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Directions: Read the Passage carefully and answer the question as follow.Perhaps every Anglo-Saxon scholar has his own theory as to how Beowulf should be translated. Some have given us prose versions of what we believe to be a great poem. Is it any reflection on our honoured Kemble and Arnold to say that their translations fail to show a layman that Beowulf is justly called our first epic? Of those translators who have used verse, several have written from what would seem a mistaken point of view. Is it proper, for instance, that the grave and solemn speeches of Beowulf and Hrothgar be put in ballad measures, tripping lightly and airily along? Or, again, is it fitting that the rough martial music of Anglo-Saxon verse be interpreted to us in the smooth measures of modern blank verse? Do we hear what has been beautifully called “the clanging tread of a warrior in mail”?The present work is a modest effort to reproduce approximately, in modern measures, the venerable epic, Beowulf. Approximately, I repeat; for a very close reproduction of Anglo-Saxon verse would, to a large extent, be prose and uninteresting to a modern ear. The Heyne-Socin text and glossary have been closely followed. Occasionally, a deviation has been made, but always for what seemed good and sufficient reason. The translator does not aim to be an editor. Once in a while, however, he has added a conjecture of his own to the emendations quoted from the criticisms of other students of the poem.This work is addressed to two classes of readers. From both of these alike the translator begs sympathy and co-operation. The Anglo-Saxon scholar he hopes to please by adhering faithfully to the original. The student of English literature he aims to interest by giving him, in modern garb, the most ancient epic of our race. This is a bold and venturesome undertaking; and yet there must be some students of the Teutonic past willing to follow even a daring guide, if they may read in modern phrases of the sorrows of Hrothgar, of the prowess of Beowulf, and of the feelings that stirred the hearts of our forefathers in their primeval homes.Q. What is the primary purpose of the third paragraph in the passage?a)To request for reader’s sympathy and understandingb)To describe how the author plans to capture the attention of two classes of readers in his translation of Beowulf.c)To explain how the author’s translation of Beowulf closely mimics the original workd)To justify why the author has desisted from following the original work very closely in his translatione)To describe how the author plans to interest the students of English literature in his translation of BeowulfCorrect answer is option 'B'. Can you explain this answer? for GMAT 2024 is part of GMAT preparation. The Question and answers have been prepared according to the GMAT exam syllabus. Information about Directions: Read the Passage carefully and answer the question as follow.Perhaps every Anglo-Saxon scholar has his own theory as to how Beowulf should be translated. Some have given us prose versions of what we believe to be a great poem. Is it any reflection on our honoured Kemble and Arnold to say that their translations fail to show a layman that Beowulf is justly called our first epic? Of those translators who have used verse, several have written from what would seem a mistaken point of view. Is it proper, for instance, that the grave and solemn speeches of Beowulf and Hrothgar be put in ballad measures, tripping lightly and airily along? Or, again, is it fitting that the rough martial music of Anglo-Saxon verse be interpreted to us in the smooth measures of modern blank verse? Do we hear what has been beautifully called “the clanging tread of a warrior in mail”?The present work is a modest effort to reproduce approximately, in modern measures, the venerable epic, Beowulf. Approximately, I repeat; for a very close reproduction of Anglo-Saxon verse would, to a large extent, be prose and uninteresting to a modern ear. The Heyne-Socin text and glossary have been closely followed. Occasionally, a deviation has been made, but always for what seemed good and sufficient reason. The translator does not aim to be an editor. Once in a while, however, he has added a conjecture of his own to the emendations quoted from the criticisms of other students of the poem.This work is addressed to two classes of readers. From both of these alike the translator begs sympathy and co-operation. The Anglo-Saxon scholar he hopes to please by adhering faithfully to the original. The student of English literature he aims to interest by giving him, in modern garb, the most ancient epic of our race. This is a bold and venturesome undertaking; and yet there must be some students of the Teutonic past willing to follow even a daring guide, if they may read in modern phrases of the sorrows of Hrothgar, of the prowess of Beowulf, and of the feelings that stirred the hearts of our forefathers in their primeval homes.Q. What is the primary purpose of the third paragraph in the passage?a)To request for reader’s sympathy and understandingb)To describe how the author plans to capture the attention of two classes of readers in his translation of Beowulf.c)To explain how the author’s translation of Beowulf closely mimics the original workd)To justify why the author has desisted from following the original work very closely in his translatione)To describe how the author plans to interest the students of English literature in his translation of BeowulfCorrect answer is option 'B'. Can you explain this answer? covers all topics & solutions for GMAT 2024 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Directions: Read the Passage carefully and answer the question as follow.Perhaps every Anglo-Saxon scholar has his own theory as to how Beowulf should be translated. Some have given us prose versions of what we believe to be a great poem. Is it any reflection on our honoured Kemble and Arnold to say that their translations fail to show a layman that Beowulf is justly called our first epic? Of those translators who have used verse, several have written from what would seem a mistaken point of view. Is it proper, for instance, that the grave and solemn speeches of Beowulf and Hrothgar be put in ballad measures, tripping lightly and airily along? Or, again, is it fitting that the rough martial music of Anglo-Saxon verse be interpreted to us in the smooth measures of modern blank verse? Do we hear what has been beautifully called “the clanging tread of a warrior in mail”?The present work is a modest effort to reproduce approximately, in modern measures, the venerable epic, Beowulf. Approximately, I repeat; for a very close reproduction of Anglo-Saxon verse would, to a large extent, be prose and uninteresting to a modern ear. The Heyne-Socin text and glossary have been closely followed. Occasionally, a deviation has been made, but always for what seemed good and sufficient reason. The translator does not aim to be an editor. Once in a while, however, he has added a conjecture of his own to the emendations quoted from the criticisms of other students of the poem.This work is addressed to two classes of readers. From both of these alike the translator begs sympathy and co-operation. The Anglo-Saxon scholar he hopes to please by adhering faithfully to the original. The student of English literature he aims to interest by giving him, in modern garb, the most ancient epic of our race. This is a bold and venturesome undertaking; and yet there must be some students of the Teutonic past willing to follow even a daring guide, if they may read in modern phrases of the sorrows of Hrothgar, of the prowess of Beowulf, and of the feelings that stirred the hearts of our forefathers in their primeval homes.Q. What is the primary purpose of the third paragraph in the passage?a)To request for reader’s sympathy and understandingb)To describe how the author plans to capture the attention of two classes of readers in his translation of Beowulf.c)To explain how the author’s translation of Beowulf closely mimics the original workd)To justify why the author has desisted from following the original work very closely in his translatione)To describe how the author plans to interest the students of English literature in his translation of BeowulfCorrect answer is option 'B'. Can you explain this answer?.

Solutions for Directions: Read the Passage carefully and answer the question as follow.Perhaps every Anglo-Saxon scholar has his own theory as to how Beowulf should be translated. Some have given us prose versions of what we believe to be a great poem. Is it any reflection on our honoured Kemble and Arnold to say that their translations fail to show a layman that Beowulf is justly called our first epic? Of those translators who have used verse, several have written from what would seem a mistaken point of view. Is it proper, for instance, that the grave and solemn speeches of Beowulf and Hrothgar be put in ballad measures, tripping lightly and airily along? Or, again, is it fitting that the rough martial music of Anglo-Saxon verse be interpreted to us in the smooth measures of modern blank verse? Do we hear what has been beautifully called “the clanging tread of a warrior in mail”?The present work is a modest effort to reproduce approximately, in modern measures, the venerable epic, Beowulf. Approximately, I repeat; for a very close reproduction of Anglo-Saxon verse would, to a large extent, be prose and uninteresting to a modern ear. The Heyne-Socin text and glossary have been closely followed. Occasionally, a deviation has been made, but always for what seemed good and sufficient reason. The translator does not aim to be an editor. Once in a while, however, he has added a conjecture of his own to the emendations quoted from the criticisms of other students of the poem.This work is addressed to two classes of readers. From both of these alike the translator begs sympathy and co-operation. The Anglo-Saxon scholar he hopes to please by adhering faithfully to the original. The student of English literature he aims to interest by giving him, in modern garb, the most ancient epic of our race. This is a bold and venturesome undertaking; and yet there must be some students of the Teutonic past willing to follow even a daring guide, if they may read in modern phrases of the sorrows of Hrothgar, of the prowess of Beowulf, and of the feelings that stirred the hearts of our forefathers in their primeval homes.Q. What is the primary purpose of the third paragraph in the passage?a)To request for reader’s sympathy and understandingb)To describe how the author plans to capture the attention of two classes of readers in his translation of Beowulf.c)To explain how the author’s translation of Beowulf closely mimics the original workd)To justify why the author has desisted from following the original work very closely in his translatione)To describe how the author plans to interest the students of English literature in his translation of BeowulfCorrect answer is option 'B'. Can you explain this answer? in English & in Hindi are available as part of our courses for GMAT. Download more important topics, notes, lectures and mock test series for GMAT Exam by signing up for free.

Here you can find the meaning of Directions: Read the Passage carefully and answer the question as follow.Perhaps every Anglo-Saxon scholar has his own theory as to how Beowulf should be translated. Some have given us prose versions of what we believe to be a great poem. Is it any reflection on our honoured Kemble and Arnold to say that their translations fail to show a layman that Beowulf is justly called our first epic? Of those translators who have used verse, several have written from what would seem a mistaken point of view. Is it proper, for instance, that the grave and solemn speeches of Beowulf and Hrothgar be put in ballad measures, tripping lightly and airily along? Or, again, is it fitting that the rough martial music of Anglo-Saxon verse be interpreted to us in the smooth measures of modern blank verse? Do we hear what has been beautifully called “the clanging tread of a warrior in mail”?The present work is a modest effort to reproduce approximately, in modern measures, the venerable epic, Beowulf. Approximately, I repeat; for a very close reproduction of Anglo-Saxon verse would, to a large extent, be prose and uninteresting to a modern ear. The Heyne-Socin text and glossary have been closely followed. Occasionally, a deviation has been made, but always for what seemed good and sufficient reason. The translator does not aim to be an editor. Once in a while, however, he has added a conjecture of his own to the emendations quoted from the criticisms of other students of the poem.This work is addressed to two classes of readers. From both of these alike the translator begs sympathy and co-operation. The Anglo-Saxon scholar he hopes to please by adhering faithfully to the original. The student of English literature he aims to interest by giving him, in modern garb, the most ancient epic of our race. This is a bold and venturesome undertaking; and yet there must be some students of the Teutonic past willing to follow even a daring guide, if they may read in modern phrases of the sorrows of Hrothgar, of the prowess of Beowulf, and of the feelings that stirred the hearts of our forefathers in their primeval homes.Q. What is the primary purpose of the third paragraph in the passage?a)To request for reader’s sympathy and understandingb)To describe how the author plans to capture the attention of two classes of readers in his translation of Beowulf.c)To explain how the author’s translation of Beowulf closely mimics the original workd)To justify why the author has desisted from following the original work very closely in his translatione)To describe how the author plans to interest the students of English literature in his translation of BeowulfCorrect answer is option 'B'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of Directions: Read the Passage carefully and answer the question as follow.Perhaps every Anglo-Saxon scholar has his own theory as to how Beowulf should be translated. Some have given us prose versions of what we believe to be a great poem. Is it any reflection on our honoured Kemble and Arnold to say that their translations fail to show a layman that Beowulf is justly called our first epic? Of those translators who have used verse, several have written from what would seem a mistaken point of view. Is it proper, for instance, that the grave and solemn speeches of Beowulf and Hrothgar be put in ballad measures, tripping lightly and airily along? Or, again, is it fitting that the rough martial music of Anglo-Saxon verse be interpreted to us in the smooth measures of modern blank verse? Do we hear what has been beautifully called “the clanging tread of a warrior in mail”?The present work is a modest effort to reproduce approximately, in modern measures, the venerable epic, Beowulf. Approximately, I repeat; for a very close reproduction of Anglo-Saxon verse would, to a large extent, be prose and uninteresting to a modern ear. The Heyne-Socin text and glossary have been closely followed. Occasionally, a deviation has been made, but always for what seemed good and sufficient reason. The translator does not aim to be an editor. Once in a while, however, he has added a conjecture of his own to the emendations quoted from the criticisms of other students of the poem.This work is addressed to two classes of readers. From both of these alike the translator begs sympathy and co-operation. The Anglo-Saxon scholar he hopes to please by adhering faithfully to the original. The student of English literature he aims to interest by giving him, in modern garb, the most ancient epic of our race. This is a bold and venturesome undertaking; and yet there must be some students of the Teutonic past willing to follow even a daring guide, if they may read in modern phrases of the sorrows of Hrothgar, of the prowess of Beowulf, and of the feelings that stirred the hearts of our forefathers in their primeval homes.Q. What is the primary purpose of the third paragraph in the passage?a)To request for reader’s sympathy and understandingb)To describe how the author plans to capture the attention of two classes of readers in his translation of Beowulf.c)To explain how the author’s translation of Beowulf closely mimics the original workd)To justify why the author has desisted from following the original work very closely in his translatione)To describe how the author plans to interest the students of English literature in his translation of BeowulfCorrect answer is option 'B'. Can you explain this answer?, a detailed solution for Directions: Read the Passage carefully and answer the question as follow.Perhaps every Anglo-Saxon scholar has his own theory as to how Beowulf should be translated. Some have given us prose versions of what we believe to be a great poem. Is it any reflection on our honoured Kemble and Arnold to say that their translations fail to show a layman that Beowulf is justly called our first epic? Of those translators who have used verse, several have written from what would seem a mistaken point of view. Is it proper, for instance, that the grave and solemn speeches of Beowulf and Hrothgar be put in ballad measures, tripping lightly and airily along? Or, again, is it fitting that the rough martial music of Anglo-Saxon verse be interpreted to us in the smooth measures of modern blank verse? Do we hear what has been beautifully called “the clanging tread of a warrior in mail”?The present work is a modest effort to reproduce approximately, in modern measures, the venerable epic, Beowulf. Approximately, I repeat; for a very close reproduction of Anglo-Saxon verse would, to a large extent, be prose and uninteresting to a modern ear. The Heyne-Socin text and glossary have been closely followed. Occasionally, a deviation has been made, but always for what seemed good and sufficient reason. The translator does not aim to be an editor. Once in a while, however, he has added a conjecture of his own to the emendations quoted from the criticisms of other students of the poem.This work is addressed to two classes of readers. From both of these alike the translator begs sympathy and co-operation. The Anglo-Saxon scholar he hopes to please by adhering faithfully to the original. The student of English literature he aims to interest by giving him, in modern garb, the most ancient epic of our race. This is a bold and venturesome undertaking; and yet there must be some students of the Teutonic past willing to follow even a daring guide, if they may read in modern phrases of the sorrows of Hrothgar, of the prowess of Beowulf, and of the feelings that stirred the hearts of our forefathers in their primeval homes.Q. What is the primary purpose of the third paragraph in the passage?a)To request for reader’s sympathy and understandingb)To describe how the author plans to capture the attention of two classes of readers in his translation of Beowulf.c)To explain how the author’s translation of Beowulf closely mimics the original workd)To justify why the author has desisted from following the original work very closely in his translatione)To describe how the author plans to interest the students of English literature in his translation of BeowulfCorrect answer is option 'B'. Can you explain this answer? has been provided alongside types of Directions: Read the Passage carefully and answer the question as follow.Perhaps every Anglo-Saxon scholar has his own theory as to how Beowulf should be translated. Some have given us prose versions of what we believe to be a great poem. Is it any reflection on our honoured Kemble and Arnold to say that their translations fail to show a layman that Beowulf is justly called our first epic? Of those translators who have used verse, several have written from what would seem a mistaken point of view. Is it proper, for instance, that the grave and solemn speeches of Beowulf and Hrothgar be put in ballad measures, tripping lightly and airily along? Or, again, is it fitting that the rough martial music of Anglo-Saxon verse be interpreted to us in the smooth measures of modern blank verse? Do we hear what has been beautifully called “the clanging tread of a warrior in mail”?The present work is a modest effort to reproduce approximately, in modern measures, the venerable epic, Beowulf. Approximately, I repeat; for a very close reproduction of Anglo-Saxon verse would, to a large extent, be prose and uninteresting to a modern ear. The Heyne-Socin text and glossary have been closely followed. Occasionally, a deviation has been made, but always for what seemed good and sufficient reason. The translator does not aim to be an editor. Once in a while, however, he has added a conjecture of his own to the emendations quoted from the criticisms of other students of the poem.This work is addressed to two classes of readers. From both of these alike the translator begs sympathy and co-operation. The Anglo-Saxon scholar he hopes to please by adhering faithfully to the original. The student of English literature he aims to interest by giving him, in modern garb, the most ancient epic of our race. This is a bold and venturesome undertaking; and yet there must be some students of the Teutonic past willing to follow even a daring guide, if they may read in modern phrases of the sorrows of Hrothgar, of the prowess of Beowulf, and of the feelings that stirred the hearts of our forefathers in their primeval homes.Q. What is the primary purpose of the third paragraph in the passage?a)To request for reader’s sympathy and understandingb)To describe how the author plans to capture the attention of two classes of readers in his translation of Beowulf.c)To explain how the author’s translation of Beowulf closely mimics the original workd)To justify why the author has desisted from following the original work very closely in his translatione)To describe how the author plans to interest the students of English literature in his translation of BeowulfCorrect answer is option 'B'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice Directions: Read the Passage carefully and answer the question as follow.Perhaps every Anglo-Saxon scholar has his own theory as to how Beowulf should be translated. Some have given us prose versions of what we believe to be a great poem. Is it any reflection on our honoured Kemble and Arnold to say that their translations fail to show a layman that Beowulf is justly called our first epic? Of those translators who have used verse, several have written from what would seem a mistaken point of view. Is it proper, for instance, that the grave and solemn speeches of Beowulf and Hrothgar be put in ballad measures, tripping lightly and airily along? Or, again, is it fitting that the rough martial music of Anglo-Saxon verse be interpreted to us in the smooth measures of modern blank verse? Do we hear what has been beautifully called “the clanging tread of a warrior in mail”?The present work is a modest effort to reproduce approximately, in modern measures, the venerable epic, Beowulf. Approximately, I repeat; for a very close reproduction of Anglo-Saxon verse would, to a large extent, be prose and uninteresting to a modern ear. The Heyne-Socin text and glossary have been closely followed. Occasionally, a deviation has been made, but always for what seemed good and sufficient reason. The translator does not aim to be an editor. Once in a while, however, he has added a conjecture of his own to the emendations quoted from the criticisms of other students of the poem.This work is addressed to two classes of readers. From both of these alike the translator begs sympathy and co-operation. The Anglo-Saxon scholar he hopes to please by adhering faithfully to the original. The student of English literature he aims to interest by giving him, in modern garb, the most ancient epic of our race. This is a bold and venturesome undertaking; and yet there must be some students of the Teutonic past willing to follow even a daring guide, if they may read in modern phrases of the sorrows of Hrothgar, of the prowess of Beowulf, and of the feelings that stirred the hearts of our forefathers in their primeval homes.Q. What is the primary purpose of the third paragraph in the passage?a)To request for reader’s sympathy and understandingb)To describe how the author plans to capture the attention of two classes of readers in his translation of Beowulf.c)To explain how the author’s translation of Beowulf closely mimics the original workd)To justify why the author has desisted from following the original work very closely in his translatione)To describe how the author plans to interest the students of English literature in his translation of BeowulfCorrect answer is option 'B'. Can you explain this answer? tests, examples and also practice GMAT tests.