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Chapter 8 - Summary, Oliver Twist | Oliver Twist - Summary, Themes & Characters - Novels PDF Download

"Oliver Walks to London, and Encounters on the Road a Strange Sort of Young Gentleman"

  • Oliver is at the very edge of town, and it is now eight in the morning. He’s so afraid of being caught by the parish authorities or the Sowerberrys that he runs, dodging between hedges, until noon.
  • Oliver stops to rest by a milestone (like a Victorian road sign) that says that he is seventy miles from London.
  • Oliver remembers having heard about London from the old men at the workhouse, and decides it’s "the very place for a homeless boy, who must die in the streets unless some one helped him" (8.2).
  • Oliver walks five miles before stopping to take stock of his supplies: he only has a crust of bread, an extra shirt, two spare pairs of stockings (socks, basically), and a penny, and he now has sixty-five miles more to go. He walks twenty miles that day, and only eats the crust of bread he has with him, and spends the night under a hay-rick in a meadow.
  • He wakes up so hungry that he has to spend his only penny on a loaf of bread, and he’s so tired from the events of the last few days that he’s only able to walk twelve miles that day.
  • He tries to beg from some people on the outside of a stagecoach (this was before the railway, so the only way to get from city to city was by stagecoach). But they ignore him.
  • Some folks threaten to set their dogs on him for begging, some assume he’s planning to steal from them, and some towns have signs up saying that anyone begging within the city limits will be sent to jail.
  • The only two people who have any compassion on poor Oliver are two poor people who can't really afford to—a turnpike-man (think of him as a Victorian tollbooth worker), and an old lady who is reminded of her own lost grandson when she sees Oliver.
  • After a week of walking from his hometown, Oliver arrives at the town of Barnet (a small village ten miles north of London).
  • He arrives at sunrise, but "the light only seemed to show the boy his own lonesomeness and desolation as he sat with bleeding feet and covered with dust upon a cold door-step" (8.9).
  • As the town wakes up, passersby seem suspicious of him, but don’t offer him any help.
  • A boy notices Oliver sitting there, and after looking at him for a while, comes over and says, "Hullo! My covey, what’s the row?"
  • Before translating this odd speech for his readers, Dickens backs up to describe the boy: he’s about Oliver’s age, but swaggers around like a full-grown man, and wears grown-up clothes with the sleeves and legs turned up.
  • He asks Oliver some more questions that Oliver doesn’t understand ("Beak’s order, eh?") and his explanations aren’t much more clear than the original.
  • We will now interrupt this program for another Historical Context Lesson: The reason we don’t understand this boy’s speech is because it’s in cant, or criminals’ slang, so neither Oliver nor the reader is likely to understand it. So don’t worry—it’s not just you. Oliver doesn’t understand criminal cant, either, and Dickens doesn’t expect us to. Check out the "intro" section for more on crime novels (a.k.a. "Newgate novels").
  • For now, suffice to say that all the novelists who were writing about crime liked to work some criminal slang into their novels to spice things up a bit, and make it seem like they really knew how criminals communicated. Did criminals really talk like that in the nineteenth century? Hard to say— you’ll hear different answers from different people. In any case, the mix of Oliver’s innocence and the Dodger’s slang is pretty hilarious.
  • Back to the story. After some more misunderstandings, the young man (who still hasn’t introduced himself) offers to buy Oliver some food, which Oliver obviously accepts.
  • As he eats, he tells the boy that he’s going to London. The boy asks if he knows where he’s going to stay, or if he has any money. When Oliver answers "no" to both, the boy says that he knows of a "genelman" in London who will give Oliver a place to stay "for nothink," so long as Oliver is introduced by this boy.
  • Of course Oliver can’t say no to an offer like this—he’s been sleeping outside for a week, and it’s the middle of winter.
  • The boy introduces himself as "Jack Dawkins," but he’s more often known as "the Artful Dodger" (which is how we’ll be referring to him from now on).
  • Oliver decides that the Dodger is probably not a very moral person, and decides that he’ll avoid spending much time with him in the future if that turns out to be true.
  • They arrive in London after eleven o’clock at night, and pass through a dirty neighborhood to a tiny alley called Field-Lane (well known to contemporary readers to be a hideout for pickpockets).
  • After an exchange of secret passwords with someone in an upstairs window, the Dodger leads Oliver upstairs to a dirty room, where he introduces Oliver to "a very old shrivelled Jew." Yikes. We recommend that you go straight over to "Character Analysis" before going on to work through the antisemitism here.
  • Okay, back to the story. Besides Fagin, the room is full of various other young boys. There are a whole lot of pocket handkerchiefs spread out around the room, which Fagin tells Oliver are being sorted for the laundry. All the boys seem to find this hilarious.
  • After giving him a dinner of sausage, they give him a tumbler of gin and water. Even watered down, you can imagine the effect that much liquor has on a small boy: he drops right off to sleep.
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FAQs on Chapter 8 - Summary, Oliver Twist - Oliver Twist - Summary, Themes & Characters - Novels

1. What is the summary of Chapter 8 of the novel Oliver Twist?
Ans. In Chapter 8 of Oliver Twist, the story continues with Oliver being sent to a workhouse where he is mistreated and suffers from hunger. He is then transferred to a new place called Mr. Sowerberry's Funeral Parlour, where he starts working as an apprentice undertaker. However, he faces more mistreatment from Noah Claypole, a fellow apprentice. Eventually, Oliver decides to run away from the funeral parlour.
2. Who is Mr. Sowerberry in Oliver Twist?
Ans. Mr. Sowerberry is a character in the novel Oliver Twist. He is the owner of a Funeral Parlour where Oliver is sent to work as an apprentice. Mr. Sowerberry is described as a tall, gaunt man with a sharp nose and long chin. He is known for his cheap and shabby funeral services, which often attract poor clients. However, he is also depicted as a cruel and heartless person, who mistreats Oliver and takes advantage of his vulnerable position.
3. What challenges does Oliver face in Chapter 8 of Oliver Twist?
Ans. In Chapter 8 of Oliver Twist, Oliver faces several challenges. Firstly, he suffers from hunger and mistreatment at the workhouse where he is initially sent. Then, after being transferred to Mr. Sowerberry's Funeral Parlour, he encounters further mistreatment from Noah Claypole, a fellow apprentice. Noah bullies and provokes Oliver, making his life miserable. These challenges push Oliver to the point where he decides to run away from the funeral parlour.
4. How does Oliver's character develop in Chapter 8 of Oliver Twist?
Ans. In Chapter 8 of Oliver Twist, Oliver's character continues to develop as he faces adversity and mistreatment. Despite enduring hunger and cruelty, Oliver remains resilient and determined. He shows a strong sense of justice by refusing to engage in dishonest practices, even when pressured by Noah Claypole. Oliver's decision to run away from the funeral parlour demonstrates his bravery and desire for a better life. This chapter highlights Oliver's transformation from a passive victim to a young boy willing to take risks to improve his situation.
5. What is the significance of Oliver's decision to run away in Chapter 8 of Oliver Twist?
Ans. Oliver's decision to run away in Chapter 8 of Oliver Twist is significant as it marks a turning point in his life. By escaping from the mistreatment and cruelty he experiences at the funeral parlour, Oliver takes control of his own destiny. This decision shows his determination to find a better life and escape the cycle of abuse he has been trapped in. It also sets the stage for further adventures and challenges that Oliver will face in the rest of the novel.
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