Now, it is a fact, that there was nothing at all particular about the knocker on the door, except that it was very large. It is also a fact, that Scrooge had seen it, night and morning, during his whole residence in that place; also that Scrooge had as little of what is called fancy about him as any man in the city of London, even including—which is a bold word—the corporation, aldermen, and livery. Let it also be borne in mind that Scrooge had not bestowed one thought on Marley, since his last mention of his seven-years' dead partner that afternoon. And then let any man explain to me, if he can, how it happened that Scrooge, having his key in the lock of the door, saw in the knocker, without its undergoing any intermediate process of change—not a knocker, but Marley's face. (1.81)
The supernatural is believable only when other explanations—like memory tricks or the imagination—have run plumb out.
Even this, though, when Scrooge looked at it with increasing steadiness, was not its strangest quality. For as its belt sparkled and glittered now in one part and now in another, and what was light one instant, at another time was dark, so the figure itself fluctuated in its distinctness: being now a thing with one arm, now with one leg, now with twenty legs, now a pair of legs without a head, now a head without a body: of which dissolving parts, no outline would be visible in the dense gloom wherein they melted away. And in the very wonder of this, it would be itself again; distinct and clear as ever. (2.21)
This seems like a pretty reasonable way to think about how we recall past events—as shifting, wonky, tricky images. But does this description have any relation to the way memory is actually experienced in this work?
"Good Heaven!" said Scrooge, clasping his hands together, as he looked about him. "I was bred in this place. I was a boy here!"
The Spirit gazed upon him mildly. Its gentle touch, though it had been light and instantaneous, appeared still present to the old man's sense of feeling. He was conscious of a thousand odours floating in the air, each one connected with a thousand thoughts, and hopes, and joys, and cares long, long, forgotten!
"Your lip is trembling," said the Ghost. "And what is that upon your cheek?"
Scrooge muttered, with an unusual catching in his voice, that it was a pimple; and begged the Ghost to lead him where he would.
"You recollect the way?" inquired the Spirit.
"Remember it!" cried Scrooge with fervour; "I could walk it blindfold."
"Strange to have forgotten it for so many years!" observed the Ghost. "Let us go on."
They walked along the road, Scrooge recognising every gate, and post, and tree [...] (2.41-47)
Check out how Scrooge's senses are returning to him here in his childhood home—the "gentle touch" of the ghost reveals "odours" floating in the air and the sight of "every gate, post, and tree." And then in turn, these senses reveal the kinds of emotional connections that Scrooge has walled himself off from: "hopes, and joys, and cares". Why do you think Scrooge lies about the tear on his cheek?
"Leave me! Take me back. Haunt me no longer!"
In the struggle, if that can be called a struggle in which the Ghost with no visible resistance on its own part was undisturbed by any effort of its adversary, Scrooge observed that its light was burning high and bright; and dimly connecting that with its influence over him, he seized the extinguisher-cap, and by a sudden action pressed it down upon its head.
The Spirit dropped beneath it, so that the extinguisher covered its whole form; but though Scrooge pressed it down with all his force, he could not hide the light, which streamed from under it, in an unbroken flood upon the ground. (2.149-150)
Scrooge can no longer totally repress his memories of his past, which fill him with pain and guilt and remorse. The idea here is that these self-policing emotions, like guilt and remorse, are what make us functional people. Without them, we might all be compassionless Scrooges.
"It's just as likely as not," said Bob, "one of these days; though there's plenty of time for that, my dear. But however and whenever we part from one another, I am sure we shall none of us forget poor Tiny Tim—shall we—or this first parting that there was among us?"
"Never, father!" cried they all.
"And I know," said Bob, "I know, my dears, that when we recollect how patient and how mild he was; although he was a little, little child; we shall not quarrel easily among ourselves, and forget poor Tiny Tim in doing it."
"No, never, father!" they all cried again. (4.135-138)
Again, here is an example of how memory is used to self-correct and self-police. All these Cratchit children will now deploy their memory of the angelic Tiny Tim to quash their own negative qualities. Handy.
1. What is the significance of memory and the past in "A Christmas Carol"? |
2. How does the concept of memory contribute to the theme of redemption in "A Christmas Carol"? |
3. Why does Charles Dickens emphasize the importance of memory and the past in "A Christmas Carol"? |
4. How does the theme of memory connect to the overall message of "A Christmas Carol"? |
5. What lessons can be learned from the role of memory and the past in "A Christmas Carol"? |
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