suddenly became an art instructor as he loudly proclaimed to the other students what an excellent job they were doing. I felt quite tentative and barely had a mark on my own canvas. I was way out of my element!1. Mr. Peale finally walked over to me and I silently gulped.2. He said very little about my attempts, which was both a blessing and a curse.3. His lack of comment kept me from turning beet red, yet his quietdemeanor clearly told me that he was unimpressed with my torturous efforts.4. He continued past me to the next student, which, to me, was an obvious message that I was completely hopeless as an artist.5. I had been so reluctant to begin my painting, despite my love for the artist’s rendering of a beautiful bronze, pink, and yellow sunset and a single leafless tree in the foreground.6. Something snapped inside me as Mr. Peale announced that we were done for the day, and we would continue this week-long project the tomorrow.7. I could hardly wait to get back there and work on my masterpiece.By the end of this odd assignment, I was actually thrilled with that being which I had reproduced. While my painting wasn’t as dramatic as many of my classmates’, and it didn’t look exactly like its original, I did feel I had captured its essence.The painting is actually hanging on my wall for years afterwards. I had moved past my fears and lack of self-confidence and allowed myself to explore the space of the canvas, the enticing oil colors, and a variety of brush strokes. I actually felt that somewhat inside of me there was an artist.To this day, I have no idea what Mr. Peale’s intention was when he asked his English students to reproduce a famous oil painting. Was he merely trying to fill up the end of the semester by keeping us preoccupied with busy work while he sat at his desk and red-lined the novelettes we had written earlier in the semester? Or was he challenging our self-importance as Advanced English students, trying to knock us down a peg or two? I do know what I will still think about what that assignment taught me about myself: the absolute beauty of surrendering to the possibilities in life, and that for a small moment, I too was an artist.Q. (4)a)No changeb)Did I mention this wasn’t an art class?c)I had chosen a French impressionist.d)DELETE the underlined portion.Correct answer is option 'D'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice Directions:In the passages that follow, some words and phrases are underlined and numbered. In the answer column, you will find alternatives for the words and phrases that are underlined. If you think that the original version is best, choose “NO CHANGE,”. You will also find questions about a particular section of the passage, or about the entire passage. These questions will be identified either by an underlined portion or by a number in a box. Look for the answer that clearly expresses the idea, is consistent with the style and tone of the passage, and makes the correct use of standard written English. Read the passage through once before answering the questions. For some questions, you should read beyond the indicated portion before you answer.PassageEnglish ArtOur Advanced English (1) teacher Mr. Peale; decided to end the semester with a unique and unexpected challenge. Hewanted each of us to find a picture of a famous oil (2) painting that we especially liked and bring it to school. We were certain he was going to have us write something about our pictures, so we all happily (3) shared: our Picassos, Van Goghs, and Cezannes in class the next day. Then the surprise announcement came. We were each to attempt to copy our picture onto a full-sized canvas using real oil paints and brushes. (4) The brushes were not real boar bristles, but Mr. Peale said they would work just as well.I will never forget how terribly insecure I felt as I began my painting. As I secretly glanced looking at others around me, my anxiety and self-doubt only seemed to grow. It appears to me that my peers were not only brilliant English students but accomplished artists as well! Mr. Peale walked around the classroom and suddenly became an art instructor as he loudly proclaimed to the other students what an excellent job they were doing. I felt quite tentative and barely had a mark on my own canvas. I was way out of my element!1. Mr. Peale finally walked over to me and I silently gulped.2. He said very little about my attempts, which was both a blessing and a curse.3. His lack of comment kept me from turning beet red, yet his quietdemeanor clearly told me that he was unimpressed with my torturous efforts.4. He continued past me to the next student, which, to me, was an obvious message that I was completely hopeless as an artist.5. I had been so reluctant to begin my painting, despite my love for the artist’s rendering of a beautiful bronze, pink, and yellow sunset and a single leafless tree in the foreground.6. Something snapped inside me as Mr. Peale announced that we were done for the day, and we would continue this week-long project the tomorrow.7. I could hardly wait to get back there and work on my masterpiece.By the end of this odd assignment, I was actually thrilled with that being which I had reproduced. While my painting wasn’t as dramatic as many of my classmates’, and it didn’t look exactly like its original, I did feel I had captured its essence.The painting is actually hanging on my wall for years afterwards. I had moved past my fears and lack of self-confidence and allowed myself to explore the space of the canvas, the enticing oil colors, and a variety of brush strokes. I actually felt that somewhat inside of me there was an artist.To this day, I have no idea what Mr. Peale’s intention was when he asked his English students to reproduce a famous oil painting. Was he merely trying to fill up the end of the semester by keeping us preoccupied with busy work while he sat at his desk and red-lined the novelettes we had written earlier in the semester? Or was he challenging our self-importance as Advanced English students, trying to knock us down a peg or two? I do know what I will still think about what that assignment taught me about myself: the absolute beauty of surrendering to the possibilities in life, and that for a small moment, I too was an artist.Q. (4)a)No changeb)Did I mention this wasn’t an art class?c)I had chosen a French impressionist.d)DELETE the underlined portion.Correct answer is option 'D'. Can you explain this answer? tests, examples and also practice ACT tests.
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