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William Shakespeare, though long considered as being one of the finest writers in English orany other language, was the subject of speculation over the years that he was not the realauthor of works attributed by him.
  • a)
    as being one of the finest writers in English or any other language, was the subject ofspeculation over the years that he was not the real author of works attributed by
  • b)
    as one of the finest writers in English or any other language, has been the subject ofspeculation over the years that he was not the real author of works attributed to
  • c)
    to be one of the finest writers in English or any other language, was the subject of speculationover the years that he was not the real author of works attributed to
  • d)
    one of the finest writers in English or any other language, has been the subject of speculationover the years that he was not the real author of works attributed to
  • e)
    to be one of the finest writers in English, was over the years the subject of speculation that hehad not been the real author of works attributed by
Correct answer is option 'D'. Can you explain this answer?
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William Shakespeare, though long considered as being one of the finest...
The original sentence contains the unidiomatic "considered as being". The correct idiom is simply "considered", as in "I considered you a friend." Also, "was the subject...over the years" is incorrect. The sentence should use the present perfect "has been the subject," since the speculation began in the past and continues to the present. Finally, "attributed by" is not the correct idiom for this sentence. It should be "attributed to."
(A) This choice is incorrect as it repeats the original sentence.
(B) This choice repeats the original idiom error "considered as," though it corrects the other two errors.
(C) This choice repeats the original idiom error "considered to be" (with a slight variation) as well as the verb tense error "was."
(D) CORRECT. This choice corrects all of the original errors: "considered" instead of "considered as"; "has been" instead of "was"; and "attributed to" instead of "attributed by."
(E) This choice repeats the original idiom error "considered to be" (with a slight variation) as well as the verb tense error "was." It also introduces new errors: "or any other language" was removed from the sentence entirely, which changes the meaning; "over the years" is placed awkwardly; and "he had not been" is in the past perfect tense, when the correct tense is simple past.
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Directions: Read the given passage carefully and answer the question as follow.I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: “King Lear,” “Romeo and Juliet,” “Hamlet” and “Macbeth,” not only did I feel no delight, but I also felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection by the whole of the civilized world to be trivial and positively bad, or whether the significance which this civilized world attributes to the works of Shakespeare was itself senseless. My consternation was increased by the fact that I always keenly felt the beauties of poetry in every form; then why should artistic works recognized by the whole world as those of a genius not just fail to please me, but in fact be disagreeable to me?For a long time I could not believe in myself, and during fifty years, in order to test myself, I several times recommenced reading Shakespeare in every possible form, in Russian, in English, in German and in Schlegel’s translation, as I was advised. Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the “Henrys,” “Troilus and Cressida,” the “Tempest,” “Cymbeline,” and I have felt, with even greater force, the same feelings, this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.Although I know that the majority of people so firmly believe in the greatness of Shakespeare that in reading this judgment of mine they will not admit even to the possibility of its justice, and will not give it the slightest attention, nevertheless I will endeavour, as well as I can, to show why I believe that Shakespeare cannot be recognized either as a great genius, or even as an average author.Q.Each of the following can be inferred about Shakespeare from the passage EXCEPT

Directions: Read the given passage carefully and answer the question as follow.I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: “King Lear,” “Romeo and Juliet,” “Hamlet” and “Macbeth,” not only did I feel no delight, but I also felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection by the whole of the civilized world to be trivial and positively bad, or whether the significance which this civilized world attributes to the works of Shakespeare was itself senseless. My consternation was increased by the fact that I always keenly felt the beauties of poetry in every form; then why should artistic works recognized by the whole world as those of a genius not just fail to please me, but in fact be disagreeable to me?For a long time I could not believe in myself, and during fifty years, in order to test myself, I several times recommenced reading Shakespeare in every possible form, in Russian, in English, in German and in Schlegel’s translation, as I was advised. Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the “Henrys,” “Troilus and Cressida,” the “Tempest,” “Cymbeline,” and I have felt, with even greater force, the same feelings, this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.Although I know that the majority of people so firmly believe in the greatness of Shakespeare that in reading this judgment of mine they will not admit even to the possibility of its justice, and will not give it the slightest attention, nevertheless I will endeavour, as well as I can, to show why I believe that Shakespeare cannot be recognized either as a great genius, or even as an average author.Q.From the information in the passage, which of the following can most reasonably be inferred about the author of the passage?

Directions: Read the given passage carefully and answer the question as follow.I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: “King Lear,” “Romeo and Juliet,” “Hamlet” and “Macbeth,” not only did I feel no delight, but I also felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection by the whole of the civilized world to be trivial and positively bad, or whether the significance which this civilized world attributes to the works of Shakespeare was itself senseless. My consternation was increased by the fact that I always keenly felt the beauties of poetry in every form; then why should artistic works recognized by the whole world as those of a genius not just fail to please me, but in fact be disagreeable to me?For a long time I could not believe in myself, and during fifty years, in order to test myself, I several times recommenced reading Shakespeare in every possible form, in Russian, in English, in German and in Schlegel’s translation, as I was advised. Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the “Henrys,” “Troilus and Cressida,” the “Tempest,” “Cymbeline,” and I have felt, with even greater force, the same feelings, this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.Although I know that the majority of people so firmly believe in the greatness of Shakespeare that in reading this judgment of mine they will not admit even to the possibility of its justice, and will not give it the slightest attention, nevertheless I will endeavour, as well as I can, to show why I believe that Shakespeare cannot be recognized either as a great genius, or even as an average author.Q.In context of the passage, what does the line—‘artistic works recognized by the whole world as those of a genius’—refer to?

Directions: Read the given passage carefully and answer the question as follow.I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful aesthetic pleasure, but having read, one after the other, works regarded as his best: “King Lear,” “Romeo and Juliet,” “Hamlet” and “Macbeth,” not only did I feel no delight, but I also felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection by the whole of the civilized world to be trivial and positively bad, or whether the significance which this civilized world attributes to the works of Shakespeare was itself senseless. My consternation was increased by the fact that I always keenly felt the beauties of poetry in every form; then why should artistic works recognized by the whole world as those of a genius not just fail to please me, but in fact be disagreeable to me?For a long time I could not believe in myself, and during fifty years, in order to test myself, I several times recommenced reading Shakespeare in every possible form, in Russian, in English, in German and in Schlegel’s translation, as I was advised. Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the “Henrys,” “Troilus and Cressida,” the “Tempest,” “Cymbeline,” and I have felt, with even greater force, the same feelings, this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.Although I know that the majority of people so firmly believe in the greatness of Shakespeare that in reading this judgment of mine they will not admit even to the possibility of its justice, and will not give it the slightest attention, nevertheless I will endeavour, as well as I can, to show why I believe that Shakespeare cannot be recognized either as a great genius, or even as an average author.Q.What is the meaning of the word ‘consternation’ in the context of the passage?

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William Shakespeare, though long considered as being one of the finest writers in English orany other language, was the subject of speculation over the years that he was not the realauthor of works attributed by him.a)as being one of the finest writers in English or any other language, was the subject ofspeculation over the years that he was not the real author of works attributed byb)as one of the finest writers in English or any other language, has been the subject ofspeculation over the years that he was not the real author of works attributed toc)to be one of the finest writers in English or any other language, was the subject of speculationover the years that he was not the real author of works attributed tod)one of the finest writers in English or any other language, has been the subject of speculationover the years that he was not the real author of works attributed toe)to be one of the finest writers in English, was over the years the subject of speculation that hehad not been the real author of works attributed byCorrect answer is option 'D'. Can you explain this answer?
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William Shakespeare, though long considered as being one of the finest writers in English orany other language, was the subject of speculation over the years that he was not the realauthor of works attributed by him.a)as being one of the finest writers in English or any other language, was the subject ofspeculation over the years that he was not the real author of works attributed byb)as one of the finest writers in English or any other language, has been the subject ofspeculation over the years that he was not the real author of works attributed toc)to be one of the finest writers in English or any other language, was the subject of speculationover the years that he was not the real author of works attributed tod)one of the finest writers in English or any other language, has been the subject of speculationover the years that he was not the real author of works attributed toe)to be one of the finest writers in English, was over the years the subject of speculation that hehad not been the real author of works attributed byCorrect answer is option 'D'. Can you explain this answer? for GMAT 2025 is part of GMAT preparation. The Question and answers have been prepared according to the GMAT exam syllabus. Information about William Shakespeare, though long considered as being one of the finest writers in English orany other language, was the subject of speculation over the years that he was not the realauthor of works attributed by him.a)as being one of the finest writers in English or any other language, was the subject ofspeculation over the years that he was not the real author of works attributed byb)as one of the finest writers in English or any other language, has been the subject ofspeculation over the years that he was not the real author of works attributed toc)to be one of the finest writers in English or any other language, was the subject of speculationover the years that he was not the real author of works attributed tod)one of the finest writers in English or any other language, has been the subject of speculationover the years that he was not the real author of works attributed toe)to be one of the finest writers in English, was over the years the subject of speculation that hehad not been the real author of works attributed byCorrect answer is option 'D'. Can you explain this answer? covers all topics & solutions for GMAT 2025 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for William Shakespeare, though long considered as being one of the finest writers in English orany other language, was the subject of speculation over the years that he was not the realauthor of works attributed by him.a)as being one of the finest writers in English or any other language, was the subject ofspeculation over the years that he was not the real author of works attributed byb)as one of the finest writers in English or any other language, has been the subject ofspeculation over the years that he was not the real author of works attributed toc)to be one of the finest writers in English or any other language, was the subject of speculationover the years that he was not the real author of works attributed tod)one of the finest writers in English or any other language, has been the subject of speculationover the years that he was not the real author of works attributed toe)to be one of the finest writers in English, was over the years the subject of speculation that hehad not been the real author of works attributed byCorrect answer is option 'D'. Can you explain this answer?.
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