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Which foreign author wrote about the subjects dealt with in their works, and what does the letter "G" in the table stand for?
  • a)
    Confucius; Chinese philosophy
  • b)
    Gautama Buddha; Indian philosophy
  • c)
    Galileo Galilei; Greek astronomy
  • d)
    Megasthenes; Greek
Correct answer is option 'D'. Can you explain this answer?
Most Upvoted Answer
Which foreign author wrote about the subjects dealt with in their work...
Megasthenes was a Greek historian and ambassador who wrote about various subjects in his works. The letter "G" in the table stands for Greek, referring to Megasthenes' nationality and the origin of his writings.

1. Who is Megasthenes?
Megasthenes was an ancient Greek historian and diplomat who lived during the 4th century BC. He served as an ambassador of the Seleucid Empire, under the reign of Emperor Chandragupta Maurya, in the court of the Mauryan Empire in India.

2. Megasthenes' works
Megasthenes wrote several works, including "Indica" or "Indika," which is considered his most famous work. In "Indica," Megasthenes provides a detailed account of the Indian subcontinent, its geography, culture, and political organization. He also wrote about the Mauryan Empire and its ruler Chandragupta Maurya.

3. Subjects dealt with in Megasthenes' works
Megasthenes' works primarily focused on the Indian subcontinent and its various aspects. Some of the subjects he dealt with include:

- Geography: Megasthenes provides descriptions of the Indian geography, including rivers, mountains, and natural resources.
- Culture: He writes about the customs, traditions, and social structure of the Indian people, including their religious practices.
- Political organization: Megasthenes offers insights into the political organization of the Mauryan Empire, detailing its administrative structure, military organization, and governance.
- Economy: He discusses the Indian economy, trade routes, and the wealth of the region.
- Fauna and flora: Megasthenes describes the diverse flora and fauna found in India, including information about elephants and exotic animals.

4. Importance of Megasthenes' works
Megasthenes' works are considered valuable sources of information about ancient India. His detailed observations and descriptions provide historians with insights into the political, cultural, and economic aspects of the Mauryan Empire and the Indian subcontinent during that period.

In conclusion, Megasthenes, a Greek historian and ambassador, wrote about various subjects in his works, primarily focusing on the Indian subcontinent. The letter "G" in the table stands for Greek, indicating Megasthenes' nationality and the origin of his writings.
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Community Answer
Which foreign author wrote about the subjects dealt with in their work...
Megasthenes, a Greek author, wrote about India. In the table, "G" stands for Greek.
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Read the given passage and answer the following questions.Tea began as a medicine and grew into a beverage. In China, in the eighth century, it entered the realm of poetry as one of the polite amusements. The fifteenth century saw Japan ennoble it into a religion of aestheticism-- Teaism. Teaism is a cult founded on the adoration of the beautiful among the sordid facts of everyday existence. It inculcates purity and harmony, the mystery of mutual charity, the romanticism of the social order. It is essentially a worship of the Imperfect, as it is a tender attempt to accomplish something possible in this impossible thing we know as life.The Philosophy of Tea is not mere aestheticism in the ordinary acceptance of the term, for it expresses conjointly with ethics and religion our whole point of view about man and nature. It is hygiene, for it enforces cleanliness; it is economics, for it shows comfort in simplicity rather than in the complex and costly; it is moral geometry, inasmuch as it defines our sense of proportion to the universe. It represents the true spirit of Eastern democracy by making all its votaries aristocrats in taste.The long isolation of Japan from the rest of the world, so conducive to introspection, has been highly favourable to the development of Teaism. Our home and habits, costume and cuisine, porcelain, lacquer, painting-- our very literature--all have been subject to its influence. No student of Japanese culture could ever ignore its presence. It has permeated the elegance of noble boudoirs, and entered the abode of the humble. Our peasants have learned to arrange flowers, our meanest labourer to offer his salutation to the rocks and waters. In our common parlance we speak of the man "with no tea" in him, when he is insusceptible to the seriocomic interests of the personal drama. Again, we stigmatise the untamed aesthete who, regardless of the mundane tragedy, runs riot in the springtide of emancipated emotions, as one "with too much tea" in him.Q. The statement which appropriately summarizes the above given passage is

Read the given passage and answer the following questions.Tea began as a medicine and grew into a beverage. In China, in the eighth century, it entered the realm of poetry as one of the polite amusements. The fifteenth century saw Japan ennoble it into a religion of aestheticism-- Teaism. Teaism is a cult founded on the adoration of the beautiful among the sordid facts of everyday existence. It inculcates purity and harmony, the mystery of mutual charity, the romanticism of the social order. It is essentially a worship of the Imperfect, as it is a tender attempt to accomplish something possible in this impossible thing we know as life.The Philosophy of Tea is not mere aestheticism in the ordinary acceptance of the term, for it expresses conjointly with ethics and religion our whole point of view about man and nature. It is hygiene, for it enforces cleanliness; it is economics, for it shows comfort in simplicity rather than in the complex and costly; it is moral geometry, inasmuch as it defines our sense of proportion to the universe. It represents the true spirit of Eastern democracy by making all its votaries aristocrats in taste.The long isolation of Japan from the rest of the world, so conducive to introspection, has been highly favourable to the development of Teaism. Our home and habits, costume and cuisine, porcelain, lacquer, painting-- our very literature--all have been subject to its influence. No student of Japanese culture could ever ignore its presence. It has permeated the elegance of noble boudoirs, and entered the abode of the humble. Our peasants have learned to arrange flowers, our meanest labourer to offer his salutation to the rocks and waters. In our common parlance we speak of the man "with no tea" in him, when he is insusceptible to the seriocomic interests of the personal drama. Again, we stigmatise the untamed aesthete who, regardless of the mundane tragedy, runs riot in the springtide of emancipated emotions, as one "with too much tea" in him.Q. Which of the statements is FALSE according to the above given passage

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Which foreign author wrote about the subjects dealt with in their works, and what does the letter "G" in the table stand for?a)Confucius; Chinese philosophyb)Gautama Buddha; Indian philosophyc)Galileo Galilei; Greek astronomyd)Megasthenes; GreekCorrect answer is option 'D'. Can you explain this answer?
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