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Read the passage carefully and answer the following questions.Country music has often been misrepresented to the world. Early on, it was deemed ‘hillbilly music’ by the very recording industry producing it, stereotypically linking it to a supposedly degenerate and backwards culture. We can see this image echoed on the front page of Variety in 1926, where the music critic Abel Green first defines the audience: ‘The “hill-billy” is a North Carolina or Tennessee and adjacent mountaineer type of illiterate white whose creed and allegiance are to the Bible … and the phonograph.’ Then the music got its lashing when Green described it as ‘the sing-song, nasal-twanging vocalising of a Vernon Dalhart or a Carson Robison … reciting the banal lyrics of a Prisoner’s Song or The Death of Floyd Collins …’These kinds of negative projections of the people who have made country music, and have listened to it, linger even unto today. The stereotype is that they all harbour conservative political and social beliefs, setting them as sexist, racist, jingoistic and fundamentalist Christian by nature. But this image is a lie. For, right from the start, country music spoke up with a progressive voice.One early example of this is from Blind Alfred Reed, who crafted How Can a Poor Man Stand Such Times and Live? (1929). The song takes on the unjust practices of groups in power, such as in the lines: ‘preachers preach for gold and not for souls’ and ‘Officers kill without a cause.’ It presents the entirety of the working class as being victimised at the very dawn of the Great Depression. But Reed also wrote the religious song There’ll Be No Distinction There (1929), which illustrated an egalitarian afterlife in the lines: ‘We’ll all sit together in the same kind of pews, / The whites and the coloured folks, the gentiles and the Jews.’ But Reed was not alone in expressing sympathy for the working class or in calling out for a more equitable society: others from this early era - such as Uncle Dave Macon, Fiddlin’ John Carson and Henry Whitter - expressed similar sentiments, just as Johnny Cash, Steve Earle and John Rich have done in later decades.Country music has also spoken out on women’s issues, such as in Loretta Lynn’s hit The Pill (1975). The song celebrates freedom from pregnancy, with the narrator noting how her husband has always been carefree and unfaithful while she was tied down with ‘a couple [babies] in my arms’ and another one on the way. Lynn’s message here is clear - she despises this kind of unequitable relationship, as she bluntly states in her autobiography Coal Miner’s Daughter (1976): ‘Well, shoot, I don’t believe in double standards, where men can get away with things that women can’t.’ In the country-music market, this song stands out as an unabashed and rather radical call for sexual liberation and biological control, challenging the man’s past sexual prerogative and presenting a situation where the woman may also enjoy a variety of sexual liaisons without the social/economic restrictions that come with pregnancy, childbirth and childcare. Lynn rejoices both in the song and in her own overall personal belief that the contraceptive pill will allow women greater control of their own lives.Q.The passage makes all the following claims EXCEPT: “Hill-billy” was considered a derogatory word. Country music was more progressive than it was perceived to be. The audience of country music was diverse.a)Statements 1 and 3 only.b)Statements 2 and 3 only.c)Statement 3 only.d)None amongst statements 1, 2 and 3.Correct answer is option 'D'. Can you explain this answer? for CAT 2025 is part of CAT preparation. The Question and answers have been prepared according to the CAT exam syllabus. Information about Read the passage carefully and answer the following questions.Country music has often been misrepresented to the world. Early on, it was deemed ‘hillbilly music’ by the very recording industry producing it, stereotypically linking it to a supposedly degenerate and backwards culture. We can see this image echoed on the front page of Variety in 1926, where the music critic Abel Green first defines the audience: ‘The “hill-billy” is a North Carolina or Tennessee and adjacent mountaineer type of illiterate white whose creed and allegiance are to the Bible … and the phonograph.’ Then the music got its lashing when Green described it as ‘the sing-song, nasal-twanging vocalising of a Vernon Dalhart or a Carson Robison … reciting the banal lyrics of a Prisoner’s Song or The Death of Floyd Collins …’These kinds of negative projections of the people who have made country music, and have listened to it, linger even unto today. The stereotype is that they all harbour conservative political and social beliefs, setting them as sexist, racist, jingoistic and fundamentalist Christian by nature. But this image is a lie. For, right from the start, country music spoke up with a progressive voice.One early example of this is from Blind Alfred Reed, who crafted How Can a Poor Man Stand Such Times and Live? (1929). The song takes on the unjust practices of groups in power, such as in the lines: ‘preachers preach for gold and not for souls’ and ‘Officers kill without a cause.’ It presents the entirety of the working class as being victimised at the very dawn of the Great Depression. But Reed also wrote the religious song There’ll Be No Distinction There (1929), which illustrated an egalitarian afterlife in the lines: ‘We’ll all sit together in the same kind of pews, / The whites and the coloured folks, the gentiles and the Jews.’ But Reed was not alone in expressing sympathy for the working class or in calling out for a more equitable society: others from this early era - such as Uncle Dave Macon, Fiddlin’ John Carson and Henry Whitter - expressed similar sentiments, just as Johnny Cash, Steve Earle and John Rich have done in later decades.Country music has also spoken out on women’s issues, such as in Loretta Lynn’s hit The Pill (1975). The song celebrates freedom from pregnancy, with the narrator noting how her husband has always been carefree and unfaithful while she was tied down with ‘a couple [babies] in my arms’ and another one on the way. Lynn’s message here is clear - she despises this kind of unequitable relationship, as she bluntly states in her autobiography Coal Miner’s Daughter (1976): ‘Well, shoot, I don’t believe in double standards, where men can get away with things that women can’t.’ In the country-music market, this song stands out as an unabashed and rather radical call for sexual liberation and biological control, challenging the man’s past sexual prerogative and presenting a situation where the woman may also enjoy a variety of sexual liaisons without the social/economic restrictions that come with pregnancy, childbirth and childcare. Lynn rejoices both in the song and in her own overall personal belief that the contraceptive pill will allow women greater control of their own lives.Q.The passage makes all the following claims EXCEPT: “Hill-billy” was considered a derogatory word. Country music was more progressive than it was perceived to be. The audience of country music was diverse.a)Statements 1 and 3 only.b)Statements 2 and 3 only.c)Statement 3 only.d)None amongst statements 1, 2 and 3.Correct answer is option 'D'. Can you explain this answer? covers all topics & solutions for CAT 2025 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Read the passage carefully and answer the following questions.Country music has often been misrepresented to the world. Early on, it was deemed ‘hillbilly music’ by the very recording industry producing it, stereotypically linking it to a supposedly degenerate and backwards culture. We can see this image echoed on the front page of Variety in 1926, where the music critic Abel Green first defines the audience: ‘The “hill-billy” is a North Carolina or Tennessee and adjacent mountaineer type of illiterate white whose creed and allegiance are to the Bible … and the phonograph.’ Then the music got its lashing when Green described it as ‘the sing-song, nasal-twanging vocalising of a Vernon Dalhart or a Carson Robison … reciting the banal lyrics of a Prisoner’s Song or The Death of Floyd Collins …’These kinds of negative projections of the people who have made country music, and have listened to it, linger even unto today. The stereotype is that they all harbour conservative political and social beliefs, setting them as sexist, racist, jingoistic and fundamentalist Christian by nature. But this image is a lie. For, right from the start, country music spoke up with a progressive voice.One early example of this is from Blind Alfred Reed, who crafted How Can a Poor Man Stand Such Times and Live? (1929). The song takes on the unjust practices of groups in power, such as in the lines: ‘preachers preach for gold and not for souls’ and ‘Officers kill without a cause.’ It presents the entirety of the working class as being victimised at the very dawn of the Great Depression. But Reed also wrote the religious song There’ll Be No Distinction There (1929), which illustrated an egalitarian afterlife in the lines: ‘We’ll all sit together in the same kind of pews, / The whites and the coloured folks, the gentiles and the Jews.’ But Reed was not alone in expressing sympathy for the working class or in calling out for a more equitable society: others from this early era - such as Uncle Dave Macon, Fiddlin’ John Carson and Henry Whitter - expressed similar sentiments, just as Johnny Cash, Steve Earle and John Rich have done in later decades.Country music has also spoken out on women’s issues, such as in Loretta Lynn’s hit The Pill (1975). The song celebrates freedom from pregnancy, with the narrator noting how her husband has always been carefree and unfaithful while she was tied down with ‘a couple [babies] in my arms’ and another one on the way. Lynn’s message here is clear - she despises this kind of unequitable relationship, as she bluntly states in her autobiography Coal Miner’s Daughter (1976): ‘Well, shoot, I don’t believe in double standards, where men can get away with things that women can’t.’ In the country-music market, this song stands out as an unabashed and rather radical call for sexual liberation and biological control, challenging the man’s past sexual prerogative and presenting a situation where the woman may also enjoy a variety of sexual liaisons without the social/economic restrictions that come with pregnancy, childbirth and childcare. Lynn rejoices both in the song and in her own overall personal belief that the contraceptive pill will allow women greater control of their own lives.Q.The passage makes all the following claims EXCEPT: “Hill-billy” was considered a derogatory word. Country music was more progressive than it was perceived to be. The audience of country music was diverse.a)Statements 1 and 3 only.b)Statements 2 and 3 only.c)Statement 3 only.d)None amongst statements 1, 2 and 3.Correct answer is option 'D'. Can you explain this answer?.

Solutions for Read the passage carefully and answer the following questions.Country music has often been misrepresented to the world. Early on, it was deemed ‘hillbilly music’ by the very recording industry producing it, stereotypically linking it to a supposedly degenerate and backwards culture. We can see this image echoed on the front page of Variety in 1926, where the music critic Abel Green first defines the audience: ‘The “hill-billy” is a North Carolina or Tennessee and adjacent mountaineer type of illiterate white whose creed and allegiance are to the Bible … and the phonograph.’ Then the music got its lashing when Green described it as ‘the sing-song, nasal-twanging vocalising of a Vernon Dalhart or a Carson Robison … reciting the banal lyrics of a Prisoner’s Song or The Death of Floyd Collins …’These kinds of negative projections of the people who have made country music, and have listened to it, linger even unto today. The stereotype is that they all harbour conservative political and social beliefs, setting them as sexist, racist, jingoistic and fundamentalist Christian by nature. But this image is a lie. For, right from the start, country music spoke up with a progressive voice.One early example of this is from Blind Alfred Reed, who crafted How Can a Poor Man Stand Such Times and Live? (1929). The song takes on the unjust practices of groups in power, such as in the lines: ‘preachers preach for gold and not for souls’ and ‘Officers kill without a cause.’ It presents the entirety of the working class as being victimised at the very dawn of the Great Depression. But Reed also wrote the religious song There’ll Be No Distinction There (1929), which illustrated an egalitarian afterlife in the lines: ‘We’ll all sit together in the same kind of pews, / The whites and the coloured folks, the gentiles and the Jews.’ But Reed was not alone in expressing sympathy for the working class or in calling out for a more equitable society: others from this early era - such as Uncle Dave Macon, Fiddlin’ John Carson and Henry Whitter - expressed similar sentiments, just as Johnny Cash, Steve Earle and John Rich have done in later decades.Country music has also spoken out on women’s issues, such as in Loretta Lynn’s hit The Pill (1975). The song celebrates freedom from pregnancy, with the narrator noting how her husband has always been carefree and unfaithful while she was tied down with ‘a couple [babies] in my arms’ and another one on the way. Lynn’s message here is clear - she despises this kind of unequitable relationship, as she bluntly states in her autobiography Coal Miner’s Daughter (1976): ‘Well, shoot, I don’t believe in double standards, where men can get away with things that women can’t.’ In the country-music market, this song stands out as an unabashed and rather radical call for sexual liberation and biological control, challenging the man’s past sexual prerogative and presenting a situation where the woman may also enjoy a variety of sexual liaisons without the social/economic restrictions that come with pregnancy, childbirth and childcare. Lynn rejoices both in the song and in her own overall personal belief that the contraceptive pill will allow women greater control of their own lives.Q.The passage makes all the following claims EXCEPT: “Hill-billy” was considered a derogatory word. Country music was more progressive than it was perceived to be. The audience of country music was diverse.a)Statements 1 and 3 only.b)Statements 2 and 3 only.c)Statement 3 only.d)None amongst statements 1, 2 and 3.Correct answer is option 'D'. Can you explain this answer? in English & in Hindi are available as part of our courses for CAT. Download more important topics, notes, lectures and mock test series for CAT Exam by signing up for free.

Here you can find the meaning of Read the passage carefully and answer the following questions.Country music has often been misrepresented to the world. Early on, it was deemed ‘hillbilly music’ by the very recording industry producing it, stereotypically linking it to a supposedly degenerate and backwards culture. We can see this image echoed on the front page of Variety in 1926, where the music critic Abel Green first defines the audience: ‘The “hill-billy” is a North Carolina or Tennessee and adjacent mountaineer type of illiterate white whose creed and allegiance are to the Bible … and the phonograph.’ Then the music got its lashing when Green described it as ‘the sing-song, nasal-twanging vocalising of a Vernon Dalhart or a Carson Robison … reciting the banal lyrics of a Prisoner’s Song or The Death of Floyd Collins …’These kinds of negative projections of the people who have made country music, and have listened to it, linger even unto today. The stereotype is that they all harbour conservative political and social beliefs, setting them as sexist, racist, jingoistic and fundamentalist Christian by nature. But this image is a lie. For, right from the start, country music spoke up with a progressive voice.One early example of this is from Blind Alfred Reed, who crafted How Can a Poor Man Stand Such Times and Live? (1929). The song takes on the unjust practices of groups in power, such as in the lines: ‘preachers preach for gold and not for souls’ and ‘Officers kill without a cause.’ It presents the entirety of the working class as being victimised at the very dawn of the Great Depression. But Reed also wrote the religious song There’ll Be No Distinction There (1929), which illustrated an egalitarian afterlife in the lines: ‘We’ll all sit together in the same kind of pews, / The whites and the coloured folks, the gentiles and the Jews.’ But Reed was not alone in expressing sympathy for the working class or in calling out for a more equitable society: others from this early era - such as Uncle Dave Macon, Fiddlin’ John Carson and Henry Whitter - expressed similar sentiments, just as Johnny Cash, Steve Earle and John Rich have done in later decades.Country music has also spoken out on women’s issues, such as in Loretta Lynn’s hit The Pill (1975). The song celebrates freedom from pregnancy, with the narrator noting how her husband has always been carefree and unfaithful while she was tied down with ‘a couple [babies] in my arms’ and another one on the way. Lynn’s message here is clear - she despises this kind of unequitable relationship, as she bluntly states in her autobiography Coal Miner’s Daughter (1976): ‘Well, shoot, I don’t believe in double standards, where men can get away with things that women can’t.’ In the country-music market, this song stands out as an unabashed and rather radical call for sexual liberation and biological control, challenging the man’s past sexual prerogative and presenting a situation where the woman may also enjoy a variety of sexual liaisons without the social/economic restrictions that come with pregnancy, childbirth and childcare. Lynn rejoices both in the song and in her own overall personal belief that the contraceptive pill will allow women greater control of their own lives.Q.The passage makes all the following claims EXCEPT: “Hill-billy” was considered a derogatory word. Country music was more progressive than it was perceived to be. The audience of country music was diverse.a)Statements 1 and 3 only.b)Statements 2 and 3 only.c)Statement 3 only.d)None amongst statements 1, 2 and 3.Correct answer is option 'D'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of Read the passage carefully and answer the following questions.Country music has often been misrepresented to the world. Early on, it was deemed ‘hillbilly music’ by the very recording industry producing it, stereotypically linking it to a supposedly degenerate and backwards culture. We can see this image echoed on the front page of Variety in 1926, where the music critic Abel Green first defines the audience: ‘The “hill-billy” is a North Carolina or Tennessee and adjacent mountaineer type of illiterate white whose creed and allegiance are to the Bible … and the phonograph.’ Then the music got its lashing when Green described it as ‘the sing-song, nasal-twanging vocalising of a Vernon Dalhart or a Carson Robison … reciting the banal lyrics of a Prisoner’s Song or The Death of Floyd Collins …’These kinds of negative projections of the people who have made country music, and have listened to it, linger even unto today. The stereotype is that they all harbour conservative political and social beliefs, setting them as sexist, racist, jingoistic and fundamentalist Christian by nature. But this image is a lie. For, right from the start, country music spoke up with a progressive voice.One early example of this is from Blind Alfred Reed, who crafted How Can a Poor Man Stand Such Times and Live? (1929). The song takes on the unjust practices of groups in power, such as in the lines: ‘preachers preach for gold and not for souls’ and ‘Officers kill without a cause.’ It presents the entirety of the working class as being victimised at the very dawn of the Great Depression. But Reed also wrote the religious song There’ll Be No Distinction There (1929), which illustrated an egalitarian afterlife in the lines: ‘We’ll all sit together in the same kind of pews, / The whites and the coloured folks, the gentiles and the Jews.’ But Reed was not alone in expressing sympathy for the working class or in calling out for a more equitable society: others from this early era - such as Uncle Dave Macon, Fiddlin’ John Carson and Henry Whitter - expressed similar sentiments, just as Johnny Cash, Steve Earle and John Rich have done in later decades.Country music has also spoken out on women’s issues, such as in Loretta Lynn’s hit The Pill (1975). The song celebrates freedom from pregnancy, with the narrator noting how her husband has always been carefree and unfaithful while she was tied down with ‘a couple [babies] in my arms’ and another one on the way. Lynn’s message here is clear - she despises this kind of unequitable relationship, as she bluntly states in her autobiography Coal Miner’s Daughter (1976): ‘Well, shoot, I don’t believe in double standards, where men can get away with things that women can’t.’ In the country-music market, this song stands out as an unabashed and rather radical call for sexual liberation and biological control, challenging the man’s past sexual prerogative and presenting a situation where the woman may also enjoy a variety of sexual liaisons without the social/economic restrictions that come with pregnancy, childbirth and childcare. Lynn rejoices both in the song and in her own overall personal belief that the contraceptive pill will allow women greater control of their own lives.Q.The passage makes all the following claims EXCEPT: “Hill-billy” was considered a derogatory word. Country music was more progressive than it was perceived to be. The audience of country music was diverse.a)Statements 1 and 3 only.b)Statements 2 and 3 only.c)Statement 3 only.d)None amongst statements 1, 2 and 3.Correct answer is option 'D'. Can you explain this answer?, a detailed solution for Read the passage carefully and answer the following questions.Country music has often been misrepresented to the world. Early on, it was deemed ‘hillbilly music’ by the very recording industry producing it, stereotypically linking it to a supposedly degenerate and backwards culture. We can see this image echoed on the front page of Variety in 1926, where the music critic Abel Green first defines the audience: ‘The “hill-billy” is a North Carolina or Tennessee and adjacent mountaineer type of illiterate white whose creed and allegiance are to the Bible … and the phonograph.’ Then the music got its lashing when Green described it as ‘the sing-song, nasal-twanging vocalising of a Vernon Dalhart or a Carson Robison … reciting the banal lyrics of a Prisoner’s Song or The Death of Floyd Collins …’These kinds of negative projections of the people who have made country music, and have listened to it, linger even unto today. The stereotype is that they all harbour conservative political and social beliefs, setting them as sexist, racist, jingoistic and fundamentalist Christian by nature. But this image is a lie. For, right from the start, country music spoke up with a progressive voice.One early example of this is from Blind Alfred Reed, who crafted How Can a Poor Man Stand Such Times and Live? (1929). The song takes on the unjust practices of groups in power, such as in the lines: ‘preachers preach for gold and not for souls’ and ‘Officers kill without a cause.’ It presents the entirety of the working class as being victimised at the very dawn of the Great Depression. But Reed also wrote the religious song There’ll Be No Distinction There (1929), which illustrated an egalitarian afterlife in the lines: ‘We’ll all sit together in the same kind of pews, / The whites and the coloured folks, the gentiles and the Jews.’ But Reed was not alone in expressing sympathy for the working class or in calling out for a more equitable society: others from this early era - such as Uncle Dave Macon, Fiddlin’ John Carson and Henry Whitter - expressed similar sentiments, just as Johnny Cash, Steve Earle and John Rich have done in later decades.Country music has also spoken out on women’s issues, such as in Loretta Lynn’s hit The Pill (1975). The song celebrates freedom from pregnancy, with the narrator noting how her husband has always been carefree and unfaithful while she was tied down with ‘a couple [babies] in my arms’ and another one on the way. Lynn’s message here is clear - she despises this kind of unequitable relationship, as she bluntly states in her autobiography Coal Miner’s Daughter (1976): ‘Well, shoot, I don’t believe in double standards, where men can get away with things that women can’t.’ In the country-music market, this song stands out as an unabashed and rather radical call for sexual liberation and biological control, challenging the man’s past sexual prerogative and presenting a situation where the woman may also enjoy a variety of sexual liaisons without the social/economic restrictions that come with pregnancy, childbirth and childcare. Lynn rejoices both in the song and in her own overall personal belief that the contraceptive pill will allow women greater control of their own lives.Q.The passage makes all the following claims EXCEPT: “Hill-billy” was considered a derogatory word. Country music was more progressive than it was perceived to be. The audience of country music was diverse.a)Statements 1 and 3 only.b)Statements 2 and 3 only.c)Statement 3 only.d)None amongst statements 1, 2 and 3.Correct answer is option 'D'. Can you explain this answer? has been provided alongside types of Read the passage carefully and answer the following questions.Country music has often been misrepresented to the world. Early on, it was deemed ‘hillbilly music’ by the very recording industry producing it, stereotypically linking it to a supposedly degenerate and backwards culture. We can see this image echoed on the front page of Variety in 1926, where the music critic Abel Green first defines the audience: ‘The “hill-billy” is a North Carolina or Tennessee and adjacent mountaineer type of illiterate white whose creed and allegiance are to the Bible … and the phonograph.’ Then the music got its lashing when Green described it as ‘the sing-song, nasal-twanging vocalising of a Vernon Dalhart or a Carson Robison … reciting the banal lyrics of a Prisoner’s Song or The Death of Floyd Collins …’These kinds of negative projections of the people who have made country music, and have listened to it, linger even unto today. The stereotype is that they all harbour conservative political and social beliefs, setting them as sexist, racist, jingoistic and fundamentalist Christian by nature. But this image is a lie. For, right from the start, country music spoke up with a progressive voice.One early example of this is from Blind Alfred Reed, who crafted How Can a Poor Man Stand Such Times and Live? (1929). The song takes on the unjust practices of groups in power, such as in the lines: ‘preachers preach for gold and not for souls’ and ‘Officers kill without a cause.’ It presents the entirety of the working class as being victimised at the very dawn of the Great Depression. But Reed also wrote the religious song There’ll Be No Distinction There (1929), which illustrated an egalitarian afterlife in the lines: ‘We’ll all sit together in the same kind of pews, / The whites and the coloured folks, the gentiles and the Jews.’ But Reed was not alone in expressing sympathy for the working class or in calling out for a more equitable society: others from this early era - such as Uncle Dave Macon, Fiddlin’ John Carson and Henry Whitter - expressed similar sentiments, just as Johnny Cash, Steve Earle and John Rich have done in later decades.Country music has also spoken out on women’s issues, such as in Loretta Lynn’s hit The Pill (1975). The song celebrates freedom from pregnancy, with the narrator noting how her husband has always been carefree and unfaithful while she was tied down with ‘a couple [babies] in my arms’ and another one on the way. Lynn’s message here is clear - she despises this kind of unequitable relationship, as she bluntly states in her autobiography Coal Miner’s Daughter (1976): ‘Well, shoot, I don’t believe in double standards, where men can get away with things that women can’t.’ In the country-music market, this song stands out as an unabashed and rather radical call for sexual liberation and biological control, challenging the man’s past sexual prerogative and presenting a situation where the woman may also enjoy a variety of sexual liaisons without the social/economic restrictions that come with pregnancy, childbirth and childcare. Lynn rejoices both in the song and in her own overall personal belief that the contraceptive pill will allow women greater control of their own lives.Q.The passage makes all the following claims EXCEPT: “Hill-billy” was considered a derogatory word. Country music was more progressive than it was perceived to be. The audience of country music was diverse.a)Statements 1 and 3 only.b)Statements 2 and 3 only.c)Statement 3 only.d)None amongst statements 1, 2 and 3.Correct answer is option 'D'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice Read the passage carefully and answer the following questions.Country music has often been misrepresented to the world. Early on, it was deemed ‘hillbilly music’ by the very recording industry producing it, stereotypically linking it to a supposedly degenerate and backwards culture. We can see this image echoed on the front page of Variety in 1926, where the music critic Abel Green first defines the audience: ‘The “hill-billy” is a North Carolina or Tennessee and adjacent mountaineer type of illiterate white whose creed and allegiance are to the Bible … and the phonograph.’ Then the music got its lashing when Green described it as ‘the sing-song, nasal-twanging vocalising of a Vernon Dalhart or a Carson Robison … reciting the banal lyrics of a Prisoner’s Song or The Death of Floyd Collins …’These kinds of negative projections of the people who have made country music, and have listened to it, linger even unto today. The stereotype is that they all harbour conservative political and social beliefs, setting them as sexist, racist, jingoistic and fundamentalist Christian by nature. But this image is a lie. For, right from the start, country music spoke up with a progressive voice.One early example of this is from Blind Alfred Reed, who crafted How Can a Poor Man Stand Such Times and Live? (1929). The song takes on the unjust practices of groups in power, such as in the lines: ‘preachers preach for gold and not for souls’ and ‘Officers kill without a cause.’ It presents the entirety of the working class as being victimised at the very dawn of the Great Depression. But Reed also wrote the religious song There’ll Be No Distinction There (1929), which illustrated an egalitarian afterlife in the lines: ‘We’ll all sit together in the same kind of pews, / The whites and the coloured folks, the gentiles and the Jews.’ But Reed was not alone in expressing sympathy for the working class or in calling out for a more equitable society: others from this early era - such as Uncle Dave Macon, Fiddlin’ John Carson and Henry Whitter - expressed similar sentiments, just as Johnny Cash, Steve Earle and John Rich have done in later decades.Country music has also spoken out on women’s issues, such as in Loretta Lynn’s hit The Pill (1975). The song celebrates freedom from pregnancy, with the narrator noting how her husband has always been carefree and unfaithful while she was tied down with ‘a couple [babies] in my arms’ and another one on the way. Lynn’s message here is clear - she despises this kind of unequitable relationship, as she bluntly states in her autobiography Coal Miner’s Daughter (1976): ‘Well, shoot, I don’t believe in double standards, where men can get away with things that women can’t.’ In the country-music market, this song stands out as an unabashed and rather radical call for sexual liberation and biological control, challenging the man’s past sexual prerogative and presenting a situation where the woman may also enjoy a variety of sexual liaisons without the social/economic restrictions that come with pregnancy, childbirth and childcare. Lynn rejoices both in the song and in her own overall personal belief that the contraceptive pill will allow women greater control of their own lives.Q.The passage makes all the following claims EXCEPT: “Hill-billy” was considered a derogatory word. Country music was more progressive than it was perceived to be. The audience of country music was diverse.a)Statements 1 and 3 only.b)Statements 2 and 3 only.c)Statement 3 only.d)None amongst statements 1, 2 and 3.Correct answer is option 'D'. Can you explain this answer? tests, examples and also practice CAT tests.