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Film is an inherently illusionist and enormously powerful medium, one that even acknowledged masters of the form claim not to fully understand. Film may be the most pervasive and influential art form of the twentieth century, changing our culture and our perception of it, especially since television was introduced and the public began spending 40 percent of its free time watching. For many people, knowledge of a particular place, culture or historical event is likely to have been gleaned only from the movies. There are three principle influences on film: art, business and technology. Ideally, the artist would create films unencumbered by the other two, but the high costs and extreme technical demands of filmmaking ensure that every movie is inevitably the result of a collaboration or compromise between these three elements.
As literature has its own language and grammar, so does film, and the setup for a simple idea such as the opening of a horror film involves a complicated series of ingredients - long shots, closeups, lighting effects, set decoration, music, camera movement, and every one of these demands the involvement of several artists and technicians. Movies are invaluable reflectors of twentieth century culture, not only from filmic commentary by intelligent and socially aware filmmakers, but often inadvertently; the escapist musical Top Hat (1935) tells us something about the grim realities of the Depression. Movies will often shape themselves to appeal to perceived cultural attitudes, and as a result they will not only reflect their culture but actively influence it. This penchant for distorting a reflected vision of reality can often lead movies to create myths, with the heroic leads of action melodramas and presentations of historical characters that succeed more by their emotional resonance than their accuracy. A continuing question of the movies is whether or not they can ever fully be welcomed into the arts and accorded the same degree of respect that has long been given to other, older forms and mediums; universities were slow to offer courses in cinema, and indeed the avalanche of formula films makes it difficult to find the quality buried in the schlock. Mostly it seems to depend on the difference between art and entertainment, which several filmmakers and critics have offered opinions on.
Q. Which of the following is the biggest cause for the lack of respect imparted to movies in comparison to other art forms?
  • a)
    The difference between art and entertainment.
  • b)
    The prevalent opinions of most filmmakers and critics.
  • c)
    The slow entry of film studies in universities.
  • d)
    The mediocrity and sub-standard nature of formula film.
Correct answer is option 'A'. Can you explain this answer?
Most Upvoted Answer
Film is an inherently illusionist and enormously powerful medium, one...
Difference between art and entertainment:
Movies often struggle to earn the same level of respect as other art forms due to the perceived difference between art and entertainment. While some films are created with a deep artistic vision and intention to provoke thought and emotion, many others are made purely for commercial purposes, focusing on entertainment value rather than artistic merit.

Artistic vs. Commercial Intent:
Art is often associated with a higher purpose, seeking to challenge societal norms, provoke introspection, and evoke deep emotions. On the other hand, entertainment is primarily focused on providing enjoyment and escapism for the audience, often leading to formulaic plots, predictable endings, and reliance on special effects to attract viewers.

Perception by Filmmakers and Critics:
Many filmmakers and critics have expressed their opinions on the distinction between art and entertainment in movies. Some argue that films can be both artistically significant and commercially successful, while others believe that the pursuit of profit often compromises the artistic integrity of a film.

Slow Acceptance in Academia:
The slow entry of film studies in universities also contributes to the lack of respect for movies as an art form. While film courses are now more prevalent in academic institutions, there was a time when cinema was not considered a serious subject of study, further perpetuating the idea that movies are merely a form of entertainment.

Mediocrity of Formula Films:
The abundance of formulaic and mediocre films in the industry also plays a role in diminishing the respect accorded to movies. With a focus on profit margins and audience appeal, many studios produce films that lack originality, depth, and artistic value, leading to a perception of movies as a lesser form of art.
In conclusion, the perceived difference between art and entertainment, coupled with the prevalence of formulaic films and the slow acceptance of cinema in academia, all contribute to the lack of respect imparted to movies in comparison to other art forms.
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Community Answer
Film is an inherently illusionist and enormously powerful medium, one...
Option (a) is correct as the passage mentions the difference between entertainment and art as the key reason behind the lack of respect that movies are able to muster for themselves. Movies are perceived more as entertainment than as an art form.
Option (b) is incorrect as it is a mere addition to the correct answer but is rendered meaningless without option (a).
Option (c) is certainly a cause but not the primary one, as it can also be seen as a result of the general perception about movies.
Option (d) is incorrect as formula films form a fragment of all the work done in movie making and thus, they can't be used to comment generally about filmmaking and movies.
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Film is an inherently illusionist and enormously powerful medium, one that even acknowledged masters of the form claim not to fully understand. Film may be the most pervasive and influential art form of the twentieth century, changing our culture and our perception of it, especially since television was introduced and the public began spending 40 percent of its free time watching. For many people, knowledge of a particular place, culture or historical event is likely to have been gleaned only from the movies. There are three principle influences on film: art, business and technology. Ideally, the artist would create films unencumbered by the other two, but the high costs and extreme technical demands of filmmaking ensure that every movie is inevitably the result of a collaboration or compromise between these three elements. As literature has its own language and grammar, so does film, and the setup for a simple idea such as the opening of a horror film involves a complicated series of ingredients - long shots, close- ups, lighting effects, set decoration, music, camera movement, and every one of these demands the involvement of several artists and technicians. Movies are invaluable reflectors of twentieth century culture, not only from filmic commentary by intelligent and socially aware filmmakers, but often inadvertently; the escapist musical Top Hat (1935) tells us something about the grim realities of the Depression. Movies will often shape themselves to appeal to perceived cultural attitudes, and as a result they will not only reflect their culture but actively influence it. This penchant for distorting a reflected vision of reality can often lead movies to create myths, with the heroic leads of action melodramas and presentations of historical characters that succeed more by their emotional resonance than their accuracy. A continuing question of the movies is whether or not they can ever fully be welcomed into the arts and accorded the same degree of respect that has long been given to other, older forms and mediums; universities were slow to offer courses in cinema, and indeed the avalanche of formula films makes it difficult to find the quality buried in the schlock. Mostly it seems to depend on the difference between art and entertainment, which several filmmakers and critics have offered opinions on. [Extracted from The Art of Movie-Making, excerpts from Chapter 1: "Cinema Art, Film Technology and the Movie Industry," by Richard Beck Peacock.]Which of the following is the biggest cause for the lack of respect imparted to movies in comparison to other art forms?

Film is an inherently illusionist and enormously powerful medium, one that even acknowledged masters of the form claim not to fully understand. Film may be the most pervasive and influential art form of the twentieth century, changing our culture and our perception of it, especially since television was introduced and the public began spending 40 percent of its free time watching. For many people, knowledge of a particular place, culture or historical event is likely to have been gleaned only from the movies. There are three principle influences on film: art, business and technology. Ideally, the artist would create films unencumbered by the other two, but the high costs and extreme technical demands of filmmaking ensure that every movie is inevitably the result of a collaboration or compromise between these three elements.As literature has its own language and grammar, so does film, and the setup for a simple idea such as the opening of a horror film involves a complicated series of ingredients - long shots, closeups, lighting effects, set decoration, music, camera movement, and every one of these demands the involvement of several artists and technicians. Movies are invaluable reflectors of twentieth century culture, not only from filmic commentary by intelligent and socially aware filmmakers, but often inadvertently; the escapist musical Top Hat (1935) tells us something about the grim realities of the Depression. Movies will often shape themselves to appeal to perceived cultural attitudes, and as a result they will not only reflect their culture but actively influence it. This penchant for distorting a reflected vision of reality can often lead movies to create myths, with the heroic leads of action melodramas and presentations of historical characters that succeed more by their emotional resonance than their accuracy. A continuing question of the movies is whether or not they can ever fully be welcomed into the arts and accorded the same degree of respect that has long been given to other, older forms and mediums; universities were slow to offer courses in cinema, and indeed the avalanche of formula films makes it difficult to find the quality buried in the schlock. Mostly it seems to depend on the difference between art and entertainment, which several filmmakers and critics have offered opinions on.Q. What is the necessary element of compromise in every movie?

Film is an inherently illusionist and enormously powerful medium, one that even acknowledged masters of the form claim not to fully understand. Film may be the most pervasive and influential art form of the twentieth century, changing our culture and our perception of it, especially since television was introduced and the public began spending 40 percent of its free time watching. For many people, knowledge of a particular place, culture or historical event is likely to have been gleaned only from the movies. There are three principle influences on film: art, business and technology. Ideally, the artist would create films unencumbered by the other two, but the high costs and extreme technical demands of filmmaking ensure that every movie is inevitably the result of a collaboration or compromise between these three elements.As literature has its own language and grammar, so does film, and the setup for a simple idea such as the opening of a horror film involves a complicated series of ingredients - long shots, closeups, lighting effects, set decoration, music, camera movement, and every one of these demands the involvement of several artists and technicians. Movies are invaluable reflectors of twentieth century culture, not only from filmic commentary by intelligent and socially aware filmmakers, but often inadvertently; the escapist musical Top Hat (1935) tells us something about the grim realities of the Depression. Movies will often shape themselves to appeal to perceived cultural attitudes, and as a result they will not only reflect their culture but actively influence it. This penchant for distorting a reflected vision of reality can often lead movies to create myths, with the heroic leads of action melodramas and presentations of historical characters that succeed more by their emotional resonance than their accuracy. A continuing question of the movies is whether or not they can ever fully be welcomed into the arts and accorded the same degree of respect that has long been given to other, older forms and mediums; universities were slow to offer courses in cinema, and indeed the avalanche of formula films makes it difficult to find the quality buried in the schlock. Mostly it seems to depend on the difference between art and entertainment, which several filmmakers and critics have offered opinions on.Q. Why do movies tend to often reflect the culture and prevalent norms of a society?

Film is an inherently illusionist and enormously powerful medium, one that even acknowledged masters of the form claim not to fully understand. Film may be the most pervasive and influential art form of the twentieth century, changing our culture and our perception of it, especially since television was introduced and the public began spending 40 percent of its free time watching. For many people, knowledge of a particular place, culture or historical event is likely to have been gleaned only from the movies. There are three principle influences on film: art, business and technology. Ideally, the artist would create films unencumbered by the other two, but the high costs and extreme technical demands of filmmaking ensure that every movie is inevitably the result of a collaboration or compromise between these three elements.As literature has its own language and grammar, so does film, and the setup for a simple idea such as the opening of a horror film involves a complicated series of ingredients - long shots, closeups, lighting effects, set decoration, music, camera movement, and every one of these demands the involvement of several artists and technicians. Movies are invaluable reflectors of twentieth century culture, not only from filmic commentary by intelligent and socially aware filmmakers, but often inadvertently; the escapist musical Top Hat (1935) tells us something about the grim realities of the Depression. Movies will often shape themselves to appeal to perceived cultural attitudes, and as a result they will not only reflect their culture but actively influence it. This penchant for distorting a reflected vision of reality can often lead movies to create myths, with the heroic leads of action melodramas and presentations of historical characters that succeed more by their emotional resonance than their accuracy. A continuing question of the movies is whether or not they can ever fully be welcomed into the arts and accorded the same degree of respect that has long been given to other, older forms and mediums; universities were slow to offer courses in cinema, and indeed the avalanche of formula films makes it difficult to find the quality buried in the schlock. Mostly it seems to depend on the difference between art and entertainment, which several filmmakers and critics have offered opinions on.Q. What makes movies such a powerful medium of expressive art?

Film is an inherently illusionist and enormously powerful medium, one that even acknowledged masters of the form claim not to fully understand. Film may be the most pervasive and influential art form of the twentieth century, changing our culture and our perception of it, especially since television was introduced and the public began spending 40 percent of its free time watching. For many people, knowledge of a particular place, culture or historical event is likely to have been gleaned only from the movies. There are three principle influences on film: art, business and technology. Ideally, the artist would create films unencumbered by the other two, but the high costs and extreme technical demands of filmmaking ensure that every movie is inevitably the result of a collaboration or compromise between these three elements. As literature has its own language and grammar, so does film, and the setup for a simple idea such as the opening of a horror film involves a complicated series of ingredients - long shots, close- ups, lighting effects, set decoration, music, camera movement, and every one of these demands the involvement of several artists and technicians. Movies are invaluable reflectors of twentieth century culture, not only from filmic commentary by intelligent and socially aware filmmakers, but often inadvertently; the escapist musical Top Hat (1935) tells us something about the grim realities of the Depression. Movies will often shape themselves to appeal to perceived cultural attitudes, and as a result they will not only reflect their culture but actively influence it. This penchant for distorting a reflected vision of reality can often lead movies to create myths, with the heroic leads of action melodramas and presentations of historical characters that succeed more by their emotional resonance than their accuracy. A continuing question of the movies is whether or not they can ever fully be welcomed into the arts and accorded the same degree of respect that has long been given to other, older forms and mediums; universities were slow to offer courses in cinema, and indeed the avalanche of formula films makes it difficult to find the quality buried in the schlock. Mostly it seems to depend on the difference between art and entertainment, which several filmmakers and critics have offered opinions on. [Extracted from The Art of Movie-Making, excerpts from Chapter 1: "Cinema Art, Film Technology and the Movie Industry," by Richard Beck Peacock.]What is the necessary element of compromise inevery movie?

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Film is an inherently illusionist and enormously powerful medium, one that even acknowledged masters of the form claim not to fully understand. Film may be the most pervasive and influential art form of the twentieth century, changing our culture and our perception of it, especially since television was introduced and the public began spending 40 percent of its free time watching. For many people, knowledge of a particular place, culture or historical event is likely to have been gleaned only from the movies. There are three principle influences on film: art, business and technology. Ideally, the artist would create films unencumbered by the other two, but the high costs and extreme technical demands of filmmaking ensure that every movie is inevitably the result of a collaboration or compromise between these three elements.As literature has its own language and grammar, so does film, and the setup for a simple idea such as the opening of a horror film involves a complicated series of ingredients - long shots, closeups, lighting effects, set decoration, music, camera movement, and every one of these demands the involvement of several artists and technicians. Movies are invaluable reflectors of twentieth century culture, not only from filmic commentary by intelligent and socially aware filmmakers, but often inadvertently; the escapist musical Top Hat (1935) tells us something about the grim realities of the Depression. Movies will often shape themselves to appeal to perceived cultural attitudes, and as a result they will not only reflect their culture but actively influence it. This penchant for distorting a reflected vision of reality can often lead movies to create myths, with the heroic leads of action melodramas and presentations of historical characters that succeed more by their emotional resonance than their accuracy. A continuing question of the movies is whether or not they can ever fully be welcomed into the arts and accorded the same degree of respect that has long been given to other, older forms and mediums; universities were slow to offer courses in cinema, and indeed the avalanche of formula films makes it difficult to find the quality buried in the schlock. Mostly it seems to depend on the difference between art and entertainment, which several filmmakers and critics have offered opinions on.Q. Which of the following is the biggest cause for the lack of respect imparted to movies in comparison to other art forms?a)The difference between art and entertainment.b)The prevalent opinions of most filmmakers and critics.c)The slow entry of film studies in universities.d)The mediocrity and sub-standard nature of formula film.Correct answer is option 'A'. Can you explain this answer?
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Film is an inherently illusionist and enormously powerful medium, one that even acknowledged masters of the form claim not to fully understand. Film may be the most pervasive and influential art form of the twentieth century, changing our culture and our perception of it, especially since television was introduced and the public began spending 40 percent of its free time watching. For many people, knowledge of a particular place, culture or historical event is likely to have been gleaned only from the movies. There are three principle influences on film: art, business and technology. Ideally, the artist would create films unencumbered by the other two, but the high costs and extreme technical demands of filmmaking ensure that every movie is inevitably the result of a collaboration or compromise between these three elements.As literature has its own language and grammar, so does film, and the setup for a simple idea such as the opening of a horror film involves a complicated series of ingredients - long shots, closeups, lighting effects, set decoration, music, camera movement, and every one of these demands the involvement of several artists and technicians. Movies are invaluable reflectors of twentieth century culture, not only from filmic commentary by intelligent and socially aware filmmakers, but often inadvertently; the escapist musical Top Hat (1935) tells us something about the grim realities of the Depression. Movies will often shape themselves to appeal to perceived cultural attitudes, and as a result they will not only reflect their culture but actively influence it. This penchant for distorting a reflected vision of reality can often lead movies to create myths, with the heroic leads of action melodramas and presentations of historical characters that succeed more by their emotional resonance than their accuracy. A continuing question of the movies is whether or not they can ever fully be welcomed into the arts and accorded the same degree of respect that has long been given to other, older forms and mediums; universities were slow to offer courses in cinema, and indeed the avalanche of formula films makes it difficult to find the quality buried in the schlock. Mostly it seems to depend on the difference between art and entertainment, which several filmmakers and critics have offered opinions on.Q. Which of the following is the biggest cause for the lack of respect imparted to movies in comparison to other art forms?a)The difference between art and entertainment.b)The prevalent opinions of most filmmakers and critics.c)The slow entry of film studies in universities.d)The mediocrity and sub-standard nature of formula film.Correct answer is option 'A'. Can you explain this answer? for CLAT 2025 is part of CLAT preparation. The Question and answers have been prepared according to the CLAT exam syllabus. Information about Film is an inherently illusionist and enormously powerful medium, one that even acknowledged masters of the form claim not to fully understand. Film may be the most pervasive and influential art form of the twentieth century, changing our culture and our perception of it, especially since television was introduced and the public began spending 40 percent of its free time watching. For many people, knowledge of a particular place, culture or historical event is likely to have been gleaned only from the movies. There are three principle influences on film: art, business and technology. Ideally, the artist would create films unencumbered by the other two, but the high costs and extreme technical demands of filmmaking ensure that every movie is inevitably the result of a collaboration or compromise between these three elements.As literature has its own language and grammar, so does film, and the setup for a simple idea such as the opening of a horror film involves a complicated series of ingredients - long shots, closeups, lighting effects, set decoration, music, camera movement, and every one of these demands the involvement of several artists and technicians. Movies are invaluable reflectors of twentieth century culture, not only from filmic commentary by intelligent and socially aware filmmakers, but often inadvertently; the escapist musical Top Hat (1935) tells us something about the grim realities of the Depression. Movies will often shape themselves to appeal to perceived cultural attitudes, and as a result they will not only reflect their culture but actively influence it. This penchant for distorting a reflected vision of reality can often lead movies to create myths, with the heroic leads of action melodramas and presentations of historical characters that succeed more by their emotional resonance than their accuracy. A continuing question of the movies is whether or not they can ever fully be welcomed into the arts and accorded the same degree of respect that has long been given to other, older forms and mediums; universities were slow to offer courses in cinema, and indeed the avalanche of formula films makes it difficult to find the quality buried in the schlock. Mostly it seems to depend on the difference between art and entertainment, which several filmmakers and critics have offered opinions on.Q. Which of the following is the biggest cause for the lack of respect imparted to movies in comparison to other art forms?a)The difference between art and entertainment.b)The prevalent opinions of most filmmakers and critics.c)The slow entry of film studies in universities.d)The mediocrity and sub-standard nature of formula film.Correct answer is option 'A'. Can you explain this answer? covers all topics & solutions for CLAT 2025 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Film is an inherently illusionist and enormously powerful medium, one that even acknowledged masters of the form claim not to fully understand. Film may be the most pervasive and influential art form of the twentieth century, changing our culture and our perception of it, especially since television was introduced and the public began spending 40 percent of its free time watching. For many people, knowledge of a particular place, culture or historical event is likely to have been gleaned only from the movies. There are three principle influences on film: art, business and technology. Ideally, the artist would create films unencumbered by the other two, but the high costs and extreme technical demands of filmmaking ensure that every movie is inevitably the result of a collaboration or compromise between these three elements.As literature has its own language and grammar, so does film, and the setup for a simple idea such as the opening of a horror film involves a complicated series of ingredients - long shots, closeups, lighting effects, set decoration, music, camera movement, and every one of these demands the involvement of several artists and technicians. Movies are invaluable reflectors of twentieth century culture, not only from filmic commentary by intelligent and socially aware filmmakers, but often inadvertently; the escapist musical Top Hat (1935) tells us something about the grim realities of the Depression. Movies will often shape themselves to appeal to perceived cultural attitudes, and as a result they will not only reflect their culture but actively influence it. This penchant for distorting a reflected vision of reality can often lead movies to create myths, with the heroic leads of action melodramas and presentations of historical characters that succeed more by their emotional resonance than their accuracy. A continuing question of the movies is whether or not they can ever fully be welcomed into the arts and accorded the same degree of respect that has long been given to other, older forms and mediums; universities were slow to offer courses in cinema, and indeed the avalanche of formula films makes it difficult to find the quality buried in the schlock. Mostly it seems to depend on the difference between art and entertainment, which several filmmakers and critics have offered opinions on.Q. Which of the following is the biggest cause for the lack of respect imparted to movies in comparison to other art forms?a)The difference between art and entertainment.b)The prevalent opinions of most filmmakers and critics.c)The slow entry of film studies in universities.d)The mediocrity and sub-standard nature of formula film.Correct answer is option 'A'. Can you explain this answer?.
Solutions for Film is an inherently illusionist and enormously powerful medium, one that even acknowledged masters of the form claim not to fully understand. Film may be the most pervasive and influential art form of the twentieth century, changing our culture and our perception of it, especially since television was introduced and the public began spending 40 percent of its free time watching. For many people, knowledge of a particular place, culture or historical event is likely to have been gleaned only from the movies. There are three principle influences on film: art, business and technology. Ideally, the artist would create films unencumbered by the other two, but the high costs and extreme technical demands of filmmaking ensure that every movie is inevitably the result of a collaboration or compromise between these three elements.As literature has its own language and grammar, so does film, and the setup for a simple idea such as the opening of a horror film involves a complicated series of ingredients - long shots, closeups, lighting effects, set decoration, music, camera movement, and every one of these demands the involvement of several artists and technicians. Movies are invaluable reflectors of twentieth century culture, not only from filmic commentary by intelligent and socially aware filmmakers, but often inadvertently; the escapist musical Top Hat (1935) tells us something about the grim realities of the Depression. Movies will often shape themselves to appeal to perceived cultural attitudes, and as a result they will not only reflect their culture but actively influence it. This penchant for distorting a reflected vision of reality can often lead movies to create myths, with the heroic leads of action melodramas and presentations of historical characters that succeed more by their emotional resonance than their accuracy. A continuing question of the movies is whether or not they can ever fully be welcomed into the arts and accorded the same degree of respect that has long been given to other, older forms and mediums; universities were slow to offer courses in cinema, and indeed the avalanche of formula films makes it difficult to find the quality buried in the schlock. Mostly it seems to depend on the difference between art and entertainment, which several filmmakers and critics have offered opinions on.Q. Which of the following is the biggest cause for the lack of respect imparted to movies in comparison to other art forms?a)The difference between art and entertainment.b)The prevalent opinions of most filmmakers and critics.c)The slow entry of film studies in universities.d)The mediocrity and sub-standard nature of formula film.Correct answer is option 'A'. Can you explain this answer? in English & in Hindi are available as part of our courses for CLAT. Download more important topics, notes, lectures and mock test series for CLAT Exam by signing up for free.
Here you can find the meaning of Film is an inherently illusionist and enormously powerful medium, one that even acknowledged masters of the form claim not to fully understand. Film may be the most pervasive and influential art form of the twentieth century, changing our culture and our perception of it, especially since television was introduced and the public began spending 40 percent of its free time watching. For many people, knowledge of a particular place, culture or historical event is likely to have been gleaned only from the movies. There are three principle influences on film: art, business and technology. Ideally, the artist would create films unencumbered by the other two, but the high costs and extreme technical demands of filmmaking ensure that every movie is inevitably the result of a collaboration or compromise between these three elements.As literature has its own language and grammar, so does film, and the setup for a simple idea such as the opening of a horror film involves a complicated series of ingredients - long shots, closeups, lighting effects, set decoration, music, camera movement, and every one of these demands the involvement of several artists and technicians. Movies are invaluable reflectors of twentieth century culture, not only from filmic commentary by intelligent and socially aware filmmakers, but often inadvertently; the escapist musical Top Hat (1935) tells us something about the grim realities of the Depression. Movies will often shape themselves to appeal to perceived cultural attitudes, and as a result they will not only reflect their culture but actively influence it. This penchant for distorting a reflected vision of reality can often lead movies to create myths, with the heroic leads of action melodramas and presentations of historical characters that succeed more by their emotional resonance than their accuracy. A continuing question of the movies is whether or not they can ever fully be welcomed into the arts and accorded the same degree of respect that has long been given to other, older forms and mediums; universities were slow to offer courses in cinema, and indeed the avalanche of formula films makes it difficult to find the quality buried in the schlock. Mostly it seems to depend on the difference between art and entertainment, which several filmmakers and critics have offered opinions on.Q. Which of the following is the biggest cause for the lack of respect imparted to movies in comparison to other art forms?a)The difference between art and entertainment.b)The prevalent opinions of most filmmakers and critics.c)The slow entry of film studies in universities.d)The mediocrity and sub-standard nature of formula film.Correct answer is option 'A'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of Film is an inherently illusionist and enormously powerful medium, one that even acknowledged masters of the form claim not to fully understand. Film may be the most pervasive and influential art form of the twentieth century, changing our culture and our perception of it, especially since television was introduced and the public began spending 40 percent of its free time watching. For many people, knowledge of a particular place, culture or historical event is likely to have been gleaned only from the movies. There are three principle influences on film: art, business and technology. Ideally, the artist would create films unencumbered by the other two, but the high costs and extreme technical demands of filmmaking ensure that every movie is inevitably the result of a collaboration or compromise between these three elements.As literature has its own language and grammar, so does film, and the setup for a simple idea such as the opening of a horror film involves a complicated series of ingredients - long shots, closeups, lighting effects, set decoration, music, camera movement, and every one of these demands the involvement of several artists and technicians. Movies are invaluable reflectors of twentieth century culture, not only from filmic commentary by intelligent and socially aware filmmakers, but often inadvertently; the escapist musical Top Hat (1935) tells us something about the grim realities of the Depression. Movies will often shape themselves to appeal to perceived cultural attitudes, and as a result they will not only reflect their culture but actively influence it. This penchant for distorting a reflected vision of reality can often lead movies to create myths, with the heroic leads of action melodramas and presentations of historical characters that succeed more by their emotional resonance than their accuracy. A continuing question of the movies is whether or not they can ever fully be welcomed into the arts and accorded the same degree of respect that has long been given to other, older forms and mediums; universities were slow to offer courses in cinema, and indeed the avalanche of formula films makes it difficult to find the quality buried in the schlock. Mostly it seems to depend on the difference between art and entertainment, which several filmmakers and critics have offered opinions on.Q. Which of the following is the biggest cause for the lack of respect imparted to movies in comparison to other art forms?a)The difference between art and entertainment.b)The prevalent opinions of most filmmakers and critics.c)The slow entry of film studies in universities.d)The mediocrity and sub-standard nature of formula film.Correct answer is option 'A'. Can you explain this answer?, a detailed solution for Film is an inherently illusionist and enormously powerful medium, one that even acknowledged masters of the form claim not to fully understand. Film may be the most pervasive and influential art form of the twentieth century, changing our culture and our perception of it, especially since television was introduced and the public began spending 40 percent of its free time watching. For many people, knowledge of a particular place, culture or historical event is likely to have been gleaned only from the movies. There are three principle influences on film: art, business and technology. Ideally, the artist would create films unencumbered by the other two, but the high costs and extreme technical demands of filmmaking ensure that every movie is inevitably the result of a collaboration or compromise between these three elements.As literature has its own language and grammar, so does film, and the setup for a simple idea such as the opening of a horror film involves a complicated series of ingredients - long shots, closeups, lighting effects, set decoration, music, camera movement, and every one of these demands the involvement of several artists and technicians. Movies are invaluable reflectors of twentieth century culture, not only from filmic commentary by intelligent and socially aware filmmakers, but often inadvertently; the escapist musical Top Hat (1935) tells us something about the grim realities of the Depression. Movies will often shape themselves to appeal to perceived cultural attitudes, and as a result they will not only reflect their culture but actively influence it. This penchant for distorting a reflected vision of reality can often lead movies to create myths, with the heroic leads of action melodramas and presentations of historical characters that succeed more by their emotional resonance than their accuracy. A continuing question of the movies is whether or not they can ever fully be welcomed into the arts and accorded the same degree of respect that has long been given to other, older forms and mediums; universities were slow to offer courses in cinema, and indeed the avalanche of formula films makes it difficult to find the quality buried in the schlock. Mostly it seems to depend on the difference between art and entertainment, which several filmmakers and critics have offered opinions on.Q. Which of the following is the biggest cause for the lack of respect imparted to movies in comparison to other art forms?a)The difference between art and entertainment.b)The prevalent opinions of most filmmakers and critics.c)The slow entry of film studies in universities.d)The mediocrity and sub-standard nature of formula film.Correct answer is option 'A'. Can you explain this answer? has been provided alongside types of Film is an inherently illusionist and enormously powerful medium, one that even acknowledged masters of the form claim not to fully understand. Film may be the most pervasive and influential art form of the twentieth century, changing our culture and our perception of it, especially since television was introduced and the public began spending 40 percent of its free time watching. For many people, knowledge of a particular place, culture or historical event is likely to have been gleaned only from the movies. There are three principle influences on film: art, business and technology. Ideally, the artist would create films unencumbered by the other two, but the high costs and extreme technical demands of filmmaking ensure that every movie is inevitably the result of a collaboration or compromise between these three elements.As literature has its own language and grammar, so does film, and the setup for a simple idea such as the opening of a horror film involves a complicated series of ingredients - long shots, closeups, lighting effects, set decoration, music, camera movement, and every one of these demands the involvement of several artists and technicians. Movies are invaluable reflectors of twentieth century culture, not only from filmic commentary by intelligent and socially aware filmmakers, but often inadvertently; the escapist musical Top Hat (1935) tells us something about the grim realities of the Depression. Movies will often shape themselves to appeal to perceived cultural attitudes, and as a result they will not only reflect their culture but actively influence it. This penchant for distorting a reflected vision of reality can often lead movies to create myths, with the heroic leads of action melodramas and presentations of historical characters that succeed more by their emotional resonance than their accuracy. A continuing question of the movies is whether or not they can ever fully be welcomed into the arts and accorded the same degree of respect that has long been given to other, older forms and mediums; universities were slow to offer courses in cinema, and indeed the avalanche of formula films makes it difficult to find the quality buried in the schlock. Mostly it seems to depend on the difference between art and entertainment, which several filmmakers and critics have offered opinions on.Q. Which of the following is the biggest cause for the lack of respect imparted to movies in comparison to other art forms?a)The difference between art and entertainment.b)The prevalent opinions of most filmmakers and critics.c)The slow entry of film studies in universities.d)The mediocrity and sub-standard nature of formula film.Correct answer is option 'A'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice Film is an inherently illusionist and enormously powerful medium, one that even acknowledged masters of the form claim not to fully understand. Film may be the most pervasive and influential art form of the twentieth century, changing our culture and our perception of it, especially since television was introduced and the public began spending 40 percent of its free time watching. For many people, knowledge of a particular place, culture or historical event is likely to have been gleaned only from the movies. There are three principle influences on film: art, business and technology. Ideally, the artist would create films unencumbered by the other two, but the high costs and extreme technical demands of filmmaking ensure that every movie is inevitably the result of a collaboration or compromise between these three elements.As literature has its own language and grammar, so does film, and the setup for a simple idea such as the opening of a horror film involves a complicated series of ingredients - long shots, closeups, lighting effects, set decoration, music, camera movement, and every one of these demands the involvement of several artists and technicians. Movies are invaluable reflectors of twentieth century culture, not only from filmic commentary by intelligent and socially aware filmmakers, but often inadvertently; the escapist musical Top Hat (1935) tells us something about the grim realities of the Depression. Movies will often shape themselves to appeal to perceived cultural attitudes, and as a result they will not only reflect their culture but actively influence it. This penchant for distorting a reflected vision of reality can often lead movies to create myths, with the heroic leads of action melodramas and presentations of historical characters that succeed more by their emotional resonance than their accuracy. A continuing question of the movies is whether or not they can ever fully be welcomed into the arts and accorded the same degree of respect that has long been given to other, older forms and mediums; universities were slow to offer courses in cinema, and indeed the avalanche of formula films makes it difficult to find the quality buried in the schlock. Mostly it seems to depend on the difference between art and entertainment, which several filmmakers and critics have offered opinions on.Q. Which of the following is the biggest cause for the lack of respect imparted to movies in comparison to other art forms?a)The difference between art and entertainment.b)The prevalent opinions of most filmmakers and critics.c)The slow entry of film studies in universities.d)The mediocrity and sub-standard nature of formula film.Correct answer is option 'A'. Can you explain this answer? tests, examples and also practice CLAT tests.
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