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 In 1864 the Viceroy John Lawrence officially moved his council to this hill station, which also became the official residence of the Commander-in-Chief of the Indian Army. Name the above mentioned hill station.
  • a)
    Mount Abu
  • b)
    Dalhousie
  • c)
    Shimla
  • d)
    Darjeeling
Correct answer is option 'C'. Can you explain this answer?
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In 1864 the Viceroy John Lawrence officially moved his council to this...
Answer:

The correct answer is option 'C', Shimla.

Shimla, also known as Simla, is a famous hill station located in the state of Himachal Pradesh in northern India. It was the summer capital of British India during the colonial era and served as a retreat from the scorching heat of the plains. One of the key reasons for its selection as the summer capital was its pleasant climate and picturesque surroundings.

Role of Viceroy John Lawrence:
In 1864, the Viceroy of India, John Lawrence, made the decision to officially move his council to Shimla. This meant that the administrative headquarters of British India shifted to this hill station during the summer months. The decision was made to escape the extreme heat of the Indian plains and to ensure a more comfortable and conducive environment for conducting government affairs.

Residence of the Commander-in-Chief:
In addition to being the summer capital, Shimla also became the official residence of the Commander-in-Chief of the Indian Army. The Commander-in-Chief was the highest-ranking military officer in British India and having the headquarters in Shimla allowed for better coordination and administration of the armed forces.

Reasons for Choosing Shimla:
There were several reasons why Shimla was chosen as the preferred hill station for the Viceroy and the Commander-in-Chief:

1. Climate: Shimla's climate is mild and pleasant throughout the year, making it an ideal location for the summer capital. The temperature remains cool even during the peak summer months, providing respite from the scorching heat of the plains.

2. Strategic Location: Shimla is strategically located in the foothills of the Himalayas, providing a natural barrier against any potential invasions from the north. This made it a suitable location for the Commander-in-Chief to oversee the defense of the Indian subcontinent.

3. Accessibility: Shimla's location in the northern part of India made it easily accessible from major cities like Delhi and Kolkata. The construction of the Kalka-Shimla Railway line further improved connectivity, making it convenient for officials and British residents to travel to and from Shimla.

4. Natural Beauty: Shimla is surrounded by lush green hills, beautiful valleys, and picturesque landscapes. Its natural beauty and serene environment made it an ideal retreat for the British officials and their families.

In conclusion, Shimla became the official summer capital and the residence of the Commander-in-Chief of the Indian Army in 1864, under the leadership of Viceroy John Lawrence. Its pleasant climate, strategic location, accessibility, and natural beauty made it a perfect choice for conducting government affairs and military operations during the summer months.
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In 1864 the Viceroy John Lawrence officially moved his council to this...
In 1864 the Viceroy John Lawrence officially moved his council to Simla, setting seal to the practice of shifting capitals during the hot season.
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Directions: Please read the passage and answer the questions that follow:British pictures offer a variety of images that were meant to provoke a range of different emotions and reactions.Some of them commemorate the British heroes who saved the English and repressed the rebels. "Relief of Lucknow", painted by Thomas Jones Barker in 1859, is an example of this type. When the rebel forces besieged Lucknow, Henry Lawrence, the Commissioner of Lucknow, collected the Christian population and took refuge in the heavily fortified Residency.Lawrence was killed but the Residency continued to be defended under the command of Colonel Inglis. On 25 September James Outram and Henry Havelock arrived, cut through the rebel forces, and reinforced the British garrisons. Twenty days later Colin Campbell, who was appointed as the new Commander of British forces in India, came with his forces and rescued the besieged British garrison. In British accounts the siege of Lucknow became a story of survival, heroic resistance and the ultimate triumph of British power. Barkers painting celebrated the moment of Campbells entry. At the centre of the canvas are the British heroes -Campbell, Outram and Havelock. The gestures of the hands of those around lead the spectators eyes towards the centre. The heroes stand on a ground that is well lit, with shadows in the foreground and tire damaged Residency in the background.Tire dead and injured in the foreground are testimony to the suffering during the siege, while the triumphant figures of horses in the middle ground emphasise the fact that British power and control had been reestablished. To the British public such paintings were reassuring. They created a sense that the time of trouble was past and the rebellion was over; the British were the victors.Q. Thomas Jones Barker painted which famous painting?

Directions: Please read the passage and answer the questions that follow:British pictures offer a variety of images that were meant to provoke a range of different emotions and reactions.Some of them commemorate the British heroes who saved the English and repressed the rebels. "Relief of Lucknow", painted by Thomas Jones Barker in 1859, is an example of this type. When the rebel forces besieged Lucknow, Henry Lawrence, the Commissioner of Lucknow, collected the Christian population and took refuge in the heavily fortified Residency.Lawrence was killed but the Residency continued to be defended under the command of Colonel Inglis. On 25 September James Outram and Henry Havelock arrived, cut through the rebel forces, and reinforced the British garrisons. Twenty days later Colin Campbell, who was appointed as the new Commander of British forces in India, came with his forces and rescued the besieged British garrison. In British accounts the siege of Lucknow became a story of survival, heroic resistance and the ultimate triumph of British power. Barkers painting celebrated the moment of Campbells entry. At the centre of the canvas are the British heroes -Campbell, Outram and Havelock. The gestures of the hands of those around lead the spectators eyes towards the centre. The heroes stand on a ground that is well lit, with shadows in the foreground and tire damaged Residency in the background.Tire dead and injured in the foreground are testimony to the suffering during the siege, while the triumphant figures of horses in the middle ground emphasise the fact that British power and control had been reestablished. To the British public such paintings were reassuring. They created a sense that the time of trouble was past and the rebellion was over; the British were the victors.Q. After the death of Lawrence, the Residency was defended under the command of

Directions: Please read the passage and answer the questions that follow:British pictures offer a variety of images that were meant to provoke a range of different emotions and reactions.Some of them commemorate the British heroes who saved the English and repressed the rebels. "Relief of Lucknow", painted by Thomas Jones Barker in 1859, is an example of this type. When the rebel forces besieged Lucknow, Henry Lawrence, the Commissioner of Lucknow, collected the Christian population and took refuge in the heavily fortified Residency.Lawrence was killed but the Residency continued to be defended under the command of Colonel Inglis. On 25 September James Outram and Henry Havelock arrived, cut through the rebel forces, and reinforced the British garrisons. Twenty days later Colin Campbell, who was appointed as the new Commander of British forces in India, came with his forces and rescued the besieged British garrison. In British accounts the siege of Lucknow became a story of survival, heroic resistance and the ultimate triumph of British power. Barkers painting celebrated the moment of Campbells entry. At the centre of the canvas are the British heroes -Campbell, Outram and Havelock. The gestures of the hands of those around lead the spectators eyes towards the centre. The heroes stand on a ground that is well lit, with shadows in the foreground and tire damaged Residency in the background.Tire dead and injured in the foreground are testimony to the suffering during the siege, while the triumphant figures of horses in the middle ground emphasise the fact that British power and control had been reestablished. To the British public such paintings were reassuring. They created a sense that the time of trouble was past and the rebellion was over; the British were the victors.Q. Henry Laurence along with the Christian population took refuge in the heavily fortified Residency because

Directions: Please read the passage and answer the questions that follow:British pictures offer a variety of images that were meant to provoke a range of different emotions and reactions.Some of them commemorate the British heroes who saved the English and repressed the rebels. "Relief of Lucknow", painted by Thomas Jones Barker in 1859, is an example of this type. When the rebel forces besieged Lucknow, Henry Lawrence, the Commissioner of Lucknow, collected the Christian population and took refuge in the heavily fortified Residency.Lawrence was killed but the Residency continued to be defended under the command of Colonel Inglis. On 25 September James Outram and Henry Havelock arrived, cut through the rebel forces, and reinforced the British garrisons. Twenty days later Colin Campbell, who was appointed as the new Commander of British forces in India, came with his forces and rescued the besieged British garrison. In British accounts the siege of Lucknow became a story of survival, heroic resistance and the ultimate triumph of British power. Barkers painting celebrated the moment of Campbells entry. At the centre of the canvas are the British heroes -Campbell, Outram and Havelock. The gestures of the hands of those around lead the spectators eyes towards the centre. The heroes stand on a ground that is well lit, with shadows in the foreground and tire damaged Residency in the background.Tire dead and injured in the foreground are testimony to the suffering during the siege, while the triumphant figures of horses in the middle ground emphasise the fact that British power and control had been reestablished. To the British public such paintings were reassuring. They created a sense that the time of trouble was past and the rebellion was over; the British were the victors.Q. British accounts saw the siege of Lucknow as

Directions: Please read the passage and answer the questions that follow:British pictures offer a variety of images that were meant to provoke a range of different emotions and reactions.Some of them commemorate the British heroes who saved the English and repressed the rebels. "Relief of Lucknow", painted by Thomas Jones Barker in 1859, is an example of this type. When the rebel forces besieged Lucknow, Henry Lawrence, the Commissioner of Lucknow, collected the Christian population and took refuge in the heavily fortified Residency.Lawrence was killed but the Residency continued to be defended under the command of Colonel Inglis. On 25 September James Outram and Henry Havelock arrived, cut through the rebel forces, and reinforced the British garrisons. Twenty days later Colin Campbell, who was appointed as the new Commander of British forces in India, came with his forces and rescued the besieged British garrison. In British accounts the siege of Lucknow became a story of survival, heroic resistance and the ultimate triumph of British power. Barkers painting celebrated the moment of Campbells entry. At the centre of the canvas are the British heroes -Campbell, Outram and Havelock. The gestures of the hands of those around lead the spectators eyes towards the centre. The heroes stand on a ground that is well lit, with shadows in the foreground and tire damaged Residency in the background.Tire dead and injured in the foreground are testimony to the suffering during the siege, while the triumphant figures of horses in the middle ground emphasise the fact that British power and control had been reestablished. To the British public such paintings were reassuring. They created a sense that the time of trouble was past and the rebellion was over; the British were the victors.Q. In the painting "Relief of Lucknow", the figures of horses in the middle ground emphasise the fact that

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In 1864 the Viceroy John Lawrence officially moved his council to this hill station, which also became the official residence of the Commander-in-Chief of the Indian Army. Name the above mentioned hill station.a)Mount Abub)Dalhousiec)Shimlad)DarjeelingCorrect answer is option 'C'. Can you explain this answer?
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In 1864 the Viceroy John Lawrence officially moved his council to this hill station, which also became the official residence of the Commander-in-Chief of the Indian Army. Name the above mentioned hill station.a)Mount Abub)Dalhousiec)Shimlad)DarjeelingCorrect answer is option 'C'. Can you explain this answer? for Humanities/Arts 2024 is part of Humanities/Arts preparation. The Question and answers have been prepared according to the Humanities/Arts exam syllabus. Information about In 1864 the Viceroy John Lawrence officially moved his council to this hill station, which also became the official residence of the Commander-in-Chief of the Indian Army. Name the above mentioned hill station.a)Mount Abub)Dalhousiec)Shimlad)DarjeelingCorrect answer is option 'C'. Can you explain this answer? covers all topics & solutions for Humanities/Arts 2024 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for In 1864 the Viceroy John Lawrence officially moved his council to this hill station, which also became the official residence of the Commander-in-Chief of the Indian Army. Name the above mentioned hill station.a)Mount Abub)Dalhousiec)Shimlad)DarjeelingCorrect answer is option 'C'. Can you explain this answer?.
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