The passage given below is followed by a set of questions. Choose the most appropriate answer to each question.The computer is an artifact, not a natural phenomenon, and science is about natural phenomena. As a creation of the human mind, independent of the physical world, mathematics is not a science but a tool for doing science. Modern techno-science undercuts the first point. How does one distinguish between nature and artifact when we rely on artifacts to produce or afford access to the natural phenomena? In insisting that Nature to be commanded must be obeyed, Francis Bacon placed nature and art on the same physical and epistemological level.Artifacts work by the laws of nature, and by working to reveal those laws. Only with the development of thermodynamics, through the analysis of steam engines, did we discover that world is a heat engine subject to the laws of entropy. Later came the information theory - the analysis of communications systems arising from the problems of long-distance telephony. Now, with the computer, nature has increasingly become a computation. DNA is code, the program for the process of development. Although the computational world may have begun as a metaphor, it is now acquiring the status of metaphysics, thus repeating the early modern transition from the metaphor of machine of the world to the metaphysics of matter in motion.The artifact as conceptual scheme is deeply, indeed inseparably, embedded in nature, and the relationship works both ways, as computer scientists turn to biological models to address problems of stability, adaptability, and complexity. Embedded too is the mathematics that has played a central role in the articulation of many of these models of nature - thermodynamical, informational, and computational - not simply by quantifying them but also, and more importantly, by capturing their structure and even filling it out. Applied to the world as models, mathematical structures have captured its workings in uncanny ways or as Eugene Wigner put it, unreasonably effective.Q.Which of the following best states the style in which this passage has been written?a)Judgmentalb)Analyticalc)Discursived)ArgumentativeCorrect answer is option 'B'. Can you explain this answer?

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The passage given below is followed by a set of questions. Choose the most appropriate answer to each question.

The computer is an artifact, not a natural phenomenon, and science is about natural phenomena. As a creation of the human mind, independent of the physical world, mathematics is not a science but a tool for doing science. Modern techno-science undercuts the first point. How does one distinguish between nature and artifact when we rely on artifacts to produce or afford access to the natural phenomena? In insisting that ‘Nature to be commanded must be obeyed,’ Francis Bacon placed nature and art on the same physical and epistemological level.

Artifacts work by the laws of nature, and by working to reveal those laws. Only with the development of thermodynamics, through the analysis of steam engines, did we ‘discover’ that world is a heat engine subject to the laws of entropy. Later came the information theory - the analysis of communications systems arising from the problems of long-distance telephony. Now, with the computer, nature has increasingly become a computation. DNA is code, the program for the process of development. Although the computational world may have begun as a metaphor, it is now acquiring the status of metaphysics, thus repeating the early modern transition from the metaphor of ‘machine of the world’ to the metaphysics of 'matter in motion'.

The artifact as conceptual scheme is deeply, indeed inseparably, embedded in nature, and the relationship works both ways, as computer scientists turn to biological models to address problems of stability, adaptability, and complexity. Embedded too is the mathematics that has played a central role in the articulation of many of these models of nature - thermodynamical, informational, and computational - not simply by quantifying them but also, and more importantly, by capturing their structure and even filling it out. Applied to the world as models, mathematical structures have captured its workings in uncanny ways or as Eugene Wigner put it, ‘unreasonably effective’.

Which of the following best states the style in which this passage has been written?

a)
Judgmental
b)
Analytical
c)
Discursive
d)
Argumentative

Correct answer is option 'B'. Can you explain this answer?

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The passage given below is followed by a set of questions. Choose the ...

The passage seeks to explain how nature and artifacts influence each other by giving the example of a computer. “Analytical” means 'pertaining to or proceeding by analysis'. Here the author presents his analysis of the subject.
The passage is neither judgmental nor is it argumentative. Eliminate options 2 and 4.

“Discursive” means 'digressive; rambling'. This is incorrect as the passage is to the point and the continuing line of thought is precise. Eliminate option 3.

Hence, the correct answer is option 2.

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The passage given below is followed by a set of questions. Choose the most appropriate answer to each question.The computer is an artifact, not a natural phenomenon, and science is about natural phenomena. As a creation of the human mind, independent of the physical world, mathematics is not a science but a tool for doing science. Modern techno-science undercuts the first point. How does one distinguish between nature and artifact when we rely on artifacts to produce or afford access to the natural phenomena? In insisting that Nature to be commanded must be obeyed, Francis Bacon placed nature and art on the same physical and epistemological level.Artifacts work by the laws of nature, and by working to reveal those laws. Only with the development of thermodynamics, through the analysis of steam engines, did we discover that world is a heat engine subject to the laws of entropy. Later came the information theory - the analysis of communications systems arising from the problems of long-distance telephony. Now, with the computer, nature has increasingly become a computation. DNA is code, the program for the process of development. Although the computational world may have begun as a metaphor, it is now acquiring the status of metaphysics, thus repeating the early modern transition from the metaphor of machine of the world to the metaphysics of matter in motion.The artifact as conceptual scheme is deeply, indeed inseparably, embedded in nature, and the relationship works both ways, as computer scientists turn to biological models to address problems of stability, adaptability, and complexity. Embedded too is the mathematics that has played a central role in the articulation of many of these models of nature - thermodynamical, informational, and computational - not simply by quantifying them but also, and more importantly, by capturing their structure and even filling it out. Applied to the world as models, mathematical structures have captured its workings in uncanny ways or as Eugene Wigner put it, unreasonably effective.Q.All of the following statements can be inferred from the passage except

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The passage given below is followed by a set of questions. Choose the most appropriate answer to each question.The computer is an artifact, not a natural phenomenon, and science is about natural phenomena. As a creation of the human mind, independent of the physical world, mathematics is not a science but a tool for doing science. Modern techno-science undercuts the first point. How does one distinguish between nature and artifact when we rely on artifacts to produce or afford access to the natural phenomena? In insisting that ‘Nature to be commanded must be obeyed,’ Francis Bacon placed nature and art on the same physical and epistemological level.Artifacts work by the laws of nature, and by working to reveal those laws. Only with the development of thermodynamics, through the analysis of steam engines, did we ‘discover’ that world is a heat engine subject to the laws of entropy. Later came the information theory - the analysis of communications systems arising from the problems of long-distance telephony. Now, with the computer, nature has increasingly become a computation. DNA is code, the program for the process of development. Although the computational world may have begun as a metaphor, it is now acquiring the status of metaphysics, thus repeating the early modern transition from the metaphor of ‘machine of the world’ to the metaphysics of 'matter in motion'.The artifact as conceptual scheme is deeply, indeed inseparably, embedded in nature, and the relationship works both ways, as computer scientists turn to biological models to address problems of stability, adaptability, and complexity. Embedded too is the mathematics that has played a central role in the articulation of many of these models of nature - thermodynamical, informational, and computational - not simply by quantifying them but also, and more importantly, by capturing their structure and even filling it out. Applied to the world as models, mathematical structures have captured its workings in uncanny ways or as Eugene Wigner put it, ‘unreasonably effective’.Q.Which of the following best states the style in which this passage has been written?a)Judgmentalb)Analyticalc)Discursived)ArgumentativeCorrect answer is option 'B'. Can you explain this answer?

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The passage given below is followed by a set of questions. Choose the most appropriate answer to each question.The computer is an artifact, not a natural phenomenon, and science is about natural phenomena. As a creation of the human mind, independent of the physical world, mathematics is not a science but a tool for doing science. Modern techno-science undercuts the first point. How does one distinguish between nature and artifact when we rely on artifacts to produce or afford access to the natural phenomena? In insisting that ‘Nature to be commanded must be obeyed,’ Francis Bacon placed nature and art on the same physical and epistemological level.Artifacts work by the laws of nature, and by working to reveal those laws. Only with the development of thermodynamics, through the analysis of steam engines, did we ‘discover’ that world is a heat engine subject to the laws of entropy. Later came the information theory - the analysis of communications systems arising from the problems of long-distance telephony. Now, with the computer, nature has increasingly become a computation. DNA is code, the program for the process of development. Although the computational world may have begun as a metaphor, it is now acquiring the status of metaphysics, thus repeating the early modern transition from the metaphor of ‘machine of the world’ to the metaphysics of 'matter in motion'.The artifact as conceptual scheme is deeply, indeed inseparably, embedded in nature, and the relationship works both ways, as computer scientists turn to biological models to address problems of stability, adaptability, and complexity. Embedded too is the mathematics that has played a central role in the articulation of many of these models of nature - thermodynamical, informational, and computational - not simply by quantifying them but also, and more importantly, by capturing their structure and even filling it out. Applied to the world as models, mathematical structures have captured its workings in uncanny ways or as Eugene Wigner put it, ‘unreasonably effective’.Q.Which of the following best states the style in which this passage has been written?a)Judgmentalb)Analyticalc)Discursived)ArgumentativeCorrect answer is option 'B'. Can you explain this answer? for CAT 2024 is part of CAT preparation. The Question and answers have been prepared according to the CAT exam syllabus. Information about The passage given below is followed by a set of questions. Choose the most appropriate answer to each question.The computer is an artifact, not a natural phenomenon, and science is about natural phenomena. As a creation of the human mind, independent of the physical world, mathematics is not a science but a tool for doing science. Modern techno-science undercuts the first point. How does one distinguish between nature and artifact when we rely on artifacts to produce or afford access to the natural phenomena? In insisting that ‘Nature to be commanded must be obeyed,’ Francis Bacon placed nature and art on the same physical and epistemological level.Artifacts work by the laws of nature, and by working to reveal those laws. Only with the development of thermodynamics, through the analysis of steam engines, did we ‘discover’ that world is a heat engine subject to the laws of entropy. Later came the information theory - the analysis of communications systems arising from the problems of long-distance telephony. Now, with the computer, nature has increasingly become a computation. DNA is code, the program for the process of development. Although the computational world may have begun as a metaphor, it is now acquiring the status of metaphysics, thus repeating the early modern transition from the metaphor of ‘machine of the world’ to the metaphysics of 'matter in motion'.The artifact as conceptual scheme is deeply, indeed inseparably, embedded in nature, and the relationship works both ways, as computer scientists turn to biological models to address problems of stability, adaptability, and complexity. Embedded too is the mathematics that has played a central role in the articulation of many of these models of nature - thermodynamical, informational, and computational - not simply by quantifying them but also, and more importantly, by capturing their structure and even filling it out. Applied to the world as models, mathematical structures have captured its workings in uncanny ways or as Eugene Wigner put it, ‘unreasonably effective’.Q.Which of the following best states the style in which this passage has been written?a)Judgmentalb)Analyticalc)Discursived)ArgumentativeCorrect answer is option 'B'. Can you explain this answer? covers all topics & solutions for CAT 2024 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for The passage given below is followed by a set of questions. Choose the most appropriate answer to each question.The computer is an artifact, not a natural phenomenon, and science is about natural phenomena. As a creation of the human mind, independent of the physical world, mathematics is not a science but a tool for doing science. Modern techno-science undercuts the first point. How does one distinguish between nature and artifact when we rely on artifacts to produce or afford access to the natural phenomena? In insisting that ‘Nature to be commanded must be obeyed,’ Francis Bacon placed nature and art on the same physical and epistemological level.Artifacts work by the laws of nature, and by working to reveal those laws. Only with the development of thermodynamics, through the analysis of steam engines, did we ‘discover’ that world is a heat engine subject to the laws of entropy. Later came the information theory - the analysis of communications systems arising from the problems of long-distance telephony. Now, with the computer, nature has increasingly become a computation. DNA is code, the program for the process of development. Although the computational world may have begun as a metaphor, it is now acquiring the status of metaphysics, thus repeating the early modern transition from the metaphor of ‘machine of the world’ to the metaphysics of 'matter in motion'.The artifact as conceptual scheme is deeply, indeed inseparably, embedded in nature, and the relationship works both ways, as computer scientists turn to biological models to address problems of stability, adaptability, and complexity. Embedded too is the mathematics that has played a central role in the articulation of many of these models of nature - thermodynamical, informational, and computational - not simply by quantifying them but also, and more importantly, by capturing their structure and even filling it out. Applied to the world as models, mathematical structures have captured its workings in uncanny ways or as Eugene Wigner put it, ‘unreasonably effective’.Q.Which of the following best states the style in which this passage has been written?a)Judgmentalb)Analyticalc)Discursived)ArgumentativeCorrect answer is option 'B'. Can you explain this answer?.

Solutions for The passage given below is followed by a set of questions. Choose the most appropriate answer to each question.The computer is an artifact, not a natural phenomenon, and science is about natural phenomena. As a creation of the human mind, independent of the physical world, mathematics is not a science but a tool for doing science. Modern techno-science undercuts the first point. How does one distinguish between nature and artifact when we rely on artifacts to produce or afford access to the natural phenomena? In insisting that ‘Nature to be commanded must be obeyed,’ Francis Bacon placed nature and art on the same physical and epistemological level.Artifacts work by the laws of nature, and by working to reveal those laws. Only with the development of thermodynamics, through the analysis of steam engines, did we ‘discover’ that world is a heat engine subject to the laws of entropy. Later came the information theory - the analysis of communications systems arising from the problems of long-distance telephony. Now, with the computer, nature has increasingly become a computation. DNA is code, the program for the process of development. Although the computational world may have begun as a metaphor, it is now acquiring the status of metaphysics, thus repeating the early modern transition from the metaphor of ‘machine of the world’ to the metaphysics of 'matter in motion'.The artifact as conceptual scheme is deeply, indeed inseparably, embedded in nature, and the relationship works both ways, as computer scientists turn to biological models to address problems of stability, adaptability, and complexity. Embedded too is the mathematics that has played a central role in the articulation of many of these models of nature - thermodynamical, informational, and computational - not simply by quantifying them but also, and more importantly, by capturing their structure and even filling it out. Applied to the world as models, mathematical structures have captured its workings in uncanny ways or as Eugene Wigner put it, ‘unreasonably effective’.Q.Which of the following best states the style in which this passage has been written?a)Judgmentalb)Analyticalc)Discursived)ArgumentativeCorrect answer is option 'B'. Can you explain this answer? in English & in Hindi are available as part of our courses for CAT. Download more important topics, notes, lectures and mock test series for CAT Exam by signing up for free.

Here you can find the meaning of The passage given below is followed by a set of questions. Choose the most appropriate answer to each question.The computer is an artifact, not a natural phenomenon, and science is about natural phenomena. As a creation of the human mind, independent of the physical world, mathematics is not a science but a tool for doing science. Modern techno-science undercuts the first point. How does one distinguish between nature and artifact when we rely on artifacts to produce or afford access to the natural phenomena? In insisting that ‘Nature to be commanded must be obeyed,’ Francis Bacon placed nature and art on the same physical and epistemological level.Artifacts work by the laws of nature, and by working to reveal those laws. Only with the development of thermodynamics, through the analysis of steam engines, did we ‘discover’ that world is a heat engine subject to the laws of entropy. Later came the information theory - the analysis of communications systems arising from the problems of long-distance telephony. Now, with the computer, nature has increasingly become a computation. DNA is code, the program for the process of development. Although the computational world may have begun as a metaphor, it is now acquiring the status of metaphysics, thus repeating the early modern transition from the metaphor of ‘machine of the world’ to the metaphysics of 'matter in motion'.The artifact as conceptual scheme is deeply, indeed inseparably, embedded in nature, and the relationship works both ways, as computer scientists turn to biological models to address problems of stability, adaptability, and complexity. Embedded too is the mathematics that has played a central role in the articulation of many of these models of nature - thermodynamical, informational, and computational - not simply by quantifying them but also, and more importantly, by capturing their structure and even filling it out. Applied to the world as models, mathematical structures have captured its workings in uncanny ways or as Eugene Wigner put it, ‘unreasonably effective’.Q.Which of the following best states the style in which this passage has been written?a)Judgmentalb)Analyticalc)Discursived)ArgumentativeCorrect answer is option 'B'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of The passage given below is followed by a set of questions. Choose the most appropriate answer to each question.The computer is an artifact, not a natural phenomenon, and science is about natural phenomena. As a creation of the human mind, independent of the physical world, mathematics is not a science but a tool for doing science. Modern techno-science undercuts the first point. How does one distinguish between nature and artifact when we rely on artifacts to produce or afford access to the natural phenomena? In insisting that ‘Nature to be commanded must be obeyed,’ Francis Bacon placed nature and art on the same physical and epistemological level.Artifacts work by the laws of nature, and by working to reveal those laws. Only with the development of thermodynamics, through the analysis of steam engines, did we ‘discover’ that world is a heat engine subject to the laws of entropy. Later came the information theory - the analysis of communications systems arising from the problems of long-distance telephony. Now, with the computer, nature has increasingly become a computation. DNA is code, the program for the process of development. Although the computational world may have begun as a metaphor, it is now acquiring the status of metaphysics, thus repeating the early modern transition from the metaphor of ‘machine of the world’ to the metaphysics of 'matter in motion'.The artifact as conceptual scheme is deeply, indeed inseparably, embedded in nature, and the relationship works both ways, as computer scientists turn to biological models to address problems of stability, adaptability, and complexity. Embedded too is the mathematics that has played a central role in the articulation of many of these models of nature - thermodynamical, informational, and computational - not simply by quantifying them but also, and more importantly, by capturing their structure and even filling it out. Applied to the world as models, mathematical structures have captured its workings in uncanny ways or as Eugene Wigner put it, ‘unreasonably effective’.Q.Which of the following best states the style in which this passage has been written?a)Judgmentalb)Analyticalc)Discursived)ArgumentativeCorrect answer is option 'B'. Can you explain this answer?, a detailed solution for The passage given below is followed by a set of questions. Choose the most appropriate answer to each question.The computer is an artifact, not a natural phenomenon, and science is about natural phenomena. As a creation of the human mind, independent of the physical world, mathematics is not a science but a tool for doing science. Modern techno-science undercuts the first point. How does one distinguish between nature and artifact when we rely on artifacts to produce or afford access to the natural phenomena? In insisting that ‘Nature to be commanded must be obeyed,’ Francis Bacon placed nature and art on the same physical and epistemological level.Artifacts work by the laws of nature, and by working to reveal those laws. Only with the development of thermodynamics, through the analysis of steam engines, did we ‘discover’ that world is a heat engine subject to the laws of entropy. Later came the information theory - the analysis of communications systems arising from the problems of long-distance telephony. Now, with the computer, nature has increasingly become a computation. DNA is code, the program for the process of development. Although the computational world may have begun as a metaphor, it is now acquiring the status of metaphysics, thus repeating the early modern transition from the metaphor of ‘machine of the world’ to the metaphysics of 'matter in motion'.The artifact as conceptual scheme is deeply, indeed inseparably, embedded in nature, and the relationship works both ways, as computer scientists turn to biological models to address problems of stability, adaptability, and complexity. Embedded too is the mathematics that has played a central role in the articulation of many of these models of nature - thermodynamical, informational, and computational - not simply by quantifying them but also, and more importantly, by capturing their structure and even filling it out. Applied to the world as models, mathematical structures have captured its workings in uncanny ways or as Eugene Wigner put it, ‘unreasonably effective’.Q.Which of the following best states the style in which this passage has been written?a)Judgmentalb)Analyticalc)Discursived)ArgumentativeCorrect answer is option 'B'. Can you explain this answer? has been provided alongside types of The passage given below is followed by a set of questions. Choose the most appropriate answer to each question.The computer is an artifact, not a natural phenomenon, and science is about natural phenomena. As a creation of the human mind, independent of the physical world, mathematics is not a science but a tool for doing science. Modern techno-science undercuts the first point. How does one distinguish between nature and artifact when we rely on artifacts to produce or afford access to the natural phenomena? In insisting that ‘Nature to be commanded must be obeyed,’ Francis Bacon placed nature and art on the same physical and epistemological level.Artifacts work by the laws of nature, and by working to reveal those laws. Only with the development of thermodynamics, through the analysis of steam engines, did we ‘discover’ that world is a heat engine subject to the laws of entropy. Later came the information theory - the analysis of communications systems arising from the problems of long-distance telephony. Now, with the computer, nature has increasingly become a computation. DNA is code, the program for the process of development. Although the computational world may have begun as a metaphor, it is now acquiring the status of metaphysics, thus repeating the early modern transition from the metaphor of ‘machine of the world’ to the metaphysics of 'matter in motion'.The artifact as conceptual scheme is deeply, indeed inseparably, embedded in nature, and the relationship works both ways, as computer scientists turn to biological models to address problems of stability, adaptability, and complexity. Embedded too is the mathematics that has played a central role in the articulation of many of these models of nature - thermodynamical, informational, and computational - not simply by quantifying them but also, and more importantly, by capturing their structure and even filling it out. Applied to the world as models, mathematical structures have captured its workings in uncanny ways or as Eugene Wigner put it, ‘unreasonably effective’.Q.Which of the following best states the style in which this passage has been written?a)Judgmentalb)Analyticalc)Discursived)ArgumentativeCorrect answer is option 'B'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice The passage given below is followed by a set of questions. Choose the most appropriate answer to each question.The computer is an artifact, not a natural phenomenon, and science is about natural phenomena. As a creation of the human mind, independent of the physical world, mathematics is not a science but a tool for doing science. Modern techno-science undercuts the first point. How does one distinguish between nature and artifact when we rely on artifacts to produce or afford access to the natural phenomena? In insisting that ‘Nature to be commanded must be obeyed,’ Francis Bacon placed nature and art on the same physical and epistemological level.Artifacts work by the laws of nature, and by working to reveal those laws. Only with the development of thermodynamics, through the analysis of steam engines, did we ‘discover’ that world is a heat engine subject to the laws of entropy. Later came the information theory - the analysis of communications systems arising from the problems of long-distance telephony. Now, with the computer, nature has increasingly become a computation. DNA is code, the program for the process of development. Although the computational world may have begun as a metaphor, it is now acquiring the status of metaphysics, thus repeating the early modern transition from the metaphor of ‘machine of the world’ to the metaphysics of 'matter in motion'.The artifact as conceptual scheme is deeply, indeed inseparably, embedded in nature, and the relationship works both ways, as computer scientists turn to biological models to address problems of stability, adaptability, and complexity. Embedded too is the mathematics that has played a central role in the articulation of many of these models of nature - thermodynamical, informational, and computational - not simply by quantifying them but also, and more importantly, by capturing their structure and even filling it out. Applied to the world as models, mathematical structures have captured its workings in uncanny ways or as Eugene Wigner put it, ‘unreasonably effective’.Q.Which of the following best states the style in which this passage has been written?a)Judgmentalb)Analyticalc)Discursived)ArgumentativeCorrect answer is option 'B'. Can you explain this answer? tests, examples and also practice CAT tests.

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