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All questions of Indian Paintings for UPSC CSE Exam
Consider the following statements about Manjusha Paintings.
1. It is predominantly found in Rajasthan and is a scroll-type art
2. Since snake motifs are always present in it, that's why it is also called snake painting
Which of these statements is/are correct?
- a)1 Only
- b)2 only
- c)Both of them
- d)Neither of them
Correct answer is option 'B'. Can you explain this answer?
Consider the following statements about Manjusha Paintings.
1. It is predominantly found in Rajasthan and is a scroll-type art
2. Since snake motifs are always present in it, that's why it is also called snake painting
Which of these statements is/are correct?
a)
1 Only
b)
2 only
c)
Both of them
d)
Neither of them
|
Amit Sharma answered |
- Manjusha Paintings: This art form belongs to Bhagalpur region of Bihar. It is also known as Angika art, where 'ang' refers to one of the Mahajan Pada. Since snake motifs are always present, it is also called snake painting.
- These paintings are executed on boxes of jute and paper. Phad Painting: It is predominantly found in Rajasthan and is a scroll-type art.
The paintings of Pala school of art was generally executed on- a) Walls
- b) Clothes
- c) Pottery
- d) Palm leaf
Correct answer is option 'D'. Can you explain this answer?
The paintings of Pala school of art was generally executed on
a)
Walls
b)
Clothes
c)
Pottery
d)
Palm leaf
|
Bhavya Bajaj answered |
The paintings of Pala school of art were generally executed on palm leaf. The Pala dynasty ruled over the eastern part of the Indian subcontinent from the 8th to the 12th century CE. The Pala school of art is famous for its exquisite paintings, sculptures, and metal works.
Palm leaf manuscripts were a popular medium for writing and painting during the Pala period. The palm leaves were dried and treated with natural preservatives before use. The artists then used a sharp stylus to etch the outlines of the figures and motifs on the leaf. They then filled in the details using natural pigments made from plants and minerals.
The paintings of the Pala school of art were executed on palm leaf in a variety of styles, including:
1. Miniature Paintings: These were small, highly detailed paintings that depicted religious and mythological themes. They were often used as illustrations in religious texts.
2. Narrative Paintings: These were larger paintings that told stories from the Mahabharata, Ramayana, and other religious texts. They were painted in a sequential manner, with each panel depicting a different scene from the story.
3. Iconographic Paintings: These paintings depicted deities and their various attributes. They were used for meditation and worship.
Overall, the paintings of the Pala school of art executed on palm leaf are considered to be some of the finest examples of Indian art. Their intricate details and vibrant colors continue to inspire artists and art lovers even today.
Palm leaf manuscripts were a popular medium for writing and painting during the Pala period. The palm leaves were dried and treated with natural preservatives before use. The artists then used a sharp stylus to etch the outlines of the figures and motifs on the leaf. They then filled in the details using natural pigments made from plants and minerals.
The paintings of the Pala school of art were executed on palm leaf in a variety of styles, including:
1. Miniature Paintings: These were small, highly detailed paintings that depicted religious and mythological themes. They were often used as illustrations in religious texts.
2. Narrative Paintings: These were larger paintings that told stories from the Mahabharata, Ramayana, and other religious texts. They were painted in a sequential manner, with each panel depicting a different scene from the story.
3. Iconographic Paintings: These paintings depicted deities and their various attributes. They were used for meditation and worship.
Overall, the paintings of the Pala school of art executed on palm leaf are considered to be some of the finest examples of Indian art. Their intricate details and vibrant colors continue to inspire artists and art lovers even today.
Which of the following are the features of the Mughal style of Painting?1. It is based on the Persian miniature painting style2. It is usually devotional or religious in natureChoose from the following options.- a) 1 Only
- b) 2 Only
- c) Both of them
- d) Neither of them
Correct answer is option 'A'. Can you explain this answer?
Which of the following are the features of the Mughal style of Painting?
1. It is based on the Persian miniature painting style
2. It is usually devotional or religious in nature
Choose from the following options.
a)
1 Only
b)
2 Only
c)
Both of them
d)
Neither of them
|
|
Pooja Kumari answered |
It is based on Persian miniature painting style
EXPLANATION:
•The Mughal pictures were small in size, and hence are known as ‘miniature paintings’.
Though the Mughal art absorbed the Indian atmosphere, it neither represented the Indian emotions, nor the scenes from the daily life of the Indian.
The Mughal rulers brought Persian painters with them. At the same time they patronized Indian painters and the collaboration between these two schools of painters resulted in the synthesis.
EXPLANATION:
•The Mughal pictures were small in size, and hence are known as ‘miniature paintings’.
Though the Mughal art absorbed the Indian atmosphere, it neither represented the Indian emotions, nor the scenes from the daily life of the Indian.
The Mughal rulers brought Persian painters with them. At the same time they patronized Indian painters and the collaboration between these two schools of painters resulted in the synthesis.
Sawant Singh, Nagari Das and Nihal Chand are associated with:- a) Mewar School of painting
- b) Kishangarh School of Painting
- c) Bundi School of Painting
- d) Amber - Jaipur School of Painting
Correct answer is option 'B'. Can you explain this answer?
Sawant Singh, Nagari Das and Nihal Chand are associated with:
a)
Mewar School of painting
b)
Kishangarh School of Painting
c)
Bundi School of Painting
d)
Amber - Jaipur School of Painting
|
Sanvi Kapoor answered |
- Paintings at Kishangarh is associated with the most romantic legends - Sawant Singh and his beloved Bani Thani, and of the intertwining of lives and myths, romance and bhakti.
- After surveying earlier developments in Kishangarh, we focus on the interplay between Sawant Singh the prince and lover, Nagari Das the poet, and Nihal Chand the painter who created some of the most legendary paintings by this school.
Consider the following statements. 1. Shah Jahan liked to create artificial elements in the paintings2. He was inspired by the European influenceWhich of these statements is/are correct?- a) 1 Only
- b) 2 Only
- c) Both of them
- d) Neither of them
Correct answer is option 'C'. Can you explain this answer?
Consider the following statements.
1. Shah Jahan liked to create artificial elements in the paintings
2. He was inspired by the European influence
Which of these statements is/are correct?
a)
1 Only
b)
2 Only
c)
Both of them
d)
Neither of them
|
Shubuhi Goswami answered |
Only 2
Which of the following pairs is/are correctly matched? Paintings Location 1. Ravan Chhaya Rock shelter - Odisha2. Lepakshi paintings - Rajasthan3. Jogimara cave paintings - GujaratChoose the correct answer using the code given below.- a) 2 and 3 only
- b) 1 and 3 only
- c) 3 only
- d) 1 only
Correct answer is option 'D'. Can you explain this answer?
Which of the following pairs is/are correctly matched?
Paintings Location
1. Ravan Chhaya Rock shelter - Odisha
2. Lepakshi paintings - Rajasthan
3. Jogimara cave paintings - Gujarat
Choose the correct answer using the code given below.
a)
2 and 3 only
b)
1 and 3 only
c)
3 only
d)
1 only
|
|
Suresh Reddy answered |
Lepakshi paintings - Andhra Pradesh Jogimara cave paintings - Chhattisgarh
Which of the following statements are correct about paintings of the upper palaeolithic period?1. Red colour was used for dancers2. They used green colour was used for HuntersWhich of these statements is/are correct?- a) 1 Only
- b) 2 Only
- c) Both of them
- d) Neither of them
Correct answer is option 'D'. Can you explain this answer?
Which of the following statements are correct about paintings of the upper palaeolithic period?
1. Red colour was used for dancers
2. They used green colour was used for Hunters
Which of these statements is/are correct?
a)
1 Only
b)
2 Only
c)
Both of them
d)
Neither of them
|
|
Anjali Rao answered |
- The walls of the rock shelter caves were made of quartzite and so they used minerals for Pigments.
- One of the most common minerals was ochre or geru mixed with lime and water. They used different minerals to make colours like red, white, yellow and green, which widened their palette. The white, dark red and green were used to depict large animals in on, elephant, rhino, tigers etc. For the human figurines, red was used for hunters and the green mostly for dancers.
He was responsible for the establishment of an entire department devoted to the paintings and scribing of his documents. He established a formal artistic studio called Tasvir Khana where the artists were hired on salary and they developed their own styles. He looked upon paintings as a means of study and amusement. He is:- a) Shah Jahan
- b) Akbar
- c) Jahangir
- d) Aurangzeb
Correct answer is option 'B'. Can you explain this answer?
He was responsible for the establishment of an entire department devoted to the paintings and scribing of his documents. He established a formal artistic studio called Tasvir Khana where the artists were hired on salary and they developed their own styles. He looked upon paintings as a means of study and amusement. He is:
a)
Shah Jahan
b)
Akbar
c)
Jahangir
d)
Aurangzeb
|
Saranya Dasgupta answered |
- Akbar was responsible for the establishment of an entire department devoted to the paintings and scribing of his documents.
- He established a formal artistic studio called Tasvir Khana where the artists were hired on salary and they developed their own styles.
- Akbar looked upon paintings as a means of study and amusement. He believed that a painting could show the demeanour of the subject and regularly gave awards to those painters who created lifelike images.
- Akbar also recognised the beauty of those Indian artists who had worked for previous rulers and invited them to work in his tasvir khana.
The most common themes of the paintings of Abraham school of art belongs to:- a) Buddhist
- b) Jain
- c) Hinduism
- d) All of the above
Correct answer is option 'B'. Can you explain this answer?
The most common themes of the paintings of Abraham school of art belongs to:
a)
Buddhist
b)
Jain
c)
Hinduism
d)
All of the above
|
|
Raj Basu answered |
- This school traces its origin to Gujarat and Mewar region in Rajasthan. It was the predominant school of painting in western India during 11 th to 15th century.
- The most common themes of these paintings were Jain and in the later period the Vaishnava School appropriated them too. They brought in the concept of Gita Govinda and secular love into these paintings that were otherwise dominated by the Jain iconography.
Which of the following are the conditions that are necessary to be fulfilled for making miniature paintings?1. The painting should not be larger than 20 square inch2. The subject of the painting should be painted in not more than one-third of the actual sizeWhich of these statements is/are correct?- a) 1 Only
- b) 2 Only
- c) Both of them
- d) Neither of them
Correct answer is option 'D'. Can you explain this answer?
Which of the following are the conditions that are necessary to be fulfilled for making miniature paintings?
1. The painting should not be larger than 20 square inch
2. The subject of the painting should be painted in not more than one-third of the actual size
Which of these statements is/are correct?
a)
1 Only
b)
2 Only
c)
Both of them
d)
Neither of them
|
|
Suresh Reddy answered |
- The painting should not be larger than 25 square inches.
- The subject of the painting should be painted in not more than 1/6th of the actual size.
The painting named as '12 months' is associated with:- a) Jammu school
- b) Basholi School
- c) Kangra School
- d) None of the above
Correct answer is option 'C'. Can you explain this answer?
The painting named as '12 months' is associated with:
a)
Jammu school
b)
Basholi School
c)
Kangra School
d)
None of the above
|
|
Sanvi Kapoor answered |
- The popular subjects were the Gita Govinda, Bhagwata Purana, Satsai of Biharilal and Nal Damyanti. Love scenes of Krishna was a very prominent theme.
- All the paintings had an otherworldly feel about them. Another very famous group of paintings is the Twelve months' where the artist tried to bring forth the effect of the twelve months on the emotions of human beings.
- This emotive style was popular till the 19th century, The Kangra school became the parent school to the other ateliers which developed in the region of Kullu, Chamba and Mandi.
Consider the following statements.1. The mural paintings are unique because of their sheer size2. They are mainly contained on paper3. Mural paintings are utilised only by the BuddhistsChoose from the following statements.- a) 2 and 3 only
- b) 1 and 3 only
- c) 3 only
- d) 1 only
Correct answer is option 'D'. Can you explain this answer?
Consider the following statements.
1. The mural paintings are unique because of their sheer size
2. They are mainly contained on paper
3. Mural paintings are utilised only by the Buddhists
Choose from the following statements.
a)
2 and 3 only
b)
1 and 3 only
c)
3 only
d)
1 only
|
Priya Shah answered |
- The Mural paintings are unique because of their sheer size.
- They cannot be contained in paper and need to be executed on the walls of large structures, usually caves and temple walls.
- In the ancient period, these were utilised by three major religions: Buddhism, Jainis and Hinduism. Some of the best examples are murals in the Ajanta- Ellora Caves.
Raja Kirpal Singh and Devi Das is associated with:- a) Jammu school
- b) Basholi School
- c) Kangra School
- d) None of the above
Correct answer is option 'B'. Can you explain this answer?
Raja Kirpal Singh and Devi Das is associated with:
a)
Jammu school
b)
Basholi School
c)
Kangra School
d)
None of the above
|
|
Niharika Shah answered |
Introduction:
Raja Kirpal Singh and Devi Das are both associated with the Basholi School of painting. The Basholi School is one of the well-known schools of miniature painting in India, which emerged in the 17th century in the region of Basholi, located in the present-day Jammu and Kashmir state.
Basholi School of Painting:
The Basholi School of painting flourished under the patronage of the Rajput rulers of the region. It is characterized by its vibrant colors, bold compositions, and intricate details. The style of painting in this school is a fusion of the Indian and Persian traditions, resulting in a unique and distinctive artistic expression.
Raja Kirpal Singh:
Raja Kirpal Singh was a prominent patron and artist associated with the Basholi School. He was a ruler of the state of Basholi and played a crucial role in the development and promotion of the Basholi School of painting. Raja Kirpal Singh himself was an accomplished artist and contributed significantly to the artistic heritage of the region.
Devi Das:
Devi Das was another renowned artist associated with the Basholi School of painting. He was a talented painter who excelled in the art of creating exquisite miniatures. Devi Das's paintings are characterized by their intricate detailing, delicate brushwork, and beautiful use of colors.
Significance of the Basholi School:
The Basholi School of painting holds immense historical and artistic significance. It played a crucial role in the development of the Pahari miniature painting tradition in the Himalayan region. The artistic style and techniques of the Basholi School influenced subsequent schools of painting, such as the Kangra and Guler Schools.
Conclusion:
Raja Kirpal Singh and Devi Das are both associated with the Basholi School of painting, which emerged in the 17th century in Basholi, Jammu and Kashmir. They made significant contributions to the development and promotion of this school, which holds a prominent place in the history of Indian miniature painting.
Raja Kirpal Singh and Devi Das are both associated with the Basholi School of painting. The Basholi School is one of the well-known schools of miniature painting in India, which emerged in the 17th century in the region of Basholi, located in the present-day Jammu and Kashmir state.
Basholi School of Painting:
The Basholi School of painting flourished under the patronage of the Rajput rulers of the region. It is characterized by its vibrant colors, bold compositions, and intricate details. The style of painting in this school is a fusion of the Indian and Persian traditions, resulting in a unique and distinctive artistic expression.
Raja Kirpal Singh:
Raja Kirpal Singh was a prominent patron and artist associated with the Basholi School. He was a ruler of the state of Basholi and played a crucial role in the development and promotion of the Basholi School of painting. Raja Kirpal Singh himself was an accomplished artist and contributed significantly to the artistic heritage of the region.
Devi Das:
Devi Das was another renowned artist associated with the Basholi School of painting. He was a talented painter who excelled in the art of creating exquisite miniatures. Devi Das's paintings are characterized by their intricate detailing, delicate brushwork, and beautiful use of colors.
Significance of the Basholi School:
The Basholi School of painting holds immense historical and artistic significance. It played a crucial role in the development of the Pahari miniature painting tradition in the Himalayan region. The artistic style and techniques of the Basholi School influenced subsequent schools of painting, such as the Kangra and Guler Schools.
Conclusion:
Raja Kirpal Singh and Devi Das are both associated with the Basholi School of painting, which emerged in the 17th century in Basholi, Jammu and Kashmir. They made significant contributions to the development and promotion of this school, which holds a prominent place in the history of Indian miniature painting.
Which of the following are the features of paintings in Apabhramsa school of art?1. Angular faces2. Animal figurines are represented as toys3. Fish-shaped bulging EyesChoose from the following options.- a) 1 and 3 only
- b) 2 and 3 only
- c) 1 and 2 only
- d) All of the above
Correct answer is option 'D'. Can you explain this answer?
Which of the following are the features of paintings in Apabhramsa school of art?
1. Angular faces
2. Animal figurines are represented as toys
3. Fish-shaped bulging Eyes
Choose from the following options.
a)
1 and 3 only
b)
2 and 3 only
c)
1 and 2 only
d)
All of the above
|
|
Suresh Reddy answered |
- Miniature paintings earlier, miniature paintings are small paintings with minute details. They were often painted for either books or albums, on perishable material including paper, palm leaves and cloth.
- Developed almost as a reaction to the enormous wall paintings, the art of miniature painting developed between the 8th and 12th centuries. This kind of painting can be attributed to the eastern and western regions.
Consider the following statements.1. The Thanjavur or Tanjore School is famous for the special style of decorative paintings2. They are unique because of the use of brilliant colour patterns and the liberal use of gold leafWhich of these statements is/are not correct?- a) 1 Only
- b) 2 Only
- c) Both of them
- d) Neither of them
Correct answer is option 'D'. Can you explain this answer?
Consider the following statements.
1. The Thanjavur or Tanjore School is famous for the special style of decorative paintings
2. They are unique because of the use of brilliant colour patterns and the liberal use of gold leaf
Which of these statements is/are not correct?
a)
1 Only
b)
2 Only
c)
Both of them
d)
Neither of them
|
Ishita Mehta answered |
- The Thanjavur or Tanjore School is famous for the special style of decorative paintings, The Maratha rulers patronized them during the 18th century.
- These paintings are unique as they are mostly created on glass and board instead of cloth and vellum preferred in north India.
- They are unique because of the use of brilliant colour patterns and the liberal use of the gold leaf.
Which of the following School of painting is also called the Dhundhar School?
- a)Kishangarh School of painting
- b)Marwadi school of painting
- c)Amber - Jaipur School of painting
- d)Bundi School of painting
Correct answer is option 'C'. Can you explain this answer?
Which of the following School of painting is also called the Dhundhar School?
a)
Kishangarh School of painting
b)
Marwadi school of painting
c)
Amber - Jaipur School of painting
d)
Bundi School of painting
|
|
Raj Basu answered |
Dhundhar School of Painting
• The Dhundhar School of painting is also known as the Amber-Jaipur School of painting.
• This school of painting originated in the region of Dhundhar, which includes the cities of Amber and Jaipur in Rajasthan, India.
• The paintings from this school are characterized by their use of bright colors, intricate designs, and themes depicting courtly life, royal processions, and religious scenes.
• The artists of the Dhundhar School were often patronized by the royal families of the region, leading to the development of a distinctive style that combined elements of Mughal, Rajput, and European artistic influences.
• The Dhundhar School of painting flourished during the 17th and 18th centuries, producing exquisite works of art that are highly prized by collectors and art enthusiasts.
• The Dhundhar School of painting is also known as the Amber-Jaipur School of painting.
• This school of painting originated in the region of Dhundhar, which includes the cities of Amber and Jaipur in Rajasthan, India.
• The paintings from this school are characterized by their use of bright colors, intricate designs, and themes depicting courtly life, royal processions, and religious scenes.
• The artists of the Dhundhar School were often patronized by the royal families of the region, leading to the development of a distinctive style that combined elements of Mughal, Rajput, and European artistic influences.
• The Dhundhar School of painting flourished during the 17th and 18th centuries, producing exquisite works of art that are highly prized by collectors and art enthusiasts.
Which of the following statements are correct about paintings of the Chalcolithic period? 1. Most of the paintings concentrate on depicting battle scenes2. This period mainly saw the use of red colourWhich of these statements is/are correct?- a) 1 Only
- b) 2 Only
- c) Both of them
- d) Neither of them
Correct answer is option 'A'. Can you explain this answer?
Which of the following statements are correct about paintings of the Chalcolithic period?
1. Most of the paintings concentrate on depicting battle scenes
2. This period mainly saw the use of red colour
Which of these statements is/are correct?
a)
1 Only
b)
2 Only
c)
Both of them
d)
Neither of them
|
Pooja Yadav answered |
- This period saw an increase in the number of paintings using green and yellow colour. Most of the paintings concentrate on depicting battle scenes. There are many paintings of men riding horses and elephants.
- Some of them even carry bow and arrow which might indicate preparedness for skirmishes. We know that these cave sites were inhabited in the late historical periods as we have paintings and samples of writing in the Ashokan and Gupta Brahmi scripts. The other set of paintings from this period are at Narsinghgarh in Madhya Pradesh.
Patua Art is associated with:- a) Rajasthan
- b) Odisha
- c) Jharkhand
- d) Bengal
Correct answer is option 'D'. Can you explain this answer?
Patua Art is associated with:
a)
Rajasthan
b)
Odisha
c)
Jharkhand
d)
Bengal
|
Aarya Dey answered |
- Art of Bengal, Patua art dates back around a thousand years. It started out as a village tradition by painters telling Mangal Kavyas or auspicious stories of Gods and Goddesses.
- These paintings are done on pats or scrolls and for generations, the scroll painters or patuas have been going to different villages to sing their stories in lieu of food or money.
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