Question Description
Directions: Each passage below is accompanied by a number of questions. For some questions, you will consider how the passage might be revised to improve the expression of ideas. For other questions, you will consider how the passage might be edited to correct errors in sentence structure, usage, or punctuation. A passage or a question may be accompanied by one or more graphics (such as a table or graph) that you will consider as you make revising and editing decisions.Some questions will direct you to an underlined portion of a passage. Other questions will direct you to a location in a passage or ask you to think about the passage as a whole.After reading each passage, choose the answer to each question that most effectively improves the quality of writing in the passage or that makes the passage conform to the conventions of Standard Written English. Many questions include a "NO CHANGE" option. Choose that option if you think the best choice is to leave the relevant portion of the passage as it is.Question based on the following passage.The Magic of BohemiaBohemia is a landlocked country in central (1) Europe, and until 1918 they were ruled from Vienna by the Austrian Hapsburgs. Today it (2) regards a major part of the modern Czech Republic, and its largest city, Prague, serves as the nations capital. Bohemia is also another, less clearly defined country, a country of the mind. This Bohemia in fact derives from misconceptions about the true Bohemia that go back as far as Shakespeare, (3) designating Bohemia as the land of gypsies and the spiritual habitation of artists.By 1843, when Michael William Balfes opera The Bohemian Girl premiered in London, the term Bohemian (4) would come to mean any wandering or vagabond soul, who need not have been associated with the arts. The Parisian poet Henry Murger clinched the terms special association with the life of artists.In November 1849, a dramatized version of Murgers Latin Quarter tales was staged in Paris with the title La Vie de Boheme. So extraordinarily successful (5) did this prove that the stories themselves were published as Scenes de la Vie de Boheme. The publics appetite was whetted and a popular cult of the gypsy-artist was underway. Murgers volume of stories became the textbook for the artistic life throughout the late nineteenth and early twentieth centuries.(6) What was it that were the basic elements of this Bohemia as it evolved under Murger? To start with, Bohemia belonged to the romantic movements that preached the power of the individual imagination and came to adopt a secular religion of art. Like early Christianity, it had its true believers and its heathens. The believers in this case were the artists themselves, the elect of the spirit, touched with the divine power of imagination, while the heathen were the commercial middle classes who had (7) propagated as a result of increased commodity production in the wake of the Industrial Revolution.1. To the artists, these were people of no imagination who were only concerned with material things.2. As Philistines, they seemed inhabit a different country from that of the (8) Bohemians; Murgers achievement was to define, quite persuasively, the boundaries of Bohemia in terms of a particular lifestyle.3. In his Bohemia, the production of art was in fact less important than (9) whether one had the capacity for art.4. Murger was also responsible for the term Bohemian becoming inseparably linked with the supposedly unconventional, outlandish behavior of artists, yet it is evident that he did not invent Bohemianism. 5.Most of its ingredients had existed in Paris for at least two decades before he started writing. (10)Bohemia had been a haven for the political rebel and, as the nineteenth century drew to a close, more than one French observer had seen it as the breeding-ground of cynicism, as the source of much potential danger. “It is quite clear,” Jules Claretie wrote indignantly in 1888, “that every country has its Bohemians. But they do not have the influence over the rest of the nation which they do in France—thanks to that poisonous element in the French character which is known as la blague—or cynicism.” (11)Q. (8)a)No changeb)Bohemians, Murger had the achievement of definingc)Bohemians, but Murger’s achievement was in definingd)Bohemians; but Murger achieved definingCorrect answer is option 'A'. Can you explain this answer? for SAT 2025 is part of SAT preparation. The Question and answers have been prepared according to the SAT exam syllabus. Information about Directions: Each passage below is accompanied by a number of questions. For some questions, you will consider how the passage might be revised to improve the expression of ideas. For other questions, you will consider how the passage might be edited to correct errors in sentence structure, usage, or punctuation. A passage or a question may be accompanied by one or more graphics (such as a table or graph) that you will consider as you make revising and editing decisions.Some questions will direct you to an underlined portion of a passage. Other questions will direct you to a location in a passage or ask you to think about the passage as a whole.After reading each passage, choose the answer to each question that most effectively improves the quality of writing in the passage or that makes the passage conform to the conventions of Standard Written English. Many questions include a "NO CHANGE" option. Choose that option if you think the best choice is to leave the relevant portion of the passage as it is.Question based on the following passage.The Magic of BohemiaBohemia is a landlocked country in central (1) Europe, and until 1918 they were ruled from Vienna by the Austrian Hapsburgs. Today it (2) regards a major part of the modern Czech Republic, and its largest city, Prague, serves as the nations capital. Bohemia is also another, less clearly defined country, a country of the mind. This Bohemia in fact derives from misconceptions about the true Bohemia that go back as far as Shakespeare, (3) designating Bohemia as the land of gypsies and the spiritual habitation of artists.By 1843, when Michael William Balfes opera The Bohemian Girl premiered in London, the term Bohemian (4) would come to mean any wandering or vagabond soul, who need not have been associated with the arts. The Parisian poet Henry Murger clinched the terms special association with the life of artists.In November 1849, a dramatized version of Murgers Latin Quarter tales was staged in Paris with the title La Vie de Boheme. So extraordinarily successful (5) did this prove that the stories themselves were published as Scenes de la Vie de Boheme. The publics appetite was whetted and a popular cult of the gypsy-artist was underway. Murgers volume of stories became the textbook for the artistic life throughout the late nineteenth and early twentieth centuries.(6) What was it that were the basic elements of this Bohemia as it evolved under Murger? To start with, Bohemia belonged to the romantic movements that preached the power of the individual imagination and came to adopt a secular religion of art. Like early Christianity, it had its true believers and its heathens. The believers in this case were the artists themselves, the elect of the spirit, touched with the divine power of imagination, while the heathen were the commercial middle classes who had (7) propagated as a result of increased commodity production in the wake of the Industrial Revolution.1. To the artists, these were people of no imagination who were only concerned with material things.2. As Philistines, they seemed inhabit a different country from that of the (8) Bohemians; Murgers achievement was to define, quite persuasively, the boundaries of Bohemia in terms of a particular lifestyle.3. In his Bohemia, the production of art was in fact less important than (9) whether one had the capacity for art.4. Murger was also responsible for the term Bohemian becoming inseparably linked with the supposedly unconventional, outlandish behavior of artists, yet it is evident that he did not invent Bohemianism. 5.Most of its ingredients had existed in Paris for at least two decades before he started writing. (10)Bohemia had been a haven for the political rebel and, as the nineteenth century drew to a close, more than one French observer had seen it as the breeding-ground of cynicism, as the source of much potential danger. “It is quite clear,” Jules Claretie wrote indignantly in 1888, “that every country has its Bohemians. But they do not have the influence over the rest of the nation which they do in France—thanks to that poisonous element in the French character which is known as la blague—or cynicism.” (11)Q. (8)a)No changeb)Bohemians, Murger had the achievement of definingc)Bohemians, but Murger’s achievement was in definingd)Bohemians; but Murger achieved definingCorrect answer is option 'A'. Can you explain this answer? covers all topics & solutions for SAT 2025 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Directions: Each passage below is accompanied by a number of questions. For some questions, you will consider how the passage might be revised to improve the expression of ideas. For other questions, you will consider how the passage might be edited to correct errors in sentence structure, usage, or punctuation. A passage or a question may be accompanied by one or more graphics (such as a table or graph) that you will consider as you make revising and editing decisions.Some questions will direct you to an underlined portion of a passage. Other questions will direct you to a location in a passage or ask you to think about the passage as a whole.After reading each passage, choose the answer to each question that most effectively improves the quality of writing in the passage or that makes the passage conform to the conventions of Standard Written English. Many questions include a "NO CHANGE" option. Choose that option if you think the best choice is to leave the relevant portion of the passage as it is.Question based on the following passage.The Magic of BohemiaBohemia is a landlocked country in central (1) Europe, and until 1918 they were ruled from Vienna by the Austrian Hapsburgs. Today it (2) regards a major part of the modern Czech Republic, and its largest city, Prague, serves as the nations capital. Bohemia is also another, less clearly defined country, a country of the mind. This Bohemia in fact derives from misconceptions about the true Bohemia that go back as far as Shakespeare, (3) designating Bohemia as the land of gypsies and the spiritual habitation of artists.By 1843, when Michael William Balfes opera The Bohemian Girl premiered in London, the term Bohemian (4) would come to mean any wandering or vagabond soul, who need not have been associated with the arts. The Parisian poet Henry Murger clinched the terms special association with the life of artists.In November 1849, a dramatized version of Murgers Latin Quarter tales was staged in Paris with the title La Vie de Boheme. So extraordinarily successful (5) did this prove that the stories themselves were published as Scenes de la Vie de Boheme. The publics appetite was whetted and a popular cult of the gypsy-artist was underway. Murgers volume of stories became the textbook for the artistic life throughout the late nineteenth and early twentieth centuries.(6) What was it that were the basic elements of this Bohemia as it evolved under Murger? To start with, Bohemia belonged to the romantic movements that preached the power of the individual imagination and came to adopt a secular religion of art. Like early Christianity, it had its true believers and its heathens. The believers in this case were the artists themselves, the elect of the spirit, touched with the divine power of imagination, while the heathen were the commercial middle classes who had (7) propagated as a result of increased commodity production in the wake of the Industrial Revolution.1. To the artists, these were people of no imagination who were only concerned with material things.2. As Philistines, they seemed inhabit a different country from that of the (8) Bohemians; Murgers achievement was to define, quite persuasively, the boundaries of Bohemia in terms of a particular lifestyle.3. In his Bohemia, the production of art was in fact less important than (9) whether one had the capacity for art.4. Murger was also responsible for the term Bohemian becoming inseparably linked with the supposedly unconventional, outlandish behavior of artists, yet it is evident that he did not invent Bohemianism. 5.Most of its ingredients had existed in Paris for at least two decades before he started writing. (10)Bohemia had been a haven for the political rebel and, as the nineteenth century drew to a close, more than one French observer had seen it as the breeding-ground of cynicism, as the source of much potential danger. “It is quite clear,” Jules Claretie wrote indignantly in 1888, “that every country has its Bohemians. But they do not have the influence over the rest of the nation which they do in France—thanks to that poisonous element in the French character which is known as la blague—or cynicism.” (11)Q. (8)a)No changeb)Bohemians, Murger had the achievement of definingc)Bohemians, but Murger’s achievement was in definingd)Bohemians; but Murger achieved definingCorrect answer is option 'A'. Can you explain this answer?.

Solutions for Directions: Each passage below is accompanied by a number of questions. For some questions, you will consider how the passage might be revised to improve the expression of ideas. For other questions, you will consider how the passage might be edited to correct errors in sentence structure, usage, or punctuation. A passage or a question may be accompanied by one or more graphics (such as a table or graph) that you will consider as you make revising and editing decisions.Some questions will direct you to an underlined portion of a passage. Other questions will direct you to a location in a passage or ask you to think about the passage as a whole.After reading each passage, choose the answer to each question that most effectively improves the quality of writing in the passage or that makes the passage conform to the conventions of Standard Written English. Many questions include a "NO CHANGE" option. Choose that option if you think the best choice is to leave the relevant portion of the passage as it is.Question based on the following passage.The Magic of BohemiaBohemia is a landlocked country in central (1) Europe, and until 1918 they were ruled from Vienna by the Austrian Hapsburgs. Today it (2) regards a major part of the modern Czech Republic, and its largest city, Prague, serves as the nations capital. Bohemia is also another, less clearly defined country, a country of the mind. This Bohemia in fact derives from misconceptions about the true Bohemia that go back as far as Shakespeare, (3) designating Bohemia as the land of gypsies and the spiritual habitation of artists.By 1843, when Michael William Balfes opera The Bohemian Girl premiered in London, the term Bohemian (4) would come to mean any wandering or vagabond soul, who need not have been associated with the arts. The Parisian poet Henry Murger clinched the terms special association with the life of artists.In November 1849, a dramatized version of Murgers Latin Quarter tales was staged in Paris with the title La Vie de Boheme. So extraordinarily successful (5) did this prove that the stories themselves were published as Scenes de la Vie de Boheme. The publics appetite was whetted and a popular cult of the gypsy-artist was underway. Murgers volume of stories became the textbook for the artistic life throughout the late nineteenth and early twentieth centuries.(6) What was it that were the basic elements of this Bohemia as it evolved under Murger? To start with, Bohemia belonged to the romantic movements that preached the power of the individual imagination and came to adopt a secular religion of art. Like early Christianity, it had its true believers and its heathens. The believers in this case were the artists themselves, the elect of the spirit, touched with the divine power of imagination, while the heathen were the commercial middle classes who had (7) propagated as a result of increased commodity production in the wake of the Industrial Revolution.1. To the artists, these were people of no imagination who were only concerned with material things.2. As Philistines, they seemed inhabit a different country from that of the (8) Bohemians; Murgers achievement was to define, quite persuasively, the boundaries of Bohemia in terms of a particular lifestyle.3. In his Bohemia, the production of art was in fact less important than (9) whether one had the capacity for art.4. Murger was also responsible for the term Bohemian becoming inseparably linked with the supposedly unconventional, outlandish behavior of artists, yet it is evident that he did not invent Bohemianism. 5.Most of its ingredients had existed in Paris for at least two decades before he started writing. (10)Bohemia had been a haven for the political rebel and, as the nineteenth century drew to a close, more than one French observer had seen it as the breeding-ground of cynicism, as the source of much potential danger. “It is quite clear,” Jules Claretie wrote indignantly in 1888, “that every country has its Bohemians. But they do not have the influence over the rest of the nation which they do in France—thanks to that poisonous element in the French character which is known as la blague—or cynicism.” (11)Q. (8)a)No changeb)Bohemians, Murger had the achievement of definingc)Bohemians, but Murger’s achievement was in definingd)Bohemians; but Murger achieved definingCorrect answer is option 'A'. Can you explain this answer? in English & in Hindi are available as part of our courses for SAT. Download more important topics, notes, lectures and mock test series for SAT Exam by signing up for free.

Here you can find the meaning of Directions: Each passage below is accompanied by a number of questions. For some questions, you will consider how the passage might be revised to improve the expression of ideas. For other questions, you will consider how the passage might be edited to correct errors in sentence structure, usage, or punctuation. A passage or a question may be accompanied by one or more graphics (such as a table or graph) that you will consider as you make revising and editing decisions.Some questions will direct you to an underlined portion of a passage. Other questions will direct you to a location in a passage or ask you to think about the passage as a whole.After reading each passage, choose the answer to each question that most effectively improves the quality of writing in the passage or that makes the passage conform to the conventions of Standard Written English. Many questions include a "NO CHANGE" option. Choose that option if you think the best choice is to leave the relevant portion of the passage as it is.Question based on the following passage.The Magic of BohemiaBohemia is a landlocked country in central (1) Europe, and until 1918 they were ruled from Vienna by the Austrian Hapsburgs. Today it (2) regards a major part of the modern Czech Republic, and its largest city, Prague, serves as the nations capital. Bohemia is also another, less clearly defined country, a country of the mind. This Bohemia in fact derives from misconceptions about the true Bohemia that go back as far as Shakespeare, (3) designating Bohemia as the land of gypsies and the spiritual habitation of artists.By 1843, when Michael William Balfes opera The Bohemian Girl premiered in London, the term Bohemian (4) would come to mean any wandering or vagabond soul, who need not have been associated with the arts. The Parisian poet Henry Murger clinched the terms special association with the life of artists.In November 1849, a dramatized version of Murgers Latin Quarter tales was staged in Paris with the title La Vie de Boheme. So extraordinarily successful (5) did this prove that the stories themselves were published as Scenes de la Vie de Boheme. The publics appetite was whetted and a popular cult of the gypsy-artist was underway. Murgers volume of stories became the textbook for the artistic life throughout the late nineteenth and early twentieth centuries.(6) What was it that were the basic elements of this Bohemia as it evolved under Murger? To start with, Bohemia belonged to the romantic movements that preached the power of the individual imagination and came to adopt a secular religion of art. Like early Christianity, it had its true believers and its heathens. The believers in this case were the artists themselves, the elect of the spirit, touched with the divine power of imagination, while the heathen were the commercial middle classes who had (7) propagated as a result of increased commodity production in the wake of the Industrial Revolution.1. To the artists, these were people of no imagination who were only concerned with material things.2. As Philistines, they seemed inhabit a different country from that of the (8) Bohemians; Murgers achievement was to define, quite persuasively, the boundaries of Bohemia in terms of a particular lifestyle.3. In his Bohemia, the production of art was in fact less important than (9) whether one had the capacity for art.4. Murger was also responsible for the term Bohemian becoming inseparably linked with the supposedly unconventional, outlandish behavior of artists, yet it is evident that he did not invent Bohemianism. 5.Most of its ingredients had existed in Paris for at least two decades before he started writing. (10)Bohemia had been a haven for the political rebel and, as the nineteenth century drew to a close, more than one French observer had seen it as the breeding-ground of cynicism, as the source of much potential danger. “It is quite clear,” Jules Claretie wrote indignantly in 1888, “that every country has its Bohemians. But they do not have the influence over the rest of the nation which they do in France—thanks to that poisonous element in the French character which is known as la blague—or cynicism.” (11)Q. (8)a)No changeb)Bohemians, Murger had the achievement of definingc)Bohemians, but Murger’s achievement was in definingd)Bohemians; but Murger achieved definingCorrect answer is option 'A'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of Directions: Each passage below is accompanied by a number of questions. For some questions, you will consider how the passage might be revised to improve the expression of ideas. For other questions, you will consider how the passage might be edited to correct errors in sentence structure, usage, or punctuation. A passage or a question may be accompanied by one or more graphics (such as a table or graph) that you will consider as you make revising and editing decisions.Some questions will direct you to an underlined portion of a passage. Other questions will direct you to a location in a passage or ask you to think about the passage as a whole.After reading each passage, choose the answer to each question that most effectively improves the quality of writing in the passage or that makes the passage conform to the conventions of Standard Written English. Many questions include a "NO CHANGE" option. Choose that option if you think the best choice is to leave the relevant portion of the passage as it is.Question based on the following passage.The Magic of BohemiaBohemia is a landlocked country in central (1) Europe, and until 1918 they were ruled from Vienna by the Austrian Hapsburgs. Today it (2) regards a major part of the modern Czech Republic, and its largest city, Prague, serves as the nations capital. Bohemia is also another, less clearly defined country, a country of the mind. This Bohemia in fact derives from misconceptions about the true Bohemia that go back as far as Shakespeare, (3) designating Bohemia as the land of gypsies and the spiritual habitation of artists.By 1843, when Michael William Balfes opera The Bohemian Girl premiered in London, the term Bohemian (4) would come to mean any wandering or vagabond soul, who need not have been associated with the arts. The Parisian poet Henry Murger clinched the terms special association with the life of artists.In November 1849, a dramatized version of Murgers Latin Quarter tales was staged in Paris with the title La Vie de Boheme. So extraordinarily successful (5) did this prove that the stories themselves were published as Scenes de la Vie de Boheme. The publics appetite was whetted and a popular cult of the gypsy-artist was underway. Murgers volume of stories became the textbook for the artistic life throughout the late nineteenth and early twentieth centuries.(6) What was it that were the basic elements of this Bohemia as it evolved under Murger? To start with, Bohemia belonged to the romantic movements that preached the power of the individual imagination and came to adopt a secular religion of art. Like early Christianity, it had its true believers and its heathens. The believers in this case were the artists themselves, the elect of the spirit, touched with the divine power of imagination, while the heathen were the commercial middle classes who had (7) propagated as a result of increased commodity production in the wake of the Industrial Revolution.1. To the artists, these were people of no imagination who were only concerned with material things.2. As Philistines, they seemed inhabit a different country from that of the (8) Bohemians; Murgers achievement was to define, quite persuasively, the boundaries of Bohemia in terms of a particular lifestyle.3. In his Bohemia, the production of art was in fact less important than (9) whether one had the capacity for art.4. Murger was also responsible for the term Bohemian becoming inseparably linked with the supposedly unconventional, outlandish behavior of artists, yet it is evident that he did not invent Bohemianism. 5.Most of its ingredients had existed in Paris for at least two decades before he started writing. (10)Bohemia had been a haven for the political rebel and, as the nineteenth century drew to a close, more than one French observer had seen it as the breeding-ground of cynicism, as the source of much potential danger. “It is quite clear,” Jules Claretie wrote indignantly in 1888, “that every country has its Bohemians. But they do not have the influence over the rest of the nation which they do in France—thanks to that poisonous element in the French character which is known as la blague—or cynicism.” (11)Q. (8)a)No changeb)Bohemians, Murger had the achievement of definingc)Bohemians, but Murger’s achievement was in definingd)Bohemians; but Murger achieved definingCorrect answer is option 'A'. Can you explain this answer?, a detailed solution for Directions: Each passage below is accompanied by a number of questions. For some questions, you will consider how the passage might be revised to improve the expression of ideas. For other questions, you will consider how the passage might be edited to correct errors in sentence structure, usage, or punctuation. A passage or a question may be accompanied by one or more graphics (such as a table or graph) that you will consider as you make revising and editing decisions.Some questions will direct you to an underlined portion of a passage. Other questions will direct you to a location in a passage or ask you to think about the passage as a whole.After reading each passage, choose the answer to each question that most effectively improves the quality of writing in the passage or that makes the passage conform to the conventions of Standard Written English. Many questions include a "NO CHANGE" option. Choose that option if you think the best choice is to leave the relevant portion of the passage as it is.Question based on the following passage.The Magic of BohemiaBohemia is a landlocked country in central (1) Europe, and until 1918 they were ruled from Vienna by the Austrian Hapsburgs. Today it (2) regards a major part of the modern Czech Republic, and its largest city, Prague, serves as the nations capital. Bohemia is also another, less clearly defined country, a country of the mind. This Bohemia in fact derives from misconceptions about the true Bohemia that go back as far as Shakespeare, (3) designating Bohemia as the land of gypsies and the spiritual habitation of artists.By 1843, when Michael William Balfes opera The Bohemian Girl premiered in London, the term Bohemian (4) would come to mean any wandering or vagabond soul, who need not have been associated with the arts. The Parisian poet Henry Murger clinched the terms special association with the life of artists.In November 1849, a dramatized version of Murgers Latin Quarter tales was staged in Paris with the title La Vie de Boheme. So extraordinarily successful (5) did this prove that the stories themselves were published as Scenes de la Vie de Boheme. The publics appetite was whetted and a popular cult of the gypsy-artist was underway. Murgers volume of stories became the textbook for the artistic life throughout the late nineteenth and early twentieth centuries.(6) What was it that were the basic elements of this Bohemia as it evolved under Murger? To start with, Bohemia belonged to the romantic movements that preached the power of the individual imagination and came to adopt a secular religion of art. Like early Christianity, it had its true believers and its heathens. The believers in this case were the artists themselves, the elect of the spirit, touched with the divine power of imagination, while the heathen were the commercial middle classes who had (7) propagated as a result of increased commodity production in the wake of the Industrial Revolution.1. To the artists, these were people of no imagination who were only concerned with material things.2. As Philistines, they seemed inhabit a different country from that of the (8) Bohemians; Murgers achievement was to define, quite persuasively, the boundaries of Bohemia in terms of a particular lifestyle.3. In his Bohemia, the production of art was in fact less important than (9) whether one had the capacity for art.4. Murger was also responsible for the term Bohemian becoming inseparably linked with the supposedly unconventional, outlandish behavior of artists, yet it is evident that he did not invent Bohemianism. 5.Most of its ingredients had existed in Paris for at least two decades before he started writing. (10)Bohemia had been a haven for the political rebel and, as the nineteenth century drew to a close, more than one French observer had seen it as the breeding-ground of cynicism, as the source of much potential danger. “It is quite clear,” Jules Claretie wrote indignantly in 1888, “that every country has its Bohemians. But they do not have the influence over the rest of the nation which they do in France—thanks to that poisonous element in the French character which is known as la blague—or cynicism.” (11)Q. (8)a)No changeb)Bohemians, Murger had the achievement of definingc)Bohemians, but Murger’s achievement was in definingd)Bohemians; but Murger achieved definingCorrect answer is option 'A'. Can you explain this answer? has been provided alongside types of Directions: Each passage below is accompanied by a number of questions. For some questions, you will consider how the passage might be revised to improve the expression of ideas. For other questions, you will consider how the passage might be edited to correct errors in sentence structure, usage, or punctuation. A passage or a question may be accompanied by one or more graphics (such as a table or graph) that you will consider as you make revising and editing decisions.Some questions will direct you to an underlined portion of a passage. Other questions will direct you to a location in a passage or ask you to think about the passage as a whole.After reading each passage, choose the answer to each question that most effectively improves the quality of writing in the passage or that makes the passage conform to the conventions of Standard Written English. Many questions include a "NO CHANGE" option. Choose that option if you think the best choice is to leave the relevant portion of the passage as it is.Question based on the following passage.The Magic of BohemiaBohemia is a landlocked country in central (1) Europe, and until 1918 they were ruled from Vienna by the Austrian Hapsburgs. Today it (2) regards a major part of the modern Czech Republic, and its largest city, Prague, serves as the nations capital. Bohemia is also another, less clearly defined country, a country of the mind. This Bohemia in fact derives from misconceptions about the true Bohemia that go back as far as Shakespeare, (3) designating Bohemia as the land of gypsies and the spiritual habitation of artists.By 1843, when Michael William Balfes opera The Bohemian Girl premiered in London, the term Bohemian (4) would come to mean any wandering or vagabond soul, who need not have been associated with the arts. The Parisian poet Henry Murger clinched the terms special association with the life of artists.In November 1849, a dramatized version of Murgers Latin Quarter tales was staged in Paris with the title La Vie de Boheme. So extraordinarily successful (5) did this prove that the stories themselves were published as Scenes de la Vie de Boheme. The publics appetite was whetted and a popular cult of the gypsy-artist was underway. Murgers volume of stories became the textbook for the artistic life throughout the late nineteenth and early twentieth centuries.(6) What was it that were the basic elements of this Bohemia as it evolved under Murger? To start with, Bohemia belonged to the romantic movements that preached the power of the individual imagination and came to adopt a secular religion of art. Like early Christianity, it had its true believers and its heathens. The believers in this case were the artists themselves, the elect of the spirit, touched with the divine power of imagination, while the heathen were the commercial middle classes who had (7) propagated as a result of increased commodity production in the wake of the Industrial Revolution.1. To the artists, these were people of no imagination who were only concerned with material things.2. As Philistines, they seemed inhabit a different country from that of the (8) Bohemians; Murgers achievement was to define, quite persuasively, the boundaries of Bohemia in terms of a particular lifestyle.3. In his Bohemia, the production of art was in fact less important than (9) whether one had the capacity for art.4. Murger was also responsible for the term Bohemian becoming inseparably linked with the supposedly unconventional, outlandish behavior of artists, yet it is evident that he did not invent Bohemianism. 5.Most of its ingredients had existed in Paris for at least two decades before he started writing. (10)Bohemia had been a haven for the political rebel and, as the nineteenth century drew to a close, more than one French observer had seen it as the breeding-ground of cynicism, as the source of much potential danger. “It is quite clear,” Jules Claretie wrote indignantly in 1888, “that every country has its Bohemians. But they do not have the influence over the rest of the nation which they do in France—thanks to that poisonous element in the French character which is known as la blague—or cynicism.” (11)Q. (8)a)No changeb)Bohemians, Murger had the achievement of definingc)Bohemians, but Murger’s achievement was in definingd)Bohemians; but Murger achieved definingCorrect answer is option 'A'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice Directions: Each passage below is accompanied by a number of questions. For some questions, you will consider how the passage might be revised to improve the expression of ideas. For other questions, you will consider how the passage might be edited to correct errors in sentence structure, usage, or punctuation. A passage or a question may be accompanied by one or more graphics (such as a table or graph) that you will consider as you make revising and editing decisions.Some questions will direct you to an underlined portion of a passage. Other questions will direct you to a location in a passage or ask you to think about the passage as a whole.After reading each passage, choose the answer to each question that most effectively improves the quality of writing in the passage or that makes the passage conform to the conventions of Standard Written English. Many questions include a "NO CHANGE" option. Choose that option if you think the best choice is to leave the relevant portion of the passage as it is.Question based on the following passage.The Magic of BohemiaBohemia is a landlocked country in central (1) Europe, and until 1918 they were ruled from Vienna by the Austrian Hapsburgs. Today it (2) regards a major part of the modern Czech Republic, and its largest city, Prague, serves as the nations capital. Bohemia is also another, less clearly defined country, a country of the mind. This Bohemia in fact derives from misconceptions about the true Bohemia that go back as far as Shakespeare, (3) designating Bohemia as the land of gypsies and the spiritual habitation of artists.By 1843, when Michael William Balfes opera The Bohemian Girl premiered in London, the term Bohemian (4) would come to mean any wandering or vagabond soul, who need not have been associated with the arts. The Parisian poet Henry Murger clinched the terms special association with the life of artists.In November 1849, a dramatized version of Murgers Latin Quarter tales was staged in Paris with the title La Vie de Boheme. So extraordinarily successful (5) did this prove that the stories themselves were published as Scenes de la Vie de Boheme. The publics appetite was whetted and a popular cult of the gypsy-artist was underway. Murgers volume of stories became the textbook for the artistic life throughout the late nineteenth and early twentieth centuries.(6) What was it that were the basic elements of this Bohemia as it evolved under Murger? To start with, Bohemia belonged to the romantic movements that preached the power of the individual imagination and came to adopt a secular religion of art. Like early Christianity, it had its true believers and its heathens. The believers in this case were the artists themselves, the elect of the spirit, touched with the divine power of imagination, while the heathen were the commercial middle classes who had (7) propagated as a result of increased commodity production in the wake of the Industrial Revolution.1. To the artists, these were people of no imagination who were only concerned with material things.2. As Philistines, they seemed inhabit a different country from that of the (8) Bohemians; Murgers achievement was to define, quite persuasively, the boundaries of Bohemia in terms of a particular lifestyle.3. In his Bohemia, the production of art was in fact less important than (9) whether one had the capacity for art.4. Murger was also responsible for the term Bohemian becoming inseparably linked with the supposedly unconventional, outlandish behavior of artists, yet it is evident that he did not invent Bohemianism. 5.Most of its ingredients had existed in Paris for at least two decades before he started writing. (10)Bohemia had been a haven for the political rebel and, as the nineteenth century drew to a close, more than one French observer had seen it as the breeding-ground of cynicism, as the source of much potential danger. “It is quite clear,” Jules Claretie wrote indignantly in 1888, “that every country has its Bohemians. But they do not have the influence over the rest of the nation which they do in France—thanks to that poisonous element in the French character which is known as la blague—or cynicism.” (11)Q. (8)a)No changeb)Bohemians, Murger had the achievement of definingc)Bohemians, but Murger’s achievement was in definingd)Bohemians; but Murger achieved definingCorrect answer is option 'A'. Can you explain this answer? tests, examples and also practice SAT tests.