Question Description
Question based on the following passage.This passage is adapted from Mary Gay Humphries, “Women Bachelors," an essay originally published in 1896. During the latter part of the American Industrial Era (c. 1840-1900), many unmarried women began migrating to urban areas throughout the country.The exodus of women to the cities in the lastten years parallels that of men. They have comefrom the West in regiments, and from the Southin brigades. Each year they come younger and(5) younger. They have ameliorated the customs anddiversified the streets.New York women, and perhaps city womenin general, when they are suddenly called uponto earn their livings, are much more independent(10) about it, and more original in their methodsthan women in smaller places, where womanlypursuits, as they are called, follow more closelyprescribed lines. The New York woman has moreknowledge of the world, and she knows that one(15) can do pretty much what one pleases, if it is donewith a certain dash, elan, and sweeping air. Whenshe comes to work for her living she profits bythis knowledge. Instead of becoming a governessor a teacher of music, she tries to get hold of(20) something original that will excite interest. Whenshe has found it she holds it up, as it were, on ablazoned banner, inscribed with this legend, “Ihave not a penny to my name, and Im going towork.” She accepts the situation with the greatest(25) good-humor and makes herself more acceptableto the old set by relating her discouragements,trials, and mistakes so comically that she is bettercompany than before. If her story is not badenough she embroiders it to the proper point of(30) attractiveness.In the measure that women are determiningtheir own lives, they want their own homes. Thedesire is entirely reasonable. The woman who isoccupied with daily work needs greater freedom(35) of movement, more isolation, more personalcomforts, and the exemption, moreover, frombeing agreeable at all times and places. Shewants to be able to shut her doors against all theworld, and not to be confined within four walls(40) herself; and she wants to open her doors when itpleases her, and to exercise the rites of hospitalityunquestioned. In fact, she wants many thingsthat cannot be had except in her own home. It isan interesting fact in natural history that women(45) in their first breathing-spell should revert toconstructing homes as their natural background,to which is added the male realization that thehome is the proper stimulus to achievement.To be the mistress of a home, to extend(50) hospitalities, briefly to be within thecircumference of a social circle, instead ofgliding with uneasy foot on the periphery, is thereasonable desire of every woman. When this isachieved many temptations, so freely recognized(55) that nobody disputes them, are eliminated. Itis a noticeable fact that in all women-bachelorhouseholds, no matter how humble, that the rugsare scarcely down and the curtains up, until thekettle is lighted and the reign of hospitality has(60) begun. It is interesting to observe how soon theshyest novice over the tea-cup loses her timidity,and assumes that air of confidence that once wasthe enviable property of only married women.Q.The author suggests that, to the new urban woman, poverty isa)a challenge to be embraced.b)a career burden to be avoided.c)the consequence of male dominance.d)a surprising source of freedom.Correct answer is option 'A'. Can you explain this answer? for SAT 2025 is part of SAT preparation. The Question and answers have been prepared according to the SAT exam syllabus. Information about Question based on the following passage.This passage is adapted from Mary Gay Humphries, “Women Bachelors," an essay originally published in 1896. During the latter part of the American Industrial Era (c. 1840-1900), many unmarried women began migrating to urban areas throughout the country.The exodus of women to the cities in the lastten years parallels that of men. They have comefrom the West in regiments, and from the Southin brigades. Each year they come younger and(5) younger. They have ameliorated the customs anddiversified the streets.New York women, and perhaps city womenin general, when they are suddenly called uponto earn their livings, are much more independent(10) about it, and more original in their methodsthan women in smaller places, where womanlypursuits, as they are called, follow more closelyprescribed lines. The New York woman has moreknowledge of the world, and she knows that one(15) can do pretty much what one pleases, if it is donewith a certain dash, elan, and sweeping air. Whenshe comes to work for her living she profits bythis knowledge. Instead of becoming a governessor a teacher of music, she tries to get hold of(20) something original that will excite interest. Whenshe has found it she holds it up, as it were, on ablazoned banner, inscribed with this legend, “Ihave not a penny to my name, and Im going towork.” She accepts the situation with the greatest(25) good-humor and makes herself more acceptableto the old set by relating her discouragements,trials, and mistakes so comically that she is bettercompany than before. If her story is not badenough she embroiders it to the proper point of(30) attractiveness.In the measure that women are determiningtheir own lives, they want their own homes. Thedesire is entirely reasonable. The woman who isoccupied with daily work needs greater freedom(35) of movement, more isolation, more personalcomforts, and the exemption, moreover, frombeing agreeable at all times and places. Shewants to be able to shut her doors against all theworld, and not to be confined within four walls(40) herself; and she wants to open her doors when itpleases her, and to exercise the rites of hospitalityunquestioned. In fact, she wants many thingsthat cannot be had except in her own home. It isan interesting fact in natural history that women(45) in their first breathing-spell should revert toconstructing homes as their natural background,to which is added the male realization that thehome is the proper stimulus to achievement.To be the mistress of a home, to extend(50) hospitalities, briefly to be within thecircumference of a social circle, instead ofgliding with uneasy foot on the periphery, is thereasonable desire of every woman. When this isachieved many temptations, so freely recognized(55) that nobody disputes them, are eliminated. Itis a noticeable fact that in all women-bachelorhouseholds, no matter how humble, that the rugsare scarcely down and the curtains up, until thekettle is lighted and the reign of hospitality has(60) begun. It is interesting to observe how soon theshyest novice over the tea-cup loses her timidity,and assumes that air of confidence that once wasthe enviable property of only married women.Q.The author suggests that, to the new urban woman, poverty isa)a challenge to be embraced.b)a career burden to be avoided.c)the consequence of male dominance.d)a surprising source of freedom.Correct answer is option 'A'. Can you explain this answer? covers all topics & solutions for SAT 2025 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Question based on the following passage.This passage is adapted from Mary Gay Humphries, “Women Bachelors," an essay originally published in 1896. During the latter part of the American Industrial Era (c. 1840-1900), many unmarried women began migrating to urban areas throughout the country.The exodus of women to the cities in the lastten years parallels that of men. They have comefrom the West in regiments, and from the Southin brigades. Each year they come younger and(5) younger. They have ameliorated the customs anddiversified the streets.New York women, and perhaps city womenin general, when they are suddenly called uponto earn their livings, are much more independent(10) about it, and more original in their methodsthan women in smaller places, where womanlypursuits, as they are called, follow more closelyprescribed lines. The New York woman has moreknowledge of the world, and she knows that one(15) can do pretty much what one pleases, if it is donewith a certain dash, elan, and sweeping air. Whenshe comes to work for her living she profits bythis knowledge. Instead of becoming a governessor a teacher of music, she tries to get hold of(20) something original that will excite interest. Whenshe has found it she holds it up, as it were, on ablazoned banner, inscribed with this legend, “Ihave not a penny to my name, and Im going towork.” She accepts the situation with the greatest(25) good-humor and makes herself more acceptableto the old set by relating her discouragements,trials, and mistakes so comically that she is bettercompany than before. If her story is not badenough she embroiders it to the proper point of(30) attractiveness.In the measure that women are determiningtheir own lives, they want their own homes. Thedesire is entirely reasonable. The woman who isoccupied with daily work needs greater freedom(35) of movement, more isolation, more personalcomforts, and the exemption, moreover, frombeing agreeable at all times and places. Shewants to be able to shut her doors against all theworld, and not to be confined within four walls(40) herself; and she wants to open her doors when itpleases her, and to exercise the rites of hospitalityunquestioned. In fact, she wants many thingsthat cannot be had except in her own home. It isan interesting fact in natural history that women(45) in their first breathing-spell should revert toconstructing homes as their natural background,to which is added the male realization that thehome is the proper stimulus to achievement.To be the mistress of a home, to extend(50) hospitalities, briefly to be within thecircumference of a social circle, instead ofgliding with uneasy foot on the periphery, is thereasonable desire of every woman. When this isachieved many temptations, so freely recognized(55) that nobody disputes them, are eliminated. Itis a noticeable fact that in all women-bachelorhouseholds, no matter how humble, that the rugsare scarcely down and the curtains up, until thekettle is lighted and the reign of hospitality has(60) begun. It is interesting to observe how soon theshyest novice over the tea-cup loses her timidity,and assumes that air of confidence that once wasthe enviable property of only married women.Q.The author suggests that, to the new urban woman, poverty isa)a challenge to be embraced.b)a career burden to be avoided.c)the consequence of male dominance.d)a surprising source of freedom.Correct answer is option 'A'. Can you explain this answer?.

Solutions for Question based on the following passage.This passage is adapted from Mary Gay Humphries, “Women Bachelors," an essay originally published in 1896. During the latter part of the American Industrial Era (c. 1840-1900), many unmarried women began migrating to urban areas throughout the country.The exodus of women to the cities in the lastten years parallels that of men. They have comefrom the West in regiments, and from the Southin brigades. Each year they come younger and(5) younger. They have ameliorated the customs anddiversified the streets.New York women, and perhaps city womenin general, when they are suddenly called uponto earn their livings, are much more independent(10) about it, and more original in their methodsthan women in smaller places, where womanlypursuits, as they are called, follow more closelyprescribed lines. The New York woman has moreknowledge of the world, and she knows that one(15) can do pretty much what one pleases, if it is donewith a certain dash, elan, and sweeping air. Whenshe comes to work for her living she profits bythis knowledge. Instead of becoming a governessor a teacher of music, she tries to get hold of(20) something original that will excite interest. Whenshe has found it she holds it up, as it were, on ablazoned banner, inscribed with this legend, “Ihave not a penny to my name, and Im going towork.” She accepts the situation with the greatest(25) good-humor and makes herself more acceptableto the old set by relating her discouragements,trials, and mistakes so comically that she is bettercompany than before. If her story is not badenough she embroiders it to the proper point of(30) attractiveness.In the measure that women are determiningtheir own lives, they want their own homes. Thedesire is entirely reasonable. The woman who isoccupied with daily work needs greater freedom(35) of movement, more isolation, more personalcomforts, and the exemption, moreover, frombeing agreeable at all times and places. Shewants to be able to shut her doors against all theworld, and not to be confined within four walls(40) herself; and she wants to open her doors when itpleases her, and to exercise the rites of hospitalityunquestioned. In fact, she wants many thingsthat cannot be had except in her own home. It isan interesting fact in natural history that women(45) in their first breathing-spell should revert toconstructing homes as their natural background,to which is added the male realization that thehome is the proper stimulus to achievement.To be the mistress of a home, to extend(50) hospitalities, briefly to be within thecircumference of a social circle, instead ofgliding with uneasy foot on the periphery, is thereasonable desire of every woman. When this isachieved many temptations, so freely recognized(55) that nobody disputes them, are eliminated. Itis a noticeable fact that in all women-bachelorhouseholds, no matter how humble, that the rugsare scarcely down and the curtains up, until thekettle is lighted and the reign of hospitality has(60) begun. It is interesting to observe how soon theshyest novice over the tea-cup loses her timidity,and assumes that air of confidence that once wasthe enviable property of only married women.Q.The author suggests that, to the new urban woman, poverty isa)a challenge to be embraced.b)a career burden to be avoided.c)the consequence of male dominance.d)a surprising source of freedom.Correct answer is option 'A'. Can you explain this answer? in English & in Hindi are available as part of our courses for SAT. Download more important topics, notes, lectures and mock test series for SAT Exam by signing up for free.

Here you can find the meaning of Question based on the following passage.This passage is adapted from Mary Gay Humphries, “Women Bachelors," an essay originally published in 1896. During the latter part of the American Industrial Era (c. 1840-1900), many unmarried women began migrating to urban areas throughout the country.The exodus of women to the cities in the lastten years parallels that of men. They have comefrom the West in regiments, and from the Southin brigades. Each year they come younger and(5) younger. They have ameliorated the customs anddiversified the streets.New York women, and perhaps city womenin general, when they are suddenly called uponto earn their livings, are much more independent(10) about it, and more original in their methodsthan women in smaller places, where womanlypursuits, as they are called, follow more closelyprescribed lines. The New York woman has moreknowledge of the world, and she knows that one(15) can do pretty much what one pleases, if it is donewith a certain dash, elan, and sweeping air. Whenshe comes to work for her living she profits bythis knowledge. Instead of becoming a governessor a teacher of music, she tries to get hold of(20) something original that will excite interest. Whenshe has found it she holds it up, as it were, on ablazoned banner, inscribed with this legend, “Ihave not a penny to my name, and Im going towork.” She accepts the situation with the greatest(25) good-humor and makes herself more acceptableto the old set by relating her discouragements,trials, and mistakes so comically that she is bettercompany than before. If her story is not badenough she embroiders it to the proper point of(30) attractiveness.In the measure that women are determiningtheir own lives, they want their own homes. Thedesire is entirely reasonable. The woman who isoccupied with daily work needs greater freedom(35) of movement, more isolation, more personalcomforts, and the exemption, moreover, frombeing agreeable at all times and places. Shewants to be able to shut her doors against all theworld, and not to be confined within four walls(40) herself; and she wants to open her doors when itpleases her, and to exercise the rites of hospitalityunquestioned. In fact, she wants many thingsthat cannot be had except in her own home. It isan interesting fact in natural history that women(45) in their first breathing-spell should revert toconstructing homes as their natural background,to which is added the male realization that thehome is the proper stimulus to achievement.To be the mistress of a home, to extend(50) hospitalities, briefly to be within thecircumference of a social circle, instead ofgliding with uneasy foot on the periphery, is thereasonable desire of every woman. When this isachieved many temptations, so freely recognized(55) that nobody disputes them, are eliminated. Itis a noticeable fact that in all women-bachelorhouseholds, no matter how humble, that the rugsare scarcely down and the curtains up, until thekettle is lighted and the reign of hospitality has(60) begun. It is interesting to observe how soon theshyest novice over the tea-cup loses her timidity,and assumes that air of confidence that once wasthe enviable property of only married women.Q.The author suggests that, to the new urban woman, poverty isa)a challenge to be embraced.b)a career burden to be avoided.c)the consequence of male dominance.d)a surprising source of freedom.Correct answer is option 'A'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of Question based on the following passage.This passage is adapted from Mary Gay Humphries, “Women Bachelors," an essay originally published in 1896. During the latter part of the American Industrial Era (c. 1840-1900), many unmarried women began migrating to urban areas throughout the country.The exodus of women to the cities in the lastten years parallels that of men. They have comefrom the West in regiments, and from the Southin brigades. Each year they come younger and(5) younger. They have ameliorated the customs anddiversified the streets.New York women, and perhaps city womenin general, when they are suddenly called uponto earn their livings, are much more independent(10) about it, and more original in their methodsthan women in smaller places, where womanlypursuits, as they are called, follow more closelyprescribed lines. The New York woman has moreknowledge of the world, and she knows that one(15) can do pretty much what one pleases, if it is donewith a certain dash, elan, and sweeping air. Whenshe comes to work for her living she profits bythis knowledge. Instead of becoming a governessor a teacher of music, she tries to get hold of(20) something original that will excite interest. Whenshe has found it she holds it up, as it were, on ablazoned banner, inscribed with this legend, “Ihave not a penny to my name, and Im going towork.” She accepts the situation with the greatest(25) good-humor and makes herself more acceptableto the old set by relating her discouragements,trials, and mistakes so comically that she is bettercompany than before. If her story is not badenough she embroiders it to the proper point of(30) attractiveness.In the measure that women are determiningtheir own lives, they want their own homes. Thedesire is entirely reasonable. The woman who isoccupied with daily work needs greater freedom(35) of movement, more isolation, more personalcomforts, and the exemption, moreover, frombeing agreeable at all times and places. Shewants to be able to shut her doors against all theworld, and not to be confined within four walls(40) herself; and she wants to open her doors when itpleases her, and to exercise the rites of hospitalityunquestioned. In fact, she wants many thingsthat cannot be had except in her own home. It isan interesting fact in natural history that women(45) in their first breathing-spell should revert toconstructing homes as their natural background,to which is added the male realization that thehome is the proper stimulus to achievement.To be the mistress of a home, to extend(50) hospitalities, briefly to be within thecircumference of a social circle, instead ofgliding with uneasy foot on the periphery, is thereasonable desire of every woman. When this isachieved many temptations, so freely recognized(55) that nobody disputes them, are eliminated. Itis a noticeable fact that in all women-bachelorhouseholds, no matter how humble, that the rugsare scarcely down and the curtains up, until thekettle is lighted and the reign of hospitality has(60) begun. It is interesting to observe how soon theshyest novice over the tea-cup loses her timidity,and assumes that air of confidence that once wasthe enviable property of only married women.Q.The author suggests that, to the new urban woman, poverty isa)a challenge to be embraced.b)a career burden to be avoided.c)the consequence of male dominance.d)a surprising source of freedom.Correct answer is option 'A'. Can you explain this answer?, a detailed solution for Question based on the following passage.This passage is adapted from Mary Gay Humphries, “Women Bachelors," an essay originally published in 1896. During the latter part of the American Industrial Era (c. 1840-1900), many unmarried women began migrating to urban areas throughout the country.The exodus of women to the cities in the lastten years parallels that of men. They have comefrom the West in regiments, and from the Southin brigades. Each year they come younger and(5) younger. They have ameliorated the customs anddiversified the streets.New York women, and perhaps city womenin general, when they are suddenly called uponto earn their livings, are much more independent(10) about it, and more original in their methodsthan women in smaller places, where womanlypursuits, as they are called, follow more closelyprescribed lines. The New York woman has moreknowledge of the world, and she knows that one(15) can do pretty much what one pleases, if it is donewith a certain dash, elan, and sweeping air. Whenshe comes to work for her living she profits bythis knowledge. Instead of becoming a governessor a teacher of music, she tries to get hold of(20) something original that will excite interest. Whenshe has found it she holds it up, as it were, on ablazoned banner, inscribed with this legend, “Ihave not a penny to my name, and Im going towork.” She accepts the situation with the greatest(25) good-humor and makes herself more acceptableto the old set by relating her discouragements,trials, and mistakes so comically that she is bettercompany than before. If her story is not badenough she embroiders it to the proper point of(30) attractiveness.In the measure that women are determiningtheir own lives, they want their own homes. Thedesire is entirely reasonable. The woman who isoccupied with daily work needs greater freedom(35) of movement, more isolation, more personalcomforts, and the exemption, moreover, frombeing agreeable at all times and places. Shewants to be able to shut her doors against all theworld, and not to be confined within four walls(40) herself; and she wants to open her doors when itpleases her, and to exercise the rites of hospitalityunquestioned. In fact, she wants many thingsthat cannot be had except in her own home. It isan interesting fact in natural history that women(45) in their first breathing-spell should revert toconstructing homes as their natural background,to which is added the male realization that thehome is the proper stimulus to achievement.To be the mistress of a home, to extend(50) hospitalities, briefly to be within thecircumference of a social circle, instead ofgliding with uneasy foot on the periphery, is thereasonable desire of every woman. When this isachieved many temptations, so freely recognized(55) that nobody disputes them, are eliminated. Itis a noticeable fact that in all women-bachelorhouseholds, no matter how humble, that the rugsare scarcely down and the curtains up, until thekettle is lighted and the reign of hospitality has(60) begun. It is interesting to observe how soon theshyest novice over the tea-cup loses her timidity,and assumes that air of confidence that once wasthe enviable property of only married women.Q.The author suggests that, to the new urban woman, poverty isa)a challenge to be embraced.b)a career burden to be avoided.c)the consequence of male dominance.d)a surprising source of freedom.Correct answer is option 'A'. Can you explain this answer? has been provided alongside types of Question based on the following passage.This passage is adapted from Mary Gay Humphries, “Women Bachelors," an essay originally published in 1896. During the latter part of the American Industrial Era (c. 1840-1900), many unmarried women began migrating to urban areas throughout the country.The exodus of women to the cities in the lastten years parallels that of men. They have comefrom the West in regiments, and from the Southin brigades. Each year they come younger and(5) younger. They have ameliorated the customs anddiversified the streets.New York women, and perhaps city womenin general, when they are suddenly called uponto earn their livings, are much more independent(10) about it, and more original in their methodsthan women in smaller places, where womanlypursuits, as they are called, follow more closelyprescribed lines. The New York woman has moreknowledge of the world, and she knows that one(15) can do pretty much what one pleases, if it is donewith a certain dash, elan, and sweeping air. Whenshe comes to work for her living she profits bythis knowledge. Instead of becoming a governessor a teacher of music, she tries to get hold of(20) something original that will excite interest. Whenshe has found it she holds it up, as it were, on ablazoned banner, inscribed with this legend, “Ihave not a penny to my name, and Im going towork.” She accepts the situation with the greatest(25) good-humor and makes herself more acceptableto the old set by relating her discouragements,trials, and mistakes so comically that she is bettercompany than before. If her story is not badenough she embroiders it to the proper point of(30) attractiveness.In the measure that women are determiningtheir own lives, they want their own homes. Thedesire is entirely reasonable. The woman who isoccupied with daily work needs greater freedom(35) of movement, more isolation, more personalcomforts, and the exemption, moreover, frombeing agreeable at all times and places. Shewants to be able to shut her doors against all theworld, and not to be confined within four walls(40) herself; and she wants to open her doors when itpleases her, and to exercise the rites of hospitalityunquestioned. In fact, she wants many thingsthat cannot be had except in her own home. It isan interesting fact in natural history that women(45) in their first breathing-spell should revert toconstructing homes as their natural background,to which is added the male realization that thehome is the proper stimulus to achievement.To be the mistress of a home, to extend(50) hospitalities, briefly to be within thecircumference of a social circle, instead ofgliding with uneasy foot on the periphery, is thereasonable desire of every woman. When this isachieved many temptations, so freely recognized(55) that nobody disputes them, are eliminated. Itis a noticeable fact that in all women-bachelorhouseholds, no matter how humble, that the rugsare scarcely down and the curtains up, until thekettle is lighted and the reign of hospitality has(60) begun. It is interesting to observe how soon theshyest novice over the tea-cup loses her timidity,and assumes that air of confidence that once wasthe enviable property of only married women.Q.The author suggests that, to the new urban woman, poverty isa)a challenge to be embraced.b)a career burden to be avoided.c)the consequence of male dominance.d)a surprising source of freedom.Correct answer is option 'A'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice Question based on the following passage.This passage is adapted from Mary Gay Humphries, “Women Bachelors," an essay originally published in 1896. During the latter part of the American Industrial Era (c. 1840-1900), many unmarried women began migrating to urban areas throughout the country.The exodus of women to the cities in the lastten years parallels that of men. They have comefrom the West in regiments, and from the Southin brigades. Each year they come younger and(5) younger. They have ameliorated the customs anddiversified the streets.New York women, and perhaps city womenin general, when they are suddenly called uponto earn their livings, are much more independent(10) about it, and more original in their methodsthan women in smaller places, where womanlypursuits, as they are called, follow more closelyprescribed lines. The New York woman has moreknowledge of the world, and she knows that one(15) can do pretty much what one pleases, if it is donewith a certain dash, elan, and sweeping air. Whenshe comes to work for her living she profits bythis knowledge. Instead of becoming a governessor a teacher of music, she tries to get hold of(20) something original that will excite interest. Whenshe has found it she holds it up, as it were, on ablazoned banner, inscribed with this legend, “Ihave not a penny to my name, and Im going towork.” She accepts the situation with the greatest(25) good-humor and makes herself more acceptableto the old set by relating her discouragements,trials, and mistakes so comically that she is bettercompany than before. If her story is not badenough she embroiders it to the proper point of(30) attractiveness.In the measure that women are determiningtheir own lives, they want their own homes. Thedesire is entirely reasonable. The woman who isoccupied with daily work needs greater freedom(35) of movement, more isolation, more personalcomforts, and the exemption, moreover, frombeing agreeable at all times and places. Shewants to be able to shut her doors against all theworld, and not to be confined within four walls(40) herself; and she wants to open her doors when itpleases her, and to exercise the rites of hospitalityunquestioned. In fact, she wants many thingsthat cannot be had except in her own home. It isan interesting fact in natural history that women(45) in their first breathing-spell should revert toconstructing homes as their natural background,to which is added the male realization that thehome is the proper stimulus to achievement.To be the mistress of a home, to extend(50) hospitalities, briefly to be within thecircumference of a social circle, instead ofgliding with uneasy foot on the periphery, is thereasonable desire of every woman. When this isachieved many temptations, so freely recognized(55) that nobody disputes them, are eliminated. Itis a noticeable fact that in all women-bachelorhouseholds, no matter how humble, that the rugsare scarcely down and the curtains up, until thekettle is lighted and the reign of hospitality has(60) begun. It is interesting to observe how soon theshyest novice over the tea-cup loses her timidity,and assumes that air of confidence that once wasthe enviable property of only married women.Q.The author suggests that, to the new urban woman, poverty isa)a challenge to be embraced.b)a career burden to be avoided.c)the consequence of male dominance.d)a surprising source of freedom.Correct answer is option 'A'. Can you explain this answer? tests, examples and also practice SAT tests.