All questions of Indian Dance Forms for BPSC (Bihar) Exam

1 only

Introduction:
India has a rich cultural history that is reflected in its literature, dance, and music. The first references to dance and music in India can be found in the Vedas.

Vedas:
The Vedas are the oldest sacred texts of Hinduism and are considered to be the source of all knowledge. They were written in Sanskrit and contain hymns, prayers, and rituals. The Vedas were composed between 1500 and 1200 BCE and were transmitted orally from generation to generation.

Dance and Music in Vedas:
The Vedas contain references to dance and music. In the Rigveda, there are hymns that praise the gods with music and dance. The Sama Veda contains melodies that were sung during religious rituals. The Yajur Veda contains instructions for performing sacrifices, which involved music and dance. The Atharva Veda contains spells and incantations that were used to cure diseases and ward off evil spirits, and some of these spells were accompanied by music and dance.

Conclusion:
In conclusion, the Vedas provide the first references to dance and music in India. They illustrate the importance of music and dance in religious rituals and underscore the significance of these art forms in Indian culture. The Vedas continue to be an important source of knowledge and inspiration for dancers and musicians in India.

Folk Dances of India

Folk dances are an important part of Indian culture and are performed on various occasions such as weddings, festivals, and other special events. Let's look at the four options given in the question and identify which ones are folk dances of India.

Chari

Chari is a folk dance of Rajasthan. It is performed by women who balance pots topped with lighted lamps on their heads, while graceful hand movements come together in the Chari dance of the Kishangarh area.

Mohiniyattam

Mohiniyattam is a classical dance form that originated in Kerala. It is known for its graceful movements, expressive eyes, and hand gestures. Unlike other classical dances, Mohiniyattam is performed solely by women.

Rouff

Rouff is the traditional folk dance of Kashmir, performed solely by women on festive occasions. It is a group dance where the dancers split themselves into two rows and put their arms around the shoulders of the ones standing next to them.

Raut Nacha

Raut Nacha is performed by the Yadava/Yaduvanshi tribe of Chhattisgarh. The Yadavas are considered to be direct descendants of Lord Krishna. The dance is performed during the 'Dev Udhni Ekadashi' - considered a time when the gods wake from their brief rest.

Answer

Based on the above information, the correct answer is option 'C' - 1, 3, and 4 only, as Chari, Rouff, and Raut Nacha are folk dances of India. Mohiniyattam, on the other hand, is a classical dance form.

B

It is the popular folk dance of Himachal Pradesh, performed during the Dussehra festivities.

Classical Dance Forms in India

• Odissi: Odissi is one of the classical dance forms of India that originated in the state of Odisha. It is known for its graceful movements, intricate footwork, and expressive storytelling.
• Manipuri: Manipuri is another classical dance form that hails from the northeastern state of Manipur. It is characterized by its gentle and lyrical movements, devotional themes, and use of traditional costumes.
• Sattriya: Sattriya is a classical dance form that originated in the state of Assam. It is closely associated with the Sattras or Vaishnavite monasteries and is known for its spiritual and mythological themes.
• Mohiniyattam: Mohiniyattam is a classical dance form from the state of Kerala. It is characterized by its graceful movements, subtle expressions, and use of white and gold costumes.

Conclusion:
All four dance forms - Odissi, Manipuri, Sattriya, and Mohiniyattam - are recognized as classical dance forms in India. Each of these dance forms has a rich history, unique techniques, and cultural significance, making them integral parts of India's diverse and vibrant performing arts landscape.

Burrakatha: A Dance Form of Andhra Pradesh

Burrakatha is a traditional folk art form of storytelling that originated in the state of Andhra Pradesh. It is a unique blend of dance, music, and dialogue-based narration that is performed by a group of artists. Here are some key points about this dance form:

Origin and History:

- Burrakatha originated in the coastal regions of Andhra Pradesh, particularly in the districts of Krishna, Guntur, and Prakasam.
- It has a history of over 500 years and was initially performed by wandering minstrels known as 'Burrakathalu' who used to travel from village to village to entertain people.
- The word 'Burrakatha' is derived from two Telugu words - 'burra' meaning tambura or stringed instrument, and 'katha' meaning story, thus referring to the musical storytelling aspect of the art form.

Performance and Themes:

- Burrakatha is performed by a group of three artists - a lead performer called 'Kathakudu' who narrates the story, a drummer who plays the dholak or mridangam, and a harmonium player who provides the musical accompaniment.
- The lead performer uses a tambura or stringed instrument to set the rhythm and tone of the performance, and also uses various other props like a sword, a whip, and a hand drum to add drama and excitement to the story.
- The themes of Burrakatha are usually religious, mythological, or historical, and often involve the exploits of legendary heroes like Lord Rama, Lord Krishna, and the Pandavas. There are also contemporary themes that deal with social issues, politics, and satire.
- The performance usually begins with an invocation to the gods and a brief introduction to the story. The lead performer then takes over and narrates the story in a dramatic and engaging way, using a mix of dialogue, songs, and dance movements. The drummer and harmonium player provide the musical support and also join in the dance sequences.

Impact and Significance:

- Burrakatha is an important part of the cultural heritage of Andhra Pradesh and has been recognized as an intangible cultural heritage by the state government.
- It has also gained popularity outside the state and is now performed in other parts of India and abroad.
- Burrakatha has played a significant role in disseminating knowledge and values to the rural masses, especially in the pre-literate era. It has also served as a medium of social and political commentary and satire, and has helped in raising awareness about various issues.
- Burrakatha has also influenced other art forms like Harikatha, Yakshagana, and Kathakali, and has contributed to the rich and diverse cultural landscape of India.

The correct answer is option 'A' - 1 Only.

Explanation:
1. Birha is a popular dance of Bihar:
This statement is correct. Birha is indeed a popular dance form of Bihar. It is a traditional folk dance that originated in the Bhojpur region of Bihar. It is primarily performed by women during special occasions like weddings, festivals, and social gatherings. Birha is characterized by graceful movements, intricate footwork, and expressive gestures. The dancers often wear colorful sarees and traditional jewelry while performing this dance.

2. It represents the quarrel of a married couple:
This statement is incorrect. Birha dance does not represent the quarrel of a married couple. Instead, it is a celebratory dance form that showcases the cultural heritage and traditions of Bihar. The performance usually depicts various aspects of Bihar's rural life, including farming, harvesting, and social interactions. It is a form of storytelling through dance, where the dancers use their movements and expressions to narrate folk tales, myths, and legends.

In conclusion, statement 1 is correct as Birha is a popular dance of Bihar. However, statement 2 is incorrect as Birha dance does not represent the quarrel of a married couple.

Classical Dance Forms of India recognized by Sangeet Natak Akademi

The Sangeet Natak Akademi, India's national academy for music, dance, and drama, recognizes eight dance forms as classical. These dance forms are:

1. Bharatanatyam
2. Kathak
3. Kuchipudi
4. Odissi
5. Kathakali
6. Sattriya
7. Manipuri
8. Mohiniyattam

Classical Dance Forms of India recognized by the Ministry of Culture

Apart from the Sangeet Natak Akademi, the Ministry of Culture has recognized nine classical dance forms of India. These are:

1. Bharatanatyam
2. Kathak
3. Kuchipudi
4. Odissi
5. Kathakali
6. Sattriya
7. Manipuri
8. Mohiniyattam
9. Chhau

Conclusion

From the given options, the correct answer is option 'C' which includes Kuchipudi, Kathak, Sattriya, and Odissi as the classical dance forms recognized by the Sangeet Natak Akademi. However, it is important to note that the Ministry of Culture recognizes Chhau as a classical dance form as well. These dance forms hold a significant place in India's cultural heritage and are performed and appreciated all around the world.

The Natya Shastra, an ancient treatise on the performing arts, is a significant influence on dance, music, and literary traditions in India. One of the notable aspects of this treatise is its aesthetic Rasa theory, which asserts that the performance of arts is a tool to raise individual consciousness for spiritual upliftment. Let's explore this theory in detail.

Explanation:
The Rasa theory, as described in the Natya Shastra, revolves around the concept of "Rasa," which can be translated as "aesthetic flavor" or "emotional essence." According to this theory, the primary goal of performing arts is to evoke specific emotional experiences in the audience, leading to a heightened state of consciousness and spiritual upliftment. Here's a breakdown of the key points:

1. Rasa: The theory suggests that the performance of arts aims to evoke specific emotions or Rasas in the audience. These Rasas include love, joy, compassion, anger, fear, disgust, heroism, and wonder. Each Rasa is associated with a specific emotional experience and is conveyed through various artistic elements such as music, dance, acting, and poetry.

2. Bhava: To evoke Rasas, the Natya Shastra emphasizes the importance of Bhava, which refers to the expression of emotions by the performer. Bhavas are the psychological states or emotional gestures that enable the audience to experience the intended Rasa. The performer's mastery of Bhava is crucial in effectively communicating the desired emotional essence.

3. Sthayi Bhavas: The Natya Shastra identifies eight primary Sthayi Bhavas, which are the fundamental emotional states that form the basis of all Rasas. These include love (shringara), laughter (hasya), sorrow (karuna), anger (raudra), courage (vira), fear (bhayanaka), disgust (vibhatsa), and astonishment (adbhuta). By portraying these Sthayi Bhavas, performers can elicit corresponding emotional responses in the audience.

4. Rasas and Bhavas: The Natya Shastra further explains the relationship between Rasas and Bhavas. Each Rasa is associated with a specific dominant Bhava. For example, love (shringara) is associated with the Bhava of erotic sentiment, while anger (raudra) is associated with the Bhava of fury. The successful depiction of these Bhavas helps to create the intended Rasa in the audience.

5. Spiritual Upliftment: The ultimate aim of the Rasa theory is to elevate the audience's consciousness and provide them with a spiritual experience. By evoking different Rasas and engaging the audience's emotions, the performance becomes a means of transcendence, allowing individuals to experience a connection with the divine and attain spiritual upliftment.

In conclusion, the Natya Shastra's Rasa theory asserts that the performance of arts is a tool to raise individual consciousness for spiritual upliftment. By evoking specific emotions through the portrayal of Bhavas, performers aim to create Rasas and provide the audience with a profound aesthetic and spiritual experience. This theory has had a significant impact on the development of dance, music, and literary traditions in India and continues to shape artistic practices to this day.

The correct answer is option 'D' - Bharatanatyam.

Bharatanatyam is a classical dance form that originated in Tamil Nadu, a state in Southern India. The origins of Bharatanatyam can be traced back to the temple dancers or devadasis, who were skilled in various art forms and performed in the temples as a form of worship.

**Origins of Bharatanatyam**:
The dance form of Bharatanatyam was initially known as 'Sadir' or 'Dashiattam'. It was performed by devadasis, who were dedicated to serving deities in the temples. These temple dancers were highly trained in music, dance, and poetry and played a significant role in religious rituals and ceremonies.

**Devadasis and their role**:
Devadasis were considered to be the brides of the deities and were highly respected in society. They were trained in various dance forms, including Sadir. The devadasis performed Bharatanatyam as a form of devotion and to entertain the deities and temple-goers.

**Decline of the Devadasi system**:
With the decline of the Devadasi system in the early 20th century, the practice of Bharatanatyam also faced a decline. The social and economic changes during the colonial period and subsequent reforms led to the marginalization of the devadasis and the stigmatization of their art.

**Revival of Bharatanatyam**:
The revival of Bharatanatyam as a recognized dance form was largely due to the efforts of E. Krishna Iyer, a prominent freedom fighter and dance enthusiast. He worked towards preserving and promoting Bharatanatyam by encouraging young dancers to learn and perform this art form.

**Efforts towards revival**:
Krishna Iyer's efforts were instrumental in the recognition and revival of Bharatanatyam. He established dance schools and organizations, conducted workshops, and choreographed new pieces to keep the art form alive. He also played a crucial role in removing the social stigma associated with Bharatanatyam and encouraging young dancers to pursue it as a legitimate art form.

**Conclusion**:
The origins of Bharatanatyam can be traced back to the temple dancers or devadasis in Tamil Nadu. These skilled dancers performed Sadir or Dashiattam as a form of devotion and entertainment. With the decline of the devadasi system, Bharatanatyam faced near-extinction, but the efforts of E. Krishna Iyer revived and popularized this classical dance form.

Sattriya dance is a classical dance form of India that originated in Assam. The term 'Sattriya' is derived from the word 'Sattras' which refers to Vaishnava maths or monasteries in Assam. The following are the explanations that support this context:

Introduction of Sattriya dance: Mahapurusha Sankaradeva, a great Vaishnava saint and reformer of Assam, introduced the Sattriya dance form in the 15th century AD. He introduced this dance form as a powerful medium for the propagation of the Vaishnava faith.

Evolution of Sattriya dance: Over time, the dance form evolved and expanded as a distinctive style of dance. For centuries, the Sattras or Vaishnava maths or monasteries nurtured and preserved this neo-Vaishnava treasure of Assamese dance and drama.

Religious character of Sattriya dance: This dance style has been aptly named Sattriya because of its religious character and association with the Sattras. The dance form is deeply rooted in the Vaishnava tradition and is performed in praise of Lord Vishnu and his incarnations.

Association with Sattras: The Sattras played a significant role in the development and dissemination of the Sattriya dance form. The dance was performed by the celibate monks or Bhokots of the Sattras during religious festivals and occasions.

In conclusion, Sattriya dance is a classical dance form of India that is deeply rooted in the Vaishnava tradition and associated with the Vaishnava maths or monasteries in Assam, known as Sattras.

Origin and Early History
- The classical dance form known as Odissi originated in India and was earlier known as Odhra Magadha.
- It was a temple dance performed by the Devadasis, who were female temple dancers dedicated to various deities.
- The Natya Shastra, a Sanskrit text on the performing arts, mentions many regional dance varieties, including the south-eastern style known as the Odhra Magadha.
- This style is considered to be the earliest precursor of present-day Odissi.

Stylized Dance Form
- Odissi is a highly stylized dance form that combines elements of music, dance, and drama.
- It is based on the classical Natya Shastra, an ancient treatise on performing arts, and the Abhinaya Darpana, a manual on the art of expression.
- The movements in Odissi are built around two basic postures: the Tribhanga (three-bend position) and the Chowk (square position).
- The Tribhanga posture involves bending the body at three places - the neck, waist, and knee - creating graceful and expressive movements.
- The Chowk posture, on the other hand, is a square-shaped stance that is stable and balanced.

Depiction of Lord Krishna and Radha
- Odissi dance also depicts various mythological stories and characters, including Lord Krishna and his love for Radha.
- The dance often portrays Lord Krishna's childhood episodes, his playful antics, and his interactions with Radha and other gopis (cowherd girls).
- The dancers use intricate footwork, hand gestures (mudras), facial expressions, and body movements to convey the emotions and narratives associated with these stories.
- The costumes and jewelry worn by Odissi dancers are elaborate and traditional, adding to the visual appeal of the performance.

Conclusion
- Odissi is a classical dance form that originated as a temple dance performed by the Devadasis in India.
- It is a highly stylized dance that is based on the classical Natya Shastra and the Abhinaya Darpana.
- The movements in Odissi are built around the Tribhanga and Chowk postures.
- The dance form also depicts various mythological stories, including Lord Krishna's childhood and his love for Radha.

- It is a folk dance of Rajasthan. Pots topped with lighted lamps are balanced on the head, and graceful hand movements come together in the Chari dance of the Kishangarh area.
- These performers move effortlessly on the floor and do not seem at all conscious of a potential danger of being burnt at all.

Bharatanatyam is often referred to as the 'fire dance' because it beautifully embodies the element of fire within the human body. This classical Indian dance form originated in the temples of Tamil Nadu and is characterized by its intricate footwork, expressive hand gestures, and rhythmic movements.

The connection between Bharatanatyam and fire can be understood through various aspects of the dance form:

1. Symbolism: Fire is often associated with destruction, transformation, and purification. In Bharatanatyam, the dancer portrays these qualities through their movements, expressions, and storytelling. The dance sequences often depict mythological stories and spiritual concepts, where fire plays a significant role in the narrative. The dancer's movements resemble the flickering flames of a fire, representing the energy and intensity of the element.

2. Footwork: Bharatanatyam is known for its complex footwork, which is performed with precision and rhythmic patterns. The swift and agile movements of the feet create a visual effect that can be likened to dancing flames. The footwork in Bharatanatyam is often fast-paced and energetic, resembling the fiery nature of fire.

3. Hand Gestures: Hand gestures, known as mudras, are an essential part of Bharatanatyam. These gestures are used to convey various emotions, stories, and concepts. Some of the hand movements in Bharatanatyam resemble the shape of a flame or the flickering of fire. These mudras add a visual element to the dance, enhancing the portrayal of fire.

4. Energy and Expressiveness: Bharatanatyam requires a high level of energy, stamina, and expressiveness from the dancer. The dancer's body movements, facial expressions, and eye movements are used to convey a range of emotions and narratives. The intensity and passion displayed by the dancer can be compared to the heat and intensity of fire.

Overall, Bharatanatyam's connection to fire is deeply rooted in its symbolism, movements, and expressive qualities. The dance form beautifully captures the essence of fire and its transformative power within the human body. Hence, it is often referred to as the 'fire dance'.

Kathakali is a classical dance form of Kerala, India, known for its elaborate makeup, costumes, and dramatic storytelling. Let's analyze the given statements:

Related to Koodiyattam:
- Kathakali and Koodiyattam are both classical dance forms of Kerala.
- Koodiyattam is considered the oldest surviving classical theatre form in the world, and Kathakali evolved from it.
- Kathakali incorporates elements of Koodiyattam such as mudras (hand gestures), facial expressions, and musical instruments.
Therefore, the statement "It is closely related to Koodiyattam" is correct.

Revived by Radha Reddy and Raja Reddy:
- Radha Reddy and Raja Reddy are famous Kathakali dancers from Andhra Pradesh, India.
- However, they are primarily known for their contributions to Kuchipudi, a different classical dance form.
- Kathakali has been performed for centuries by various artists and institutions in Kerala, and does not require revival.
Therefore, the statement "Radha Reddy and Raja Reddy revived this dance form in 1930s" is incorrect.

In conclusion, only statement 1 is correct.

The correct answer is option 'C' - Both of them.


Mohiniattam is a classical Indian dance form that originated in the state of Kerala. It is known for its graceful movements and subtle expressions. Mohiniattam is primarily performed by women and is often associated with the devotional aspect of dance.

The statement is correct because Mohiniattam does indeed narrate the story of the feminine dance of Vishnu. The term 'Mohini' refers to the female form of Lord Vishnu, who is believed to have taken on the form of a beautiful enchantress to seduce and distract the demons. The dance form depicts the various aspects of Mohini's character and her interactions with other characters in Hindu mythology.

The movements and expressions in Mohiniattam are characterized by grace, elegance, and fluidity. The dancer portrays the different emotions and stories through intricate hand gestures, facial expressions, and body movements. The dance form often includes episodes from Hindu epics like the Ramayana and Mahabharata, as well as other mythological tales.


The statement is correct because Mohiniattam is always accompanied by music and songs. The music for the dance form is typically in the Carnatic style, which is a classical music tradition of South India. The songs are usually in Malayalam, the language of Kerala, and are sung by vocalists who specialize in Carnatic music.

The music and songs in Mohiniattam play a crucial role in enhancing the overall performance. They set the mood, rhythm, and tone for the dance, and the dancer synchronizes her movements with the music. The lyrics of the songs often complement the storyline being portrayed through the dance.

The musical accompaniment for Mohiniattam includes instruments like the mridangam (a percussion instrument), veena (a string instrument), violin, and flute. The interplay between the dancer, the music, and the songs creates a captivating and immersive experience for the audience.

In conclusion, both statements about Mohiniattam dance are correct. It narrates the story of the feminine dance of Vishnu and is always accompanied by music and songs. Mohiniattam is a beautiful and expressive dance form that showcases the rich cultural heritage of Kerala.

Nine Rasas: Shringaara for love Roudra for anger Bibhatsa for disgust Veera for heroism Shaant for peace and tranquillity Haasya for laughter and comedy Karuna for tragedy Bhayanak for horror Adbhuta for wonder

The correct answer is option 'A' - 1 and 2 only.

Folk dances are an integral part of the cultural heritage of Uttar Pradesh (UP). They reflect the traditions, customs, and rituals of the state. Among the numerous folk dances performed in UP, two of the most prominent ones are Raslila and Dadra.

1. Raslila:
Raslila is a highly popular folk dance form in Uttar Pradesh. It is primarily associated with the Braj region, especially Mathura and Vrindavan, which are considered to be the birthplaces of Lord Krishna. Raslila depicts the divine love of Radha and Krishna through dance and music. The performers dress up as Radha, Krishna, and other characters from Hindu mythology and enact various episodes from their lives. The dance is characterized by graceful movements, vibrant costumes, and soulful music. Raslila is usually performed during festivals like Janmashtami and Holi, attracting a large number of spectators.

2. Dadra:
Dadra is another popular folk dance form of Uttar Pradesh. It originated in the Mirzapur district and is performed by both men and women. Dadra is a romantic dance form that showcases the emotions of love and longing. It is accompanied by melodious music, typically sung in the Dadra taal (rhythmic cycle of six beats). The dancers express their feelings through graceful movements and facial expressions. Dadra is often performed during weddings and other joyous occasions in the region.

3. Jawara:
Jawara is not a folk dance of Uttar Pradesh. It is a traditional dance form of Jharkhand, which is a neighboring state of UP. Jawara is performed by the tribal communities of Jharkhand during harvest festivals. It is characterized by vigorous movements and rhythmic footwork, accompanied by traditional folk music.

In conclusion, while Raslila and Dadra are popular folk dances of Uttar Pradesh, Jawara belongs to Jharkhand. Hence, the correct answer is option 'A' - 1 and 2 only.

Kuchipudi is a traditional Indian dance form that originated in the state of Andhra Pradesh. It is known for its graceful movements, intricate footwork, and expressive storytelling. Let's analyze the given statements to determine their correctness.

1. It is generally a solo performance:
- Kuchipudi can be performed both as a solo and group performance. While solo performances are common, there are also group compositions where multiple dancers perform together, showcasing their synchronized movements and coordination. These group performances often depict mythological stories and are a visual treat for the audience.

2. Most of the Kuchipudi recitals have a theme based on Vaishnavism:
- Vaishnavism, one of the major sects of Hinduism, worships Lord Vishnu as the supreme deity. Kuchipudi dance, traditionally, has strong ties to Vaishnavism and many recitals are indeed based on themes related to Lord Krishna, an incarnation of Lord Vishnu. The compositions often depict episodes from Krishna's life, such as his childhood tales, the Raas Leela, and the Bhagavad Gita. However, it is important to note that Kuchipudi is not limited to Vaishnavism, and there are also compositions based on other themes, mythology, and folklore.

Therefore, the correct answer is option 'D' (All of the above) as both statements are correct. Kuchipudi can be performed as a solo or group performance, and it often incorporates themes based on Vaishnavism, particularly the stories and legends associated with Lord Krishna. However, it is worth mentioning that Kuchipudi is a versatile dance form that can explore various themes and narratives beyond Vaishnavism.