All questions of Martial Arts in India for BPSC (Bihar) Exam

Ancient Monuments Preservation Act, 1904: The British Government instituted this Act to provide effective preservation and authority over the monument to the government so that it can protect the national herit articularly concerned with those monuments that were in the custody of individual or private ownership.

Kuttu Varisai: First mentioned in Sangam literature (first or second century B.C.), Kuttu Varisai translates to empty hand combat'. Kuttu Varisai is mainly practiced in Tamil Nadu, although.it is quite popular in north-eastern part of Sri Lanka and Malaysia too. An unarmed Dravidian martial art, it is used to advance athleticism and footwork through starching, yoga, gymnastics and breathing exercises. The major techniques used in this art include grappling, striking and locking. It also uses animal based sets including snake, eagle, tiger, elephant and monkey. It is considered as an unarmed component of silambam.

Lathi: An ancient armed martial art form of the country, Lathi also denotes one the world's oldest weapons used in martial arts. Lathi refers to a stick' (usually cane sticks), which is generally 6 to 8 feet in length and sometimes metal tipped. Indian police can be seen using such Lathis to control crowds. It is majorly practiced in Punjab and Bengal.

Silambam: Silambam, a kind of staff fencing, is a modern and scientific martial art of Tamil Nadu. The kings which ruled in Tamil Nadu, including Pandya, Chola and Chera, had promoted it during their reign. The reference to the sale of silambam staves, pearls, swords and armour to foreign traders can be found in a Tamil literature known as Silappadikaram, which dates back to the second century A.D. The silambam bamboo staff was one of the most popular trading items with the traders and visitors from Rome, Greece and Egypt. This art is believed to have travelled to Malaysia from its originating State, where it is a famous sport apart from being a mode of self-defence. The long-staff was used for both mock fighting and self-defence. This was one of the highly organized and popular games of the state since the first century A.D. The record of its origin can be traced to divine sources, for example Lord Murugan (in Tamil mythology) and sage Agastya are credited with the creation of Silambam. During the Vedic age, training was imparted to young men as a ritual and for an emergency. From a pure defense art, Silambam has transformed into a combat exercise. There are four different kinds of staves used in this art. The first, called torch silambam', has lighted balls of cloth at one end of the staff, second produces a sonorous swishing sound, the third is a non-elastic staff that gives clattering sounds and the fourth is quite short yet powerful. As far as the dress is concerned, the players wear langots of different colors, Turbans, sleeveless vests, canvas shoes, and chest guards and use wickerwork shields.

Inbuan Wrestling: A native martial art form of Mizoram, Inbuan Wrestling is believed to have its genesis in 1750 A.D. in Dungtlang village. It has very strict rules that prohibit stepping out of the circle, kicking and knee bending. The way to win this is by lifting the opponent off their feet, while stringently adhering to the rules. It also involves catching the belt (worn around their waist) by the wrestlers. This art form was regarded as a sport only after the people of Mizoram migrated from Burma to Lushai hills. Kirip, Saldu - originated in Nicobar - also known as Nicobarese Wrestling.

Antiquities and Art Treasures Act, 1972 This Act was enacted for the effective control over the movable cultural properties of any type of art objects and antiquities. The Act is one step forward to control the illegal trade in Indian antiquities and to prevent smuggling and fraudulent dealings. Some of the most important points from the Act are

This article focuses solely on the defence of the culture of those communities that constitute the minority according to the Constitution of India. According to the Constitution: "Any section of the citizens residing in the territory of India or any part thereof having a distinct language, script or culture of its own shall have the right to conserve the same". As this quote clarifies, this allows communities like the tribal populations of Chattisgarh, Rajasthan, North-Eastern regions, Odisha and numerically small groups like the Parsis to take steps to preserve their culture, language and literature. It also confirms that their right to receive help from the State and any state-funded agency to receive grants and State funds to conserve their heritage. It also makes the distinction that no citizen shall be denied assistance from an institution maintained by the state on grounds of their religion, caste, language, race or any of them.

Kalaripayattu is an ancient Indian martial art form that originated in the state of Kerala, not Karnataka. It is known for its unique fighting techniques, physical exercises, and cultural significance. Let us analyze the given statements to determine which ones are correct.

1. It was originated in the state of Karnataka: Incorrect
Kalaripayattu originated in the state of Kerala, which is located in the southern part of India. It has a long history and is considered one of the oldest martial arts in existence. Karnataka, on the other hand, is a neighboring state of Kerala but is not the place of origin for Kalaripayattu.

2. It is accompanied by courageous songs, and the most important aspect is the style of fighting: Correct
Kalaripayattu is often performed with traditional songs and percussion instruments to create an energetic and lively atmosphere. These songs, known as "Vadakkan Pattukal," narrate tales of bravery, history, and mythology. The style of fighting in Kalaripayattu is a key aspect of the art form. It involves various techniques such as strikes, kicks, locks, and grappling, making it a comprehensive and dynamic martial art.

3. It involves mock duels and physical exercises: Correct
Kalaripayattu includes both mock duels and physical exercises. The mock duels, known as "Pattu," are choreographed fights that showcase the practitioner's skill and technique. These duels are performed with precision and control, emphasizing the artistry and discipline of Kalaripayattu. Physical exercises, known as "Meithari," are an integral part of the training regimen. These exercises improve flexibility, strength, and stamina, allowing practitioners to perform the intricate movements and techniques of Kalaripayattu effectively.

Therefore, the correct statements are 2 and 3. Kalaripayattu did not originate in Karnataka but in Kerala. It is characterized by courageous songs and involves mock duels and physical exercises.

Pari-khanda: Pari-khanda, created by Rajputs, is a form of martial art from Bihar. It involves fighting using a sword and shield. Still practiced in many parts of Bihar, its steps and techniques are widely used in Chhau dance. In fact this martial art forms the basis of Chhau dance in which all its elements are absorbed.

The Ancient monument and Archeological Sites and Remains (Amended and Validation) Act, 2010. The main provisions of this Act are: The Central Government has the power to declare any monument or archeological site of ancient and medieval times as a repository of national importance. The Director General will have the authority from the Central government to presume the guardianship, purchase or take lease of any such site or monument and ensure its preservation and maintenance. The Act also provides the Government and Director General the power to antiquities for their preservation, control the movement of the objects; demand acquire compensation or levy penalties for damage to land, object, monument, etc.