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Rahel - Characters, The God of Small Things | The God of Small Things- Summary, Themes & Characters - Novels PDF Download

Though Rahel and Estha are both the protagonists of this novel, we get to know Rahel more completely, since we spend significantly more time seeing the world through her eyes. As a child, Rahel exists in a kind of harmony with Estha, her twin brother who is eighteen minutes her senior. Their personalities seem to balance each other out, like popcorn and M&Ms or peanut butter and jelly. Estha is serious and earnest; Rahel becomes preoccupied with things and can't seem to sit still. Estha seems to be the better behaved of the two; Rahel is the one who hides in the dirty airport curtains when she doesn't want to say hi to Sophie Mol.

Rahel also has an incredibly active imagination – she seems to exist in a version of reality that's all her own. When she feels scared, she feels Pappachi's moth crawling on her heart with icy legs. At Sophie Mol's funeral, she thinks she sees her turn over in her coffin, which further convinces her that Sophie Mol is being buried alive. She sees the kangaroo-shaped trash receptacles at the airport rummaging through their pouches for cigarettes and cashews.

Rahel's imagination is very different from Estha's – hers is more childlike and wondering, while Estha's is more like a worst-case-scenario handbook. The ways they think about and respond to the world around them reveal a lot about the separate paths their experiences will take. Even though Rahel finds things to worry about that are pretty serious, like whether Ammu has stopped loving her as much as she used to, we know things are actually OK for her. She's safe, and she's loved. Any of us would be insecure about Ammu's love if we were in her shoes, but in comparison with Estha's anxiety about being molested again, it's safe to say Estha has more pressing concerns.

In fact, one of the really interesting ways the narrator shows us the difference between the twins is by looking at the way they understand Velutha's death. After Estha is coerced into telling the inspector that Velutha kidnapped him, he tells Rahel that everything's OK – it wasn't Velutha; it was his long-lost twin. Even though we don't know if Rahel totally buys it or not, we see that she finds a safe space to hide in her imagination, while Estha has to deal with the truth.

We learn that after the family is split up, Rahel is sent away to school. She is expelled for misbehavior though her personal brand of misbehaving is kind of harmless and weird: decorating heaps of dung (poop) with flowers. The last straw at one school comes when she hides behind doors and pops out to collide with unsuspecting senior girls. She gets thrown out of two more schools, one for smoking and one for setting someone's hairpiece on fire. In every case, the narrator tells us, Rahel's teachers note that she is an extremely polite child who has no friends (1.102). When we think of how she's been separated from Estha, her other half, we can see how Rahel would be kind of a lost soul.

Rahel continues to wander until she returns to Ayemenem at the age of 31. She enters an architecture program in Delhi, not because she's particularly interested in architecture, but more because she just falls into it. The same seems to go for her marriage. We find out that she meets Larry McCaslin, who is doing research in Delhi, and goes back to the United States with him. We don't really get the vibe that she's that into him – and neither does Larry, really. Whenever they make love, he feels like she's not paying attention. The narrator doesn't give us too many specifics about the end of their marriage, which is fitting when you think about how Rahel spends most of her adult life drifting from one thing to the next. She works various jobs all over the U.S. before returning to Ayemenem.

We learn that Estha is really the only reason she returns. Even though she hasn't seen him in 23 years, we can sense that he's still the most important person in her life. Whenever they are close, they don't even have to speak to know the other is there. (Not that Estha would speak anyway these days.) They still have an innate sense of being completed by each other. This sort of helps explain why Rahel and Estha have sex at the end of the book, although the idea of incest is really uncomfortable for most readers. Being together makes the two halves a complete whole.

Rahel Timeline

  • (In chronological order; not the order that appears in the book).
  • Rahel is born eighteen minutes after Estha. They were almost born on a bus.
  • Rahel and her family drive out to Cochin to see The Sound of Music.
  • Rahel sees Velutha marching with the Communists and calls after him.
  • Ammu tells Rahel they have to leave the movie early because Estha is sick. Rahel is pissed and says something hurtful to Ammu. Ammu tells her that saying mean things makes people love you less. Rahel gets scared that Ammu doesn't love her.
  • The family goes to the airport, and Rahel thinks she sees one of the kangaroo-shaped trash bins come to life.
  • Sophie Mol arrives. Rahel hides in the airport curtains to avoid her, and Ammu gets mad at her.
  • At home, while everyone is making a big deal about Sophie Mol, Rahel runs off to hang out with Velutha.
  • Rahel finds Estha rowing jam in the factory and thinking his Two Thoughts.
  • They find a boat and take it to Velutha so he can fix it.
  • Estha, Rahel, and Sophie Mol decide to run away. They cross the river in the boat. The boat capsizes and the twins realize that Sophie has drowned.
  • Rahel and Estha see the police kick the you-know-what out of Velutha in the History House.
  • Baby Kochamma tells Estha and Rahel that they are murderers and that Ammu will die in jail if they don't answer "yes" to the inspector's questions.
  • Rahel think she sees Sophie Mol do a cartwheel in her coffin.
  • After Ammu dies when Rahel is 11, she is sent away, and drifts from school to school.
  • Rahel goes to Delhi to study architecture. She meets Larry McCaslin, whom she then marries. They move to Boston.
  • Rahel divorces Larry. She moves to New York, then Washington.
  • Rahel returns to Ayemenem in 1993.
  • Rahel chats with Comrade K.N.M. Pillai.
  • Back at the house, Rahel finds a bunch of little trinkets that she had hidden away as a girl.
  • She reads Estha a story he had written as a boy. It's about Ammu.
  • Rahel goes to watch a kathakali performance, stopping by the old pickle factory on her way.
  • While Rahel watches the kathakali performance, she realizes that Estha is nearby. They walk home together.
  • Rahel and Estha lie in bed together, then have sex.
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FAQs on Rahel - Characters, The God of Small Things - The God of Small Things- Summary, Themes & Characters - Novels

1. Who is Rahel in The God of Small Things?
Ans. Rahel is one of the main characters in the novel "The God of Small Things" written by Arundhati Roy. She is the twin sister of Estha and their story revolves around their childhood experiences and the tragic events that unfold in their lives.
2. What is the significance of Rahel's character in the novel?
Ans. Rahel's character is significant in the novel as she represents the voice of rebellion and nonconformity. She is portrayed as a free-spirited and independent individual who challenges the societal norms and expectations imposed on her. Through her character, the author explores themes of love, loss, and the complexities of human relationships.
3. How does Rahel's relationship with her twin brother Estha contribute to the plot?
Ans. Rahel's relationship with her twin brother Estha plays a crucial role in the plot of the novel. They share a deep bond and their experiences together shape their identities. The tragic events that occur in their childhood, including the death of Sophie Mol and the subsequent consequences, deeply impact their lives and relationships. Rahel's love for her brother and her attempts to protect him add complexity and depth to the story.
4. What struggles does Rahel face throughout the novel?
Ans. Rahel faces several struggles throughout the novel. She grapples with the burden of secrecy and guilt surrounding the events of Sophie Mol's death, which haunts her throughout her life. Rahel also struggles with societal expectations and the limitations placed on her as a woman in a patriarchal society. Her journey involves navigating through these challenges and finding her own voice and freedom.
5. How does Rahel's character symbolize the larger themes in the novel?
Ans. Rahel's character symbolizes the larger themes of love, loss, and the impact of societal structures in the novel. Her rebellious nature and nonconformity challenge the traditional notions of love and relationships. Rahel's experiences reflect the consequences of societal norms and expectations, particularly in relation to gender roles. Her character serves as a vehicle to explore the complexities of human emotions and the consequences of societal pressures.
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