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The following text is adapted from Herman Melville's 1857 novel The Confidence-Man. Humphry Davy was a prominent British chemist and inventor.
Years ago, a grave American savant, being in London, observed at an evening party there, a certain coxcombical fellow, as he thought, an absurd ribbon in his lapel, and full of smart [banter], whisking about to the admiration of as many as were disposed to admire. Great was the savant's disdain; but, chancing ere long to find himself in a corner with the jackanapes, got into conversation with him, when he was somewhat ill-prepared for the good sense of the jackanapes, but was altogether thrown aback, upon subsequently being [informed that he was] no less a personage than Sir Humphry Davy.
Which choice best states the main purpose of the text?
  • a)
    It explains why one character dislikes another.
  • b)
    It portrays the thoughts of a character who is embarrassed about his own behavior.
  • c)
    It offers a short history of how a person came to be famous.
  • d)
    It presents an account of a misunderstanding.
Correct answer is option 'D'. Can you explain this answer?
Verified Answer
The following text is adapted from Herman Melvilles 1857 novel The Con...
Choice A. This is too narrow. It doesn't include the second half of the text, where the savant gets into a conversation with the man and then finds out that the man is Sir Humphry Davy.
Choice B. This is too strong and too narrow. Only at the very end is the savant "thrown aback" by the fact that the man was Sir Humphry Davy-he's not "embarrassed about his own behavior".
Choice C. This isn't the main purpose. The text never provides the history of how Sir Humphry Davy came to be famous. Nor does it provide any history for the American savant.
Choice D. This is the best answer. The text tells a story of a first impression that turned out to be wrong: a serious American savant was dismissive of a goofy-looking, wisecracking guest at a British party, and then was shocked to learn that the guest was actually a prominent British chemist and inventor.
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Most Upvoted Answer
The following text is adapted from Herman Melvilles 1857 novel The Con...
Understanding the Main Purpose of the Text:

Explanation:
The main purpose of the text is to present an account of a misunderstanding that occurred between the grave American savant and Sir Humphry Davy. The savant initially viewed Davy as a coxcombical fellow due to his appearance and behavior at a party. However, upon engaging in conversation with Davy, the savant was surprised by Davy's good sense and intelligence. The text highlights the misconception and misjudgment made by the savant, emphasizing how appearances can be deceiving and how individuals should not form quick judgments based solely on superficial characteristics.
Therefore, the main purpose of the text is to showcase a situation where a character's initial impression of another individual was proven wrong upon further interaction, leading to a realization of the misunderstanding that took place.
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Question based on the following passages.Passage 1 is adapted from an essay written by John Aldridge in 1951. ©1951 by John Aldridge. Passage 2 is adapted from Brom Weber, "Ernest Hemingways Genteel Bullfight," published in The American Novel and the Nineteen Twenties. ©1971 by Hodder Education.Passage 1By the time we were old enough to readHemingway, he had become legendary. LikeLord Byron a century earlier, he had learnedto play himself, his own best hero, with superb(5) conviction. He was Hemingway of the ruggedoutdoor grin and the hairy chest posing beside alion he had just shot. He was Tarzan Hemingway,crouching in the African bush with elephant gunat ready. He was War Correspondent Hemingway(10) writing a play in the Hotel Florida in Madridwhile thirty fascist shells crashed throughthe roof. Later, he was Task Force Hemingwayswathed in ammunition belts and defendinghis post singlehandedly against fierce German(15) attacks.But even without the legend, the chestbeating, wisecracking pose that was later toseem so incredibly absurd, his impact upon uswas tremendous. The feeling he gave us was one(20) of immense expansiveness, freedom and, at thesame time, absolute stability and control. Wecould follow him, imitate his cold detachment,through all the doubts and fears of adolescenceand come out pure and untouched. The words(25) he put down seemed to us to have been carvedfrom the living stone of life. They conveyedexactly the taste, smell and feel of experience asit was, as it might possibly be. And so we beganunconsciously to translate our own sensations(30) into their terms and to impose on everythingwe did and felt the particular emotions theyaroused in us.The Hemingway time was a good time tobe young. We had much then that the war later(35) forced out of us, something far greater thanHemingways strong formative influence.Later writers who lost or got rid of Hemingwayhave been able to find nothing to put in hisplace. They have rejected his time as untrue(40) for them only to fail at finding themselves in theirown time. Others, in their embarrassment at thehold he once had over them, have not profitedby the lessons he had to teach, and still otherswere never touched by him at all. These last are(45) perhaps the real unfortunates, for they have beendenied access to a powerful tradition.Passage 2One wonders why Hemingways greatestworks now seem unable to evoke the same senseof a tottering world that in the 1920s established(50) Ernest Hemingways reputation. These novelsshould be speaking to us. Our social structureis as shaken, our philosophical despair as great,our everyday experience as unsatisfying. We havehad more war than Hemingway ever dreamed(55) of. Our violence—physical, emotional, andintellectual—is not inferior to that of the 1920s.Yet Hemingways great novels no longer seem topenetrate deeply the surface of existence.One begins to doubt that they ever did so significantly(60) in the 1920s.Hemingways novels indulged the dominantgenteel tradition in American culture whileseeming to repudiate it. They yielded to thefunctionalist, technological aesthetic of the(65) culture instead of resisting in the manner ofFrank Lloyd Wright. Hemingway, in effect, became adupe of his culture rather than its moral-aestheticconscience. As a consequence, the import of hiswork has diminished. There is some evidence(70) from his stylistic evolution that Hemingwayhimself must have felt as much, for Hemingwaysfamous stylistic economy frequently seems toconceal another kind of writer, with much richerrhetorical resources to hand. So, Death in the(75) Afternoon (1932), Hemingways bullfightingopus and his first book after A Farewell to Arms(1929), reveals great uneasiness over his earlieraccomplishment. In it, he defends his literarymethod with a doctrine of ambiguity: “If a writer(80) of prose knows enough about what he is writingabout he may omit things that he knows andthe reader, if the writer is writing truly enough,will have a feeling of those things as strongly asthough the writer had stated them.”(85) Hemingway made much the same theoreticalpoint in another way in Death in the Afternoonapparently believing that a formal reduction ofaesthetic complexity was the only kind of designthat had value.(90) Perhaps the greatest irony of Death in theAfternoon is its unmistakably baroque prose,which Hemingway himself embarrassedlyadmitted was “flowery.” Reviewers, unable tochallenge Hemingways expertise in the art of(95) bullfighting, noted that its style was “awkward,tortuous, [and] belligerently clumsy.”Death in the Afternoon is an extraordinarilyself-indulgent, unruly, clownish, garrulous,and satiric book, with scrambled chronologies,(100) willful digressions, mock-scholarly apparatuses,fictional interludes, and scathing allusions. Itsinflated style can hardly penetrate the fagade, letalone deflate humanity.Q.The “lessons” mentioned in line 43 most likely include stories of

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Later, he was Task Force Hemingwayswathed in ammunition belts and defendinghis post singlehandedly against fierce German(15) attacks.But even without the legend, the chestbeating, wisecracking pose that was later toseem so incredibly absurd, his impact upon uswas tremendous. The feeling he gave us was one(20) of immense expansiveness, freedom and, at thesame time, absolute stability and control. Wecould follow him, imitate his cold detachment,through all the doubts and fears of adolescenceand come out pure and untouched. The words(25) he put down seemed to us to have been carvedfrom the living stone of life. They conveyedexactly the taste, smell and feel of experience asit was, as it might possibly be. And so we beganunconsciously to translate our own sensations(30) into their terms and to impose on everythingwe did and felt the particular emotions theyaroused in us.The Hemingway time was a good time tobe young. 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So, Death in the(75) Afternoon (1932), Hemingways bullfightingopus and his first book after A Farewell to Arms(1929), reveals great uneasiness over his earlieraccomplishment. In it, he defends his literarymethod with a doctrine of ambiguity: “If a writer(80) of prose knows enough about what he is writingabout he may omit things that he knows andthe reader, if the writer is writing truly enough,will have a feeling of those things as strongly asthough the writer had stated them.”(85) Hemingway made much the same theoreticalpoint in another way in Death in the Afternoonapparently believing that a formal reduction ofaesthetic complexity was the only kind of designthat had value.(90) Perhaps the greatest irony of Death in theAfternoon is its unmistakably baroque prose,which Hemingway himself embarrassedlyadmitted was “flowery.” Reviewers, unable tochallenge Hemingways expertise in the art of(95) bullfighting, noted that its style was “awkward,tortuous, [and] belligerently clumsy.”Death in the Afternoon is an extraordinarilyself-indulgent, unruly, clownish, garrulous,and satiric book, with scrambled chronologies,(100) willful digressions, mock-scholarly apparatuses,fictional interludes, and scathing allusions. Itsinflated style can hardly penetrate the fagade, letalone deflate humanity.Q.The author of Passage 1 would most likely regard the statement in lines 66–68 (“Hemingway, in effect . . . conscience”), with

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The following text is adapted from Herman Melvilles 1857 novel The Confidence-Man. Humphry Davy was a prominent British chemist and inventor.Years ago, a grave American savant, being in London, observed at an evening party there, a certain coxcombical fellow, as he thought, an absurd ribbon in his lapel, and full of smart [banter], whisking about to the admiration of as many as were disposed to admire. Great was the savants disdain; but, chancing ere long to find himself in a corner with the jackanapes, got into conversation with him, when he was somewhat ill-prepared for the good sense of the jackanapes, but was altogether thrown aback, upon subsequently being [informed that he was] no less a personage than Sir Humphry Davy.Which choice best states the main purpose of the text?a)It explains why one character dislikes another.b)It portrays the thoughts of a character who is embarrassed about his own behavior.c)It offers a short history of how a person came to be famous.d)It presents an account of a misunderstanding.Correct answer is option 'D'. Can you explain this answer?
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The following text is adapted from Herman Melvilles 1857 novel The Confidence-Man. Humphry Davy was a prominent British chemist and inventor.Years ago, a grave American savant, being in London, observed at an evening party there, a certain coxcombical fellow, as he thought, an absurd ribbon in his lapel, and full of smart [banter], whisking about to the admiration of as many as were disposed to admire. Great was the savants disdain; but, chancing ere long to find himself in a corner with the jackanapes, got into conversation with him, when he was somewhat ill-prepared for the good sense of the jackanapes, but was altogether thrown aback, upon subsequently being [informed that he was] no less a personage than Sir Humphry Davy.Which choice best states the main purpose of the text?a)It explains why one character dislikes another.b)It portrays the thoughts of a character who is embarrassed about his own behavior.c)It offers a short history of how a person came to be famous.d)It presents an account of a misunderstanding.Correct answer is option 'D'. Can you explain this answer? for SAT 2025 is part of SAT preparation. The Question and answers have been prepared according to the SAT exam syllabus. Information about The following text is adapted from Herman Melvilles 1857 novel The Confidence-Man. Humphry Davy was a prominent British chemist and inventor.Years ago, a grave American savant, being in London, observed at an evening party there, a certain coxcombical fellow, as he thought, an absurd ribbon in his lapel, and full of smart [banter], whisking about to the admiration of as many as were disposed to admire. Great was the savants disdain; but, chancing ere long to find himself in a corner with the jackanapes, got into conversation with him, when he was somewhat ill-prepared for the good sense of the jackanapes, but was altogether thrown aback, upon subsequently being [informed that he was] no less a personage than Sir Humphry Davy.Which choice best states the main purpose of the text?a)It explains why one character dislikes another.b)It portrays the thoughts of a character who is embarrassed about his own behavior.c)It offers a short history of how a person came to be famous.d)It presents an account of a misunderstanding.Correct answer is option 'D'. Can you explain this answer? covers all topics & solutions for SAT 2025 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for The following text is adapted from Herman Melvilles 1857 novel The Confidence-Man. Humphry Davy was a prominent British chemist and inventor.Years ago, a grave American savant, being in London, observed at an evening party there, a certain coxcombical fellow, as he thought, an absurd ribbon in his lapel, and full of smart [banter], whisking about to the admiration of as many as were disposed to admire. Great was the savants disdain; but, chancing ere long to find himself in a corner with the jackanapes, got into conversation with him, when he was somewhat ill-prepared for the good sense of the jackanapes, but was altogether thrown aback, upon subsequently being [informed that he was] no less a personage than Sir Humphry Davy.Which choice best states the main purpose of the text?a)It explains why one character dislikes another.b)It portrays the thoughts of a character who is embarrassed about his own behavior.c)It offers a short history of how a person came to be famous.d)It presents an account of a misunderstanding.Correct answer is option 'D'. Can you explain this answer?.
Solutions for The following text is adapted from Herman Melvilles 1857 novel The Confidence-Man. Humphry Davy was a prominent British chemist and inventor.Years ago, a grave American savant, being in London, observed at an evening party there, a certain coxcombical fellow, as he thought, an absurd ribbon in his lapel, and full of smart [banter], whisking about to the admiration of as many as were disposed to admire. Great was the savants disdain; but, chancing ere long to find himself in a corner with the jackanapes, got into conversation with him, when he was somewhat ill-prepared for the good sense of the jackanapes, but was altogether thrown aback, upon subsequently being [informed that he was] no less a personage than Sir Humphry Davy.Which choice best states the main purpose of the text?a)It explains why one character dislikes another.b)It portrays the thoughts of a character who is embarrassed about his own behavior.c)It offers a short history of how a person came to be famous.d)It presents an account of a misunderstanding.Correct answer is option 'D'. Can you explain this answer? in English & in Hindi are available as part of our courses for SAT. Download more important topics, notes, lectures and mock test series for SAT Exam by signing up for free.
Here you can find the meaning of The following text is adapted from Herman Melvilles 1857 novel The Confidence-Man. Humphry Davy was a prominent British chemist and inventor.Years ago, a grave American savant, being in London, observed at an evening party there, a certain coxcombical fellow, as he thought, an absurd ribbon in his lapel, and full of smart [banter], whisking about to the admiration of as many as were disposed to admire. Great was the savants disdain; but, chancing ere long to find himself in a corner with the jackanapes, got into conversation with him, when he was somewhat ill-prepared for the good sense of the jackanapes, but was altogether thrown aback, upon subsequently being [informed that he was] no less a personage than Sir Humphry Davy.Which choice best states the main purpose of the text?a)It explains why one character dislikes another.b)It portrays the thoughts of a character who is embarrassed about his own behavior.c)It offers a short history of how a person came to be famous.d)It presents an account of a misunderstanding.Correct answer is option 'D'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of The following text is adapted from Herman Melvilles 1857 novel The Confidence-Man. Humphry Davy was a prominent British chemist and inventor.Years ago, a grave American savant, being in London, observed at an evening party there, a certain coxcombical fellow, as he thought, an absurd ribbon in his lapel, and full of smart [banter], whisking about to the admiration of as many as were disposed to admire. Great was the savants disdain; but, chancing ere long to find himself in a corner with the jackanapes, got into conversation with him, when he was somewhat ill-prepared for the good sense of the jackanapes, but was altogether thrown aback, upon subsequently being [informed that he was] no less a personage than Sir Humphry Davy.Which choice best states the main purpose of the text?a)It explains why one character dislikes another.b)It portrays the thoughts of a character who is embarrassed about his own behavior.c)It offers a short history of how a person came to be famous.d)It presents an account of a misunderstanding.Correct answer is option 'D'. Can you explain this answer?, a detailed solution for The following text is adapted from Herman Melvilles 1857 novel The Confidence-Man. Humphry Davy was a prominent British chemist and inventor.Years ago, a grave American savant, being in London, observed at an evening party there, a certain coxcombical fellow, as he thought, an absurd ribbon in his lapel, and full of smart [banter], whisking about to the admiration of as many as were disposed to admire. Great was the savants disdain; but, chancing ere long to find himself in a corner with the jackanapes, got into conversation with him, when he was somewhat ill-prepared for the good sense of the jackanapes, but was altogether thrown aback, upon subsequently being [informed that he was] no less a personage than Sir Humphry Davy.Which choice best states the main purpose of the text?a)It explains why one character dislikes another.b)It portrays the thoughts of a character who is embarrassed about his own behavior.c)It offers a short history of how a person came to be famous.d)It presents an account of a misunderstanding.Correct answer is option 'D'. Can you explain this answer? has been provided alongside types of The following text is adapted from Herman Melvilles 1857 novel The Confidence-Man. Humphry Davy was a prominent British chemist and inventor.Years ago, a grave American savant, being in London, observed at an evening party there, a certain coxcombical fellow, as he thought, an absurd ribbon in his lapel, and full of smart [banter], whisking about to the admiration of as many as were disposed to admire. Great was the savants disdain; but, chancing ere long to find himself in a corner with the jackanapes, got into conversation with him, when he was somewhat ill-prepared for the good sense of the jackanapes, but was altogether thrown aback, upon subsequently being [informed that he was] no less a personage than Sir Humphry Davy.Which choice best states the main purpose of the text?a)It explains why one character dislikes another.b)It portrays the thoughts of a character who is embarrassed about his own behavior.c)It offers a short history of how a person came to be famous.d)It presents an account of a misunderstanding.Correct answer is option 'D'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice The following text is adapted from Herman Melvilles 1857 novel The Confidence-Man. Humphry Davy was a prominent British chemist and inventor.Years ago, a grave American savant, being in London, observed at an evening party there, a certain coxcombical fellow, as he thought, an absurd ribbon in his lapel, and full of smart [banter], whisking about to the admiration of as many as were disposed to admire. Great was the savants disdain; but, chancing ere long to find himself in a corner with the jackanapes, got into conversation with him, when he was somewhat ill-prepared for the good sense of the jackanapes, but was altogether thrown aback, upon subsequently being [informed that he was] no less a personage than Sir Humphry Davy.Which choice best states the main purpose of the text?a)It explains why one character dislikes another.b)It portrays the thoughts of a character who is embarrassed about his own behavior.c)It offers a short history of how a person came to be famous.d)It presents an account of a misunderstanding.Correct answer is option 'D'. Can you explain this answer? tests, examples and also practice SAT tests.
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